| Date | Desc | etree id | Rt | Notes | Flaws | dgf |
| xx/xx/67 | Fallout From The Phil Zone |
| fallout from the philzone;, initial release : june 1997, grateful dead records gdcd-4052, double cd of live tracks from 1967 to 1995 selected by phil lesh., tracks, disc 1, dancin' in the streets (stevenson / gaye / i. hunter), new speedway boogie (jerry garcia / robert hunter), viola lee blues (noah lewis), easy wind (robert hunter), mason's children (jerry garcia / phil lesh / bob weir / robert hunter), hard to handle (redding / jones / isabell), disc 2, the music never stopped (bob weir / john barlow), jack-a-roe (traditional arr. grateful dead), in the midnight hour (wilson pickett / steve cropper), visions of johanna (bob dylan), box of rain (phil lesh / robert hunter) | $ | *** |
| xx/xx/67 | The first Grateful Dead album. |
| grateful dead 1689 2, initial release : march 1967, warner bros. ws-1689, the first grateful dead album., released on cd in 1987 by warner brothers 2 1689, tracks, the golden road (to unlimited devotion) (mcgannahan skjellyfetti), beat it on down the line (jesse fuller), good morning, little school girl (h.g. demarais), cold rain and snow (mcgannahan skjellyfetti), sittin' on top of the world (jacobs/carter), cream puff war (jerry garcia), morning dew (dobson/rose), new, new minglewood blues (mcgannahan skjellyfetti), viola lee blues (noah lewis), musicians, jerry garcia - guitar, vocals, bill kreutzmann - drums, phil lesh - bass, pigpen (ron mckernan) - keyboards, harmonica, vocals, bob weir - guitar | $ | *** |
| xx/xx/67 | Anthem Of The Sun (50th Anniversary Deluxe Edition) |
| flac24 4.98gig; anthem_of_the_sun_50th_anniversary_deluxe_edition_digital_album 24, 1 $29.99, choose your format:, anthem of the sun (50th anniversary deluxe edition) (dd flac 192/24), anthem of the sun (50th anniversary deluxe edition) digital album flac download, this is one of the most thrilling albums the grateful dead ever produced, mixing portions of live recordings from the first six months of mickey's tenure with the band, along with studio experimentations that would hint at where the dead would go when they started recording to 16-track tape the following year. the 1971 remix, produced in order to make the album more accessible to the newer fans who were brought on board with workingman's dead and american beauty, has been the most commonly heard version for the past 45+ years. however, having this side-by-side with the original 1968 mix demonstrates countless differences, with the original mix being more primal, psychedelic, and experimental. add to this the first extant live recording featuring mickey as a member of the grateful dead, and you have a very special release in every way. - david lemieux, we're continuing our 50th anniversary reissue series with anthem of the sun: 50th anniversary deluxe edition, due july 13th. released 50 years after its anniversary date, this two-disc deluxe version features a double dose of the original album - one fully remastered from the original 1968 mix and the other remastered from the more well-known 1971 mix - as well as a bonus disc of a previously unreleased complete live show recorded on october 22, 1967 at winterland in san francisco, ca. newly remastered by jeffrey norman, this is the first known recording of the grateful dead with mickey hart, who joined the band in september 1967. the first run will come with a special lenticular of the cover., looking for something more byte-sized? for the first time ever, you can pre-order the high-def digital download of anthem on dead.net., do not stop on tracks, grab a copy while you can!, 2-disc set, release date: july 13, 2018, disc one, original 1968 mix, 1. that's it for the other one, i. cryptical envelopment, ii. quadlibet for tender feet, iii. the faster we go, the rounder we get, iv. we leave the castle, 2. new potato caboose, 3. born cross-eyed, 4. alligator, 5. caution (do not stop on tracks), 1971 remix, 6. that's it for the other one, i. cryptical envelopment, ii. quadlibet for tender feet, iii. the faster we go, the rounder we get, iv. we leave the castle, 7. new potato caboose, 8. born cross-eyed, 9. alligator, 10. caution (do not stop on tracks), disc two, winterland, san francisco, ca(10/22/67), 1. morning dew, 2. new potato caboose, 3. it hurts me too, 4. cold rain and snow, 5. turn on your love light, 6. beat it on down the line, 7. that's it for the other one, i. cryptical envelopment, ii. the other one, iii. cryptical envelopment | $ | Not Reviewed Yet |
| xx/xx/67 | Unknown location, practice session |
| studio sorochty , unknown date, probably | 125314 | B+ | *** |
| 1/14/67 | Polo Field, Golden Gate Park, San Francisco, CA |
| sbd vernon | 9108 | B | (a little hiss, small analog pop t1 3:15, analog drop t2 5:32, 8:32, the vocals on t3 are rap) | *** |
| 1/27/67 | Avalon Ballroom, San Francisco, CA |
| sbd | 8762 | C | in comparison on morning dew and cold rain and snow, 8762 had a fuller more easier to hear sound and 16744 is more muffled; 8762 is also faster and sounds too fast on cold rain and snow; over whole show 8762 is about 10% faster than 16744 | beep at t6 11:24 | *** | |
| aud hanno | 16744 | C | (analog drop t2 6:15, big drop t3 17:12. music jumps t6 0:17, light background static caused by clipping on right channel at-3db starting t6 12:34 for rest of track, pop t6 13:26 ) | *** |
| 2/12/67 | Fillmore Auditorium, San Francisco, CA |
| sbd theotherwayne | 18124 | B | (rates B- at first with some harshness on loud parts mainly on first half then turns to mainly B+ as volume subsides); wgv stream was very similar except a little less full | *** |
| 3/18/67 | Winterland Arena, San Francisco, CA |
| sbd sacks | 1594 | B- | has tv band; drop/cut between cdrs | *** | ||
| sbd fink | 10282 | B+ | on 1594 there is a cut at d1t3 0:00 followed by a 4 second segment followed by a cut - this segment is not pesent on the goodbear 10282 which appears continuous; at d2t1 0:00 10282 has about 2 seconds of vocals not present on the goodbear 10282 which is also faded in for another 2 seconds; both versions have an abrupt decrease in volume at 0:27; 1594 has small pop d2t2 1:20 not as noticable on goodbear 10282; cut d2t5 0:00 both versions except 1594 also has a digital drop there; 1594 has pop d2t6 4:01 not present on goodbear 10282; goodbear 10282 has small pops d1t1 0:04, 0:05, 0:25, 0:38, 0:57, 1:13, 1:18 and so on) (in 3-way comparison 1594 has a lot of hiss and the most, then goodbear still has some hiss but sounds unnatural like noise reduction used; 1594 little harsher and less full sound and has more rumbling than wgv stream) | has tv band; drop/cut between cdrs, d2t5 0:00;, d2t4 3:03; | *** | |
| set2 wgv;, set 2, tracks: 6 total time: 44:15 catalog: bill graham, wvip price $5.24, 1., the golden road (to unli, 2:15, 2., cream puff war, 6:15, 3., the same thing, 11:49, 4., cold rain and snow, 3:11, 5., viola lee blues, 14:28, 6., death don't have no merc, 6:17 | $ | A | mono; warmer, more natural, less hiss than 10282 | *** | ||
| set1 wgv;, - set 1, wvip price $8.04, tracks: 8 total time: 43:44 catalog: bill graham, concert set list track name time, 1., me and my uncle, 3:23, 2,next time you see me, 3:11, 3., he was a friend of mine, 4:45, 4., smokestack lightning, 9:09, 5., morning dew, 5:29, 6., it hurts me too, 4:08, 7., beat it on down the line, 3:22, 8., dancing in the street, 10:17 | $ | A | mono; warmer, more natural, less hiss than 10282 | *** | ||
| sbd dalton miller clugston 48, source | 141400 | Not Reviewed Yet |
| 4/xx/67 | with Phil Lesh, Tom Donahue, KMPX Radio Show |
| prefm vernon | 9261 | A- | big digi-glitch-drop d1t2 00:35 on right channel , flaw at d1t02 03:19 may be in music; did not hear flaw at d1t13 02:56, some surface noise noticable on quiet parts of some tracks such as d1t16 and d1t22 | *** |
| 4/8/67 | KPIX-TV Studios, San Francisco, CA |
| tv hanno | 12623 | B- | small pop t4 1:17; has a few spots where sound drops out briefly most notably at t5 1:08 | *** |
| 5/5/67 | Fillmore Auditorium, San Francisco, CA |
| sbs yerys | 1595 | B | sound is B+ for t1 | (has noticable hiss, small pop t1 2:19, analog drop t1 4:08; | *** | |
| sbd wolfe smith , don wolfe's 3 75 ips > | 126250 | B | in comparison on he was a friend of mine, 1595 and 126250 sounded similar; in spectral view 1595 cuts off at about 14k with noise above that while 126250 is continuous spectrum~at losslesslegs 04/27 15:28 Charlie Miller : 5/5/67 is really 9/29/67 and mickeys first show with the long alligator is 9/30/67 - The comments jerry makes on 5/5/67 are on the poster for the show - mickey's first show was the next day | *** | ||
| sbd wolfe smith 24, don wolfe's 3 75 ips > | 126263 |
| 6/18/67 | Monterey Fairgrounds, Monterey, CA |
| sbd hollister | 42 | B- | 42 sounds harsher than 19586; 42 has short interview type introductions at begin of t1 & t2 not on 19586; songs are also ordered differently; 42 does not have "the beatles are not here" talk tuning track but it does have an un-faded closing announcement at end of t4 not like on 19586; 42 has non-related music at end of t4; the version on 42 of Viola Lee Blues at 10:21 of music does not match the one from the other set on 19586; shnid=22805 is reported to be an sbe fix of 42 | (has digital drops t1 3:31, 3:38, t2 0:00, 0:03, and cut between t2 & t3, t | *** | |
| sbd mandrake | 19586 | B+ | (fade out at end of t4 makes ending announcement very hard to hear) | *** | ||
| sbd kaplan | 115858 | B+ | in comparison on beginning of cold rain and snow, 42 sounds harsher and narrower, while 115858 and 19586 sound similar except 19586 sounds slow; in comparison on alligator 115858 sounds brighter than 19586 which sounds slow | *** |
| 7/23/67 | Straight Theater - San Francisco, CA |
| aud sorochty , neal cassady and the | 125462 | B+ | this has warmer more listenable sound than the travelswithspider version; t2 has a scratchier noiser sound than t1 | *** |
| 8/4/67 | O'Keefe Center, Toronto, ON |
| 0 sbd vernon | 9110 | A- | in 4-way comparison this is very similar sound to 10355 and this has higher levels; 16752 was harsher and less clear; wgv stream was clearest and warmest and had additional song but there was disagreement on whether it had a less natural sound | *** | ||
| sbd hurwitt | 10355 | drop d1t2 0:00 | *** | |||
| sbd hanno | 16752 | A- | (little pops t1 0:04, 0:05, pop t1 2:24, noise t2 11:44 maybe because of clipping since there is some occasional through out, pops 18:25, abrupt end of t2 | *** | ||
| wgv;, wvip price $3.49, date: 08/04/1967, tracks: 3 total time: 28:59 catalog: bill graham, 1., the lindy, 1:26, 2., new potato caboose, 6:49, 3., viola lee blues, 20:44 | $ | A- | warmer, clearer, fuller, less hiss, plus extra song than 9110 | analog pop t1 0:32, t2 2:11 | *** |
| 8/5/67 | O'Keefe Center, Toronto, ON |
| sbd vernon | 9111 | B+ | in 4-way comparison this does not have the outro on the others; this is similar sound quality to 16753 but a little warmer and clearer; wgv stream was less full sound but was clearest and more natural; 9111 sounds very similar to 10356 except 9111 has levels raised so it clips some | *** | ||
| sbd | 10356 | *** | ||||
| sbd hanno | 16753 | B+ | (has some harshness on vocals because of clipping especially near the end of t2) | *** | ||
| wgv;, wvip price $3.49, 08/05/67 tracks: 3 total time: 20:29 catalog: bill graham, 1., turn on your love light, 8:44, 2., alligator, 11:12, 3., outro, 0:33 | $ | A- | warmer, clearer, fuller, less hiss than 9111 | *** |
| 9/3/67 | Dance Hall, Rio Nido, CA |
| sbd miller | 43 | gd67-09-03.sbd.oconnell-clevenger.6180.sbeok.shnf has matching md5 to 43 orig-shn-md5 and matching st5 to 43 and 17272 | listed infolder as 6180 on ftp download but turns out to be 43 | |||
| sbd backus | 17272 | B | level fluctuations and occasional buzz during first minute of t1; quality is low because of harshness on guitar, pop d1t4 10:28, quality improves some for d2t1 but one should use the version released on the phil zone cd set | *** |
| 9/4/67 | Dance Hall, Rio Nido, CA |
| sbd partial jools 19514 | 19526 | B | (small pop t1 0:06, 3:54, many 3:58 to 4:01) | *** |
| 9/15/67 | Hollywood Bowl, Hollywood, CA |
| aud vernon | 9192 | C | (small pop t1 3:43, t5 3:58; t6 14:56; mic bumps t1 3:45, 9:27, 10:58, 12:01, 12:59; t2 1:59, and so on; drop t1 11:05, 13:50, 7:08; some occasional background talking | *** |
| 10/20/67 | American Studios, North Hollywood, CA |
| studio poynton sirmick | 85631 | B+ | has a scratchy harsh sound; t1 has lost of small analog drops; drop left channel t3 11:29 | *** |
| 10/22/67 | Winterland Arena, San Francisco, CA |
| sbd yerys | 1525 | A- | *** | |||
| sbd miller | 18101 | A- | this has about 8 second more of audience at beginning of t1 than gans version 1525 and sound quality on this one is better except that it has more hiss; has the special lyrics for the other one | (small noise t1 3:49, volume jumps up t1 6:23; small pops t2 9:43, 9:44, 9:47, 9:48, t3 4:06); | *** | |
| sbd kaplan | 116228 | discontinuity pop d2t5 11:54 | *** | |||
| sbd miller | 116257 | in comparison on morning dew, 116257 has least hiss, then 116228, then 1525 and then 18101; 18101 has a more natural sound in the vocals than the others as the vocals on those sound a little suppressed in comparison but not sure if that is more significant than its extra hiss so selecting both | *** | |||
| see grateful dead 1967 anthem_of_the_sun_50th_anniversary_deluxe_edition_digital_album 24, | $ | Not Reviewed Yet |
| 10/31/67 | Winterland Arena, San Francisco, CA |
| sbd unclebarry kikola | 33933 | B- | has the special lyrics for the other one; reported to be from 11/10/67 and 11/11/67 and is lesser quality than those; the shnids comments indicate some patching and cutting were done which may make the comparison between 33933 and 11/10/67 1612 more difficult; in comparing alligator, there is a difference in timing which could be attributed to a speed difference but they seem to match each other very well and seemed like same show until I get to the hey hey heys; 33933 has an extra set not on 1612; I count 5 pigpen heys and then 3 by someone else on 33933 and only 5 by pigpen on 1612 (this is at 3:10 on 1612 d2t1 and 3:24 on 33933 d1t1); again everything matches up very well until the cut in caution on 1612 at 20:19 (on d2) and 33933 at 20:45 near where the cut was removed (20:44); 1612 goes into extended jamming while 33933 goes right into vocals which do not match to 1612; so I am left with 33933 being a different mix to get the extra heys or a different recording; and after the cut in 33933 it is a different recording; the remainder seems to match up well with 11/11/67 1613 with the alternate other one lyrics; the mix is different with the intruments higher on 33933; 33933 also has a little more crowd at the beginning of t3 than on 1613 | *** |
| 11/xx/67 | Studio Sessions for Anthem of the Sun |
| sbd studio | 81259 | A- | some surface noise especialy on t5 | *** |
| 11/10/67 | Shrine Auditorium, Los Angeles, CA |
| sbd sacks | 1612 | A | in comparison on morning dew, 1612 has more hiss but 116171 has a less full sound | (drop d1t1 8:35, pop d1t4 0:08, drop d2t4 9:08) | *** | |
| sbd motb 0172 | 116171 | *** | ||||
| sbd motb 0172 | 116368 | |||||
| thirty trips, 0 trips around the sun, cd1, viola lee blues 15:59, it hurts me too 4:40, beat it on down the line 3:27, morning dew 7:40, good morning, school girl 10:55, cd2, that's it for the other one 12:12, new potato caboose 11:29, alligator 11:00, caution (do not stop on tracks) 24:28 | $ | A | *** | |||
| sbd dalton miller sirmick, source: 8 track | 141132 | Not Reviewed Yet |
| 11/11/67 | Shrine Auditorium, Los Angeles, CA |
| sbd sacks | 1613 | A | noise t7 1:23, 1:25 | *** | ||
| sbd motb 0173 | 116172 | in comparison on death don't have no mercy, 1613 has more hiss but 116172 has a less full sound | *** | |||
| sbd motb 0173 | 116369 | |||||
| sbd dalton miller sirmick, source: 8 track | 141133 | Not Reviewed Yet |
| 11/14/67 | American Studios, North Hollywood, CA |
| sbd unknown | 17417 | A- | t1 rates A- but more hiss on t2 rates B+ | pop t1 3:14 | *** | |
| sbd motb 0174 | 116173 | in comparison on the beginning of dark star, 17417 has a lot more hiss but 116173 is noticably more suppressed | *** | |||
| sbd motb 0174 | 116370 |