| Date | Desc | etree id | Rt | Notes | Flaws | dgf |
| xx/xx/70 | Workingman's Dead Outtakes |
| sbd | 7319 | A- | analog drop t1 1:13 | *** |
| xx/xx/70 | studio sessions for "workingman's dead" |
| studio smith | 91324 | A- | has a few pops, quality varies from A to B+ | *** |
| xx/xx/70 | edited radio interview, 1970 |
| edited interview, 22', lineage: fm>?>rich>nak>nak dolby c> xlii c90, from rich petlock in 1986., transfer: dragon dolby c>ua55>usb> audacity>tlh>flac16. taperchuck3 jan, 2015 enjoy!, 01 what is an interview, 02 st stephen>vocal quintphonic ... >st stephen, 03 "turns men into pigs", sirens, 04 what keeps you together?, 05 business-money, 06 motown, 07 technology, cooperation to advance..., 08 hell's angels, comments 22 minutes., edits were on tape, copied (june 1986) from rich petlock (r.i.p.)., my tracks and notes. taperchuck3 jan, 2015 enjoy!, gd1970-xx-xx.radio.interview.tc3.t-01.flac: | B+ | *** |
| xx/xx/70 | What A Long Strange Trip It's Been: The Best Of The Grateful Dead |
| long strange trip, initial release: october 1977, label: warner brothers records 3091-2, source: cd>eac>flac, originally a double lp compilation of music from the grateful dead recordings on the warner brothers label., a white label promo version was also distributed., additional information:, wiki:http://en.wikipedia.org/wiki/what_a_long_strange_trip_it%27s_been, amazon:http://www.amazon.com/what-long-strange-trip-been/dp/b000002kh8/ref=sr_1_1?s=music&ie=utf8&qid=1303534545&sr=1-1, tracklist (times approximate), disc one: (44:47), 1) new, new minglewood blues (mcgannahan skjellyfetti) (2:36), 2) cosmic charlie (garcia/hunter) (5:33), 3) truckin' (garcia/lesh/weir/hunter) (5:06), 4) black peter (garcia/hunter) (7:31), 5) born cross-eyed (the grateful dead) (2:59), 6) ripple (hunter/garcia) (4:13), 7) doin' that rag (garcia/hunter) (4:44), 8) dark star (garcia/hunter) (2:45), 9) high time (garcia/hunter) (5:16), 10) new speedway boogie (garcia/hunter) (4:04), disc two: (41:38), 1) st. stephen (garcia/lesh/hunter) (5:22), 2) jack straw (weir/hunter) (4:51), 3) me and my uncle (phillips) (3:06), 4) tennessee jed (garcia/hunter) (7:12), 5) cumberland blues (garcia/lesh/hunter) (5:44), 6) playing in the band (weir/hart/hunter) (4:41), 7) brown-eyed woman (garcia/hunter) (4:41), 8) ramble on rose (garcia/hunter) (6:01), d1t01-newnewminglewoodblues.flac: | $ |
| xx/xx/70 | Beyond Description - (1973-1989) |
| beyond description;, initial release : oct 2004, rhino, 12 cd box set reissue of all the grateful dead studio albums released between 1973 and 1989 plus the two live releases reckoning and dead set. all albums include previously unreleased bonus material. in total the box set includes 65 previously unreleased tracks. the set is accompanied by two 90+ page booklets "the band" and "the albiums"., tracks, the 12 cds comprise the following material., cd 1: wake of the flood (1973) plus bonus material;, wake of the flood;, mississippi half-step uptown toodeloo (hunter / garcia), let me sing your blues away (hunter / k. godchaux), row jimmy (hunter / garcia), stella blue (hunter / garcia), here comes sunshine (hunter / garcia), eyes of the world (hunter / garcia), weather report suite, - prelude (weir), - part 1 (weir / andersen), - part 2 - let it grow (weir / barlow), bonus tracks;, eyes of the world (hunter / garcia) - live uniondale, 9/7/73, weather report suite - studio acoustic demo, 8/4/73, - prelude (weir), - part 1 (weir / andersen), - part 2 - let it grow (weir / barlow), china doll (hunter / garcia) - studio outtake, 8/8/73, cd 2: from the mars hotel (1974) plus bonus material;, from the mars hotel;, u.s. blues (hunter / garcia), china doll (hunter / garcia), unbroken chain (lesh / petersen), loose lucy (hunter / garcia), scarlet begonias (hunter / garcia), pride of cucamonga (lesh / petersen), money money (weir / barlow), ship of fools (hunter / garcia), bonus tracks;, loose lucy (hunter / garcia) - studio outtake, 8/7/73, scarlet begonias (hunter / garcia) - live, winterland, 10/16/74, money money (weir / barlow) - live, vancouver, 5/17/74, wave that flag (hunter / garcia) - live, springfield, 3/28/73, let it rock (berry) - live, miami, 6/23/74, pride of cucamonga (lesh / petersen) - studio acoustic demo, 8/4/73, unbroken chain (lesh / petersen) - studio acoustic demo, 8/11/73, cd 3: blues for allah (1975) plus bonus material;, blues for allah;, help on the way (hunter/garcia), slipknot! (garcia / k.godchaux / kreutzmann / lesh / weir), franklin's tower (hunter / garcia), king solomon's marbles part i: stronger than dirt (hart / kreutzmann / lesh), part ii: milkin' the turkey (hart / kreutzmann / lesh), the music never stopped (weir / barlow), crazy fingers (hunter / garcia), sage and spirit (weir), blues for allah (hunter / garcia), sand castles and glass camels (garcia / k.godchaux / d.godchaux / kreutzmann / lesh / weir), unusual occurrences in the desert (hunter / garcia), bonus tracks;, groove #1 (garcia / k.godchaux / hart / kreutzmann / lesh / weir) - instrumental studio outtake, 2/27/75, groove #2 (garcia / k.godchaux / hart / kreutzmann / lesh / weir) - instrumental studio outtake - 2/27/75, distorto (garcia) - instrumental studio outtake, 2/28/75, a to e flat jam (garcia / k.godchaux / hart / kreutzmann / lesh / weir) - instrumental studio outtake, 2/27/75, proto 18 proper (garcia / k.godchaux / hart / kreutzmann / lesh / weir) - instrumental studio outtake, 2/27/75, hollywood cantata (hunter / weir) - studio outtake, 5/7/75, cd 4: terrapin station (1977) plus bonus material;, terrapin station;, estimated prophet (weir/barlow), dancin' in the streets (stevenson/gaye/i. hunter), passenger (lesh/monk), samson and delilah (traditional arr. bob weir), sunrise (d. godchaux), terrapin station:, - lady with a fan (garcia/hunter), - terrapin station (garcia/hunter), - terrapin (garcia/hunter), - terrapin transit (hart/kreutzmann), - at a siding (hart/hunter), - terrapin flyer (hart/kreutzmann), - refrain (garcia), bonus tracks;, peggy-o (traditional) - instrumental studio outtake, 11/2/76, the ascent (grateful dead) - instrumental studio outtake, 11/2/76, catfish john (mcdill / reynolds) - studio outtake, fall 1976, equinox (lesh) - studio outtake, 2/17/77, fire on the mountain (hart / hunter) - studio outtake, feb 1977, dancin' in the streets (stevenson / gaye / i. hunter) - live, 5/8/77, cd 5: shakedown street (1978) plus bonus material;, shakedown street;, good lovin' (resnick / clark), france (hart / weir / hunter), shakedown street (garcia / hunter), serengetti (hart / kreutzmann), fire on the mountain (hart / hunter), i need a miracle (weir / barlow), from the heart of me (d. godchaux), stagger lee (garcia / hunter), all new minglewood blues (tradition arr. bob weir), if i had the world to give (garcia / hunter), bonus tracks;, good lovin' (resnick / clark) - studio outtake featuring lowell george, 7/28/78, ollin arageed (hamza el din) - live, egypt, 9/16/78, fire on the mountain (hart / hunter) - live, egypt, 9/16/78, stagger lee (garcia / hunter) - live, egypt, 9/15/78, all new minglewood blues (traditional) - live, passaic, 11/24/78, cd 6: go to heaven (1980) plus bonus material;, go to heaven;, alabama getaway (garcia/hunter), far from me (mydland), althea (garcia/hunter), feel like a stranger (weir/barlow), lost sailor (weir/barlow), saint of circumstance (weir/barlow), antwerp's placebo (the pumber) (kreutzmann / hart), easy to love you (mydland/barlow), don't ease me in (traditional arr. grateful dead), bonus tracks;, peggy-o (traditional) - studio outtake, 7/16/79, what'll you raise (hunter) - studio outtake, 7/16/79, jack-a-roe (traditional) - studio outtake, 7/14/79, althea (garcia/hunter) - live, oct 1980, lost sailor (weir/barlow) - live, oct 25, 1980, saint of circumstance (weir/barlow) - live, oct 25, 1980, cd 7 and 8: reckoning (1981) plus bonus material;, reckoning (cd 7);, dire wolf (garcia / hunter), the race is on (rollins), oh babe, it ain't no lie (cotton), it must have been the roses (garcia / hunter), dark hollow (traditional), china doll (garcia / hunter), been all around this world (traditional), monkey and the engineer (fuller), jack-a-roe (traditional), deep elem blues (traditional), cassidy (weir / barlow), to lay me down (garcia / hunter), rosa lee mcfall (monroe), on the road again (traditional), bird song (garcia / hunter), ripple (garcia / hunter), bonus tracks (cd 8);, to lay me down (traditional) - studio rehearsal, 9/14/80, iko iko (live) (traditional / james crawford) - live, 10/7/80, heaven help the fool (weir / barlow) - live, 10/25/80, el paso (robbins) - live, 10/13/80, sage & spirit (weir) - live, 10/31/80, little sadie (traditional) - live, 10/31/80, it must have been the roses (hunter) - alt live version, 10/23/80, dark hollow (traditional) - alt live version, 10/23/80, jack-a-roe (traditional) - alt live version, 10/23/80, cassidy (weir / barlow) - alt live version, 10/23/80, china doll (garcia / hunter) - alt live version, 10/23/80, monkey and the engineer (fuller) - alt live version, 10/23/80, oh babe it ain't no lie (cotton) - alt live version, 10/23/80, ripple (garcia / hunter) - alt live version, 10/23/80, tom dooley (live, 1978) (traditional) - live, chicago, 11/17/78, deep elem blues (traditional) - live, chicago, 11/17/78, cd 9 and 10: dead set (1981) plus bonus material;, dead set (cd 9);, samson and delilah (traditional arr. grateful dead), friend of the devil (garcia / dawson / hunter), new minglewood blues (traditional arr. grateful dead), deal (garcia / hunter), candyman (garcia / hunter), little red rooster (dixon), loser (garcia / hunter), passenger (lesh / monk), feel like a stranger (weir / barlow), franklin's tower (garcia / kreutzmann / hunter), rhythm devils (hart / kreutzmann), space (lesh / mydland / hart / kreutzmann), fire on the mountain (hart / hunter), greatest story ever told (weir / hunter / hart), brokedown palace (garcia / hunter), bonus tracks (cd 10);, let it grow (weir / barlow) - live, 10/26/80, sugaree (garcia / hunter) - live, 10/26/80, c.c. rider (rainey) - live, 10/13/80, row jimmy (garcia / hunter) - live, 10/80, lazy lightnin' (weir / barlow) - live, 10/13/80, supplication (weir / barlow) - live, 10/13/80, high time (garcia / hunter) - live, 1080, jack straw (weir / hunter) - live, 10/10/80, shakedown street (garcia / hunter) - live, 10/7/80, not fade away (petty / holly) - live, 10/4/80, cd 11: in the dark (1987) plus bonus material;, in the dark;, touch of grey (garcia / hunter), hell in a bucket (weir / barlow / mydland), when push comes to shove (garcia / hunter), west l.a. fadeaway (garcia / hunter), tons of steel (mydland), throwing stones (weir / barlow), black muddy river (garcia / hunter), bonus tracks;, my brother esau (weir / barlow) - single b-side, 1/15/87, west l.a. fadeaway (garcia / hunter) - alternate version, 3/84, black muddy river (garcia / hunter) - studio rehearsal, 12/5/86, when push comes to shove (garcia / hunter) - studio rehearsal, 12/5/86, touch of grey (garcia / hunter) - studio rehearsal, 8/82, throwing stones (weir / barlow) - live, 7/4/87, cd 12: built to last (1989) plus bonus material;, built to last;, foolish heart (garcia / hunter), just a little light (mydland / barlow), built to last (garcia / hunter), blow away (mydland / barlow), victim or the crime (weir / graham), we can run (mydland/barlow), standing on the moon (garcia / hunter), picasso moon (weir / barlow / bralove), i will take you home (mydland / barlow), bonus tracks;, foolish heart (garcia / hunter) - live, 7/19/89, blow away (mydland / barlow) - live, 7/7/89, california earthquake (whole lotta shakin' goin' on) (crowell) - live, 10/20/89; beyond description bonus cd, grateful dead, initial release : 2004, rhino, a bonus disc that was included with copies of beyond description that were pre-ordered from the grateful dead store., tracks, weather report suite, blues for allah > stronger than dirt or milkin' the turkey > drums > stronger than dirt or milkin' the turkey > blues for allah, showboat, shakedown street, far from me, estimated prophet, notes, the tracks are from the following sources;, weather report suite (live 10/17/74), blues for allah > stronger than dirt or milkin' the turkey > drums > stronger than dirt or milkin' the turkey > blues for allah (live 3/23/75), showboat (8/12/75 rehearsal), shakedown street (live 8/13/79), far from me (live 8/31/80), estimated prophet (live 10/10/80) | $ | *** |
| 1/2/70 | Fillmore East (show b- Late?), New York, NY |
| partial early sbd | 86 | A- | drop t2 0:00, t04 19:22, 19:23, 19:33, 19:34, 19:35, 19:53 | *** | ||
| late sbd hanno | 12624 | A- | drop/cut end of t13, t13 2:32; t14 is of much lesser sound quality | *** | ||
| early late sbd cotsman | 18120 | A- | in 3-way comparison these sounded similar on d1t4 except 18120 had least hiss and wgv stream and 12624 had a similar amount to each other; in comparison to 86 on d3t3 this has similar sound except less hiss | drop/cut between cdrs, d1t07 5:44, d2t04 0:00, 7:14, d2t05 3:36, d2t06 2:02, d2t09 0:04, d3t03 0:00; | *** | |
| davpic, 1/2/70, $28.98, who's up for a revolutionary evolutionary ride? dave's picks volume 30: fillmore east, new york, new york 1/2/70 captures the grateful dead as they make their first foray from the experimental 60s into their early 70s acoustic americana period. yes, this one is a little bit country and a little bit (psychedelic) rock and roll., when the "magnificent seven" - pigpen on percussion, t.c. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. from their western wears to the twang in jerry's broken-string blues, it appeared they'd brought the bakersfield sound to the big apple. they worked through much of what would become workingman's dead, stunning the crowd with laid-back numbers like "uncle john's band," "casey jones," and "black peter." just the same, they satisfied 60s stalwarts with magical versions of "dark star," "st. stephen," and "that's it for the other one." sonic alchemy, indeed!, dave's picks volume 30: fillmore east, new york, new york 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). it was recorded by the great owsley "bear" stanley and has been lovingly mastered to hdcd specs by jeffrey norman., dave's picks volume 30 is limited to 20,000 individually-numbered copies*., *limited to 2 per order. very limited quantity available., 3cd, mastered to hdcd specs by jeffrey norman, limited to 20,000, released on may 3rd, 2019, disc 1, 1. mason's children [6:12], 2. casey jones [4:28], 3. black peter [12:21], 4. mama tried [2:29], 5. hard to handle [5:02], 6. cumberland blues [5:42], 7. that's it for the other one [18:19], i. cryptical envelopment (i) [2:03], ii. drums [3:58], iii. the other one [10:07], iv. cryptical envelopment (ii) [2:00], 8. cosmic charlie [7:06], 9. uncle john's band [7:24], 10. high time [7:22], disc 2, 1. dire wolf [4:43], 2. easy wind [7:49], 3. china cat sunflower [4:47], 4. i know you rider [4:12], 5. good lovin' [7:24], 6. me and my uncle [4:33], 7. monkey and the engineer [1:54] 8. morning dew [10:00], 9. big boss man [4:24], 10. dancing in the street [10:50], 11. st. stephen [6:14], 12. in the midnight hour[9:31], disc 3, 1. dark star [32:12], 2. st. stephen [9:16], 3. the eleven [10:28], 4. turn on your lovelight [22:50], comments | $ | A | ||||
| sbd wise sirmick l, source: soundboard > 7 | 137375 | Not Reviewed Yet |
| 1/3/70 | Fillmore East (Late Show), New York, NY |
| sbd lai | 6642 | Not Reviewed Yet | ||||
| sbd ret | 19440 | B+ | drop/cut end of d2t6 | *** | ||
| sbd gmb | 97743 | B+ | in comparison on d1t1, 97743 has similar sound and hiss to wgv stream; 19440 is harsher and less full sounding; 97743 could rate A- but was a little harsh in tone | drops d1d1 6:29; | *** | |
| davpic bonus, grateful dead, initial release : 2019, grateful dead / rhino, a bonus cd distributed to subscribers of the 2019 releases in the dave's picks series. this bonus disc was shipped with dave's picks volume 30. it comprises music from the january 3, 1970 show at the fillmore east in new york city., tracks, cold rain and snow, alligator >, drums >, alligator >, feedback, casey jones, mason's children, that's it for the other one:, cryptical envelopment >, drums >, the other one >, cryptical envelopment >, cosmic charlie, uncle john's band, musicians, jerry garcia - guitar, vocals, bob weir - guitar, vocals, tom constanten - guitar, vocals, phil lesh - bass, vocals, ron "pigpen" mckernan - harmonica, percussion, vocals, bill kreutzmann - drums, mickey hart - drums, credits, producer - grateful dead, produced for release by - david lemieux, recording - owsley stanley, cd mastering - jeffrey norman | $ | A | ||||
| sbd gans miller 48, recording info:, sbd > | 137559 | Not Reviewed Yet | ||||
| late sbd gastwirt miller sirmick , late | 138811 | Not Reviewed Yet |
| 1/10/70 | Golden Hall, San Diego, CA |
| sbd clugston | 6663 | *** | ||||
| sbd hollister | 17345 | *** | ||||
| sbd sirmick | 89175 | *** | ||||
| sbd miller | 89281 | *** | ||||
| sbd sirmick | 89614 | |||||
| sbd miller pitch corrected | 89862 | A- | vocals get harsh sometimes on lovelight | *** | ||
| miller sbd 24, recording info:, sbd > | 127227 | |||||
| miller sbd , recording info:, sbd > master | 127228 | A- | *** |
| 1/16/70 | Springer's Inn Portland, Portland, OR |
| sbd popi | 7111 | B+ | starts harsh on d1t2 but sound improves; has some big static/drops in d1t2 1:xx; levels go over and gets harsh briefly on good lovin; sound ranges from C+ to A- | *** | ||
| sbd droncit restore , this is a | 131910 | B+ | in comparison on black peter, 131910 has a bassier fuller sound; some may find 131910 more natural sound in jerry's vocals than on 7111 | *** | ||
| sbd lubar dalton miller sirmick, source: | 140967 | Not Reviewed Yet |
| 1/17/70 | Oregon State University, Corvallis, OR |
| sbd clugston | 2220 | *** | ||||
| sbd cotsman | 19283 | B+ | starts out as A- but gets B+ to B because vocals got overrecorded on cumberland and good loving and other loud songs | *** |
| 1/18/70 | dead download - Springer's Inn - Portland, OR |
| download series volume 2, printable cd art:, front cover, recording by bear, mastered by jeffrey norman; flac download; Disc One, 1. Cold Rain and Snow 6:11, 2. Big Boss Man 4:49, 3. Mason's Children 5:54, 4. Black Peter 10:44, 5. Dancing In The Streets 14:04, 6. Good Lovin' 10:17, 7. China Cat Sunflower > 4:36, 8. I Know You Rider 5:09, 9. Turn On Your Lovelight 18:07, Grateful Dead, Tom Constanten: Keyboards, Jerry Garcia: Lead Guitar, Vocals, Mickey Hart: Drums, Bill Kreutzmann: Drums, Phil Lesh: Electric Bass, Vocals, Ron "Pigpen" McKernan: Vocals, Percussion, Bob Weir: Rhythm Guitar, Vocals | $ | *** |
| 1/23/70 | Honolulu Civic Auditorium, Honolulu, HI |
| sbd goodbear | 88 | *** | ||||
| sbd fixed connor | 18153 | A- | at d2tt3 31:52 lovelight cuts and there is big pop and a drop and then the quality decreases to B and for an unlisted part of a dark star jam for 4:55 that looks sourced from a 32k dat | *** |
| 1/24/70 | Honolulu Civic Auditorium, Honolulu, HI |
| sbd kaplan | 7890 | A | *** | |||
| davpic, sold out, sku: gra9900136, price, $28.98, this product is sold out., aloha from honolulu! if you are in need of a little island breeze this summer, look no further than dave's picks volume 19: honolulu, hi, january 23, 1970. our very first release from hawaii, this one sees the grateful dead riding the great wave of change, with a fresh take for a career-defining new decade. witness as they smoothly transition from the "sound of 1969" and its chaotic psychedelia with their cohesive country-tinged, song-oriented harmonies. yes, the yin and yang are well-balanced in these sets, with plenty of pigpen favorites (hard to handle," "good lovin'," a 35-minute "lovelight") done just right, a wonderfully melodic "dark star," and the band breaking fertile ground on soon-to-be classics ("black peter," "dire wolf") from their upcoming and much beloved album, workingman's dead. we've rounded out this succinct complete show with a little over an hour of music from the following night, 1/24/70, including the rarity i'm a king bee, possibly the best live version of mason's children ever recorded, and a crowd-pleasing dancing in the street." just go on and say mahalo!, originally recorded by owsley bear" stanley and mastered to hdcd specs by jeffrey norman, this one is limited to 16,500 individually numbered copies., 3 disc set, limited to 16,500 individually numbered copies, mastered to hdcd specs by jeffrey norman, digipak made of 100% recycled and pcw materials, release date: august 1, 2016, disc 1, 1. china cat sunflower> [4:35], 2. i know you rider> [6:11], 3. black peter [8:36], 4. the yellow dog story [3:14], 5. hard to handle [5:41], 6. mama tried [3:10], 7. casey jones [1:22], 8. dire wolf [4:27], 9. good lovin' [10:00], 10. that's it for the other one [21:57], disc 2, 1. dark star> [18:45], 2. st. stephen [5:02], 3. turn on your lovelight [38:09], disc 3, 1. cumberland blues [5:37], 2. cold rain and snow [5:36], 3. me and my uncle [3:32], 4. i'm a king bee [6:25], 5. mason's children [6:47], 6. black peter [9:41], 7. good lovin' [6:23], 8. feedback>[1:23] 9. and we bid you goodnight [4:25], 10. dancing in the street [9:18] | $ | A | *** |
| 1/30/70 | The Warehouse, New Orleans, LA |
| sbd vernon | 10546 | A- | has the noise reduction as indicated and may be a B+ | *** |
| 1/31/70 | The Warehouse, New Orleans, LA |
| sbd cotsman | 7045 | *** | ||||
| sbd cotsman fixed | 24028 | B+ | in comparison to wgv stream on d1t4 they have similar sound except that has more hiss; this is an exact eac match on d1t1 to 7045; overrecoding on big boss man brings this mainly A- down to B+; some of the acoustic set rates A on some songs while the hiss comes up on others making them a B+ | drop/cut between cdrs; drop d1t05 4:52, d1t07 4:40, d1t08 3:20, d2t05 2:47, d2t10 0:21, d2t11 3:39; d2t01 0:11, d2t07 3:55, d2t11 3:37; 7045 has same digital flaws; | *** |
| 2/1/70 | The Warehouse, New Orleans, LA |
| sbd kaplan | 9629 | B+ | in comparison on black peter to wgv version, 9629 has more hiss but that has less full and less natural sound as if noise reduction was used; in comparison to 18121 on Lovelight 9629 has a warmer fuller sound as 18121 sounds more muffled maybe by noise reduction ; sound starts harsh at B+ on Beat it but then improves | drop/cut between cdrs; drop d2t4 15:06; | *** | |
| psbd cousinit | 18121 | B+ | drop d1t4 0:00; has some spectral bands on left channel; looks like has noise reduction | *** | ||
| wgv;, wvip price $4.54, avg rating: my rating:, date: 02/01/70 tracks: 5 total time: 37:44 catalog: dawson sound, 1., introduction / beat it d, 4:01, 2., china cat sunflower / i, 12:03, 3., black peter, 10:24, 4., cumberland blues, 6:27, 5., good lovin' (incomplete), 4:49 | $ | B+ | looks like noise reduction resulting in less hiss but also less natural sounding than 9629 | *** | ||
| sbd lee smith , lineage:, source 1 sbd > | 126275 | in comparison on black peter 9629 and 126275 sound similar; in comparison on lovelight 126275 has a less full sound and the flaws noted | has right channel drop outs starting d2t5 22:28 internittently for a minute and a 55sec one at 25:20 | *** |
| 2/2/70 | The Fabulous Fox Theatre, St. Louis, MO |
| sbd vernon | 10374 | *** | ||||
| sbd cotsman | 17809 | A- | 17809 is similar to 10374 in wav and spectral view with a little higher levels; 17809 is slower than 17809; mainly A- but gets a little harsh on cumberland for B+ | *** | ||
| psbd cousinit | 18122 | same as filler on 2/1/70 18121 and is an exact eac match on that to this ones d1t1 and d1t2 | *** | |||
| partial sbd unknown | 33334 | B+ | this has more hiss than 10374 | *** | ||
| sbd miller gans | 121041 | A- | in comparison on dark star, 120948 has a warmer sound than 17809 | *** | ||
| sbd miller gans | 121042 | |||||
| see grateful dead 12/20/69 | $ | A | ||||
| davpicv6 miller, recording info:, sbd -> master reel -> cd (hdcd), transfer info:, cd (hdcd) -> dbpoweramp cd ripper (hdcd decoded) -> adobe audition v3.0 ->, samplitude professional v11.2.1 -> flac/16, (1 dvd flac), all transfers and mastering by charlie miller, charliemiller87@earthlink.net, may 16, 2013, notes:, -- this is a re-master of dave's picks 6, -- thanks to joe b. jones for his help with the pitch correction, set 1:, s1t01 - casey jones, s1t02 - mama tried, s1t03 - hard to handle, s1t04 - cold rain and snow, s1t05 - black peter, s1t06 - cumberland blues, s1t07 - dark star ->, s1t08 - st. stephen ->, s1t09 - mason's children, s1t10 - good lovin', s1t11 - uncle john's band, s1t12 - turn on your lovelight ->, s1t13 - not fade away ->, s1t14 - turn on your lovelight, s1t15 - and we bid you goodnight | A- | *** |
| 2/4/70 | Family Dog at the Great Highway, San Francisco, CA |
| sbd miller | 12130 | *** | ||||
| sbd cotsman | 12601 | *** | ||||
| sbd kaplan | 14188 | *** | ||||
| download series - a night at the family dog, perhaps you've seen a grainy bootleg vhs tape of the three songs from that show broadcast on pbs, but jeffrey norman has mixed the entire 50+ minute set from the original 16 track analog tapes, including the closing jam of "st. stephen > not fade away > st. stpehen > midnight hour," along with a poignant "black peter," "me and my uncle," and the "hard to handle" and "china > rider" from the pbs broadcast., it has never sounded so good. and, because we have some stray pieces of music in the vault on 16 track tape, we have also included the monster "dancing in the streets" from 10/5/70 and the meaty "good lovin'" from 12/31/70 to round out this wonderful cd of music from the under-represented year of 1970., grateful dead, jerry garcia: lead guitar, vocals, mickey hart: drums, bill kreutzmann: drums, phil lesh: electric bass, vocals, ron "pig pen" mckernan: organ, harmonica, vocals, bob weir: rhythm guitar, vocals, cd mastering by jeffrey norman; 1 Hard To Handle (Redding, Jones, Isbell) 6:44, 2 Black Peter (Garcia, Hunter) 9:33, 3 Me and My Uncle (Phillips) 3:29, 4 China Cat Sunflower > (Garcia, Hunter) 5:05, 5 I Know You Rider (Trad. Arr. By Grateful Dead) 4:53, 6 St. Stephen > (Garcia, Lesh, Hunter) 2:19, 7 Not Fade Away > (Petty, Hardin) 6:59, 8 St. Stephen > (Garcia, Lesh, Hunter) 2:23, 9 In The Midnight Hour (Pickett, Cropper) 8:16, Bonus Tracks, from 10/5/70 Winterland, 10 Dancing In The Streets (Stevenson, Gaye, I. Hunter) 12:14, from 12/31/70 Winterland:, 11 Monkey and the Engineer (Fuller) 2:46, 12 Good Lovin' > (Resnick, Clark) 15:08 | $ | *** |
| 2/5/70 | Fillmore West, San Francisco, CA |
| sbd bean | 3911 | B+ | *** | |||
| sbd hanno | 9184 | B | in 3-way comparison on t11, 9184 is very similar to 3911 while wgv stream is warmer with a little less hiss but also more suppressed; aud portion rates B and sbd rtes B+; aud portion looks and sounds like noise reduction was used | drop t03 0:00, t05 0:00, 8:44, t12 7:07; | *** | |
| wgv;, wvip price $5.24, date: 02/05/70, tracks: 6 total time: 49:10 catalog: bill graham, 1., mason's children, 7:22, 2., the eleven, 13:33, 3., caution (do not stop on, 10:10, 4., not fade away / caution jam, 5:40, 5., cumberland blues, 4:48, 6., uncle john'sband, 7:37 | $ | A | light static in tuning at beginning of t6; less hiss and warmer sound than 9184; small digi-pop t2 11:16, 11:33, t3 5:12, 6:11, t5 2:52, t6 1:38, 3:21, 4:17, 5:52, 7:10, 7:15 plus probably a few more | *** |
| 2/6/70 | Fillmore West, San Francisco, CA |
| sbd bean | 3913 | A- | in comparison on d1t10 to wgv stream the sound is similar except 3913 has more hiss | digipop d1t1 4:13 | *** | |
| wgv;, wvip price $9.09, date: 02/06/70, tracks: 16total time: 1:55:25catalog: bill graham, 1., cumberland blues, 5:56, 2., cold rain & snow, 6:05, 3., dire wolf, 0:34, 4., me & my uncle, 0:04, 5., dire wolf / me and my un, 16:39, 6., dancin' in the streets, 6:05, 7., casey jones, 4:40, 8., mama tried, 2:43, 9., good lovin', 10:03, 10., high time, 7:44, 11., cryptical envelopement, 1:35, 12., drums, 5:59, 13., the other one, 11:54, 14., cryptical envelopement, 0:50, 15., black peter, 9:42, 16., turn on your love light, 24:52 | $ | drop end of t3, t8, t10; discontinuity pop t13 0:29; warmer with less hiss than 3913; digi-pop t1 0:47 1:45, 2:58, 5:26, 5:37 plus more like this; cut in t6 1:38, t11 1:05 | *** |
| 2/7/70 | Fillmore West, San Francisco, CA |
| sbd naked_jaybird | 3648 | B | drop near end of t9, discontinuities between some tracks | *** | ||
| sbd bean | 3912 | *** | ||||
| sbd hanno | 10527 | B | 10527 has same wav and spectral view and levels and sound as 3648; 10527 has hard to handle not on the 3648, 3912, or the wgv stream; wgv stream is similar sound with same amout of hiss and distortion; 3912 is harsher with a little more hiss and same distortion; 10527 is rated B because although clear sounding there is distortion in music on some songs | *** |
| 2/8/70 | Fillmore West, San Francisco, CA |
| sbd aud cribbs | 17679 | B+ | square wav static and drop d2t54:48; drop/cut between cdrs | *** | ||
| sbd aud cousinit | 18123 | C+ | looks and sounds like noise reduction was used; has the same cousinit spectral view signature of specttal bands on the upper frequencies of the left channel as others from 1970 | *** | ||
| sbd aud cotsman | 19152 | B+ | sound quality varies from B- to A-; in 4-way comparison on d2t4, this,17679, and wgv stream sound similar with similar amount of hiss and 18123 sounds muffled and may have noise reduction; in comparison on d1t2 to 17679 that was more muffled and sounded like it had noise reduction | drop d1t03 0:02, d1t08 3:23, d1t11 0:17, 0:17, d2t05 4:48; | *** |
| 2/11/70 | Fillmore East (late show), New York, NY |
| early late sbd sacks | 90 | *** | ||||
| sbd warner patched | 28292 | on d1t3 and dt9, 28292 has same wav and spectral view and levels as 90; on d2t4 28292 has similar wav and spectral view and sound except right channel has been raised on 90 | *** | |||
| partial sbd greenberg evans | 28402 | *** | ||||
| late partial sbd chester mande | 33335 | *** | ||||
| partial late aud reynolds gadsden | 99052 | *** | ||||
| late set2 aud smith | 99152 | *** | ||||
| sbd smith patched | 99154 | B+ | in comparison on d1t3 to 28292, 99154 was very similar sound with slightly less hiss; on d2t4 99154 sounded similar on left channel but 99154 had more hiss and that was more muffled; in the patch on d2t1 99154 has a little more hiss; on d2t2 99154 had a fuller sound than 28402 and 33335; both auds 99052 and 99152 on d2t2 were also not as clear and full sounding; rates B+ because some songs like casey jones get harsh while others are at A-; in comparison on lovelight 127482 has similar sound to 99154 | *** | ||
| sbd wolfe lee smith , transfer info: akai | 126251 | in comparison on dire wolf, 126251 and 99154 sound similar but 126251 is a little tinnier and 99154 is a little warmer; in spectral view 99154 looked like it high end streaking | *** | |||
| sbd s2pt menke lee smith 24, lineage sbd | 127482 |
| 2/12/70 | Ungano's Night Club, New York, NY |
| sbd serafin | 88908 | *** |
| 2/13/70 | Fillmore East (Early Show), New York, NY |
| early sbd gans | 2208 | *** | ||||
| sbd sssb murphy 5932 | 9191 | *** | ||||
| early aud unknown holmes oleynick | 109535 | *** | ||||
| early late sbd cotsman | 18114 | *** | ||||
| early sbd murphy | 31636 | *** | ||||
| sbd miller | 97613 | *** | ||||
| sbd miller fix 97613 | 97639 | A | on cold rain, 97639 has a warmer fuller sound than 2208, 18114. 31636, 9191 which sound closer to each other; aud 109535 is more muffled; aud 123814 is also muffled and looks like has noise reduction; in comparison on dire wolf mtx 131678 is more distant and echoey than 97639 | *** | ||
| dp4;, initial release : february 1996, grateful dead records gdcd-4023, three cd set recorded live on february 13 and 14, 1970 at the fillmore east., buy from amazon.com, tracks, disc 1, introduction by zacherle, casey jones (jerry garcia / robert hunter), dancing in the streets (stevenson / gaye / i. hunter), china cat sunflower (jerry garcia / robert hunter), i know you rider (traditional arr. grateful dead), high time (jerry garcia / robert hunter), dire wolf (jerry garcia / robert hunter), dark star (jerry garcia / bill kreutzmann / phil lesh / ron mckernan / bob weir / robert hunter), disc 2, that's it for the other one (grateful dead), turn on your lovelight (scott / malone), disc 3, alligator (phil lesh / ron mckernan / robert hunter), drums (mickey hart / bill kreutzmann), me and my uncle (phillips), not fade away (petty / hardin)>, mason's children (jerry garcia / phil lesh / bob weir / robert hunter)>, caution (do not stop on tracks) (grateful dead), feedback (grateful dead), we bid you goodnight (traditional arr. grateful dead) | $ | *** | ||||
| aud cooper , disc 1, 1 audience, 2 china | 123814 | *** | ||||
| lateshow nicksmix, late show, this is a | 131678 | *** |
| 2/14/70 | Fillmore East, New York, NY |
| early late sbd cotsman | 18115 | *** | ||||
| sbd miller | 97644 | B+ | d1t1 is a little to harsh to get an A- while acoustic portion rates an A; in comparison on dark hollow aud 124495 is more muffled nad distant | *** | ||
| late show, source: aud cassette master | 124495 | looks and sounds like noise reduction was used | *** | |||
| late show sbd pcm dalton miller clugston | 141007 | Not Reviewed Yet | ||||
| late show sbd pcm dalton miller clugston fixed | 141007 | Not Reviewed Yet |
| 2/23/70 | The Auditorium, Austin, TX |
| sbd vernon | 10375 | B+ | mainly A- but gets B+ for distortion on vocals on not fade away and masons | *** |
| 2/27/70 | Family Dog at the Great Highway, San Francisco, CA |
| sbd clugston | 2191 | *** | ||||
| sbd miller | 28833 | B+ | 2191 when compared on d1t6 was very similar with lower levels but may be because this is the patch; on d2t4 that has more hiss;; this has a drop/pop at d2t4 6:20 not on that one; this has more music | *** |
| 2/28/70 | Family Dog at the Great Highway, San Francisco, CA |
| sbd cotsman | 9377 | B+ | some spots of distortion in the vocals | *** |
| 3/1/70 | Family Dog at the Great Highway, San Francisco, CA |
| sbd ben | 91 | has asymetric wavs on right channel limited on the top | *** | |||
| sbd hanno | 4641 | B+ | 4641 has similar sound to 91 with 4641 longer because patched and seemed same speed and sound on morning dew; these have different digital flaws; a lot of this is A- while other parts start to get hash in the vocals like beat it on down the line; the aud portion rates C; in comparison on morning dew and dire wolf, 132774 has similar wav and spectral view and sound except levels are higher on some songs and same levels on other songs and it has less digital flaws as it does not have the digipops on dire wolf | digipops d2t1 2:33, 2:41 not on 91; has asymetric wavs on right channel limited on the top | *** | |
| master reel , recording info:, sbd master | 132769 | A- | need this to avoid the set of digipops on 4641 dire wolf, but need 4641 for extra songs | *** | ||
| sbd reelmaster dat , source: soundboard > | 136666 | Not Reviewed Yet | *** |
| 3/7/70 | Civic Auditorium, Santa Monica, CA |
| aud hanno | 6156 | B- | lossy sourced; some is B quality but near end goes to B- for last 2 songs | nothing above 16k, has lego parapets | *** |
| 3/8/70 | Star Theatre, Phoenix, AZ |
| sbd | 9195 | A- | in comparison to 13191 they had similar sound on black peter, they have different digital flaws; chose 9195 since it did not have the limiting on that one but not sure I could hear it; a lot of this rates A- | drops d1t8 4:46; discontinuity pop d1t2 8:00, d1t9 4:15, d1t10 0:42; | *** | |
| sbd unk | 13191 | digipops d2t4 1:59; discontinuitiy pop d2t3 3:23, 9:19; wav peaks seem limited on d2t3 and d2t4 | *** | |||
| sbd miller | 113359 | in comparison on dire wolf and black peter, 13191 and 9195 sounded similar while 113359 has a little more hiss and compression; 113359 has less flaws than those | *** | |||
| sbd knudsen markson sirmick 48, source: | 145951 | Not Reviewed Yet | ||||
| sbd knudsen markson sirmick 24, source: | 145952 | Not Reviewed Yet |
| 3/20/70 | Capitol Theater, Port Chester, NY |
| sbd yerys | 1315 | *** | ||||
| sbd late hamilton | 14287 | *** | ||||
| sbd smith | 99182 | B+ | in comparison on black peter, 99182 has warmest sound and least hiss, then 14287, and then 1315; some parts are A- but vocals start to get a little harsh on lovelight | *** |
| 3/21/70 | Capitol Theater (Late), Port Chester, NY |
| late aud | 5316 | *** | ||||
| late aud lee pcrp | 21779 | B+ | looks like has noise reduction and has a spectral fuzz band above 19k; 21779 is same recording as 5316 based; in comparison to 5316 on black peter, 5316 has more hiss; in 3-way comparison these are different recordings based on different crowd at end of black peter; Ken & Judy Lee 21779 has most upfront fullest sound, then coolsonics altsource 118670 is more muffled and more distant with more hiss, and then berger cooper 124148 is narrowest sound and least natural sound as if underwent severe noise reduction | digipops t9 1:50, 2:15, 6:01, 6:23, t10 3:09; | *** | |
| late aud coolsonics altsource | 118670 | *** | ||||
| early aud | 5315 | some analog static such as d1t12 2:12 | *** | |||
| early lee pcrp | 20184 | B+ | looks like has noise reduction and has a spectral fuzz band above 19k; in comparison to 5315 on friend of mine, 5315 has more hiss and 20184 is a little less natural sound but not enough to make too much difference over the loss of hiss; 5315 had more analog static | digipops t9 10:51 | *** | |
| b cooper , late, source: aud cassette | 124148 | *** | ||||
| late rec3 m aud, late show :: m & m1 aud | 144383 | Not Reviewed Yet | ||||
| late sony f95 remaster lee hance sirmick | 144604 | Not Reviewed Yet |
| 3/24/70 | Pirates World, Dania, FL |
| sbd hollister | 2990 | has static at the begiining of d1t1 before the music; drop d1t3 10:05, d2t3 4:32; discontinuity pop d2t6 0:00 | *** | |||
| sbd miller | 32054 | B+ | 32054 had similar sound to 2990 on high time; 2990 has more digital flaws | *** | ||
| sbd mr cass dat 48k 48, source: soundboard | 136667 | Not Reviewed Yet |
| 4/xx/70 | Field House, University of Cincinnati, Cincinnati, OH |
| sbd dan | 119118 | A- | *** |
| 4/3/70 | Field House, U. of Cincinnati, Cincinnati, OH |
| sbd farnsworth | 3862 | B+ | 3862 is a close eac match to bootleg "china cat" Main Street MST 105/2 with same flaws; in comparison to 4283, on d1t1 4283 is about 5% faster; on candyman 3862 seemed the right speed and 4283 sounded too fast; 4283 is missing about 2 and 1/2 minutes of crowd, tuning, talking, introductions, and mic setup before katie mae but otherwise has similar sound quality; as indicated 3862 has the occasional buzz in the music; some of 3862 is A- quality but vocals start to get harsh on hard to handle and it has the occasional buzz in some songs; 114616 has more high end than 3862 which gives it a little more hiss and amplifies the flaws more while 3862 has a fuller warmer sound; Diamond Cut 119118 added some scratchiness to the vocals on "pretty women" phrase in candyman not on 3862 or 114616; however Diamond Cut 114616 did greatly reduce the volume of the buzz that soon followed although it was still there and noticable but is much more in the background now | drop/cut between cdrs, end of d2t2 | *** | |
| sbd cotsman | 4283 | drops between tracks; discontinuity pop d1t9 1:57 | *** | |||
| sbd boswell smith | 114569 | |||||
| sbd boswell smith | 114616 | *** | ||||
| sbd boswell smith sirmick 24, source: | 141217 | Not Reviewed Yet | ||||
| sbd boswell smith sirmick, source: | 141224 | Not Reviewed Yet | ||||
| sbd boswell smith sirmick 24, source: | 141361 | Not Reviewed Yet | ||||
| sbd boswell smith sirmick, source: | 144890 | Not Reviewed Yet |
| 4/9/70 | Fillmore West, San Francisco, CA |
| sbd hanno | 6157 | B | d1t9 and d2 are lossy with not much above 14k and has lego parapets - lossy sourced; on the sbd parts are A- sounding but other parts start to get distorted on man's world to B+; Aud portions range from B- to B | *** | ||
| aud cousinit , source: unknown | 137104 | Not Reviewed Yet | ||||
| sbd aud wise cousinit hanno joeb sirmick | 145715 | Not Reviewed Yet |
| 4/11/70 | Fillmore West, San Francisco, CA |
| sbd cotsman | 12072 | A- | *** | |||
| bear , 7 inch half track reel master @ 7 5 | 132470 | A- | mostly A- but does start to get harsh near end of lovelight; in comparison on not fade away 12072 has a warmer sound than 132470 but 132470 makes it sound suppressed | *** | ||
| sbd mr cass dat44k , partial, source: sbd > | 136668 | Not Reviewed Yet |
| 4/12/70 | Fillmore West, San Francisco, CA |
| sbd kaplan | 3820 | B+ | light static d1t5 0:56, d1t6 2:45 | *** | ||
| aud schoolgirl only , audience info | 143493 | Not Reviewed Yet |
| 4/15/70 | Winterland Arena, San Francisco, CA |
| sbd lai | 6644 | B+ | drop end of t2, t10; has heavy spectral band at 19k and has a void where a tv band might have been if removed | *** | ||
| sbd kaplan | 14354 | B+ | in comparison 14354 and wgv stream sound similar with same hiss and 6644 has more hiss and is harsher and appears to have under gone heavy compression; most of 14354 is A- but vocals start to get harsh on some songs like not fade away | drop/cut between cdrs, end of d1t5 | *** | |
| thirty trips, 30 trips around the sun, cd1, cold rain and snow 6:05, china cat sunflower > 6:04, i know you rider 4:33, technical difficulties 4:12, mama tried 3:08, it's a man's world 8:31, candyman 5:31, hard to handle 4:05, cumberland blues 5:44, cd2, cryptical envelopment > 2:09, drums > 4:16, jam > 6:00, the other one > 8:38, cryptical envelopment > 3:18, dire wolf 4:44, dancing in the street 11:27, turn on your love light > 12:11, not fade away > 2:16, turn on your love light 7:45 | $ | A | *** | |||
| reel fixed , sony tc 770 7 inch half track | 132734 | B+ | in comparison on candyman, 14354 and 132734 sound similar except 132734 was slightly fuller with slightly more hiss; 132734 has more tuning between songs and the mama tried false start; however do not want this because of the very loud bad static on t1 and t2; did not listen past this too see if there was anymore (it may have been cut out of 14354) | bad very loud static t1 2:53 for about 12 seconds ,6:2x | *** |
| 4/18/70 | Family Dog at the Great Highway, San Francisco, CA |
| live acoustic, cd, is it the grateful dead? well, in name, no, but in music and personnel, heck yes! we're very pleased to present a rare, unknown recording of the grateful dead from april 18, 1970, at the family dog in san francisco, a show that was played entirely acoustically. this is available on vinyl as an exclusive record store day black friday release, a 2-lp vinyl set limited to only 7,500 copies and available only at your hip, local independent record stores on november 29. support them! for those of you without record-playing capabilities (what's wrong with you?!?), we have made this available as a cd exclusively on dead.net., disc 1, 1 i know you rider (fades in) [4:53], 2 don't ease me in [3:26], 3 silver threads and golden needles [5:10], 4 friend of the devil [4:24], 5 deep elem blues [5:45], 6 wake up little susie> [2:53], 7 candyman [5:42], 8 cumberland blues [5:48], 9 new speedway boogie [8:18], 10 me and my uncle [4:02], 11 mama tried [3:23], 12 katie mae (incomplete) [1:26], 13 ain't it crazy (the rub) (fades in) [1:59]], 14 roberta [3:34], 15 bring me my shotgun [4:34], 16 the mighty flood> [4:05], 17 black snake [3:13] | $ | A | *** |
| 4/24/70 | Mammoth Gardens, Denver, CO |
| aud cotsman | 9498 | *** | ||||
| aud gillis | 17685 | close to mono; digipop d2t7 0:08 plsu some discontinuities | *** | |||
| aud hanno | 19531 | B- | in 4-way comparison on candyman, they are all close to mono except 9498; 9498 is more muffled than the others; 19531 is similar to 17685 but 17685 has levels raised with compression and has more hiss and is not as clear, 27205 has most hiss because of tone change that makes it harsher but easier to hear the vocals; in 2-way comparison on dire wolf, 27205 has less hiss because of the noise reduction on that section and is a little harsher but did not notice much accompanying lack in natural sound because of the quality; sound quality starts at B but ends at C | discontinuity pop d2t6 5:28 plus some more; close to mono | *** | |
| aud remaster sirmick | 27205 | C | as described, this looks like noise reduction was used mainly on the electric set | digi-pop d23 2:37; discontinuity pop d2t6 5:28 plus some more; close to mono | *** |
| 5/1/70 | Alfred College, Alfred, NY |
| sbd unknown | 93 | *** | ||||
| sbd clugston | 5465 | *** | ||||
| sbd gans miller | 85322 | *** | ||||
| sbd miller | 95683 | A- | in 3-way comparison on high time 85322 and 5465 sound similar to 95683; in 4-way comparison on race is on those and 93 sounded similar to 95683; 95683 is most complete; 95683 has least digital flaws | *** |
| 5/2/70 | Harpur College, Binghamton, NY |
| sbd remaster dp8outtake | 100007 | A- | *** | |||
| sbd bear gems | 108673 | A- | in comparison on friend of the devil, 108673 has a fuller warmer sound than dp8; on Cryptical Reprise, 108673 was similarly warmer and fuller but there was more noticable hiss; so I liked 108673 better than dp8 for the first set and note that 108673 is incomplete with songs cut and missing cold jordan and ; second set of 108673 was not as high of quality as dp8 | |||
| sbd fm aud unknown | 108955 | B- | did not listen to all of this only sampled for sound quality | *** | ||
| bear gems | 120081 | |||||
| dp8;, initial release : june 1997, grateful dead records gdcd-4028, three cd set from the may 2, 1970 show at harpur college, binghamton., buy from amazon.com, tracks, disc 1, don't ease me in (traditional arr. grateful dead), i know you rider (traditional arr. grateful dead), friend of the devil (jerry garcia / robert hunter / john dawson), dire wolf (jerry garcia / robert hunter), beat it on down the line (fuller), black peter (jerry garcia / robert hunter), candyman (jerry garcia / robert hunter), cumberland blues (jerry garcia / robert hunter / phil lesh), deep elem blues (traditional arr. grateful dead), cold jordan (traditional arr. grateful dead), uncle john's band (jerry garcia / robert hunter), disc 2, st. stephen (jerry garcia / robert hunter / phil lesh), cryptical envelopment (jerry garcia), drums (mickey hart / bill kreutzmann), the other one (bob weir / bill kreutzmann), cryptical envelopment (jerry garcia), cosmic charlie (jerry garcia / robert hunter), casey jones (jerry garcia / robert hunter), good lovin' (resnick/clark), disc3, it's a man's world (brown/jones/newsome), dancing in the streets (stevenson/gaye/i. hunter), morning dew (dobson/rose), viola lee blues (noah lewis), we bid you goodnight (traditional arr. grateful dead) | $ | A | *** | |||
| sbd miller 48, recording info:, sbd > | 138227 | Not Reviewed Yet |
| 5/3/70 | Field House, Wesleyan University, Middletown, CT |
| aud cotsman | 9378 | very close to mono | *** | |||
| aud goldman sirmick | 20852 | C | 20852 is lossy for the gd portion - nothing above 16k except floating parapets; sort of close to mono; in comparison to 9378 on me and my uncle, 20852 had less distortion making it easier to hear the vocals on; lots of upfront chatty crowd talk into the mics; sound quality ranges from B- to C- with some songs being more distorted | *** | ||
| aud cotsman hoey , this file set corrects | 130667 | *** | ||||
| acoustic dimetravel remaster , (m? aud | 130844 | B- | in comparison on deep ellum, 130667 left channel is more muffled than the right channel so 130844 making them both the right channel makes it easier to hear | *** |
| 5/6/70 | Kresge Plaza, M.I.T., Cambridge, MA |
| sbd gans | 94 | B+ | 94 is a close eac match on d1t1 to 95; 95 has an extra drop at end of d1t3 not on 94; 94 is very close to mono; in comparison to 95816 on morning dew they sound similar with 95816 having slightly more hiss and a tone that is a little less warm; most of 94 is A- but some parts start to get harsh | *** | ||
| sbd gans hall | 95 | *** | ||||
| sbd gmb | 95816 | this is sort of close to mono | *** | |||
| sbd gmb | 95817 |
| 5/7/70 | Dupont Gymnasium, MIT, Cambridge, MA |
| aud weiner gdadt04 | 5439 | B- | in comparison to sirmick 32276 on frozen logger and final lovelight, the noise reduction reduced both the hiss and the music but at this quality of recording it may have helped; did not hear much difference on candyman | *** | ||
| aud sirmick | 32276 | *** | ||||
| aud weiner dalton miller sirmick fixed | 141093 | Not Reviewed Yet | ||||
| aud weiner dalton miller sirmick, grateful | 141093 | Not Reviewed Yet |
| 5/8/70 | Farrell Hall, Delhi, NY |
| aud miller | 32056 | D | *** |
| 5/9/70 | Worcester Polytechnic Institute, Worcester, MA |
| sbd cotsman | 9770 | see 5/3/70 shnid=130667; this matches ffp to gd70-05-03.aud.cotsman.hoey.130667.flac16 except on t1 and t6 | *** |
| 5/14/70 | Meramec Community College, Kirkwood, MO |
| sbd electric clugston | 7604 | square wav static d2t5 4:05 | *** | |||
| sbd cotsman | 12439 | missing some of the banter and tuning in the acoustic set to make it 6 minutes shorter than other acoustic sets | shnid=24223 fixed sbes; square wav static d2t9 4:05 | *** | ||
| sbd cotsman | 24223 | all but d2t10 and d1t12 have matching st5 to 12439 | *** | |||
| sbd warner evans | 28716 | B+ | in 3-way comparison on candyman, 28716 and 34165 have similar sound while 12439 is more muffled with more hiss; on 3-way comparison on attics, 28716, 7604, and 12439 had similar sound; 28716 is most complete except that 97548 some of new speedway; these all have different digital flaws; a lot of this is A- but starts to get harsh on some songs like casey jones | drop/static d2t5 0:40 | *** | |
| sbd acoustic clugston | 34165 | *** | ||||
| set2 partial sbd browning | 97548 | as indicated the first 10 seconds are lossy sourced and then goes to 28716 | *** | |||
| s2 sbd reelmaster dat 48k , source: | 136645 | Not Reviewed Yet |
| 5/15/70 | Fillmore East (Late Show), New York, NY |
| early late sbd | 97 | A | NRPS portion is shnid=18397; drops between a lot of tracks; drop D1T04 3:29, D1T09 2:27, D1T11 0:00, 4:09, D1T13 3:49, D1T15 4:16, D2T01 2:30, D2T04 5:46, D2T06 4:26, D2T08 3:48, D2T10 3:48, D3T04 0:25, 3:49, 3:50, D3T05 1:44, 1:49, D3T06 1:36, 3:16, 3:22, D3T10 5:24, D4T01 4:30, D4T03 4:42, D4T06 4:15, D4T07 4:27, D4T09 3:15, 4:03, D4T10 6:13, D4T14 5:17, D5T09 4:50, D6T04 27:01 | *** | ||
| sbd reynolds kaplan | 29473 | A | in comparison on d4t3, 29473 had similar sound to 97 and wgv stream; 97 had more drops; mainly A quality but some songs like minglewood start to get slightly harsh | drops between cdrs, d7t4 2:18, end of d7t6; right channel has low levels for part of d1; i | *** | |
| rt v3 n3 miller;, recording info:, sbd -> master reel -> cd, transfer info:, cd -> adobe audition v3.0 -> samplitude professional v11.1 -> flac, (7 discs audio / 1 dvd flac), all transfers and mastering by charlie miller, charliemiller87@earthlink.net, july 3, 2010, notes:, -- only the acoustic sets were pitch corrected, -- the main source for this is road trips v3.3, -- the patch source for this is shnid=29473, -- thanks to joe b. jones for his help with the pitch correction, early show acoustic set:, d1t01 - tuning, d1t02 - don't ease me in, d1t03 - i know you rider, d1t04 - the rub, d1t05 - friend of the devil, d1t06 - long black limousine, d1t07 - candyman, d1t08 - cumberland blues, d1t09 - new speedway boogie, d1t10 - cold jordan, early show nrps set:, d2t01 - tuning, d2t02 - six days on the road, d2t03 - watcha gonna do, d2t04 - i don't know you, d2t05 - henry, d2t06 - portland woman, d2t07 - fair chance to know, d2t08 - last lonely eagle, xxxxx - mama tried (missing), xxxxx - sawmill (missing), xxxxx - me and my uncle (missing), xxxxx - connection (missing), early show electric set:, d3t01 - tuning, d3t02 - casey jones, d3t03 - easy wind, d3t04 - attics of my life, d3t05 - saint stephen ->, d3t06 - that's it for the other one ->, d3t07 - cosmic charlie, early show encore:, d3t08 - new minglewood blues, late show acoustic set:, d4t01 - deep elem blues, d4t02 - the ballad of casey jones, d4t03 - silver threads and golden needles, d4t04 - black peter, d4t05 - friend of the devil, d4t06 - uncle john's band, d4t07 - candyman, d4t08 - she's mine, d4t09 - katie mae, d4t10 - a voice from on high, d4t11 - house music/stage changeover, late show nrps set:, d5t01 - tuning, d5t02 - brown eyed handsome man, d5t04 - louisiana lady, d5t05 - can't pay the price, d5t06 - truck drivin' man, d5t07 - all i ever wanted, d5t08 - workin' man blues, d5t09 - henry, d5t09 - i don't know you, d5t10 - lodi, d5t11 - last lonely eagle, d5t12 - mama tried, d5t13 - sawmill, d5t14 - me and my uncle, d5t15 - connection, d5t16 - house music/stage changeover, late show electric set:, d6t01 - tuning, d6t02 - china cat sunflower ->, d6t03 - i know you rider, d6t04 - cumberland blues, d6t05 - hard to handle, d6t06 - beat it on down the line, d6t07 - morning dew, d6t08 - good lovin', d6t09 - dire wolf, d6t10 - next time you see me, d7t01 - dark star ->, d7t02 - saint stephen ->, d7t03 - not fade away ->, d7t04 - turn on your lovelight, late show encore:, d7t05 - cold jordan | $ | *** | ||||
| $23.98, road trips vol. 3, no. 3 commemorates that magical and transformative spring of 1970 with, one of the best-loved aural documents of that era: the dead's early and late shows at the, fillmore east on may 15, 1970, presented nearly in their entirety over this, the first-ever, 3-cd set in the road trips series plus the accompanying bonus disc., disc 1, 1. don't ease me in, 2. i know you rider, 3. ain't it crazy (the rub), 4. long black limousine, 5. new speedway boogie, 6. casey jones, 7. st. stephen>, 8. that's it for the other one>, i. cryptical envelopment, ii. drums, iii. the other one, iv. cryptical envelopment, 9. cosmic charlie, 10. new minglewood blues, disc 2, 1. deep elm blues, 2. the ballad of casey jones, 3. silver threads and golden needles, 4. black peter, 5. friend of the devil, 6. uncle john's band, 7. she's mine, 8. katie mae, 9. a voice from on high, 10. china cat sunflower>, 11. i know you rider, 12. cumberland blues, 13. hard to handle, 14. morning dew, 15. dire wolf, disc 3, 1. good lovin', 2. dark star>, 3. st. stephen>, 4. not fade away>, 5. turn on your lovelight, 6. cold jordan, bonus disc, features more selections from the fillmore east plus a blistering sequence from meramec, college in kirkwood, missouri., 1. friend of the devil, 2. candyman, 3. cumberland blues, 4. cold jordan, 5. easy wind, 6. attics of my life, 7. beat it on down the line, 8. next time you see me, 9. new speedway boogie, 10. st. stephen, 11. not fade away, 12. turn on your lovelight | $ | static from nisplaced segments d2t10 0:56 | *** | |||
| b aud cooper berger 24, late show, source: | 136574 | Not Reviewed Yet | ||||
| b aud cooper berger , late show, source: | 136575 | Not Reviewed Yet |
| 5/16/70 | Temple University, Philadelphia, PA |
| aud weiner | 14769 | *** | ||||
| aud cotsman | 17027 | C | in comparison to 14769, 14769 does not have the drops on 17027; 14769 has more hiss than 17027 so this probably had some noise reduction or tone change and it was nard to tell if it had less natural sound as a result because of the low sound quality | fade/drop/cut/fade in end of t1 to beginning of t2, t3 5:41 in what appears to be an attempts to remove some minor mic noise | *** |
| 5/24/70 | Newcastle-Under-Lyme, Newcastle, England |
| aud bunjes | 6159 | B- | mainly B- but drops to C on lovelight | drop end of d1t6, discontinuity pop d2t1 9:42, 11:00, 13:02, d2t3 4:36, d2t4 23:10 | *** | |
| sbd hanno | 6481 | B | in comparison on attics to aud 6159, 6159 is more muffled, not as clear and more distorted; mainly B+ sound except lovelight gets C because of scratchy distortion; aud patches are B- | drop/cut between cdrs, d1t11 4:15, d2t4 11:17, d2t4 15:62 | *** | |
| sbd phillips , 01 intro, 02 casey jones | 135716 | Not Reviewed Yet | ||||
| sbd phillips 135716, *updated may, 15th 2016 see | 135803 | Not Reviewed Yet | ||||
| sdb unknown phillips, unknown board mr > | 136424 | Not Reviewed Yet | ||||
| sbd mr cass dat 48k 48, source: sbd > reel | 136669 | Not Reviewed Yet |
| 6/4/70 | Fillmore West, San Francisco, CA |
| sbd miller | 12135 | B | some of this gets to B+ but there is some hiss and harshness earlier on | *** | ||
| sbd acou unk miogi | 119921 | B+ | in comparison on candyman 119921 is more upfron than 123798 | *** | ||
| gdnrps sonytc124 olsen droncit flat, with | 123798 | B | sound quality on 123798 ranges from B- on some nrps songs to B+; in comparison on candyman, sbd 119921 has most warmest fullest most natural sound with least hiss over aud and mtx 123799; in comparison on its all over now baby blue, sbd 12135 has the most natural sound with most hiss; mtx 123799 has a less full sound with less hiss as if noise reduced; aud 123798 is very narrow sound and harsh; so need all of sbds 119921 and 12135 and part of aud 123798 to fill in the missing parts | *** | ||
| mtx olsen droncit dusborne, *acoustic set | 123799 | *** | ||||
| bear reel , 7 inch half track reel master @ | 132790 | A- | in comparison on baby blue, 132790 has a warmer fuller sound with less hiss than 12135, 123799 is more distant than both those | *** |
| 6/5/70 | Fillmore West, San Francisco, CA |
| sbd thecore | 4361 | *** | ||||
| sbd hanno | 7589 | *** | ||||
| sbd bunjes evans | 28653 | A- | 28653 is a close eac match on d1t1 and d1t2 to 7589 and seemed to have the same digital flaws; on d1t9 28653 has patches not on 7589; 4361 has same levels and spectral view but without the patches; sound is mainly A- but patches are B quality; in comparison on black peter, mtx 109847 has a warmer sound with less hiss but is muddier than 28653; aud 109847 is harsher and more suppressed | *** | ||
| aud unknown tiedrich coulter oleynick | 109847 | *** | ||||
| mtx dusborne, 2 source matrix, soundboard | 123702 | *** | ||||
| bear , friday, 7 inch half track reel | 132395 | Not Reviewed Yet in comparison on candyman, 28653 has a little warmer sound than 132395 | *** |
| 6/6/70 | Fillmore West, San Francisco, CA |
| sbd ashley | 2172 | this has asymetric wavs on right channel limited in the top; drop d1t8 0:00, end of d1t8, near end of d1t11, d2t5 15:54, digi-pop d1t5 2:33 plus a few more | *** | |||
| sbd miller | 86951 | A- | in comparison to 2172 on attics, 86951 has slightly less hiss; 86951 has more digital flaws of discontinuities and digi-pops and square wav static while 2172 has more drop/cuts between tracks; this is mostly A- | discontinuity pop d1t1 8:18, digi-pop d1t5 2:30, drop/square wav static d2t8 1:44, plus some more of these types of flaws | *** | |
| acoustic , **acoustic set only**, recording | 132157 | A | *** | |||
| bear , saturday, 7 inch half track reel | 132487 | in comparison on morning dew 132487 has a little warmer sound than 86951; however 132487 is less complete with some cuts | *** |
| 6/7/70 | Fillmore West, San Francisco, CA |
| sbd hollister | 98 | A | in comparison on candyman 132325 has more hiss than 98 | *** | ||
| sbd clevenger fix 98 | 6185 | 17 of the md5s match 98 while 10 do not; 6185 has drops not on 98 between many tracks | *** | |||
| bear , sunday, 7 inch half track reel | 132325 | *** |
| 6/13/70 | Red Vest, Oahu, HI |
| sbd hanno | 9079 | B | aud portion rates B- and sbd rates B+ | *** |
| 6/21/70 | Pauley Ballroom, U. of California, Berkeley, CA |
| aud hanno | 6160 | C | this is lossy with nothing above 15k except lego parapets | discontinuity pops t4 1:47, t6 5:00, t8 3:59 | *** |
| 6/24/70 | Capitol Theater (Late), Port Chester, NY |
| aud lee | 5339 | *** | ||||
| aud lai | 7467 | early show reported to be a different show as setlist does not match up; | *** | |||
| late aud harlan | 9330 | *** | ||||
| aud pcrp5 | 23062 | B | 23062 is the only early acoustic so far at 5/2010 and has noise reduction as indicated on that portion; also has early and late nrps and late electric with rest of shows missing; on late electric 23062 seems same recording as 5339, 7467, and 9330 based on same crowd on attics; those sounded similar to each other on attics while 23062 made those sound a little more muffled; in comparison on attics to 100223, 100223 has a fuller warmer sound with less hiss but is less complete on the late electric; 23062 and 100223 seem to be a different recording based on different crowd at beginning of st stephen; early acoustic ranges from B to B+ sound; late electric ranges from B to B-; (the best of composite is to get songs from 100223, then 23062, and then 124175) | big digi-pop d1t7 5:16, small drop d5t2 0:56 | *** | |
| aud cooper coopernicus | 32710 | B- | static/drop t9 2:2x | *** | ||
| late partial aud moore berger | 98880 | looks and sounds like has lots of noise reduction and is more muffled than 23062 and 100223 | *** | |||
| aud unknown gadsden reynolds | 100223 | B | this is the only late show acoustic so far at 4/2012 except for a few songs on 32710 and 124175; in comparison on candyman 124175 is more distant and muffled sounding than 100223 | *** | ||
| cooper , source: aud cassette master, taped | 124175 | B- | in comparison on black peter, candyman, and dire wolf, berger cooper 124175 has a fuller sound than 32710; in comparison on i know you rider, 23062 has a fuller warmer sound than 124175 | *** | ||
| late sony f95 lee hance sirmick, and new | 145261 | Not Reviewed Yet |
| 7/xx/70 | Festival Express Train - Canada |
| aud miller | 106571 | C+ | has hiss, has pedal steel, t2 has unknown vocalist for blues song, | *** |
| 7/1/70 | Winnipeg Fairgrounds, Winnipeg, MB |
| sbd cotsman | 9624 | B- | *** |
| 7/10/70 | Fillmore East, New York, NY |
| aud cotsman | 17351 | B- | *** |
| 7/11/70 | Fillmore East, New York, NY |
| aud cotsman | 9379 | C | has hiss and humm on parts; sound quality ranges from C to C+ on the acoustic and C- to C on the electric; the correct date is reported to be 7/12/70 so see that date for comparative information | drops between tracks; repeating music and pops causing skipping d1t16 1:58 | *** |
| 7/12/70 | Fillmore East, New York, NY |
| aud unknown sirmick | 24663 | C | has a spectral void from 18k to 20k as if something removed although at this quality it was probably not music | *** | ||
| aud mysteryreel cloverman smith gems | 108002 | C | in 3-way comparison on attics, 108156 has fullest sound with least hiss but is not as complete, 108002 has most hiss and a little warmer sound than 24663; acoustic tracks quality is B- and electric ranges down to C- | *** | ||
| weinberg mar | 108156 | B- | *** | |||
| aud cooper , disc 1, acoustic, 1 el paso, 2 | 122707 | C | note that 122707 is same show that circulates as 7/11/70; in comparison on el paso, 9379 is easier to hear while 122707 is more muffled with occasional static; in comparison on cold jordan, 9379 is easier to hear and has more hiss that goes up and down while 122707 is warmer but more muffled; in comparison on whatcha gonna do, 9379 is easier to hear while 122707 is more muffled and seemed very slow; in comparison on high time 9379 had more hiss and 122707 was slow; in comparison on china cat 9379 had more hiss and was harder to hear and more suppressed than 122707; overall 9379 was better than 122707 so need 122707 FRIEND OF THE DEVIL and TRUCK DRIVIN’ MAN not on 9379; | *** | ||
| aud composite , featuring the new riders of | 130938 | in comparison on el paso, the right channel of 9379 is more muffled with more hiss making 130938 mono of the left channel better sounding; in comparison on truck driving man, 9379 has a fuller warmer sound than on 130938; in comparison on 2nd part of dirty business 9379 has more distortion than 130938; in comparison on lodi 9379 was easier to hear vocals than 130938; in comparison on sitting on top of the world 9379 has more distortion than 130938; so overall 130938 improves making selections over component sources | *** |
| 7/14/70 | Euphoria Ballroom, San Rafael, CA |
| sbd cotsman | 17815 | *** | ||||
| sbd unknown | 96628 | B | in comparison on dire wolf, 96628 has a little warmer sound than 17815; on uncle johns they sounded similar; acoustic set sound quality ranges from C on d1t1 to B+ for most of the rest; electric set is B- to B+ | digipop d1t11 9:09 not in music | *** |
| 7/16/70 | Euphoria Ballroom, San Rafael, CA |
| sbd clugston | 6485 | *** | ||||
| sbd miller | 32551 | B | in comparison on lovelight, 32551 has a little less hiss and is a little warmer than 6485; also need 32575 for other songs | *** | ||
| set 2 sbd ed | 32575 | B+ | *** | |||
| sbd partial miller sirmick, source: sbd > | 140310 | Not Reviewed Yet |
| 7/30/70 | The Matrix, San Francisco, CA |
| sbd cotsman | 17077 | B- | mainly B quality but gets harsh at a few spots like on t7 | *** | ||
| sbd boswell smith | 114020 | in comparison on to lay me down and rosalie mcfall, 114020 has more hiss and is harsher than 17077; 114020 has about 20 seconds more tuning at beginning of t1 than on 17077 | *** |
| 8/5/70 | Golden Hall Community Concourse, San Diego, CA |
| sbd thecore | 4941 | has a lot of sqaurish wavs leading to more staticy sound | *** | |||
| sbd jupile | 17271 | B | in comparison on dire wolf, 17271 had a warmer sound with less hiss than 4941; 4941 also had some static at t14 1:10 not on 17271 and 4941 has more digital flaws; quality ranges from B- to B+ | *** |
| 8/17/70 | Fillmore West, San Francisco, CA |
| aud cotsman | 12073 | B+ | *** |
| 8/18/70 | Fillmore West, San Francisco, CA |
| aud yerys | 1346 | C+ | acoustic set rates a B but electric ranges down to C+ | square wav static d1t12 6:12 | *** | |
| fillmore west s f ca aud pitch adjusted version | 141071 | Not Reviewed Yet | ||||
| aud knudsen gems 48, a clear windy day | 142416 | Not Reviewed Yet | ||||
| aud knudsen gems fixed 24, a clear windy | 142417 | Not Reviewed Yet |
| 8/19/70 | Fillmore West, San Francisco, CA |
| aud cotsman | 11797 | drops between tracks; square wav static d1t2 0:58, square static d2t9 22:59 | *** | |||
| aud taback minches | 81605 | B | comparing on candyman, 81605 has same wav, and spectral view and levels and sound as 81775 and seems that way for all the acoustic set; 11797 is more muffled with less hiss and less natural sound; comparing on cold rain and snow 81775 has same wav spectral view and levels as 11797 and seems that way for the electric set; 81605 makes those sound harsh, hollow, and less natural; those have a longer lovelight though of about 27 minutes more; sound quality is B+ for acoustic and B for electric | *** | ||
| aud taback cdjones | 81775 | C | square static d2t9 22:59 | *** |
| 8/30/70 | KQED Studios, San Francisco, CA |
| sbd backus | 12750 | has a spectral void around 14k as if someone tried to remove somethingdigipop static t1 6:48, t2 0:13 | *** | |||
| fm jupile | 12762 | B | in comparing on candyman, 12762 has a fuller more natural sound than 12750; both sounded slow | *** |
| 9/xx/70 | interview 1970-09-xx (pre-recorded in WMCA-AM NY studio) |
| wmca am ny interview, lineage: studio>?>xlii c90>nak dolby c> xlii c90, from rich petlock., transfer: dragon dolby c>ua55>usb> audacity>tlh>flac16. taperchuck3 jan, 2015 enjoy!, disc 1, tape side a, 01 intro, "history of the dead", 02 plane flight, 03 spiro, 04 "drugs in music", 05 where you live?, 06 new album, 07 intros, 08 life at home, 09 good jerry story, ..., 10 "a people's band", 11 jerry - good audience, 12 haight street, 13 drugs, deep thoughts, 14 schedule, 15 evaluation of interview, 16 what is happening?, 17 irresponsiblity of media, jerry's projects, 18 free speech, dog joke, comments 54 minutes., pre-taped in studio, broadcast sept 26, 1970. wmca am in ny. gd just flew in, have to make plane at 8:30., weir told yellow dog joke each (4) nights at fe. recorded between 9-20-1970 and 9-25-1970??, edits were on tape, flip after t11 has overlap, copied (june 1986) from rich petlock (r.i.p.)., my tracks and notes. taperchuck3 jan, 2015., 1-01.flac: | B+ | t13 discusses smoking is like slow suicide over 20 years | *** |
| 9/17/70 | Fillmore East, New York, NY |
| aud cbass | 15983 | digipop d1t1 0:54, 3:03 | *** | |||
| aud warner | 16090 | C+ | in comparison on dark hollow, cbass 15983 has most hiss and then sirmick 27591, and then 16090; sirmick 27591 is harshest and less natural less full sounding but vocals are brought more outfront; 16090 and sirmick are very close to mono on that song but not on elecrtric set; in comparison on dark star, 16090 and sirmick sounded similar, cbass was harshest, and gems 33826 was warmest but supressed | drop/pop d1t4 0:17; drops between some tracks; discontinutity pop d2t3 5:16, d2t5 0:08 | *** | |
| aud remaster sirmick | 27591 | *** | ||||
| partial aud weinberg | 33826 | *** | ||||
| partials3 akg190e weinberg wolfe smith | 145891 | Not Reviewed Yet | ||||
| partials3 akg190e weinberg wolfe smith | 145892 | Not Reviewed Yet | ||||
| mtx darkstar sirmick , source a: shnid | 146027 | Not Reviewed Yet |
| 9/18/70 | Fillmore East, New York, NY |
| bootleg evans | 100 | drops between many tracks; static d1t7 17:22, 17:29 | *** | |||
| sbd part gorinsky | 4670 | drops between many tracks | *** | |||
| sbd aud cotsman | 17893 | aud portion rates C | drops between many tracks | *** | ||
| set2 aud sbd sirmick | 30882 | *** | ||||
| sbd reynolds | 97525 | A- | in comparison on st stephen, 17893, 100, 30882, 4670 and 97525 have sort of similar sound quality but 97525 had a little warmer sound and a little less hiss but is not as complete as some ot the others; on till the morning comes 30882 is harsher than 17893 but can hear the vocals a little better with the tone change; 97525 is mainly A quality but hiss comes up a little on last song | digipop/static t2 2:30 | *** |
| 9/19/70 | Fillmore East, New York, NY |
| sbd kaplan | 5217 | *** | ||||
| aud toner weinberg warner | 25473 | C+ | NRPS is shnid=25760 | drops between tracks | *** | |
| mtx chappell sb14 | 31510 | A- | *** | |||
| sbd reynolds | 97906 | in comparison on end of dark star, 97906 has similar sound to 5217 with a little less hiss; matrix 31510 was a little more echoey and spacey sounding but also less natural sounding; auds 25473 and 119722 are more muffled than the sbd; in comparison on morning dew, 25473 is more muffled than 119722; need 119722 for missing gd songs and 25473 for missing nrps | *** | |||
| akg weinberg moore berger | 119722 | *** |
| 9/20/70 | Fillmore East, New York, NY |
| sbd sacks | 1190 | drops between a lot of tracks | *** | |||
| aud remaster sirmick | 27583 | digipop d2t6 0:47; discontinuitiy pop d2t10 4:55 | *** | |||
| aud weinberg bunjes | 81728 | drop/cut t1 1:48 | *** | |||
| sbd smith | 97364 | B+ | in comparison on attics, 27583 has the least hiss but noise reduction makes it less full and less natural sounding, this has less hiss than 1190; aud 81728 is more muffled; this is bassier; a lot of this is A- but gets harsher sometimes | *** | ||
| sbd smith droncit, this is a restored | 135798 | Not Reviewed Yet | ||||
| sbd gems, set one from beta, sony | 136729 | Not Reviewed Yet | ||||
| sbd boswell smith miller clugston , this is | 140664 | Not Reviewed Yet | ||||
| sbd boswell smith miller clugston 2496 | 140665 | Not Reviewed Yet |
| 10/4/70 | Winterland Arena, San Francisco, CA |
| sbd cotsman | 4942 | has some drops | *** | |||
| sbd cousinit | 19985 | *** | ||||
| fm glassberg_winters | 28363 | A- | in comparison on brokedown palace, 28363 is fullest sound, then 4942, and then 19985 which probably has noise reduction; 28363 is also more complete | drop/static/skipping t3 1:54, small static t10 0:10 | *** | |
| ksan setbreak broadcast , there is no | 137070 | Not Reviewed Yet | ||||
| fm glassberg sirmick, source: ksan fm > | 145828 | Not Reviewed Yet | ||||
| ksan setbreak broadcast , there is no | 145874 | Not Reviewed Yet |
| 10/10/70 | Colden Auditorium, Queens College, Queens, NY |
| aud hanno | 7590 | C | *** | |||
| sony f95 lee hance sirmick 48k l 48 | 144636 | Not Reviewed Yet |
| 10/11/70 | Marion Shea Aud., Paterson State Col., Wayne, NJ |
| aud cotsman | 9500 | C | drops between most tracks | *** |
| 10/17/70 | Cleveland Music Hall, Cleveland, OH |
| aud linton miller | 119329 | B- | *** |
| 10/23/70 | McDonough Arena, Georgetown U., Washington, DC |
| aud wolfson sketchy bontempo | 12227 | B- | in comparison on candyman, 85071 has least hiss, then 12227, then 15080; 12227 has a warmer fuller more natural sound than 85071 as if that had noise reduction; 15080 has lesser sound quailty than these | discontinuity pop d1t8 10:16 | *** | |
| aud wolfson | 15080 | *** | ||||
| aud wolfson motb 0004 | 85071 | *** |
| 10/24/70 | Kiel Opera House, St. Louis, MO |
| sbd hollister | 103 | *** | ||||
| sbd bihlmayer pitch | 31948 | B | in comparison to 103, 31948 has been sped up 2 to 3% based on timing | *** | ||
| sbd dalton miller noel , the dalton | 140923 | Not Reviewed Yet | ||||
| sbd boswell smith sirmick 24, source: | 141429 | Not Reviewed Yet | ||||
| sbd boswell smith sirmick, source: unknown | 144903 | Not Reviewed Yet |
| 10/30/70 | Gym, SUNY (Early Show), Stony Brook, NY |
| early sbd lai | 7466 | *** | ||||
| early sbd cousinit | 17359 | *** | ||||
| sbd deluca digitalrbb miller | 121125 | *** | ||||
| sbd deluca digitalrbb miller | 121126 | in comparison on cold rain and snow, 121126 has similar sound to 20044; 121126 has less digital flaws; in comparison on workingmans blues nrps 21210 has similar sound to 121126 but did not have the diginoise so 21210 is the preferred version for that; that version was sent to charlie miller who now has a fixed version with same shnid | *** | |||
| sbd cotsman | 20044 | A- | in comparison on cold rain, 20044 has less hiss than 7466; 17359 and 29190 have the typical unnatural sound from cousinit noise reduction processing; | *** | ||
| sbd late cousinit | 29190 | *** |
| 10/31/70 | Gym, S.U.N.Y. (early), Stony Brook, NY |
| early sbd fischer | 6517 | *** | ||||
| sbd deluca digitalrbb miller | 122042 | square wav static d1t11 1:12, d2t12 2:36, d3t8 1:22 to 2:13 on left channel, d4t5 5:45 | *** | |||
| sbd deluca digitalrbb miller | 122043 | in comparison on going down the road, 33566 and 122043 have similar sound with different digital flaws; 122043 has the nrps sets | square wav static d1t11 1:12 (not on nrps 44k dat), d2t12 2:36 (not on 33566), d3t8 1:22 to 2:13 on left channel, d4t5 5:45 (not on 33566) | *** | ||
| late sbd cousinit | 16902 | *** | ||||
| sbd early cousinit | 29192 | *** | ||||
| early late sbd serafin | 33566 | A- | in comparison on dire wolf, this has similar sound to 6517; 16902 and 29192 have the typical unnatural sound from cousinit noise reduction processing; | drop/cut d3t7 0:23 | *** |
| 11/xx/70 | NOVEMBER 1970 |
| aud weinberg , 1 //till the morning comes | 136653 | B- | *** |
| 11/5/70 | Capitol Theater, Port Chester, NY |
| aud harlan | 9356 | *** | ||||
| aud warner | 17182 | C+ | 17182 sounds similar to 9356 but longer; 30115 has less hiss but is also more suppressed by the noise reduction; first tape rates B- and second tape C- | *** | ||
| aud lee sirmick | 30115 | has noise reduction | *** |
| 11/6/70 | Capitol Theater, Port Chester, NY |
| aud evans | 3338 | B- | in comparison on friend of the devil, 3338 has more hiss but a more natural sound than 17183 which looks like it has noise reduction; based on same clapping wavs at beginning of the song, 3338 is same recording with channels swapped and inverted; 19922 patches 17183 so has the noise reduction too on the songs from that tape; in comparison on candyman, 3338 has the warmest fullest sound; 17183 has the harshest and narrowest sound with most hiss; 19922 has the least hiss; acoustic set rates a B to B- except aud patch source is C- such as in el paso and electric set ranged from C to B- | drops between tracks | *** | |
| aud warner | 17183 | *** | ||||
| d3new hanno | 19922 | *** | ||||
| aud weinberg moore berger | 119818 | Not Reviewed Yet |
| 11/7/70 | Capitol Theater, Port Chester, NY |
| aud warner | 10306 | C+ | in comparison on attics to 98264, 10306 had a fuller warmer sound with less distortion in the vocals and less hiss but was more suppressed; in comparison on sugar magnolia to 98264, 10306 had a warmer sound but was more suppressed; on both those songs 10306 had the instruments more in the foreground; in comparison on ripple with 100330, 100330 is a little warmer with a little less hiss and seemed slow; in comparison on cold rain with 100330, 10306 is warmer but more suppressed and 100330 has a fuller sound; so select 100330 and fill in with this; acoustic set rates a B- to C- depending on source | *** | ||
| aud weinberg moore berger | 98263 | |||||
| aud weinberg moore berger | 98264 | looks like has noise reduction as if cut off at 16k | *** | |||
| aud toner berger | 100330 | B- | *** | |||
| aud weinberg parish , partial, source: aud | 134083 | Not Reviewed Yet |
| 11/8/70 | Capitol Theater, Port Chester, NY |
| aud garrett evans | 3339 | has noise reduction on electic set | *** | |||
| aud warner | 17184 | B- | lee 26975, weiner patched 28609 and remastered 94500 are derived from same source and close in sound with weiner patched 28609 more complete so comparing mostly with it for these three; in 5-way comparison on dire wolf, cousinit 18639 is most muffled with most hiss and then evans 3339 is not as bad but both are easily eliminated since they have noticably worse sound; the other 3 have competing attibutes; weinberg 17184 had least hiss and is warmest, owens 23474 is harshest with most hiss but a little fuller sound, weiner patched 28609 is in between in tone but also more distant; in 4-way comparison on dark star, weiner patched 28609 and remastered 94500 sounded very similar and were harshest and most distant with most hiss; next harshest was owens 23474 and then weinberg 17184; in comparison on end of good lovin, weinberg 17184 does not have the loud bass except where patched while weiner patched 28609 and remastered 94500 and owens 23474 do; weiner patched 28609 is 27 minutes longer and has some tuning and beginning of nrps songs not on weinberg 17184; acoustic set rates B- ranging from B+ to C and electric set ranges from B down to C | *** | ||
| aud weinberg cousinit | 18639 | has noise reduction but still very hissy | *** | |||
| aud owens | 23474 | *** | ||||
| aud lee pcrp | 26975 | NRPS is shnid=28642 | *** | |||
| aud weiner | 28609 | digipops d3t5 9:07, 11:55, d3t6 2:44, 3:04, 4:33, d3t12 7:528:01, 8:44, 9;08 plus some more | *** | |||
| partial aud unknown fix 28609 | 94500 | *** | ||||
| aud weinberg moore berger | 119787 | in comparison on dark hollow, 119787 sounded similar to but not as full as 17184 | *** | |||
| bergercomposite , source: aud reel master | 125659 | Not Reviewed Yet in comparison on dire wolf 125659 has a harsher fuller sound and makes 17184 sound suppressed; in comparison on ripple 17184 has a warmer fuller sound than 125659; in comparsion on superman 125659 has a fuller sound than 17184; in comparison on morning dew and its all over now baby blue, 125659 has a harsher sound that emphasizes the distortion more than on 17184; on dark star the sound was similar between 17184 and 125659; still choosing 17184 over 125659 as new transfer tracks were not as pleasant to listen to | *** |
| 11/9/70 | Action House, Island Park, NY |
| aud hanno | 7591 | C | *** |
| 11/10/70 | Action House, Island Park, NY |
| aud hanno | 8837 | *** | ||||
| aud cotsman | 17032 | C | *** |
| 11/11/70 | 46th Street Rock Palace, Brooklyn, NY |
| aud cotsman | 17081 | C- | 31154 is a highly compressed version of 17081; the compression makes it less natural sounding and boomy but at this quality level it is similar quality; sound quality ranges from C+ to C- | drops between tracks | *** | |
| aud sirmick | 31154 | drops between some tracks | *** |
| 11/16/70 | Fillmore East, New York, NY |
| sbd winters | 17361 | A- | in comparison the wgv stream has similar sound and hiss; sound mainly rates A but has some spots where the vocals get harsh like at end of not fade away; in comparison on cold rain and snow, 112987 has more hiss and is bassier than 17361; in comparison on I Know You rider and Uncle johns band, 112987 has less full sound and more hiss than 17361 | drop end of d1t3, between cdrs | *** | |
| sbd | 112987 | *** | ||||
| fe good lovin w hot tuna , good lovin w hot | 135717 | Not Reviewed Yet |
| 11/20/70 | The Palestra, U. of Rochester, Rochester, NY |
| aud cotsman | 9001 | B- | drops between tracks | *** |
| 11/21/70 | Sargent Gym, Boston University, Boston, MA |
| sbd hanno | 14858 | *** | ||||
| sbd cotsman | 17033 | B | 14858 has slightly higher levels resulting in more clipping but probably not audible otherwise very close to each other in sound, wav and spectral view; this one appears 2% faster based on timing | *** |
| 11/29/70 | Club Agora, Columbus, OH |
| aud hanno | 7592 | C+ | *** |
| 12/xx/70 | 1970 Radio Apology Ad |
| portchester apology | 34788 | A- | *** |
| 12/12/70 | Santa Rosa Fairgrounds, Santa Rosa, CA |
| sbd clugston | 5985 | B+ | sound quality started out as A- but seemed only B+ for other songs like sugar magnolia and not fade away | *** |
| 12/17/70 | Winterland, San Francisco, CA |
| sbd unk | 87356 | A- | *** |
| 12/23/70 | Winterland Arena, San Francisco, CA |
| sbd vernon | 10376 | reported to be from 12/17/70 and in comparison on candyman to 87356, this has slightly more hiss and that has a fuller sound | *** | |||
| sbd unknown | 31608 | A- | *** | |||
| sbd , recording info:, (d1t01 d1t06) sbd | 132343 | A- | in comparison on dire wolf, 31608 and 132343 sound similar; 132343 has more songs | *** |
| 12/26/70 | Legion Stadium, El Monte, CA |
| sbd lai | 7465 | *** | ||||
| sbd unknown | 14124 | *** | ||||
| sbd miller | 22369 | *** | ||||
| sbd ashley field | 34031 | A- | in 4-way comparison on cold rain, 7465 and 14124 both are more suppressed and of similar sound; also in comparison on dire wolf, bertha 34031 has a fuller warmer more and maybe overly bassy sound with less hiss than miller 22369 so I liked the remaster better | *** |
| 12/27/70 | Legion Stadium, El Monte, CA |
| sbd barbella | 6016 | drop/cut between cdrs; end d1t8, d1t11 | *** | |||
| sbd miller | 23530 | B+ | in comparison on brokedown, 23530 sounds similar to 6016; 6016 has more drops between tracks; 23530 was harsher than I like which meant listening at a lower volume so rated a B+ while some of it is A- | drop/cut between cdrs | *** |
| 12/28/70 | Legion Stadium, El Monte, CA |
| sbd barbella | 6015 | *** | ||||
| aud fink | 17706 | *** | ||||
| sbd miller | 22313 | A- | in 5-way comparison on cold rain, the auds 17706 and 87365 and matix 87294 had more hiss and were more distant sounding than the sbds 6015 and 22313; as indicated this is longer than 6015; mostly A quality with patch source at B+ | *** | ||
| mtx tobin | 87294 | *** | ||||
| sonyecm22p kaslow todd patched tobin | 87365 | *** |
| 12/31/70 | Winterland Arena (aftershow), San Francisco, CA |
| aftershow sbd cole | 6171 | B+ | Jorma has lead vocals t3 and t5 | *** | ||
| sbd fm | 7283 | B | 7283 is most complete; in comparison on cold rain, 101530 has a fuller harsher sound which brings out the distortion more while 7283 is warmer but more muffled; wgv version has better quality on a couple songs; sound quality range from B- to to A- | drop d1t06 0:00, d1t09 0:00, 6:03, d2t01 1:42, d2t03 0:00; d1t7 14:15; discontinuity pops d2t02 2:13, 3:18, 4:15, d2t03 6:52, 9:24, 10:52, d2t04 2:40; sound quality varies from B- to A-; in comparison on d1t6 this has similar sound and hiss to wgv stream but wgv is better sound on d2t3 making this sound muffled; in comparison on d1t3 to 101530 this is more muffled | *** | |
| sonyecm22p kaslow todd berger | 101530 | B | *** | |||
| wgv;, wvip price $6.99, date: 12/31/70, tracks: 7 total time: 53:16 catalog: bill graham, 1., dire wolf, 3:55, 2., cryptical envelopment, 1:58, 3., drums, 7:48, 4., the other one, 10:35, 5., black peter, 8:16, 6., sugar magnolia, 5:34, 7., good lovin', 15:10 | $ | A- | same wav and spectral view and levels on dire wolf and fewer discontinuity pops than 7283; this is all high quality sbd while that only has 38min and the rest at lower quality so this has better sugar magnolia and good lovin | drop t2 0:00, end of t6, t7 0:09, t1 3:53. t4 4:43; | *** |