Date | Desc | etree id | Rt | Notes | Flaws | dgf |
xx/xx/71 | Road Trips - Vol. 1, No. 3 - New Haven on July 31, 1971 and Chicago on August 23, 1971 |
from shows in new haven and chicago., road trips vol. 1 no. 3 includes..., - two full cd's, lovingly compiled and painstakingly mastered (in hdcd) by jeffrey norman, - a booklet boasting scads of great photos and an essay by dead scholar blair jackson, - as always, early orders of road trips will also include a special limited-edition bonus disc with additional music from the summer '71 tour. this one features the legendary, consensus-best-ever version of "hard to handle" from 8/6/71, as well as a rare recording of a show at terminal island correctional facility in santa ana, california (where sound guru owsley "bear" stanley was incarcerated at the time)., disc 1: 7/31/71 yale bowl, new haven ct, 1. big railroad blues, 2. hard to handle, 3. me and bobby mcgee, 4. dark star>, 5. bird song, 6. not fade away>, 7. goin' down the road feeling bad, 8. not fade away, 9. uncle john's band>, 10. johnny b. goode, disc 2: 8/23/71 auditorium theater, chicago il, 1. china cat sunflower>, 2. i know you rider, 3. truckin', 4. sugaree, 5. cryptical envelopment>, 6. the other one>, 7. me and my uncle>, 8. the other one>, 9. cryptical envelopment>, 10. wharf rat, 11. sugar magnolia, bonus disc:, 1. bertha (8/6/71 hollywood palladium), 2. mr. charlie (8/6/71 hollywood palladium), 3. cumberland blues (8/6/71 hollywood palladium), 4. brokedown palace (8/6/71 hollywood palladium), 5. hard to handle (8/6/71 hollywood palladium), 6. sing me back home (7/31/71 yale bowl), 7. big boss man (7/31/71 yale bowl), 8. not fade away> (8/4/71 terminal island), 9. goin' down the road feeling bad (8/4/71 terminal island), 10. turn on your lovelight (8/4/71 terminal island) | $ | *** |
1/21/71 | Freeborn Hall - Davis, CA |
miller aud 24, recording info:, aud | 131516 | |||||
miller aud , recording info:, aud (unknown | 131517 | B | has a talkative girl in background a lot of times; aud portion rates B to B+, sbd portion rates B+ to A- | *** |
1/22/71 | Lane Community College, Eugene, OR |
sbd cotsman | 12592 | B- | looks and sounds like has a lot of noise reduction | *** |
1/24/71 | Seattle Center Arena, Seattle, WA |
sbd lai | 6247 | B+ | some parts have sound qaulity of A- but on others vocals truen harsh like truckin and casey jones | *** |
2/xx/71 | Studio Rehearsal - Unknown Location |
sbd studio rehearsal | 120486 | B | *** |
2/18/71 | Capitol Theater, Port Chester, NY |
sbd orf | 107 | *** | ||||
sbd stephens | 6672 | A- | in comparison on loser, 6672, 107, and 85478 sound similar except for the whine left on 6672; the whine was not bothersome on 6672 for me unless I took a quiet tuning passage and made it really loud; 6672 has most between song tuning while the others cut some out; 197 has more digital flaws but they were hard to hear | *** | ||
sbd cantor crouch diebert gmb | 85478 | *** | ||||
sbd miller | 111793 | A- | in comparison on loser, 111793 has a little warmer sound than on 6672; in comparison on dark star, 111793 does not have the ringing on 6672; in comparison on loser, aud 123539 and 123881 have a much more muffled sound than sbd 111793 | static drops d1t2 2:19, static d1t23:54; big digital pop d1t6 2:23, light discontinuity pops d1t83:13, d1t10 1:25, d1t10 3:19, 3:20, d1t11 2:08, d2t5 5:20, d2t8 3:36 | *** | |
aud cooper , new riders of the purple sage | 123539 | C | drops between tracks; t16 has a repetitive clicking sound about 4 times per second; this occurs on other tracks; has some dig-pops and discontinuity pops | *** | ||
aud cooper berger, capitol theatre, port | 123881 | in comparison on loser, 123881 seemed a little murkier but more natural than 123539; 123539 has more apparent digital flaws | *** | |||
got this on a cassette labeled gd | 132101 | in comparison on candyman, 132101 has similar sound quality to 132136 | *** | |||
wgtb , nrps + gd, aud2 or 3, this was | 132136 | it sounds like a narrow stereo balcony recording., It sounds like an aud to me., The cooper recording has some crowd talking on first verse of candyman which is not on this., I found on candyman that this is brighter, fuller, harsher, faster with more hiss and makes cooper auds more suppressed | *** |
2/19/71 | Capitol Theatre, Port Chester, NY |
sbd orf | 1029 | *** | ||||
aud vadnais | 30230 | *** | ||||
matrix chappell | 31210 | *** | ||||
three from the vault, grateful dead, initial release : june 2007, rhino; 1. Two Ditties, 2. Truckin', 3. Loser, 4. Cumberland Blues, 5. It Hurts Me Too, 6. Bertha, 7. Playing in the Band, 8. Dark Hollow, 9. Smokestack Lightnin', 10. China Cat Sunflower, 11. I Know You Rider, DISC TWO, 1. Greatest Story Ever Told, 2. Johnny B. Goode, 3. Bird Song, 4. Easy Wind, 5. Deal, 6. Cryptical Envelopment>Drums>The Other One, 7. Wharf Rat, 8. Good Lovin', 9. Casey Jones | $ | *** | ||||
got this on a cassette labeled gd | 132102 | Not Reviewed Yet | *** |
2/20/71 | Capitol Theater, Port Chester, NY |
sbd orf | 111 | A- | in comparison on bird song, these were of similar sound quality where 111 has a little fuller sound than 85912; 111 has more flaws; 85912 looked more compressed | drops d1t6 1:56, 1:59; digipop d2t1 0:30; discontinuity pop d1t8 13:49 | *** | |
sbd cantor orf | 6188 | st5 matches to 111 | *** | |||
sbd cantor crouch diebert gmb | 85912 | *** | ||||
sbd miller | 116617 | A- | in comparison on bird song, 116617 has a fuller sound with a little more hiss than 111; 111 may have noise reduction; 116617 does not have the spectral band at 12k on 111 | *** |
2/21/71 | Capitol Theater, Port Chester, NY |
sbd lunz | 1980 | A- | in comparison on loser, these were of similar sound quality where 87134 looks compressed and the sound was not as warm as 1980; 98034 was warmer than 87134 but not as warm as 1980 and seems ot have noise reduction | same md5 as shnid=112 with files renamed; shnid=98034 is a flac reseed but ffp does not match so must have something else done to it | *** | |
sbd cantor crouch diebert gmb | 87134 | *** | ||||
sbd orf | 98034 | *** | ||||
sbd miller | 116618 | in comparison on loser, 116618 has a little more hiss and is a little less warm than 1980 but has a little fuller sound; aud 123830 is much more muffled and | *** | |||
berger , source: aud cassette master, taped | 123830 | *** | ||||
aud cooper berger , this is an improved | 123885 | comment on torrent is "sorry for the confusion, but might as well admit my mistake that the previous seed of this was about four and a half beers off pitch. this is a nicer listen"; 123885 sounded similar to 123830 but 123885 was murkier; | *** |
2/23/71 | Capitol Theater, Port Chester, NY |
sbd orf | 113 | A- | drop d1t1 1:48;, d3t6 4:05, d3t8 10:05, digi-pop d3t3 1:54 | *** | ||
sbd evans waddell gems | 82755 | A- | small fade/drops between most tracks | *** | ||
aud weinberg moore berger | 98406 | B- | 98406 is more muffled than the sbds | *** | ||
sbd miller | 110353 | A- | in comparison on loser, these were of similar sound quality where 113 has a little more hiss and warmer more natural sound than 82755; 113 has more digital flaws in the music that can be easily heard; 110353 has a the most hiss and is brighter bordering on too bright; in comparison on birsdsong, the notch filtering on 82755 gets more pronounced making it much less natural sounding than the others; 113 still has the warmer sound but seems more suppressed and not as full as 110353 | discontinuity pop d1t11 5:30 (there is a fix for this by cm) | *** | |
sbd miller fix 110353;, recording info:, sbd -> master reel -> cd, transfer info:, cd -> samplitude professional v11.1 -> adobe audition v3.0 -> flac, (3 discs audio / 2 discs flac), all transfers and mastering by charlie miller, charliemiller87@earthlink.net, october 17, 2010, patch info:, sbd -> master reel -> pcm -> dat -> cd supplies:, wharf rat (2:16 - 2:47), notes:, -- all disc changes are seamless, -- thanks to the tape owner who allowed me to put this out, -- this source is a huge upgrade to all circulating copies, -- this is not the betty board that has been in circulation, -- thanks to joe b. jones for his help with the pitch correction, set 1:, d1t01 - tuning, d1t02 - uncle john's band, d1t03 - loser, d1t04 - playing in the band, d1t05 - big boss man, d1t06 - china cat sunflower ->, d1t07 - i know you rider, d1t08 - me and bobby mcgee, d1t09 - bertha, d1t10 - next time you see me, d1t11 - morning dew, d2t01 - sugar magnolia, d2t02 - casey jones, set 2:, d2t03 - tuning, d2t04 - me and my uncle, d2t05 - bird song, d2t06 - truckin' ->, d2t07 - drums ->, d2t08 - the other one ->, d2t09 - wharf rat, d2t10 - greatest story ever told ->, d2t11 - good lovin', d3t01 - not fade away ->, d3t02 - goin' down the road feeling bad ->, d3t03 - not fade away ->, d3t04 - johnny b. goode | A- | cm fixed discontinuity pop d1t11 5:30 on previous 110353 but not yet listed at etree | *** |
2/24/71 | Capitol Theater, Port Chester, NY |
sbd orf | 114 | shnid=6189 is reported to be a retracked version of this | *** | |||
sbd cantor crouch diebert gmb | 87570 | A- | in comparison on bird song, these were of similar sound quality where 114 has more hiss and warmer sound than 87570 | drop d1t1 5:55, d1t2 0:25 | *** | |
sbd miller digitalrbb | 121065 | A- | in comparison on sugaree, 121065 has a fuller clearer sound with a little more hiss than 87570 which is warmer; 87570 has spectral view voids around 8k and 16k as if sound processed; sbd is more upfront than aud 125171 | *** | ||
berger , partial, source: aud reel master | 125171 | *** | ||||
sbd betty pcm miller clugston , source | 140834 | Not Reviewed Yet |
3/3/71 | Fillmore West, San Francisco, CA |
sbd lai | 6248 | B | vocals get harsh sometimes as overrecorded dropping quality to B; in comparison on loser and wharf rat, 6248 has a harsher fuller sound than 130986; although 130986is not as compressed and limited as 6248, they both have the distortion | levels are limited to -4db and that is where the clipping occurs | *** | |
sbd mrbill, recording info:, sbd > mr > ? | 130986 | *** |
3/14/71 | Camp Randall Field House, University of Wisconsin, Madison, WI |
sbd cole | 6115 | A- | in comparison on Loser, 6115 and 6249 are very close in sound; in spectral view 6115 looks like it is from a poorer transfer with more hiss, but 6249 sounded like it had slightly more hiss; 6115 seems a little more lively and also crackly in the vocals while 6249 was smoother in the vocals; they have different digital flaws which were less significant on 6115; in comparison on uncle johns band, 130581 seems more echoey and less natural than 6115 and on the between vocals 130581 has less hiss and appears noise reduced | drop/cut between cdrs | *** | |
sbd lai | 6249 | A- | light square wav static skip d1t8 11:39, discomtinuity pop d2t5 | *** | ||
sbd mrbill, recording info:, sbd > mr > | 130581 | *** |
3/18/71 | Fox Theatre, St. Louis, MO |
sbd yerys | 1663 | A- | in comparison on loser, 1663 has a more natural sound than 130560 which appears to have noise reduction; in comparison on uncle johns band 132491 and 1663 had similar sound | *** | ||
sbd mrbill, recording info:, sbd > r > c > | 130560 | *** | ||||
reel , set # two only, 7 inch half track | 132491 | *** |
3/20/71 | University of Iowa, Iowa City, IA |
sbd barbella | 5582 | B+ | starts out at A- quality but does then gets over recorded harsh in the vocals at me and my uncle and afterward | *** |
3/21/71 | Exposition Center, Milwaukee, WI |
aud cotsman | 12074 | B- | *** |
3/24/71 | Winterland Arena, San Francisco, CA |
sbd cotsman | 9501 | *** | ||||
sbd miller | 25313 | *** | ||||
sbd miller | 85585 | B+ | in 4-way comparison on loser, the aud sirmick 95869 was more muffled, 9501 has most hiss of sbds, 85585 sounded fullest maybe because it was a little louder because it was more compressed than previous miller 25313; starts out at B+ but gets better to A- for most of show and quality is less again on short audience patch | *** | ||
aud sirmick | 95869 | looks and sounds like may have noise reduction | *** |
4/4/71 | Manhattan Center, New York, NY |
aud cotsman | 10358 | *** | ||||
sbd gems | 35252 | *** | ||||
sbd sirmick | 76807 | A- | 76807 seemed as stated fixing problems in 35252 without changing the sound and is much better then the aud 10358; (did not compare this to the bertha remaster on dvdr); mainly A- but down to B+ on me and bobby mcgee and the aud patch | *** | ||
sbd miller | 110325 | A- | in comparison on loser, 110325 has similar sound to 76807 and looks in spectral view to have a little more music in the high end but did not hear it in fullnes of sound at the comparison spot; 110325 has slightly less hiss | *** |
4/5/71 | Manhattan Center, New York, NY |
sbd orf | 117 | B+ | in 4-way comparison on loser, 96269 and 16606 had a noticable ringing and spectral band at 8k; 12367 and 117 had similar sound; 12367 has more between song tuning cut out of it; a lot of this has A- sound but has some crackles and static and some places where the vocals and guitars turn harsh so gets a B+ | *** | ||
sbd ladner | 12367 | reported to be sbe fix of shnid=117 but is not as 117 is 3.5 minutes longer with lower levels | *** | |||
sbd stephens | 16606 | *** | ||||
sbd cantor gmb | 96269 | *** | ||||
partial aud berger | 100052 | B- | looks and sounds like it may have noise reduction | *** | ||
sbd miller | 110127 | |||||
sbd fixed miller | 110185 | B+ | in comparison on loser, 117 had similar sound but with more flaws and is shorter without the patch on 110185; but 110185 has the ringing which was removed on 117; ringing gets extra loud for first minute of sing me back home; both had similar background light crackles and statics | has some popping on d3t4 9:3x which is also on 117 | *** |
4/6/71 | Manhattan Center, New York, NY |
sbd lai | 118 | *** | ||||
sbd stephens | 18735 | *** | ||||
sbd cantor gmb | 96299 | *** | ||||
aud berger | 100040 | B | *** | |||
sbd ifthir smith gems | 109026 | A- | in 4-way comparison on dire wolf, 118, 18735, 96299, had similar sound and 109026 has a fuller warmer sound than those; a lot is A- but midnite hour was B+ |
4/7/71 | Music Hall, Boston, MA |
sbd orf | 119 | *** | ||||
sbd deibert | 83301 | *** | ||||
sbd cantor gmb | 96225 | B+ | in 3-way comparison on loser, these all sounded similar; 96225 has the cleanest spectral view while 119 and 83301 looked a little noiser in the high end although did not hear it; 119 and 83301 have more digital flaws than 96225; 119 also has clipping; some of this is A- sound | *** | ||
sbd gems, soundboard, unknown lineage | 136892 | Not Reviewed Yet | ||||
betty dalton miller sirmick, source: sbd > | 141029 | Not Reviewed Yet |
4/8/71 | Music Hall, Boston, MA |
sbd lai | 120 | *** | ||||
sbd unknown | 14397 | *** | ||||
sbd deibert | 83756 | *** | ||||
sbd cantor gmb | 96627 | B+ | in 4-way comparison on loser, 14397 had least hiss but also least full sound; 96627 had next least hiss but did not notice a drop in fullness; 83756 and 120 had similar amount of hiss | discontinuity pop s2t10 9:33 | *** | |
sbd betty pcm dalton miller clugston | 141099 | Not Reviewed Yet |
4/10/71 | East Hall, Franklin & Marshall College, Lancaster, PA |
sbd willy | 8674 | B | some is A- but playing in the band was a little harsh to B+ and later on more distortion to B by truckin | *** |
4/12/71 | Civic Arena, Pittsburgh, PA |
sbd miller | 31960 | B | *** |
4/13/71 | Catholic Youth Center, Scranton, PA |
s2p eliot | 9410 | *** | ||||
sbd unknown | 32015 | *** | ||||
sbd bertha ashley | 32077 | B- | in 3-way comparison on second that emotion, 32077 had a bassier fuller sound while 32015 and 9410 sounded similar; the distortion in the recording was also more suppressed in 32077 since it is in the high and midrange which 32077 has less of; some of this is B+ quality but parts like sunshine daydream have distortion that are lesser quality | *** |
4/14/71 | Davis Gymnasium, Lewisburg, PA |
sbd lai | 6250 | B- | has distortion that sounds like from being over recorded on louder songs with sound quality varying from B- to B+ | has buzz/static on some songs like me and bobby mcgee | *** | |
sbd mrbill, recording info:, sbd > mr > ? | 130916 | *** | ||||
mathews reel , 7 inch 1/4 track reel master | 132543 | B- | in comparison on sing me back home, 132543 sounds a little warmer and fuller than 6250; 132733 has noise reduction and sounded slightly less full than 132543, 130916 is a little warmer than 132543 but 130916 sounds unnatural and weird; vocals still distort on 132543 | *** | ||
sbd matthews wise droncit 48, 7 inch 1/4 | 132733 | *** |
4/15/71 | Allegheny College, Meadville, PA |
sbd ed | 11652 | A- | *** |
4/17/71 | Dillon Gym, Princeton University, Princeton, NJ |
sbd nayfield 122 | 121 | A- | in 4-way comparison on bird song, 121 has a more natural sound with a little more hiss than sirmick 88760; motb 107075 is more distant and suppressed than the sbds and using in matrix 107384 makes that more suppressed sounding than the sbds; on good lovin rap pigpen buys the "brooklyn bridge" on this one | (also includes shnid=122) | *** | |
sbd sirmick | 88760 | levels go higher than rest ot recording for d2t1 to d2t3 and have lots of clipping | *** | |||
sbd sirmick | 89031 | |||||
aud boswell smith motb 0136 | 107075 | *** | ||||
mtx tobin | 107384 | *** | ||||
sbd unknown 48, sbd master reel | 138033 | Not Reviewed Yet |
4/18/71 | Lusk Field House, S.U.C.N.Y, Cortland, NY |
sbd lai | 6251 | B+ | 7112 is a close eac match on d1t2 to 6251; 7112 has more digital flaws; pigpens brooklyn bridge rap from previous night starts but does not complete; in comparsion on I know you rider 6251 has a harsher clearer sound than 130710; I did not hear in the comparison sample the unfortunate wierdness and unnatural sounding processing that MrBill has been adding to his remasters, but I am wary to select his version of this in case it is present at a different spot | *** | ||
sbd fink | 7112 | *** | ||||
sbd mrbill, recording info:, sbd > mr > c | 130710 | *** |
4/21/71 | Rhode Island Auditorium, Providence, RI |
sbd lai | 2578 | *** | ||||
sbd kaplan | 8227 | A- | 8227 is a close eac match on d1t1 to 2578; they have different flaws in that 8227 has a small digital drop at the end of d1t1 and 2578 has an analog pop at d1t3 1:26 not on 8227; in comparison on loser, 130598 is harsher than 8227 | *** | ||
sbd mrbill, recording info:, sbd > r > dat | 130598 | *** | ||||
sbd pcm dalton miller clugston , source | 141116 | Not Reviewed Yet |
4/22/71 | Bangor Municipal Auditorium, Bangor, ME |
sbd clugston | 2176 | A- | most of this is A quality but starts to get a little harsh on playing in the band and greatest story and part of good lovin and johnny b goode | *** |
4/24/71 | Wallace Wade Stadium, Duke University, Durham, NC |
sbd lai | 2579 | B+ | sound quality ranges from B+ to A- with harshness on some of bob's songs bringing the rating down | *** | ||
sbd boswell smith miller clugston 48, this | 143958 | Not Reviewed Yet | ||||
sbd boswell smith miller clugston 2496 | 143959 | Not Reviewed Yet |
4/25/71 | Fillmore East, New York, NY |
sbd grote | 8761 | A- | has tv band | *** | ||
sbd vernon minor | 30886 | B+ | *** | |||
sbd miller | 95625 | A | in 3-way comparison on d2t8 this has fullest clearest sound; 8761 and wgv stream are similar; in comparison on d2t6 to 30886, this has fuller warmer sound; in comparison on loser, remaster 113038 has more hiss and a harsher narrower sound than 95625 | *** | ||
sbd bertha ashley | 96096 | |||||
sbd matera | 113038 | disontinuity pops d2t08 11:02, d3t01 4:09, 4:18, gd71-04-25d3t02 0:17, 2:16, plus more; has some new clipping that can be heard in pigpens vocal at d2t3 1:45 or jerry's at d2t9 1:27 | *** | |||
ladies and;, initial release : october 2000, grateful dead/arista, four cd set taken from the april 25 - 29, 1971 shows at the fillmore east., tracks, disc 1, truckin' (garcia/lesh/weir/hunter), bertha (garcia/hunter), next time you see me (harvey/forest), beat it on down the line (fuller), bird song (garcia/hunter), dark hollow (browning), second that emotion (robinson/cleveland), me and my uncle (phillips), cumberland blues (garcia/lesh/hunter), good lovin' (resnick/clark), drums (kreutzmann), good lovin' (resnick/clark), disc 2, sugar magnolia (weir/hunter), loser (garcia/hunter), ain't it crazy ( the rub ) (hopkins), el paso (robbins), i'm a king bee (moore arr. grateful dead), ripple (garcia/hunter), me and bobby mcgee (kristofferson/foster), uncle john's band (garcia/hunter), turn on your lovelight (scott/malone), disc 3, china cat sunflower (garcia/hunter), i know you rider (traditional arr. grateful dead), it hurts me too (james), sing me back home (haggard), hard to handle (redding/jones/isbell), dark star (garcia/kreutzmann/lesh/mckernan/weir/hunter), st. stephen (garcia/lesh/hunter), not fade away (petty/hardin), goin' down the road feeling bad (traditional arr. grateful dead), not fade away (petty/hardin), disc 4, morning dew (dobson/rose), new minglewood blues (traditional arr. bob weir), wharf rat (garcia/hunter), alligator (lesh/mckernan/hunter), drums (kreutzmann), jam (grateful dead), goin' down the road feeling bad (traditional arr. grateful dead), cold rain and snow (traditional arr. grateful dead), casey jones (garcia/hunter), in the midnight hour (pickett/cropper), we bid you goodnight (traditional arr. grateful dead), musicians, grateful dead;, jerry garcia - lead guitar, vocals, bill kreutzmann - drums, phil lesh - electric bass, vocals, pigpen - organ, percussion, harmonica, vocals, bob weir - rhythm guitar, vocals, special guest appearance;, tom constanten - keyboards, credits, compilation producer - david lemieux, recording engineer - bob matthews, betty cantor-jackson, mixing - jeffrey norman, tape archivists - dick latvala, david lemieux, project coordinator - cassidy law, archival research - eileen law, grateful dead archives, cover design, lettering - randy tuten, tie dye artist - james preston, photography - amalie r rothschild, fred ordower, program notes - blair jackson, assistant engineer - rudson shurtliff, grateful dead crew: steve parish, ram rod, bill candelario, rex jackson, sparky raizene, john hagen, sonny heard, special thanks: jeff briss, lucky budd, robyn, gary lambert, tim mckenzie, peter miller, dan ross, grateful dead staff: naomi alson, elena chieffo, brian connors, connie furtado, jubal garcia, tiff garcia, david gross, robyn gross, lesley hunter, deborah kamradt, julie kelly, mary knudsen, ron knudsen, nancy mallonee, dennis mcnally, peter mcquaid, maruska nelson, alison parker, jamie parker, michael peri, basia raizene, forrest schofield, maggie sichel, jan simmons, sue swanson, notes, the tracks in this set are taken from the fillmore east shows in april 1971. the dates for each of the tracks are thought to be as follows, april 25, 1971;, next time you see me, beat it on down the line, second that emotion, good lovin', drums, good lovin', sugar magnolia, china cat sunflower, i know you rider, sing me back home, april 27, 1971;, uncle john's band, turn on your lovelight, casey jones, april 28, 1971;, bird song, me and my uncle, cumberland blues, loser, ain't it crazy ( the rub ), el paso, i'm a king bee, me and bobby mcgee, dark star, st. stephen, not fade away, goin' down the road feeling bad, not fade away, wharf rat, april 29, 1971;, truckin', bertha, dark hollow, ripple, it hurts me too, hard to handle, morning dew, new minglewood blues, alligator, drums, jam, goin' down the road feeling bad, cold rain and snow, in the midnight hour, we bid you goodnight, all tracks are digitally remastered from the original 2-inch multi-track tapes. | $ | *** |
4/26/71 | Fillmore East, New York, NY |
sbd unknown | 2214 | |||||
sbd unknown | 4330 | drop end of d1t8; between cdrs, end of d3t5, d3t3 0:00, unsteadiness d2t3 0:34 | *** | |||
sbd murphy | 4991 | A- | this has similar wav and spectral view and levels and sound and digital flaws as 4330; in comparison wgv stream is similar quality but not as warm and has slightly more hiss which may be just from the tone change; in comparison to miller 105814 on loser, the sound was similar on 4991 except 4991 had less hiss and 4991 seemed to have more analog flaws such as a drop at beginning of loser, on sing me back home 105814 had less hiss on left channel than 4991; 105814 has some severe limiting/clipping that causes distortion such as on dark star that gave it a harsher light crackly sound at around 10:40 and it looks like there is similar limiting for a lot of that recording; the miller 24bit 105815 has the same problems as the 16bit 105814; a lot of this rates A, but vocals get harsh sometimes like on loser which go down to B+ | drop end of d1t8; between cdrs, end of d3t5, d3t3 0:00, unsteadiness d2t3 0:34;; cd layout is listed wrong; analog drop on right channel d2t2 0:19 | *** | |
sbd miller | 105814 | has asymetric wavs limited on the bottom; some of this looks like it has noise reduction | *** | |||
sbd miller | 105815 | |||||
sbd smith boswell | 113839 | in comparison on loser, 113839 has least hiss then 4991, and then miller 105814; in comparison on sing me back home miller 105814 had less hiss than the other two; in comparison on dark star, 105814 has some severe limiting/clipping that causes distortion that gave it a harsher light crackly sound at around 10:40 and that is not on the other two; 113839 has less digital flaws than 4991; a lot of this is A quality but some songs are less full; in comparison on loser, 113839 has a warmer sound than 126270 but 126270 seems to have cleaned up some analog flaws | analog drop on right channel d1t2 0:19; drop/cut between cdrs | *** | ||
sbd kafer boswell smith , mr 7 5 ips > r > | 126270 | *** | ||||
sbd kafer boswell smith sirmick 24, source | 143159 | Not Reviewed Yet | ||||
sbd kafer boswell smith sirmick, source : | 145130 | Not Reviewed Yet |
4/27/71 | Fillmore East, New York, NY |
sbd murphy | 2221 | drop d1t1 1:39, end of d1t7, between cdrs | *** | |||
sbd bode hoffman merryprankster stundel | 2998 | drop/glitch d1t3 0:46 | *** | |||
sbd unknown | 4331 | this is a not close eac match on d1t1 and d3t1 to 2221; but not on d2 as this is similar in wav and spectral view except levels are raised on this so clips; drop/cut between cdrs | *** | |||
sbd gadsden oleynick | 5165 | in 5-way comparison on d2t7, they all sound similar quality with this, 2221, 4331, and wgv stream sound the same but 2998 has a little more hiss and 4331 clips a little | drop/cut end of d1, d2, d4, d4t6 | *** | ||
sbd miller | 106550 | A- | 106550 has less hiss than 5165; in comparison on loser, 106550 has a warmer sound than 114094; on a lot of this is A quality but some songs like johnny b goode get a little harsh | *** | ||
sbd miller | 106562 | |||||
sbd boswell smith | 114094 | *** | ||||
sbd miller | 114461 | A | in comparison on loser, 114461 has more bass and a warmer fuller sound than miller 106550 | discontinuity pop d1t8 0:23, drop d2t11 0:07, analog pops d3t2 10:04 | *** | |
sbd pcm lubar dalton miller clugston | 141129 | Not Reviewed Yet |
4/28/71 | Fillmore East, New York, NY |
sbd murphy | 2248 | drop/cut between cdrs, end of d2t4; discontinuity pop d1t7 6:09 plus lots more | *** | |||
sbd unknown | 4332 | 4332 is a sort of close eac match to 2248 on d1t1 but on d2 and d3 the levels are raised on this so clips, this clipping is carried forward onto 32862 and 11257; drop/cut between cdrs, 2248 has lots of discontinuity flaws not on this one | *** | |||
sbd kaplan fink | 11257 | drop/cut between cdrs, end of d2t6, d2t10, d3t4, d3t6 | *** | |||
sbd frisco | 32862 | in 5-way comparison on d1t4, they all sounded similar quality with same level of hiss and includes 11257, 2248, 4332. and wgv stream | drop end of d2t3 | *** | ||
sbd gems | 102859 | A- | in 3-way comparison 102859 has warmest sound, then 32862 and then miller 106099; 32862 had most hiss; most of this A with some spots get a little harsh like part of Bird Song and St Stephen; note this is incomplete with flaws noted in the description and needs to filled in from another source such as official release | |||
sbd miller | 106099 | has asymetric wavs limited on the bottom and has a few spots where can hear a little clipping like near end of d1t1 | *** | |||
sbd miller | 106100 | |||||
sbd boswell smith | 114029 | A | in comparison on loser, 114029 has similar sound to 102859 which is warmer than 106099; this has patches not on 102859; 106099 has the pre-show press conference | *** | ||
sbd boswell smith | 114088 | |||||
sbd boswell smith , lineage:mr@ 7 5 ips>r @ | 126262 | in comparison on loser, 126262 sound similar to 114029 except 126262 has a little more hiss | *** |
4/29/71 | Fillmore East, New York, NY |
sbd murphy | 1858 | |||||
sbd unknown | 4333 | drop end of d1t9, between cdrs | *** | |||
sbd frisco | 16782 | drop d1t4 6:34, d1t7 9:11, between cdrs, end of d2t4, d2t5 | *** | |||
sbd serafin | 19639 | A | in 7-way comparison on d1t8, the aud 26568 sounds much lesser quality and mixing it into the sbd on 97660 makes the matrix sound worse; these sbds 4333, 33565, and 16782 are all the same source and sound similar amounts of hiss; 19639 seems different sbd source as indicated and had less hiss and a fuller clearer sound and was generally warmer sound; in comparison to miller 105926, that has more hiss on right channel and 19639 has a fuller warmer bassier sound which may be overly bassy | has a light tv band; drops between cdrs; many digi-pop glitch d1t1 5:33; discontinuity pop d4t7 1:51; | *** | |
weinberg warner | 26568 | B | drop/cut between cdrs, d1t10 0:53 | *** | ||
sbd haugh | 33565 | drop end of d1, d2t4 | *** | |||
mtx hansokolow | 97660 | A- | drop d1t6 9:14, 9:25, between cdrs, end of d2t4 | *** | ||
sbd miller | 105925 | |||||
sbd miller | 105926 | has asymetric wavs limited on the bottom | *** | |||
sbd boswell smith | 114145 | |||||
sbd multitracks miller | 114350 | A | in comparison on bird song, serafin 19639 has the least hiss and most full sound but is overly bassy; 114350 has a little more hiss and is close in fullness and has a better mix than serafin 19639 and both have warm sound; miller 105926 and boswell smith 114145 both have more hiss and a less full less warm sound; boswell smith 114145 has the most hiss; 1858 has a harsher narrower sound with more hiss than 114350 | square wav static d2t1 1:33, 1:47, d2t1 2:00, 2:14, 2:28 | *** |
5/29/71 | Winterland Arena, San Francisco, CA |
aud cotsman | 19153 | C | ranges from C+ to D | *** | ||
sbd miller | 110324 | B+ | need aud 19153 to complete show; mainly A- sound but sound is overrecorded some place like on Truckin | *** |
5/30/71 | Winterland Arena, San Francisco, CA |
aud miller | 31968 | C- | this is listenable and not harsh but just muffled but did not listen to the part on sbd 94119; so the first part of this show is in the C quality range of sound but mainly C- and then gets much worse starting at Truckin turning because of distortion to D quality and then to F quality by Johnny B Goode | *** | ||
sbd miller | 94119 | B+ | borders on A- quality but has some harshness in it | *** | ||
vinyl, rhino readies grateful dead double-lp winterland 1971, available november 23 at select independent retailers, the grateful dead made winterland its home for years until 1978, when the band closed bill graham's legendary venue for good with a spectacular new year's eve blow out. the friendly confines of the former ice-skating rink always seemed to bring out something special in the band. that's certainly true of the group's may 30, 1971 performance, which was the second night of a homestand during the era later immortalized on the 1971 live collection skull and roses., for record store day's black friday event on november 23, dead.net and rhino will release a portion of that show (all that the band has in their vault) for the first time, offering it on 180-gram vinyl as a limited edition double-lp set of 7500 copies. winterland 5/30/71 will be available exclusively at select independent music retailers for a suggested price of $34.98. visit www.recordstoreday.com for a list of participating stores., sourced from the original reels of tape, the music was mastered by jeffrey norman and the vinyl lacquers were cut by chris bellman at bernie grundman mastering and then pressed at rti. grammy-winning graphic artist masaki koike evokes the skull and roses album cover for this set's gorgeous gatefold., it's over one hour of dead classics that covers nearly the entire second set, which was packed with crowd pleasers like sugar magnolia, truckin' and deal. one entire lp side is dedicated exclusively to turn on your lovelight, a 15-minute-plus romp led by singer/organist ron pigpen mckernan. for its encore, the band jerry garcia, bob weir, phil lesh, bill kreutzmann, and mckernan capped the evening off with raucous johnny b. goode.; Side One, 1. Sugar Magnolia, 2. Cumberland Blues, 3. Big Boss Man, Side Two, 1. Me And My Uncle, 2. Deal, 3. Truckin', Side Three, 1. Turn On Your Lovelight, Side Four, 2. Uncle John's Band, 3. Casey Jones, 4. Johnny B. Goode | $ | B+ | in comparison on me and my uncle and casey jones, when the vinyl was transferred to 44k, it sounds very similar to 94119 except that is more continuous and this has a little surface noise; need this for Johnny B. Goode missing on 94119 which is far better than on 31968 | *** |
6/21/71 | Chateau D'HerouvilIe, Herouville, France |
sbd hanno | 4643 | *** | ||||
sbd miller | 94356 | A- | in comparison on morning dew, 4643 is more muffled with more hiss than 94356; in comparison on Sing Me Back Home, 4643 has more hiss and harsher sound than 94356 | *** |
7/2/71 | Fillmore West, San Francisco, CA |
sbd clevenger lai fix 128 | 6193 | A | *** | |||
sbd backus | 11798 | A | 11798 is a sort of close eac match on d1t1 to 6193; they both have drops between some tracks but at sometimes different places; that has a few more discontinutities | *** | ||
sbd unknown | 18289 | A | drop end of d2t6, d3t6, , d1t1 5:25, 6:44, d1t1 1:34 | *** | ||
prefm cribbs | 33659 | A | in 6-way comparison on loser, they all have similar sound quality; 33659 and 18289 seem like same transfer and are very similar except 18289 has levels raised so clips some and 33659 has less severe and reparable digital flaws; both these have a fuller spectrum in the high end than the others; 11798 and 6193 are a different transfer and appear to be cd rips of each other; all of those have a tv band; the wgv stream is also similar quality but a little less warm and a little more hiss; in comparison on Cryptical Envelopement. 118485 sounded similar but in spectral view looked like it had a cleaner transfer but may be noise reduction; 118485 is missing 10 minutes of radio announcments, applause, and tuning between songs but 118485 does have the dedication which also includes tuning which is not on 33659; 30th Anniversary Tree is similar in sound and spectral view to 33659 except has more between song crowd trimmed | drop/cut between cdrs, end of d2t5, d3t4; digi-pop d2t5 12:19, d3t5 0:41, d3t6 2:06, d3t8 3:59; this has station ids; | *** | |
pre fmwithfmdedication | 118485 | drop d3t1 0:09, d3t10 3:56 not in music | *** | |||
see various-san-francisco-bay 07/01/71; 1 Casey Jones 2 Johnny B. Goode, | $ | A- | has low levels; in comparison on casey jones to 33659, this is harsher with fuller sound and more upfront vocals | |||
see various-san-francisco-bay 07/02/71; fillmore west closing week (30th anniversary tree), (pre-broadcast fm reel>cdr); grateful dead, (pre-broadcast fm reel>cdr, 183:55), -----, disc 1 (65:35):, 1. bill graham introduction (0:38), 2. bertha (8:02), 3. me and bobby mcgee (7:10), 4. next time you see me (5:30), 5. china cat sunflower (5:44) /, 6. i know you rider (7:03), 7. playing in the band (8:07), 8. loser (9:51), 9. the rub (5:18), 10. me and my uncle (3:47), 11. big railroad blues (4:25), disc 2 (54:27):, 1. hard to handle (8:25), 2. deal (6:31), 3. promised land (3:30), 4. good lovin' (18:09), 5. sugar magnolia (7:05), 6. sing me back home (10:47), disc 3 (63:53):, 1. mama tried (3:27), 2. beat it on down the line (2:08) /, 3. cryptical envelopment (5:16) /, 4. the other one (16:55), 5. big boss man (5:45), 6. casey jones (6:35), 7. not fade away (3:55) /, 8. goin' down the road feelin' bad (9:45) /, 9. not fade away (6:12), 10. johnny b. goode (3:55), | ||||||
pre fm gems , broadcast on ksfx, the | 136638 | Not Reviewed Yet |
7/31/71 | Yale Bowl, Yale University, New Haven, CT |
winberg weiner gdadt05 | 5678 | B- | first source is upfront and clear but has distortion in a lot of vocals like in playing in the band and rates B-; second source is harsher and more muffled and rates C+ but some gets better up to B | *** | ||
sbd , recording info:, sbd > master reel | 132730 | B+ | in comparison on sugaree, aud 5678 is more distant and distorted than sbd 132730; mtx 134686 is harsher and less clear than sbd 132730; sound quality starts at a B+ and improves to A- | *** | ||
mtx dusborne, 2 source matrix, soundboard | 134686 | *** |
8/4/71 | Terminal Island Correctional Fac., San Pedro, CA |
sbd miller | 95308 | A- | mainly A quality but has some distortion in instruments at beginning of sugaree and not fade away | *** |
8/5/71 | Hollywood Palladium, Hollywood, CA |
aud cotsman | 9768 | *** | ||||
fob sonyecm22p miller | 88859 | *** | ||||
aud smith | 94260 | *** | ||||
sbd miller | 96540 | A | in 5-way comparison on sugaree and me and bobby mcgee, 96540 has the most upfront and clearest sound and matrix 97014 has more hiss and is fuzzier sound but was still more upfront than the auds; in comparison just among the auds, on sugaree, 9768 had the least hiss and 94260 seemed more distorted and on me & bobby mcgee, 9768 had the least hiss but miller 88859 had a fuller clearer sound on the vocals; most of this is A sound quality but mix is not steady at the beginning; the missing songs listed above plus several unlisted ones appear in sbd on the gdh marathon 2/8/14 (Big Boss Man, Sugar Magnolia, Bird Song, Big Railroad Blues, Good Lovin', Not Fade Away->, Goin' Down the Road Feelin' Bad->, Not Fade Away, Johnny B. Goode) | *** | ||
mtx chappell | 97014 | *** | ||||
sbd miller 24, recording info:, sbd > | 137274 | Not Reviewed Yet | ||||
sbd miller, recording info:, sbd > master | 137288 | Not Reviewed Yet | ||||
sony ecm 22p kaslow todd boswell smith | 141678 | Not Reviewed Yet | ||||
fob sony ecm22p kaslow todd boswell smith | 144915 | Not Reviewed Yet |
8/6/71 | Hollywood Palladium, Hollywood, CA |
aud bertrando yerys | 129 | *** | ||||
aud sirmick | 30224 | This remaster is reported to have problems and resulted in sirmick making a second remaster | *** | |||
fob kaslow kasper sirmick | 77457 | *** | ||||
fob sonyecm22p miller | 88816 | *** | ||||
aud kaslow smith | 94261 | *** | ||||
sbd miller | 96541 | A | in 9-way comparison on loser, 96541 has most upfront clearest sound; the matrixes 96668 and 97015 were next upfront but not as clear and were fuzzier with more hiss; the auds are not as upfront sounding as the sbds; 94261, 114390, and 127690 have full warm sound for the auds; 109430 seemed a little slower with a little less hiss and a little less full sound; the rest have more hiss with 77457 and 88816 being closer in sound, 30224 seeming slow and 129 was harsher; on loser mtx 130793 is more echoey and not as upfront as 96541 | *** | ||
mtx seamons | 96668 | *** | ||||
mtx chappell | 97015 | *** | ||||
gems smith kaslow todd | 109430 | |||||
sbd bertha | 110278 | |||||
aud wolfe smith 24, aud 7 5 ips>r(don | 114390 | |||||
aud kaslow wolfe smith 24, lineage: mar | 127690 | |||||
mtx tobin , sbd + aud matrix 2 source | 130793 | *** |
8/7/71 | Dick's Picks - Volume Thirty Five |
dp35;, initial release : june 2005, grateful dead records, a 4 cd set of the complete show from 7 august 1971 in san diego, all that was salvageable of the 24 august, 1971 show in chicago, and over an hour from the 6 august, 1971 show at the hollywood palladium., buy from amazon.com, tracks, disc 1, san diego 8/7/71, big railroad blues (lewis), el paso (robbins), mr. charlie (mckernan / hunter), sugaree (garcia / hunter), mama tried (haggard), bertha (garcia / hunter), big boss man (smith / dixon), promised land (berry), hard to handle (redding / jones / isbell), cumberland blues (garcia / hunter / lesh), casey jones (garcia / hunter), truckin' (garcia / lesh/ weir / hunter), disc 2, china cat sunflower (garcia / hunter), i know you rider (traditional), next time you see me (harvey / forest), sugar magnolia (weir / hunter), sing me back home (haggard), me and my uncle (phillips), not fade away (petty / hardin), goin' down the road feelin' bad (traditional), jam (grateful dead), johnny b goode (berry), chicago 8/24/71, uncle john's band (garcia / hunter), playing in the band (weir / hart / hunter), loser (garcia / hunter), disc 3, it hurts me too (james), cumberland blues (garcia / lesh / hunter), empty pages (mckernan), beat it on down the line (fuller), brown-eyed woman (garcia / hunter), saint stephen (garcia / lesh / hunter), not fade away (petty / hardin), goin' down the road feelin' bad (traditional), not fade away (petty / hardin), me and bobby mcgee (kristofferson / foster), big boss man (smith / dixon), brokedown palace (garcia / hunter), disc 4;, good lovin' (resnick / clark), hollywood 8/6/71, the other one (weir / kreutzmann), me and my uncle (phillips), the other one (weir / kreutzmann), deal (garcia / hunter), sugar magnolia (weir / hunter), morning dew (dobson / rose), turn on your lovelight (scott / malone), musicians, jerry garcia - lead guitar, vocals, bill kreutzmann - drums, phil lesh - bass, vocals, ron "pigpen" mckernan - organ. harmonica, vocals, bob weir - guitar, vocals, credits, recording engineer - rex jackson, tape archivist - david lemieux, cd mastering - jeffrey norman, archival research - eileen law/grateful dead archives, photography - chuck pulin, j.c. overlock, emerson-loew, cover art, package design - robert minkin, booklet notes - dennis mcnally, extra special thanks to donna jean godchaux-mackay, zion godchaux, brian godchaux, jean godchaux, introduction to "the other one" on cd four is from an audience source recorded by harvey kaslow and craig todd. we thank harvey and craig for generously allowing us to use this segment | $ | *** |
8/14/71 | Berkeley Community Theater, Berkeley, CA |
sbd trip | 1451 | drops between tracks, d2t12 has lots of drops; digi-pop d1t5 1:00, 4:40, plus more especially on d1t11 | *** | |||
sbd ladner | 21268 | A | in 3-way comparison on d1t4, 21268 is very similar to 1451 in sound and wav and spectral view except levels slightly different and that has a lot more digital flaws; the wgv stream is also similar sound quality but a little harsher; in comparison on sugaree 130871 is more suppressed possibly by noise reduction than 21268 | drops between tracks on d1; | *** | |
sbd mrbill, recording info:, sbd > mr > c | 130871 | *** |
8/15/71 | Berkeley Community Theater, Berkeley, CA |
sbd gustin | 131 | drop d1t9 3:41, between cdrs, end of d2t6, d2t7, d2t8, digi-pop static d1t2 7:09m d1t3 2:16 | *** | |||
sbd ladner | 21780 | B+ | in 3-way comparison on d1t5, and d2t4, 21780, 131 and wgv steam have similar sound quality; 21780 has less digital flaws than 131; at end of d1t5 they play very beginning of white rabbit; in comparison to 8/14/71, 21780 has a less full sound | drop d1t9 3:41, between cdrs | *** | |
sbd mrbill, recording info:, sbd > mr > c | 130890 | Not Reviewed Yet |
8/21/71 | Mickey's Barn, Novato, CA |
hartjam aud | 17179 | B+ | in comparison on beginning of d1t1, 17179 has a fuller warmer but more suppressed sound than 83307 so choice is close; on d2t7 although 17179 has a more muffled left channel, it has a fuller warmer sound over all than 83307 | *** | ||
aud 38f | 83307 | same flac fingerprint as 83302; spectral view shows this is from a lossy sources as if has a mini-disc generation | *** | |||
mhbj aud ; | 6634 | 6634 (filed at etree under garcia) has same st5 as 17179 except on d1t4 and d2t8 and they have same digital flaws | *** |
8/23/71 | Auditorium Theatre, Chicago, IL |
aud cotsman | 9759 | C- | *** | |||
sbd miller , recording info:, sbd > master | 125886 | B+ | in comparison on sugaree, sbd 125886 has much more upfront fuller sound than aud 9759; sound quality ranges from A down to B+ because vocal distortion on casey jones and truckin and other songs when bob screams lyrics | *** |
8/26/71 | Gaelic Park, Bronx, NY |
sbd dopey | 1559 | analog drop d2t2 0:22 | *** | |||
sbd miller rolfe | 32303 | *** | ||||
sbd fixed miller rolfe | 32351 | B+ | in comparison on sugaree and me and bobby mcgee, 32351 and 1559 were very similar in sound; both auds 35374 and 100292 were much more muffled; on comparison on sugaree and deal 100292 was most muffled and least full sounding as looked and sounded like it had noise reduction although it had less hiss than 35374; the static on 32351 was also on 1559 and 32351 had levels better adjusted and less other flaws; sound quality is mainly A- but static brings it down to B+; in comparison on going down the road aud 126297 has a fuller warmer sound than aud 100292 and aud 35374 | has some static on right channel d1t9 1:25 to 1:27 plus a few more spots in d1t10, lots in d1t1, a few in d1t12 and so on like this | *** | |
aud sirmick | 35374 | *** | ||||
aud weinberg berger | 100292 | *** | ||||
cooper , partial, source: aud cassette | 126297 | *** |
9/xx/71 | Keith Rehearsals, Santa Venetia, CA |
unsurpassed masters vol4 vol6 | 116951 |
9/xx/71 | Studio Rehearsals w/ Keith Godchaux, Santa Venetia, CA |
sbd unknown | 16897 | B- | looks like a compilation from 2 different sources t1-t7 and t8-t16; the first source is harsher and narrower; t13-15 songs look like they may be from 9/28/71 according to deadlists setlist for that date and are not on the 3 cousinits for 9/29 to 10/1/71 16891, 18109, 16896 | there is a lot of static in t16 and a little more elsewhere; these flaws were confirmed to be on another version of the bootleg cd | *** |
9/29/71 | Studio Rehearsals with Keith Godchaux, Santa Venetia, CA |
sbd cousinit | 16891 | B | spectral view looks like has standard cousinit noise reduction processing | *** |
9/30/71 | Studio, Santa Venetia, CA |
sbd cousinit | 18109 | B | spectral view looks like has standard cousinit noise reduction processing | *** |
10/1/71 | Studio, Santa Venetia, CA |
sbd rehearsal cousinit | 16896 | B- | spectral view looks like has standard cousinit noise reduction processing | *** |
10/19/71 | Northrop Auditorium, U. of Minn., Minneapolis, MN |
orefm clugston | 3301 | A- | some of this is A- but other parts are harsh such as cumberland blues | d3 is lossy as if from a mini-disc | *** | |
sbd miller | 114351 | A- | in comparison on sugaree, 114351 and 3301 have similar sound; 3301 has more digital flaws and has a lossy cd | *** |
10/21/71 | Auditorium Theatre, Chicago, IL |
sbd cotsman | 5071 | B+ | in comparison on loser and ramblin rose, bertha 9622 has a narrower harsher sound than 5071; some of this is A- but has some harshness like in truckin | in spectral view has high end streaking indicating transfer was done with not a good soundcard; has the compression/limiting/clipping indicated | *** | |
sbd bertha ashley | 9622 | *** | ||||
sbd miller | 112086 | A | in comparison on loser, 112086 has a little fuller warmer sound with a little more hiss than 5071; mainly A but can hear a little hiss on some songs early on; this stayed warm sound most of the time and did well on loud playback | static burst like a balloon pop d2t10 2:18 | *** |
10/22/71 | Auditorium Theatre, Chicago, IL |
set2 sbd miller | 86728 | A | *** | |||
sbd gans miller | 112821 | A | in comparison on ramble on rose, 86728 has a warmer sound with less hiss than 112821 but 112821 is needed for extra songs; 112821 is faster than 86728 but was not sure which was the correct speed | small drops d1t1 0:10, d1t7 3:59, d2t4 24:47 but could not hear them but could hear the ones at d2t1 1:23 | *** | |
davpic3, dave's picks volume 3, $27.98, dave's picks volume 3 is officially sold out., this limited edition of 12,000 numbered copies (with just 2800 copies left for purchase) will definitely sell out - and fast - don't delay!, dave's picks vol. 3 features the complete october 22, 1971 concert from the beautiful auditorium theatre in chicago on two discs, with a third disc culled from the previous night's scorcher at the same venue., cd 1, 1.bertha, 2.me and my uncle, 3.tennessee jed, 4.jack straw, 5.loser, 6.playing in the band, 7.sugaree, 8.beat it on down the line, 9.black peter, 10.mexicali blues, 11.cold rain and snow, 12.me and bobby mcgee, cd 2, 1.comes a time, 2.one more saturday night, 3.ramble on rose, 4.cumberland blues, 5.that's it for the other one>, i.cryptical envelopment, ii.drums, iii.the other one, iv.cryptical envelopment, 6.deal, 7.sugar magnolia, 8.casey jones>, 9.johnny b. goode, cd 3, 1.truckin', 2.big railroad blues, 3.frozen logger, 4.dark star>, 5.sitting on top of the world>, 6.dark star>, 7.me and bobby mcgee, 8.brown-eyed women, 9.st. stephen>, 10.johnny b. goode, limited to 12,000 individually numbered copies, mastered to hdcd specs by jeffrey norman, digipak made of 100% recycled and pcw materials, release date: august 1, 2012 | $ | A | in comparison on bertha to sbd gans miller 112821, they have similar sound but this has higher levels and more compression and is not as warm; this has more songs missing on that; in comparison on 10/21/71 truckin, sbd miller 112086 has a warmer sound and this has levels raised with more compression | *** |
10/23/71 | Eastown Theater, Detroit, MI |
fm cotsman | 10359 | *** | ||||
fm sbd wizard | 18666 | *** | ||||
fmsbd hanno | 19862 | B+ | in 3-way comparison on loser, 10359 has most hiss and 18666 removes some of that hiss at the cost of some fullness of sound but makes it easier to hear; 19862 has more hiss than 18666 but has a fuller sound that makes it easier to hear; there was also more wavering in the sound on 19862; some of this is A- but other parts are more muffled with more hiss | *** | ||
sbd miller | 111673 | A- | in comparison on loser, 111673 has a fuller sound with less hiss than 19862 | *** |
10/24/71 | Eastown Theater, Detroit, MI |
sbd clugston | 3292 | A | most of this is A but vocals get a little harsh like on Casey Jones | *** | ||
sbd miller , recording info:, sbd > master | 125887 | A | in comparison on black peter, 3292 and 125887 sound similar; 125887 is 12 minutes longer and seamless | *** |
10/26/71 | The Palestra, U. of Rochester, Rochester, NY |
sbd cotsman | 9761 | B- | *** | |||
download series volume 3 -, mp3, 128kbps : $12.99 mp3, 256kbps : $14.50 flac, lossless : $17.20, although recorded only two short months after the recently unearthed music contained on dick's picks 35 (aka "the houseboat tapes"), download series vol. 3 presents a remarkably different, but equally-inspired, version of the grateful dead. this 2 disc, complete show gem recorded in western new york state in the fall of 1971 is just the fifth show with keith godchaux as the keyboard player, a personnel move motivated by pigpen's failing health., what pigpen brought to the grateful dead in personality and sheer musical bravado, keith made up for in talent and creativity at his instrument. even though he'd been in the band for just one week, you wouldn't know it by his contributions at this rochester concert. aside from the incredible musicianship he incorporated into the band's sound, his presence seemed to reinvigorate the band., the highlights here are plentiful, but of particular note are the nascent versions of "sugaree," "tennessee jed," "jack straw," "mexicali blues," "comes a time," "one more saturday night" and "ramble on rose," all as impressive as any versions from the much-loved europe '72 tour, but with a much more raw energy and filled with giddy newness. add to these brand new songs staples such as "cold rain and snow," "loser," "bertha" and "big railroad blues," the show is capped off by a typically powerful "truckin'>drums>the other one" jam, providing everything you could ask for from this sequence.; Disc One, 1. Bertha 7:39, 2. Playing In The Band 6:41, 3. Sugaree 8:09, 4. Me and My Uncle 4:00, 5. Tennessee Jed 6:56, 6. Jackstraw 5:30, 7. Big Railroad Blues 4:05, 8. Me And Bobby McGee 6:16, 9. Cumberland Blues 6:13, 10. Cold Rain And Snow 5:59, 11. Mexicali Blues 3:30, 12. Loser 6:45, Disc Two, 1. El Paso 4:43, 2. Comes A Time 8:09, 3. One More Saturday Night 4:52, 4. Ramble On Rose 6:55, 5. Sugar Magnolia 6:35, 6. Truckin' > 10:34, 7. Drums > 6:54, 8. The Other One > 16:07, 9. Johnny B. Goode 4:20, Grateful Dead, Jerry Garcia: Lead Guitar, Vocals, Keith Godchaux: Keyboards, Bill Kreutzmann: Drums, Phil Lesh: Electric Bass, Vocals, Bob Weir: Rhythm Guitar, Vocals, Recording by Rex Jackson, Mastering by Jeffrey Norman | $ | A | missing Beat It On Down The Line so need 9761 for that |
10/27/71 | Onondaga County War Memorial, Syracuse, NY |
fm cotsman | 9503 | *** | ||||
sbd miller | 32668 | A | in 3-way comparison on sugaree, 32668 is most natural sounding, then 9503, and then bertha 32869; 32869 has bass increased but sound was less full and harsher and vocals sounded odd | *** | ||
ashley bertha | 32869 | *** |
10/29/71 | Allen Theatre, Cleveland, OH |
sbd set2 gardner | 4090 | the md5 matched the md5 for d3 of 10357 | ||||
fm cotsman | 10357 | *** | ||||
sbd miller | 24999 | A | in comparison on me and my uncle, 24999 is a little warmer than 10357; on the first set 10357 is more muffled with more hiss than 24999 | *** |
10/30/71 | Taft Auditorium, Cincinnati, OH |
fm cole | 2664 | has a lot of harshness do to clipping | *** | |||
prefm nawrocki | 26608 | A | in comparison on sugaree, 26608 has a warmer fuller clearer sound than 2664; in comparison on sugaree 130823 has a narrower sound possibly because of noise reduction than 26608; in comparison on sugaree 130823 has warmer more suppressed possibly through noise reduction sound and more distortion than 26608 | *** | ||
sbd mrbill, recording info:, sbd > mr > rr | 130823 | *** | ||||
fm gems, recording of the fm broadcast on | 137408 | Not Reviewed Yet |
10/31/71 | Ohio Theatre, Columbus, OH |
prefm unknown | 16781 | A | discontinuity skip t3 1:51 | *** | ||
sbd miller | 79011 | A | in comparison on deal, 79011 has similar sound to 16781 but that is less complete and has different flaws and could be used to patch this | small drop t4 4:50 | *** | |
dp2;, initial release : march 1995, grateful dead records gdcd-4019, single cd of live recordings from the october 31, 1971 show at columbus, ohio., buy from amazon.com, tracks, dark star > jam (jerry garcia / mickey hart / bill kreutzmann / phil lesh / ron mckernan / bob weir / robert hunter), sugar magnolia (bob weir / robert hunter), st. stephen (jerry garcia / phil lesh / robert hunter), not fade away (norman petty / charles hardin), going down the road feeling bad (traditional arr. grateful dead), not fade away (reprise) (norman petty / charles hardin) | $ | A | *** | |||
sbd gans eaton miller , recording info: | 142426 | Not Reviewed Yet |
11/6/71 | Harding Theater, San Francisco, CA |
sbd lai | 6253 | B+ | sound starts A quality, but there is a annoying scratchiness in background starting on cumberland through beat it on down the line and then it goes away and back to A quality briefly but Saturday Night has some high end distortion and continues occasionally for rest of show | *** |
11/7/71 | Harding Theater, San Francisco, CA |
prefm kaplan | 9570 | A- | clear excellent sound but not full enough get A quality; in comparison on sugaree 9570 has a fullers sound than 127503 | several drops on d1t3 | *** | |
fm boswell smith 24, lineage:fmmr @ 3/ 3 4 | 127490 | |||||
fm boswell smith , lineage:fmmr @ 3/ 3 4 | 127503 | *** | ||||
pre fm gems , fm or pre fm > pcm, sony | 135990 | Not Reviewed Yet |
11/11/71 | Atlanta Municipal Auditorium, Atlanta, GA |
sbd yubah dodd | 8326 | B+ | clear but not full sounding and is suppressed and looks like it may have noise reduction | *** |
11/12/71 | San Antonio Civic Auditorium, San Antonio, TX |
sbd lai | 3347 | el paso has some drops and much of left channel is out | *** | |||
sbd clugston | 4759 | A- | in 3-way comparison on ramblin on rose and me and my uncle, 14916 has least hiss, then this has slightly more, then 3347 has more noticable hiss; 3347 has a harsher but brighter sound than the others and brings the vocals more to the front making the others sound a little more suppressed; 14916 has a noted flaw not on this; so selected 14916 and fill the rest of the show with 4759; in comparison on black peter, aud 120716 has a slower more muffled sound than 4759 | a lot of el paso is mono probably to correct for drops in left channel which are found on 3347; light static d1t10 6:01, 8:17, d1t11 4:38 | *** | |
sbd set2 miller | 14916 | A- | the patches on sugar magnolia seem from same source as 3347; mostly A quality sound but some distortion in sugar magnolia high end percussion | pop/drop d2t9 2:59 | *** | |
d190e weinberg moore berger | 120716 | *** | ||||
sbd miller sirmick , source: sbd > master | 137396 | Not Reviewed Yet | ||||
partial sbd easton miller sirmick, source: | 142439 | Not Reviewed Yet |
11/14/71 | Texas Christian University, Fort Worth, TX |
weir | 8738 | A- | reported to be shntool fix of shnid=6254 | *** | ||
sbd miller | 23568 | in comparison on sugaree, 8738 has more hiss and is more muffled than this | *** |
11/15/71 | Austin Municipal Auditorium, Austin, TX |
sbd set2 jupille | 7735 | *** | ||||
sbd cotsman | 12438 | *** | ||||
sbd unknown | 31607 | *** | ||||
rtv3n2; all selections are previously unissued recordings, disc 1, 1. truckin', 2. bertha, 3. playing in the band, 4. deal, 5. jack straw, 6. loser, 7. beat it on down the line, 8. dark star>, 9. el paso>, 10. dark star, 11. casey jones, 12. one more saturday night, disc 2, 1. me and my uncle, 2. ramble on rose, 3. mexicali blues, 4. brokedown palace, 5. me and bobby mcgee, 6. cumberland blues, 7. sugar magnolia, 8. you win again, 9. not fade away>, 10. jam>, 11. goin' down the road feeling bad>, 12. not fade away, 13. johnny b. goode, for a limited time only get the road trips vol. 3 no. 2 bonus disc with your order. this offer is first come, first serve., bonus cd: (while supplies last) texas christian university in fort worth, texas (11/14/71)., 1. china cat sunflower>, 2. i know you rider, 3. sugaree, 4. truckin'>, 5. drums>, 6. the other one>, 7. me and my uncle>, 8. the other one>, 9. wharf rat>, 10. sugar magnolia | $ | *** |
11/17/71 | Albuquerque Civic Auditorium, Albuquerque, NM |
fm cotsman | 10285 | B- | mostly B quality except patch source is C quality | *** |
11/20/71 | Pauley Pavilion, UCLA, Los Angeles, CA |
fm willy | 8806 | *** | ||||
sbd miller | 92908 | A- | in comparison on sugaree, 8806 is more muffled with more hiss and a narrower harsher sound; I think 8806 is slower to account for it being 10 minutes longer; 92908 has a fuller warmer sound than bootleg "Live at the UCLA Pauley Pavilion 1971" | drop/static d2t9 3:20 | *** |
12/1/71 | Music Hall, Boston, MA |
set2 sbd lai | 3898 | A | in comparison on me and my uncle, 3898 had a little fuller sound with a little more hiss than 76424; 3898 has different flaws but not as noticable as those on 76424; aud 24765 is much more suppressed and matrix 83164 is in between the aud and sbds | small drop d2t4 1:07 | *** | |
aud minches vernon | 24765 | B- | *** | |||
sbd set2 miller | 32304 | *** | ||||
sbd set2 fixed miller | 76424 | fixes 32304 | discontinuity pop d2t6 2:47, d2t8 6:11; digipop at end of d2t11 | *** | ||
partial set2 matrix vernon | 83164 | B | *** |
12/2/71 | Music Hall, Boston, MA |
sbd lai | 6255 | A- | seemed overly bright | *** | ||
fm pcm dalton miller clugston , source | 141202 | Not Reviewed Yet | ||||
fm smith miller clugston , this is a 16/44 | 141424 | Not Reviewed Yet | ||||
fm smith miller clugston 2496, source | 141425 | Not Reviewed Yet | ||||
fm smith miller clugston pitch corrected | 142968 | Not Reviewed Yet | ||||
fm smith miller clugston pitch corrected | 142969 | Not Reviewed Yet |
12/4/71 | Felt Forum, Madison Square Garden, New York, NY |
sbd lai | 6256 | drops between tracks | *** | |||
sbd miller | 110128 | *** | ||||
sbd fixed miller | 110186 | A | 110186 is a fix to 110128; on comparison on sugaree 110186 sounds similar to 6256 but has the additional johnny b goode missing from that and that has the drops between the tracks; aud 120948 has a less full upfront sound than the sbds | *** | ||
d190e weinberg moore berger | 120948 | *** |
12/5/71 | Felt Forum, Madison Square Garden, New York, NY |
prefm miller | 3391 | B+ | skip d2t3 4:08 | *** | ||
sbd unknown | 18665 | 18665 is a close eac match on d1t1 to 3391which indicates just a cd rip of it with an added discontinuity at the beginning of d2t4 | *** | |||
fm matera | 100316 | B+ | 100316 is 22 minutes longer than 3391 but did not investigate why; in comparison on muddy water and casey jones, 100316 has a much fuller sound than 3391 but has a little more hiss and background noise; they both have the fm like static noise on muddy water | drops d3t4 3:16, 3:38, 3:40, 3:41, 3:44 | *** | |
miller sbd , recording info:, sbd > master | 131532 | A- | in comparison on comes a time 131532 has a warmer sound with less hiss than 100316 | digipop static inverted clip d1t12 2:08, d2t2 4:48, d2t3 2:12, 3:52, drops d1t13 0:57, | *** |
12/6/71 | Felt Forum, Madison Square Garden, New York, NY |
sbd kaplan | 2418 | drop d1t2 0:50 | *** | |||
sbd miller | 108425 | A- | in comparison on loser, 2418 and 108425 have very similar sound and both had same drop on 108425 d1t3 0:36; 2418 was 10 minutes shorter and had about 1 1/2 minutes cut from tennesse jed that included the spot where the flaw was noted on 108425; 2418 looks like it had its drop/pop at d3t4 2:36 snipped for better listening; 2418 had more digital flaws such as drops, digi-pops and discontinuities; mainly A sound but 2418 and 108425 both have a background scratchiness in the high end of the tight channel on last half of truckin and a few spots in loser and also appears again occasionally | drop at d1t3 0:36; digistatic d1t10 3:36. drop/pop d3t4 2:36 | *** | |
davpic bonus, dave's picks 2017 bonus disc, additional tracks:, 1."truckin'" (garcia, lesh, weir, hunter) 9:57, 2."loser" (garcia, hunter) 7:31, 3."mr. charlie" (mckernan, hunter) 4:23, 4."jack straw" (weir, hunter) 5:14, 5."china cat sunflower" (garcia, hunter) 4:56, 6."i know you rider" (traditional, arranged by grateful dead) 5:04, 7."tennessee jed" (garcia, hunter) 7:25, 8."mexicali blues" (weir, barlow) 3:46, 9."black peter" (garcia, hunter) 9:38, 10."casey jones" (garcia, hunter) 6:01 | $ | A |
12/7/71 | Felt Forum, Madison Square Garden, New York, NY |
sbd miller | 3375 | B+ | a lot of this is A- quality but has some occasional light scratchiness in the high end such as in sunshine daydream | drops between tracks | *** | |
davpic, dave's picks volume 22:, sold out, feelin' fine with the felt forum! dave's picks volume 22 presents the last stop on a collector's choice run in the grateful dead's home-away-from-home, new york city. 12/7/71 yields a highly pleasurable pigpen-filled show and what was surely a top-notch tuesday for all who attended. talk about vibe-ing with the crowd! at their prime in terms of lineup and performance, the dead churned out a batch of songs that would soon become well-worn europe '72 favorites ("jack straw," "brown eyed women") and also served up solid versions of freshly-minted classics ("sugar mag," "friend," "casey jones"). that winning combination of pigpen and keith? nothing but peak "signature showstoppers" including what could potentially be the finest "smokestack lightning" of all time. the complete show runs a wee bit short (for a grateful dead show, that is) so we've rounded out the release with much of the second set from the previous night, december 6, 1971. with exceptional takes on the likes of "wharf rat" and "uncle john's band" and a massive "the other one," we're pretty sure you won't mind., limited to 16,500 individually numbered copies, dave's picks volume 22: felt forum, new york, ny - 12/7/71 has been mastered to hdcd specs by jeffrey norman and features illustrations by our 2017 artist in residence dave van patten (stay tuned to learn more about the illustrator in an upcoming all in the family piece)., grab a copy while you can., product details, 3 disc set, limited to 16,500 individually numbered copies, mastered to hdcd specs by jeffrey norman, digipak made of 100% recycled and pcw materials, release date: may 1, 2017, product details, disc 1, 1. cold rain and snow (6:30), 2. beat it on down the line (3:38), 3. mr. charlie (4:11), 4. sugaree (7:56), 5. jack straw (5:24), 6. next time you see me (5:28), 7. tenessee jed (7:37), 8. el paso (4:30), 9. brokedown palace (6:15), 10. run rudolph run (3:43), 11. you win again (4:09), 12. cumberland blues (5:52), 13. casey jones (5:52), 14. sugar magnolia (6:35), disc 2, 1. ramble on rose (6:49), 2. big boss man (5:43), 3. mexicali blues (3:46), 4. brown-eyed women (5:01), 5. me and my uncle (3:15), 6. smokestack lightning (12:43), 7. deal (6:02), 8. truckin' (9:03), 9. not fade away (6:18), 10. goin' down the road feeling bad (8:26), 11. not fade away (4:01), 12. one more saturday night (4:56), disc 3, 1. big railroad blues (4:47), 2. me and my uncle (3:16), 3. ramble on rose (7:09), 4. playing in the band (6:32), 5. cryptical envelopment (1:57), 6. drums (2:17), 7. the other one (7:39), 8. me and bobby mcgee (6:00), 9. the other one (13:50), 10. wharf rat (11:44), 11. one more saturday night (5:58), 10. uncle john's band (6:13) | $ | A |
12/9/71 | Fox Theatre, St. Louis, MO |
sbd kaplan | 3345 | A | *** |
12/10/71 | Fox Theatre, St. Louis, MO |
sbd yerys | 1311 | A- | in 3-way comparison on loser, 92392 has fullest sound with least hiss but is not full show; 85787 has a little more hiss than 1311 but I did not investigate the patch issue or why 85787 was 2 and a half minutes shorter; sol slect 92392 and fill in rest with 1311 | *** | ||
sbd cribbs | 85787 | *** | ||||
sbd miler | 92392 | A | *** |
12/14/71 | Hill Auditorium, Ann Arbor, MI |
sbd cantor orf | 133 | missing beginning of sugaree | *** | |||
sbd deibert | 12763 | A- | in comparison on sugaree, 133 is brighter with a little less hiss but 12763 has a fuller warmer sound; 12763 is more complete with the beginning of sugaree missing from 133 | shnid=23842 is same with sbe and seek tables | *** | |
davpic v26, the unexpected return of the masters of the grateful dead's triumphant show at the albuquerque civic auditorium, november 17, 1971, yields great rewards. the dead came in hot for their first new mexico show. aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. with keith now blending in seamlessly on keys, the first set offered up a triple shot of electric blues, an exceptional "you win again," and a stellar "one more saturday night" to wrap things up. and the second set, well, it might just be unlike any you've ever heard. archivist david lemieux urges you to turn it up and do it loudly. we won't dare spoil all the surprises, but pay special attention to the rippin' "sugar magnolia," the aggressively monstrous "the other one," and the highly-danceable "not fade>gdtrfb>not fade." rounding out the 3cds, you'll find selections from pigpen's return tour at ann arbor, mi, 12/14/71. subscribers will get nearly all of the complete show as this year's bonus disc., as always, dave's picks volume 26 has been mastered to hdcd specs from the original analog tapes by jeffrey norman and is limited to 18,000 individually-numbered copies*., disc 3 - ann arbor, mi (12/14/71), 1. truckin' [8:49], 2. sugaree [7:05], 3. mr. charlie [4:07], 4. beat it on down the line [3:14], 5. loser [6:25], 6. next time you see me [4:36], 7. el paso [4:45], 8. big railroad blues [4:32], 9. me and my uncle [3:10], 10. run rudolph run [3:28], 11. big boss man [6:52], 12. you win again [3:41], 13. not fade away [7:47], 14. goin' down the road feeling bad [7:42], 15. not fade away [2:47], bonus disc, december 14, 1971 hill auditorium selections:1."jack straw" (weir, hunter) 5:07, 2."tennessee jed" (garcia, hunter) 7:23, 3."black peter" (garcia, hunter) 9:07, 4."playing in the band" (weir, hart, hunter) 7:03, 5."casey jones" (garcia, hunter) 6:13, 6."mexicali blues" (weir, barlow) 3:34, 7."cryptical envelopment" > (garcia) 1:55, 8."drums" > (kreutzmann) 3:38, 9."the other one" > (weir, kreutzmann) 18:32, 10."wharf rat" (garcia, hunter) 9:07, 11."sugar magnolia" (weir, hunter) 7:20 | $ | A | *** | |||
sbd betty pcm dalton miller clugston | 140950 | Not Reviewed Yet |
12/15/71 | Hill Auditorium, Ann Arbor, MI |
sbd oleynick | 134 | *** | ||||
sbd cotsman | 12615 | *** | ||||
set1 sbd harrison hanno | 16464 | *** | ||||
sbd miller | 97718 | A | in comparison on me and bobby mcgee, 97718 has a much fuller higher quality sound than 12615 and 16464; 12615 is muffled by noise reduction and 16464 has some hiss; in comparison on deal 134, 12615, and 97718 sound very similar; patch source for 97718 is of lesser A- quality | uncle johns has some light static in it such as around 4:20 | *** |
12/31/71 | Winterland Arena, San Francisco, CA |
fm lanum | 135 | A- | some of this is A quality but other parts are not as full sounding like big riiver and A- quality | but has some occasional analog snap, crackle, & pops like d1t2 0:11; has an occasional announcer commenting over music; | *** | |
fm dalton miller sirmick, source: ksan > | 141329 | Not Reviewed Yet | ||||
sbd48k 48, recording info:, sbd > master | 142681 | Not Reviewed Yet | ||||
fm dalton miller sirmick, source: ksan > | 142687 | Not Reviewed Yet | ||||
sbd vault master reels fixed again 48 | 142742 | Not Reviewed Yet |