Date | Desc | etree id | Rt | Notes | Flaws | dgf |
1/6/78 | Swing Auditorium, San Bernardino, CA |
sbd clugston | 6953 | A- | *** | |||
sbd wizard | 24629 | A- | in comparison on dire wolf, 6953 has a little fuller warmer sound with more hiss than 24629; the choice between the two is close but 24629 has the aud patches | *** |
1/7/78 | Golden Hall, Community Concourse, San Diego, CA |
sbd clugston | 7204 | Not Reviewed Yet | ||||
sbd cotsman | 17806 | B+ | 17806 is from a lossy source such as a mini-disk; in comparison on sunrise 17806 has a fuller less ditorted sound than 89474; a lot of this is A- but has some hiss | *** | ||
aud unknown | 89474 | *** | ||||
mtx dusborne, 2 source matrix, soundboard | 127345 | Not Reviewed Yet |
1/8/78 | Golden Hall, Community Concourse, San Diego, CA |
sbd weiner | 14670 | B+ | in comparison on sunrise sbd 14670 has a fuller sound than the auds; aud 34854 is a different recording than 102500 based on different crowd on sunrise and has a harsher more upfront sound with less hiss; this has a little hiss and guitar in a few spots get harsh and start to distort on its all over now | *** | ||
aud connor | 34854 | *** | ||||
fob holwein menke motb 0094 | 102349 | |||||
fob holwein menke motb 109 | 102500 | *** |
1/10/78 | Shrine Auditorium, Los Angeles, CA |
sbd cotsman | 14523 | B+ | in comparison on candyman, sbd has a fullest clearet most upfront sound, then mtx 95134, and then aud 95068; some of this is A- but has a little hiss noticable sometimes and sound is on the harsh side | *** | ||
aud rhinotrocity7 motb 0026 | 95068 | *** | ||||
aud rhinotrocity7 motb 0026 | 95069 | |||||
mtx rhinotrocity7 motb | 95134 | *** | ||||
sbd16 , recording info:, sbd > cassette | 133618 | Not Reviewed Yet | ||||
sbd24 , recording info:, sbd > cassette | 133619 | Not Reviewed Yet |
1/11/78 | Shrine Auditorium, Los Angeles, CA |
sbd unknown | 12894 | light static d1t1 2:41, digipop static d1t3 1:14, square wav static d2t4 7:56 | *** | |||
sbd cotsman | 13190 | B+ | in comparison on dire wolf, 13190 and 12894 sound similar with similar wav and spectral view and looks that way for d1; however on d2 in comparison on sunrise, 12894 is harsher with more hiss and looks that way for d2; the sbds have a fuller more upfront sound than the mtxs and aud; mtx 110959 has warmer sound with less hiss than the sbds but is more suppressed; mtx 92086 is just s harsh as the sbds but also mixes in the more distorted worse sound of aud 89475 | light static d1t1 2:38 | *** | |
aud unknown | 89475 | *** | ||||
mtx sirmick | 92086 | *** | ||||
mtx mccabe motb0152 | 110959 | *** | ||||
davpic vol23 dropbox, sold out, close encounters in eugene, oregon! we are not alone in saying this one could be considered top-of-line grateful dead from 1978. yes, as the tales have been told, 1/22/78 conjured up vibes of the be-in, altamont, yippies, psychedelia, woodstock, free speech, acid trips, heaven for one lucky concert-goer, and of course, aliens. if you wanna know what we're on about, there's no better way to experience the show than with this lovingly-restored version from legendary sound engineer betty cantor-jackson's recordings. witness sets packed with bright and vibrant gems like a surprisingly heavy row jimmy, a freshly tender ship of fools, and a transcendental the other one. and if you have levitated too far, jerry's close encounters solo (ironic, we know) will reel you back in and set you right up for the powerful crescendo of st. stephen and the band's shake-it-all-about boogie-down finale., mastered to hdcd specs by jeffrey norman and featuring illustrations by 2017 dave's picks artist-in-residence dave van patten and liners by grateful dead scribe jesse jarnow, dave's picks volume 23 is limited to 16,500 individually numbered copies., these releases have been known to sell out in a matter of hours so you'll wanna grab a copy while you can., product details, 3 disc set, limited to 16,500 individually numbered copies, mastered to hdcd specs by jeffrey norman, digipak made of 100% recycled and pcw materials, release date: august 1, 2017, track list, disc 1, 1. new minglewood blues [6:20], 2. dire wolf [4:35], 3. cassidy [5:08], 4. peggy-o [7:23], 5. el paso [5:21], 6. tennessee jed [9:06], 7. jack straw [6:08], 8. row jimmy [10:37], 9. the music never stopped [8:08], disc 2, 1. bertha> [6:52], 2. good lovin' [6:26], 3. ship of fools [7:33], 4. samson and delilah [7:48], disc 3, 1. terrapin station> [11:08], 2. drums> [7:51], 3. the other one> [16:57], 4. space> [3:52], 5. st. stephen> [7:39], 6. not fade away> [14:09], 7. around and around [8:57], 8. u.s. blues [5:53] | $ | A | my cds had eac problems | *** | ||
sbd16fixed , recording info:, sbd > | 135498 | A | in comparison on dire wolf, 135498 has a warmer fuller sound than 13190 | *** | ||
sbd24 , recording info:, sbd > cassette | 135499 |
1/13/78 | Arlington Theater, Santa Barbara, CA |
sbd clugston | 4629 | B+ | in comparison on candyman sbd 4629 has a fuller more upfront sound than aud 105208; need aud 105208 for end of brown eyed women and other indicated cuts; alot o this is A- but guitar gets harsh sometimes like on parts of friend of the devil | *** | ||
fob akgd224e holwein menke motb 0111 | 105208 | *** | ||||
sbd16 , recording info:, sbd > cassette | 135500 | A- | in comparison on candyman, 135500 has a warmer sound with less hiss than 4629 | *** | ||
sbd 24, recording info:, sbd > cassette | 135501 |
1/14/78 | Bakersfield Memorial Auditorium, Bakersfield, CA |
sbd vernon | 16114 | B+ | in comparison on dire wolf. sbd 16114 has the fullest most upfront sound, then mtx 105811, then motb 105758, and then aud 99092 is more distant; aud 88091 is very harsh loud compressed and narrow sound; | *** | ||
aud sirmick | 88091 | *** | ||||
aud unknown lmpp | 99092 | *** | ||||
fob akgd224e holwein motb 0117 | 105758 | *** | ||||
mtx holwein motb 0121 | 105811 | *** | ||||
sbd16 , recording info:, sbd > cassette | 135521 | A- | in comparison on direwolf, 16114 has a warmer sound and a stronger bass than 135521; however 16114 is overly bassy and less natural sounding as a result; 135521 also has a lot of bass | *** | ||
sbd24 , recording info:, sbd > cassette | 135522 |
1/15/78 | Selland Arena, Fresno, CA |
sbd aud citsman | 13252 | B+ | in comparison on dire wolf sbd portion of 13252 has more upfront clearer sound than 106182; in comparison on friend of the devil aud portion of 13252 has a less full sound than 106182; so need 13252 for the sbd portion and 106182 for the aud portion and cuts | *** | ||
aud augments citsman | 80954 | *** | ||||
fob holwein motb 0132 | 106182 | *** |
1/17/78 | Sacramento Memorial Auditorium, Sacramento, CA |
sbd cotsman | 14555 | A- | this is from a lossy source such as a minidsic | *** | ||
akg d224e menke troy smith miller clugston | 141144 | Not Reviewed Yet | ||||
akg d224e menke troy smith miller clugston | 141145 | Not Reviewed Yet | ||||
sbd patched vernon cotsman clugston | 141146 | Not Reviewed Yet |
1/18/78 | Stockton Civic Auditorium, Stockton, CA |
sbd cotsman | 13101 | B+ | in comparison on stella blue, sbd 13101 has a fuller warmer clearer less distorted sound than aud 18656; sound quality varies from B+ to A- and d3 has the worst sound with a few spots of light distortion | *** | ||
aud set2 vernon | 18656 | *** |
1/22/78 | McArthur Court, U of Oregon, Eugene, OR |
sony dauria | 2014 | *** | ||||
sbd popi | 4974 | drops between tracks | *** | |||
mtx chappell sb4 | 28846 | *** | ||||
sbd unknown | 31940 | *** | ||||
fob akgd224e holwein motb 0086 | 101436 | *** | ||||
fob akgd224e holwein motb 0086 | 101437 | |||||
sbd miller | 110632 | B+ | on the aud portion in comparison on ship of fools, 101436 has a fuller warmer less distorted sound than 2014 which also had some tape stutters at the beginning of the song; 31940 uses same recording as 101436 but is not as warm and full of sound; 4974 and matrix 28846 use 2014; miller 110632 uses 101436 with higher levels; on the sbd portion on dire wolf 4974, 31940, and 110632 sounded very similar but 4974 sounded slightly cleaner; 110632 has less digital flaws and the better aud; sound varies in quality depending on source from B+ to B to A- | *** | ||
davpicvol23, sold out, close encounters in eugene, oregon! we are not alone in saying this one could be considered top-of-line grateful dead from 1978. yes, as the tales have been told, 1/22/78 conjured up vibes of the be-in, altamont, yippies, psychedelia, woodstock, free speech, acid trips, heaven for one lucky concert-goer, and of course, aliens. if you wanna know what we're on about, there's no better way to experience the show than with this lovingly-restored version from legendary sound engineer betty cantor-jackson's recordings. witness sets packed with bright and vibrant gems like a surprisingly heavy row jimmy, a freshly tender ship of fools, and a transcendental the other one. and if you have levitated too far, jerry's close encounters solo (ironic, we know) will reel you back in and set you right up for the powerful crescendo of st. stephen and the band's shake-it-all-about boogie-down finale., mastered to hdcd specs by jeffrey norman and featuring illustrations by 2017 dave's picks artist-in-residence dave van patten and liners by grateful dead scribe jesse jarnow, dave's picks volume 23 is limited to 16,500 individually numbered copies., these releases have been known to sell out in a matter of hours so you'll wanna grab a copy while you can., product details, 3 disc set, limited to 16,500 individually numbered copies, mastered to hdcd specs by jeffrey norman, digipak made of 100% recycled and pcw materials, release date: august 1, 2017, track list, disc 1, 1. new minglewood blues [6:20], 2. dire wolf [4:35], 3. cassidy [5:08], 4. peggy-o [7:23], 5. el paso [5:21], 6. tennessee jed [9:06], 7. jack straw [6:08], 8. row jimmy [10:37], 9. the music never stopped [8:08], disc 2, 1. bertha> [6:52], 2. good lovin' [6:26], 3. ship of fools [7:33], 4. samson and delilah [7:48], disc 3, 1. terrapin station> [11:08], 2. drums> [7:51], 3. the other one> [16:57], 4. space> [3:52], 5. st. stephen> [7:39], 6. not fade away> [14:09], 7. around and around [8:57], 8. u.s. blues [5:53] | $ | *** |
1/30/78 | Uptown Theater, Chicago, IL |
powell vernon | 12437 | *** | ||||
sbd miller | 32255 | A- | in comparison on dire wolf, sbd 32255 has a fuller more upfront sound than aud 12437 | beginning of d1t1 cut | *** |
1/31/78 | Uptown Theater, Chicago, IL |
sbd aud cotsman | 17074 | *** | ||||
aud cotsman | 17807 | *** | ||||
sbd miller | 32256 | *** | ||||
mtx sirmick | 101556 | *** | ||||
sbd miller , recording info:, sbd > master | 123059 | in comparison on aud patch in candyman, 32256, 17807, 123059, and 17074 all sounded similar; in comparison on Mississippi Half-Step sbd 123059 and 32256 have similar sound which is fuller and clearer than mtx 101556 and aud 17807 | *** |
2/1/78 | Uptown Theater, Chicago, IL |
sbd parillo | 1017 | B+ | in ccomparison on sugaree, 1017 has a clearer fuller more upfront sound than aud 97744 but need it for cuts and missing songs and parts; a lot of this is A- sound quality but the guitar does get harsh and distorts some in the second set on louder songs | *** | ||
aud cousinit | 97744 | B | *** | |||
sbd gems , sbd master reel > cassette > | 138451 | Not Reviewed Yet |
2/3/78 | Dane County Coliseum, Madison, WI |
sbd set2 samaritano | 19464 | A- | *** | |||
aud warner | 19465 | B | *** | |||
dp18;, initial release : june 2000, grateful dead records gdcd-4038, three cd set of music primarily from the february 3 and 5, 1978 shows at madison and cedar falls. there are also two songs from the february 4, 1978 show at show, buy from amazon.com, tracks, disc 1, bertha (garcia/hunter), good lovin' (resnick/clark), cold rain and snow (traditional arr. grateful dead), new minglewood blues (traditional arr. weir), they love each other (garcia/hunter), it's all over now (b & s womack), dupree's diamond blues (garcia/hunter), looks like rain (weir/barlow), brown-eyed woman (garcia/hunter), passenger (lesh/monk), deal (garcia/hunter), the music never stopped (weir/barlow), disc 2, estimated prophet (weir/barlow), eyes of the world (garcia/hunter), playing in the band (weir/hart/hunter), the wheel (garcia/kreutzmann/hunter), playing in the band (weir/hart/hunter), johnny b. goode (berry), disc 3, samson and delilah (traditional arr. weir), scarlet begonias (garcia/hunter), fire on the mountain (hart/hunter), truckin' (garcia/lesh/weir/hunter), drums (hart/kreutzmann), the other one (weir/kreutzmann), wharf rat (garcia/hunter), around and around (berry) | $ | in comparison on ship of fools, sbd 19464 has a fuller more upfront sound than aud 19465; need 19464 for Good Lovin and Ship of Fools; need 19465 for Mexicali Blues, Big River, Loser, Passenger, El Paso, and Peggy-O | *** | |||
betty reel , 7 inch half track nagra reel | 132731 | Not Reviewed Yet | ||||
sbd , recording info:, sbd > master reel > | 139370 | Not Reviewed Yet |
2/4/78 | Milwaukee Auditorium, Milwaukee, WI |
aud vernon | 12199 | B | *** | |||
betty reel , 7 inch half track nagra reel | 132719 | A- | in comparison on black peter sbd has a clearer more upfront sound than 12199; need 12199 for rest of show | *** |
2/5/78 | Uni Dome, U of Northern Iowa, Cedar Falls, IA |
aud set2 warner | 19466 | *** | ||||
sbd set2 samaritano | 19471 | A- | in comparison on us blues, 19471 has the fullest sound and aud 19466 is most muffled; mtx 123360 is close in sound to 19471 except it is a little harsher; most of this on 2/3/78 DP18 except US Blues and Weir story | *** | ||
mtx set2 dusborne, 2 source matrix | 123360 | *** | ||||
sbd gems , sbd master reel > cassette > | 138311 | Not Reviewed Yet | ||||
s2 aud schley , second set, s2t01 samson & | 138384 | Not Reviewed Yet |
4/6/78 | Curtis Hixon Convention Hall, Tampa, FL |
sbd unknown | 290 | *** | ||||
wagner minches | 18510 | *** | ||||
sbd miller | 81307 | A- | in comparison on dire wolf on sbds 81307 has more bass giving it a fuller sound than 290; the channels were swapped betwen them; the auds 81494 and 18510 which sounded similar and mtx 81508 are more echoey and distant; aud portion rates B; as indicated distortion on last songs such as around and around | *** | ||
aud tobin | 81494 | *** | ||||
mtx miller wagner | 81508 | *** | ||||
sbd miller sirmick, source: sbd > master | 140694 | Not Reviewed Yet |
4/7/78 | The Sportatorium, Pembroke Pines, FL |
sbd connor | 10208 | *** | ||||
sbd miller | 83715 | A- | in comparison on peggio, 83715 has a fuller harsher sound with more hiss than 10208; 83715 has the patch in playing in the band | *** | ||
sbd miller sirmick, source: sbd > master | 140736 | Not Reviewed Yet |
4/8/78 | Veteran's Memorial Coliseum, Jacksonville, FL |
sbd miller | 4088 | *** | ||||
sbd lai | 4144 | *** | ||||
sbd betty wbotb | 83404 | cut at d3t2 3:33 missing about 10 seconds | *** | |||
sbd miller | 83716 | A | in comparison on it must have been the roses, 4144 has the warmest sound but is suppressed; next warmest is 83404; 83716 and 4088 are closer in sound and have a little more hiss than the others; 83716 was chosen over 83404 because it does not have the cut in eyes of the world | *** | ||
sbd miller sirmick 24, source: sbd > | 140789 | Not Reviewed Yet | ||||
sbd miller sirmick, source: sbd > master | 140922 | Not Reviewed Yet |
4/10/78 | Fox Theater, Atlanta, GA |
sbd dodd | 5259 | *** | ||||
bbd | 15782 | *** | ||||
sbd miller | 18098 | *** | ||||
senn421 zimmerman minches | 81262 | *** | ||||
sbd miller | 108665 | A | in comparison on peggio, sbds 18098 and 15782 sounded similar and seem from a similar noisier transfer than 108665 and 5259 which sounded similar to each other and were clearer sound; 108665 is a little warmer than 5259; 108665 has patches and less digital flaws than 5259; aud 81262 is more distant the sbds | light digital static d1t2 0:18 to 0:22; digipop d1t3 3:02; drops d2t5 4:51 | *** | |
sbd miller sirmick, source: sbd > master | 140836 | Not Reviewed Yet |
4/11/78 | Fox Theater, Atlanta, GA |
sbd lai | 291 | *** | ||||
sbd miller | 18099 | drop/static d1t3 6:32 | *** | |||
sbd miller tetzeli fix 18099 | 81257 | *** | ||||
sbd miller | 108666 | A- | in comparison on friend of the devil, 108666, 81257, and 18099 sounded similar while 291 is a little warmer with less hiss but has more flaws | digipop d1t4 6:31 | *** | |
sbd betty dalton miller sirmick, source: | 141775 | Not Reviewed Yet |
4/12/78 | Cameron Indoor Stadium, Durham, NC |
sbd henry | 11476 | *** | ||||
sbd ashley bertha | 14085 | *** | ||||
sbd serafin | 18805 | *** | ||||
sbd henry | 95673 | 95673 is a close eac matchon d1t1 to 11476 with same digital flaws | *** | |||
sony54p wagner miller | 105875 | *** | ||||
sbd miller | 106985 | *** | ||||
sbd fix miller | 107156 | A | in comparison on dire wolf, sbds 107156 and 14085 have a fuller sound than 11476 and 18805; 14085 has more bass than the others; 107156 has the patch; aud 105875 is harsher narrower and more distorted than the sbds | *** | ||
mat tobin , sbd + aud matrix 2 source | 134566 | Not Reviewed Yet |
4/14/78 | Coliseum, Virginia Polytechnic U, Blacksburg, VA |
sbd clugston | 7251 | drop d3t7 0:31 | *** | |||
sbd miller | 83717 | A | in comparison on peggio, 83717 is harsher with more high end than 7251; 83717 is more complete with fewer flaws than 7251 | *** |
4/15/78 | William and Mary College Hall, Williamsburg, VA |
sbd cotsman | 7047 | minor splice in NFA @ 5:51 | *** | |||
wagner minches | 18556 | *** | ||||
sbd miller | 33683 | A | in comparison on friend of the devil, sbd miller 33683 and bertha 34932 have a full sound while 7047 is narrow; sbd miller 33683 is a little warmer than bertha 34932 which has more bass; al sbds have the vocal fluctuation on d1t1; mtx 86412 is more distant auds 18556 and 116981 are more distant | vocal fluctuation d1t1 1:49 | *** | |
sbd ashley field | 34932 | *** | ||||
mtx chappell sb24 | 86412 | *** | ||||
aud olkon schuncke | 116981 | *** | ||||
sbd msc happyjack 24, a gratefully little | 137402 | Not Reviewed Yet | ||||
sbd msc happyjack , a gratefully little | 137403 | Not Reviewed Yet |
4/16/78 | Huntington Civic Center, Huntington, WV |
sbd lai | 292 | 292 is a close eac match on d1t1 to 34971 and 16619 with seemingly same digital flaws | *** | |||
sbd lai | 16619 | *** | ||||
sbd unknown | 20085 | ha discontinuity pops | *** | |||
sbd lai | 34971 | has digipops and spots with squarish wavs | *** | |||
sbd cantor motb | 81457 | drops between tracks sometimes heard | *** | |||
sbd miller | 82273 | in comparison on dire wolf, sbds 34971 and 20085 sounded similar and are warmest, then 81457 is next warmest and then 82273; they are not as warm because they have more high end that in this case gives them a little fuller sound; 81457 is more compressed 82273; than 82273 does not have the digital flaws; auds 98791 and 98510 and mtx 98535 are more distant | *** | |||
sonyecm54p berger | 98509 | |||||
ecm54p moore berger | 98510 | *** | ||||
mtx seamons | 98535 | *** | ||||
sonyecm54p wagner minches | 98791 | *** | ||||
forthefaithful kts528 , commercial bootleg | 139240 | Not Reviewed Yet | ||||
sbd forthefaithful, commercial bootleg | 139240 | Not Reviewed Yet |
4/18/78 | Civic Arena, Pittsburgh, PA |
shure vernon | 12383 | B+ | in comparison on dire wolf, sbd 14036 is suppressed and muffled; Shure 12383 is upfront buy harsh and narrow and whiney; 81315 has the fullest sound; chose 12383 because of the upfront sound | drop d1t8 1:06 | *** | |
sbd cotsman | 14036 | *** | ||||
aud zimmerman minches | 81315 | *** | ||||
fob s2 seaweed , source: mac>xl iis>xl iis | 132410 | Not Reviewed Yet |
4/19/78 | Veterans' Memorial Hall, Columbus, OH |
sbd murphy | 7286 | drop d1t9 3:43 | *** | |||
sbd gans miller | 9121 | A | in comparison on peggio, sbd 9121 and 7286 sound similar; 9121 has fewer digital flaws; mtx 94522 and aud 94494 have less full sound thn the sbds | *** | ||
fob sonyecm250 walker scotton miller | 94494 | *** | ||||
mtx seamons | 94522 | *** |
4/21/78 | Rupp Arena, Lexington Center, Lexington, KY |
sbd cotsman | 10149 | *** | ||||
sbd miller | 97501 | *** | ||||
sbd , recording info:, sbd > cassette | 123212 | A | in comparison on row jimmy, 10149 has a warmer sound with less hiss than 123212 which has a fuller sound and the patch; 123212 in spectral view has more in the high end than 10149 | *** |
4/22/78 | Nashville Municipal Auditorium, Nashville, TN |
sony54p vernon | 12384 | *** | ||||
sonyecm250 walker scotton miller | 92808 | B+ | *** | |||
set1 sbd miller | 97508 | A | in comparison on peggio, sbd 97508 has the fullest sound and need it for first set; for second set need 92808 as 12384 is more distant and echoey | *** | ||
davpicvol15, dave's picks volume 15:, $28.98, this one's truly all about the music! we're pleased to add the municipal auditorium, nashville, tn, april 22, 1978 to list of "officially released" grateful dead shows. a spitfire of a performance that helps mark the band's "end-of-1977 sound," we find the seven firing on all cylinders, hitting high notes on crowd-pleasers like "bertha>good lovin'" and "jack straw" in the first set and on "not fade away">"wharf rat">"sugar magnolia" in the second, lest we forget to mention one of the finest versions of "wharf rat" ever performed. we could wax lyrical about the countless highlights of this night but we'd rather just let the jammy goodness prevail!, as always, dave's picks volume 15 has been mastered to hdcd specs by jeffrey norman. limited to 16,500 individually numbered copies and shipping out august 1st, you'll want to grab a copy while you can!, product details, 3 disc set, limited to 16,500 individually numbered copies, mastered to hdcd specs by jeffrey norman, digipak made of 100% recycled and pcw materials, release date: august 1, 2015, tracklist, municipal auditorium, nashville, tn (4/22/78), disc 1, 1. bertha> [7:27] 2. good lovin' [6:48], 3. candyman [7:26], 4. looks like rain [8:16], 5. tennessee jed [9:33], 6. jack straw [6:12], 7. peggy-o [8:16], 8. new minglewood blues [6:12], 9. deal [7:24], disc 2, 1. lazy lightning> [3:38], 2. supplication [6:42], 3. it must have been the roses [8:22], 4. estimated prophet> [12:36], 5. eyes of the world> [12:25], 6. rhythm devils> [14:09], disc 3, 1. not fade away> [11:20], 2. wharf rat> [12:06], 3. sugar magnolia [10:07], 4. one more saturday night [5:12] | $ | *** | ||||
sbd mc mr miller , recording info:, set 1: | 133786 | |||||
sbd mr miller , recording info:, sbd > | 133792 |
4/24/78 | Horton Field House, Illinois State U., Normal, IL |
sbd mccaw | 3296 | *** | ||||
sbd thompson | 20598 | *** | ||||
sbd mattman | 20605 | *** | ||||
sbd miller | 32899 | *** | ||||
sbd miller | 97543 | in comparison on friend of the devil, 97543 has a warmer sound than 32899 and runs slower with reported level fluctuation in big river fixed; 20598 is very similar sound to 32899; 3296 is very similar sound to 97543 but has the level fluctuation in big river and runs faster; 20605 has the indicated noise reduction; aud 109177 is very muffled | *** | |||
aud acetboy | 109177 | *** | ||||
davpic7, dave's picks volume 7, 3 disc set, limited to 13,000 individually numbered copies, mastered to hdcd specs by jeffrey norman, digipak made of 100% recycled and pcw materials, release date: august 1, 2013, the grateful dead may have wrapped up the final show of the first leg of their 1978 spring tour in a town called normal, but this night was anything but! yes, on this fine evening, the rhythm devils shook the room with an exotic tribal assault. bob found his groove with the slide guitar, contrasting nicely with keith's block chording, phil's thundering and swooping bass-lines, jerry's articulated leads. heck, they even dabbled in disco, teasing the audience with an unmistakable riffs from "stayin' alive." what does all this juiced-up, cranked to the max, sonic savagery add up to? top-level deliveries of fan favorites like "the music never stopped," "scarlet begonias>fire on the mountain," and "ramble on rose," a jungle-vibed 14+ minute rhythm devils interlude, an over-the-top take on warren zevon's "werewolves of london" and much, much more., disc 1, 1 promised land [5:14], 2 ramble on rose [8:07], 3 me and my uncle> [3:10], 4 big river [6:21], 5 friend of the devil [9:33], 6 cassidy [5:38], 7 brown-eyed women [5:57], 8 passenger [5:45], 9 it must have been the roses [8:07], 10 the music never stopped [8:51], disc 2, 1 scarlet begonias> [12:55], 2 fire on the mountain> [11:08], 3 good lovin'[7:06], disc 3, 1 terrapin station> [10:51], 2 rhythm devils [13:53], 3 space> [6:41], 4 not fade away> [11:19], 5 black peter> [11:47], 6 around and around [9:11], 7 werewolves of london [7:46] | $ | A | Dave's Picks Volume 7 has a warmer fuller sound with less hiss than 109177 | *** |
5/5/78 | Thompson Arena, Dartmouth College, Hanover, NH |
rolfe vernon | 6149 | *** | ||||
glassberg vernon | 18655 | *** | ||||
fob glassberg motb | 82962 | *** | ||||
sbd miller | 112180 | *** | ||||
sbd miller | 114348 | A | in comparison on dire wolf, sbd 112180 and 114348 sound similar with 114348 slightly brighter; the auds are less full sound than the sbds with motb 82962 being fullest then 18655, and then 6149 | *** |
5/6/78 | Patrick Gymnasium, U of Vermont, Burlington, VT |
rolfe vernon | 6711 | *** | ||||
sbd aud cotsman | 13726 | B+ | sbd rates A- | *** | ||
glassberg vernon | 18657 | *** | ||||
aud glassberg motb | 82963 | B+ | in comparison on wharf rat, sbd 97071 is much more muffled than fm 97070; fm 97070 has a more upfront sound than the auds has more hiss which is too much; motb 82963 has a fuller sound than berger 96896 and that has a warmer sound; glassberg 18657 has more hiss than motb 82963 and a little warmer sound; gems 92356 is harsher than the othjer auds; rolfe 6711 is less full than the other auds and sounds similar to aud portion of 13726; in comparison on peggio, sbd 13726 has a much fuller upfront sound than sbd 97071, motb 82963, and berger 96896; in comparison on sunrise, sbd 97071 has a more upfront sound than motb 82963 which is fuller and harsher; so recommend sbd 13726 for first set and motb 82963 for second set; may want sbd 97071 for first 2 songs of second set | *** | ||
set2 aud unknown gems | 92356 | *** | ||||
aud moore berger | 96896 | B+ | *** | |||
aud moore berger | 96897 | |||||
fm partial | 97070 | *** | ||||
aud rumrunners | 97071 | sound quality ranges from B+ to B- | *** |
5/7/78 | Field House, Rensselaer Polytechnic Institute, Troy, NY |
sbd vernon | 8327 | *** | ||||
sony vernon | 8763 | *** | ||||
glassberg vernon | 18672 | *** | ||||
sbd vernon tetzeli patch 8327 | 80126 | A- | in comparison on dire wolf, sbd 80126 has fuller clearer more upfont sound and runs faster than the auds; glassberg auds have fuller sound than 8763; motb 83498 is fuller and harsher than 18672 | *** | ||
fob glassberg motb | 83498 | *** | ||||
mtx eichorn t, fresh legs, vol 10 | 130513 | Not Reviewed Yet |
5/9/78 | Onongada County War Memorial, Syracuse, NY |
sony vernon | 12184 | B+ | *** | |||
aud , cassette audience master recorded by | 132774 | B+ | in comparison on candyman, 132774 has a fuller sound than 12184 | *** |
5/10/78 | Veterans' Memorial Coliseum, New Haven, CT |
sbd lai | 3899 | A- | in comparison on peggio, sbd 3899 has a fuller more upfront sound than aud 18753 | *** | ||
aud fishman | 18753 | *** | ||||
mtx dusborne, 2 source matrix, soundboard | 127408 | Not Reviewed Yet | ||||
aud moore berger 24, source: aud cassette | 127485 | Not Reviewed Yet | ||||
aud moore berger , source: aud cassette | 127486 | Not Reviewed Yet |
5/11/78 | Springfield Civic Center, Springfield, MA |
aud vernon | 6317 | *** | ||||
sbd miller | 16333 | *** | ||||
moore minches | 18658 | *** | ||||
dp25;, initial release: july 2002, grateful dead records gdcd-4045, four cd set of music containing the majority of songs from two shows; may 10, 1978 at new haven and may 11, 1978 at springfield., buy from amazon.com, tracks, disc 1, jack straw (weir / hunter), they love each other (garcia / hunter), cassidy (weir / barlow), ramble on rose (garcia / hunter), me and my uncle (phillips), big river (cash), peggy-o (traditional arr. grateful dead), let it grow (weir / barlow), deal (garcia / hunter), bertha (garcia / hunter), good lovin' (clark / resnick), disc 2, estimated prophet (weir / barlow), eyes of the world (garcia / hunter), drums (hart / kreutzmann), the other one (weir / kreutzmann), wharf rat (garcia / hunter), sugar magnolia (weir / hunter), disc 3, cold rain and snow (grateful dead), beat it on down the line (fuller), friend of the devil (garcia / dawson / hunter), looks like rain (weir / barlow), loser (garcia / hunter), new minglewood blues (traditional arr. bob weir), tennessee jed (garcia / hunter), lazy lightnin' (weir / barlow), supplication (weir / barlow), scarlet begonias (garcia / hunter), fire on the mountain (hart / hunter), disc 4, dancing in the streets (stevenson / gaye / i. hunter), drums (hart / kreutzmann), not fade away (petty / hardin), stella blue (garcia / hunter), around and around (berry), werewolves of london (marinell / wachtell / zevon), johnny b. goode (berry), musicians, jerry garcia - lead guitar, vocals, donna jean godchaux - vocals, keith godchaux - piano, mickey hart - drums, bill kreutzmann - drums, phil lesh - bass, vocals, bob weir - rhythm guitar, vocals, credits, new haven, ct recording - owsley stanley, springfield, ma recording - betty cantor-jackson, cd mastering - jeffrey norman, tape archivists - dick latvala, david lemieux, archival research - eileen law/grateful dead archives, photography - jim anderson, robert minkin, package design - robert minkin | $ | A | *** | |||
mtx dusborne, 3 source matrix, soundboard | 127386 | Not Reviewed Yet |
5/13/78 | The Spectrum, Philadelphia, PA |
aud unknown vernon shephard | 7207 | *** | ||||
rolfe weiner | 17406 | B+ | *** | |||
sbd set2 miller | 116978 | A | in comparison on black peter, sbd 116978 has most upfront sound; need aud 17406 for first set; aud 7207 has harsher sound than 17406 | *** |
5/14/78 | Providence Civic Center, Providence, RI |
sony vernon | 7639 | *** | ||||
akg mono friend | 108840 | *** | ||||
sbd miller | 108996 | A | in comparison on it must have been the roses, sbd 108996 has a more upfront sound than the others; mtx 124932 has a warmer sound than that; auds 7639 and 108840 are similar more distant sound quality | *** | ||
thirty trips, 30 trips around the sun, cd1, mississippi half-step uptown toodeloo 12:01, cassidy 5:44, they love each other 7:08, looks like rain 8:32, it must have been the roses 6:54, me and my uncle > 2:59, big river 6:30, brown-eyed women 5:57, let it grow 17:38, cd2, samson and delilah 10:46, ship of fools 7:38, estimated prophet > 13:55, eyes of the world > 15:43, drums > 12:32, cd3, not fade away > 15:40, goin' down the road feeling bad > 7:51, around and around 8:48, u. s. blues 5:29 | $ | A | *** | |||
mtx dusborne, 2 source matrix, soundboard | 124932 | *** |
5/16/78 | Uptown Theater, Chicago, IL |
akg weiner | 8333 | *** | ||||
jvc jaret minches | 106548 | B+ | *** | |||
part s2 sbd miller | 117206 | A- | in comparison on comes a time, sbd 117206 is least echoey, then aud jaret 106548, and then aud 8333; so need this and aud jaret 106548 | *** | ||
naks mason , "mason b taylor was a taper | 128380 | Not Reviewed Yet |
5/17/78 | Uptown Theater, Chicago, IL |
akg weiner | 8334 | *** | ||||
aud jaret | 107950 | *** | ||||
sbd scotton miller | 109000 | A | in comparison on it must have been the roses, sbd 109000 has fullest sound, then mtx 109101, then aud 8334, and then 107950 | *** | ||
mtx seamons | 109101 | *** | ||||
naks mason partial , "mason b taylor was a | 128393 | Not Reviewed Yet | ||||
naks mason set2 , "mason b taylor was a | 131740 | Not Reviewed Yet |
6/4/78 | Campus Stadium, UC Santa Barbara, Goleta, CA |
sbd cotsman | 10530 | *** | ||||
aud unknown | 87090 | *** | ||||
sbd cantor miller | 94407 | B+ | in comparison on dire wolf, 10530 is more muffled and 94407 is brighter. fuller sound with more hiss; aud is more muffled; on both sbds the vocals start to sound overrecorded sometimes like on jack straw and samson and otherwise sound would rate A | *** | ||
s1 s2p aud schley , set one & partial set | 137295 | Not Reviewed Yet |
6/25/78 | Autzen Stadium, U. of Oregon, Eugene, OR |
sbd cotsman | 7048 | B+ | as indicated some of this overrecorded and distorts in the vocals | *** | ||
sbd mrbill, recording info:, sbd > mc? > ? | 130649 | Not Reviewed Yet | ||||
sony ecm270 severson miller clugston 48 | 145143 | Not Reviewed Yet | ||||
sony ecm270 severson miller clugston 2496 | 145144 | Not Reviewed Yet |
7/1/78 | Arrowhead Stadium, Kansas City, MO |
wagner unknown | 7355 | square wav static d2t4 3:39 | *** | |||
sonyecm54p wagner minches | 97424 | B | in comparison on friend of the devil, 7355 and 97424 had similar sound; was not sure if I could hear the wine from a spectral band at 12k on 7355; 97424 has less digital flaws; this starts out as B quality but by second set turns to B+ | *** | ||
boxset, july 1978: the complete recordings - box set, mastered in hdcd by jeffrey norman, artwork by esteemed cartoonist paul pope, intro and show-by-show liner notes by nicholas meriwether, producer's note by david lemieux, individually numbered, limited edition of 15,000, release date: may 13, 2016, re you ready for "betty"? if you just said it's about time, we couldn't agree more! we're pleased to announce july 1978: the complete recordings, five incredible unreleased shows and the first official release from the long-lost betty boards, recently returned to the grateful dead's vault. follow the dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over willie and waylon fans in kansas city, conjuring charisma in omaha, and elevating the red rocks beyond their already spiritual planes. with five distinct performances painting the masterpiece of 1978, betty cantor-jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the dead's first-ever shows at the legendary red rocks amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity., limited to 15,000 individually numbered copies, july 1978: the complete recordings includes arrowhead stadium, kansas city, mo (7/1/78), st. paul civic center, st. paul, mn (7/3/78), omaha civic auditorium, omaha, ne (7/5/78), and red rocks amphitheater, morrison co (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band's master soundboard recordings, each newly mastered by jeffrey norman. the set also features original artwork by esteemed cartoonist paul pope (d.c. and marvel comics) and in-depth liner notes written by nick meriwether (grateful dead archives at the university of california, santa cruz), as well as a producer's note from producer david lemieux., show #1, arrowhead stadium: kansas city, mo (7/1/78), disc 1, 1. bertha [7:02], 2. good lovin' [6:30], 3. tennessee jed [8:49], 4. jack straw [6:03], 5. friend of the devil [8:20], 6. me and my uncle [2:56], 7. big river [5:16], disc 2, 1. terrapin station> [11:01], 2. playing in the band> [8:56], 3. rhythm devils> [8:51], 4. space> [3:51], 5. estimated prophet> [11:05], 6. the other one>[5:13], 7. wharf rat> [10:01], 8. around and around [8:25], 9. johnny b. goode [4:15] | $ | *** |
7/3/78 | St. Paul Civic Center, St. Paul, MN |
wagner | 7356 | A- | in comparison on loser, 97601 was more suppressed than 7356; 120130 was harsher and more echoey but some may like its sound better than 7356; the sound on this ranges between B+ and A- | *** | ||
sonyecm54p wagner minches | 97601 | *** | ||||
aud unknown | 120130 | *** | ||||
boxset, july 1978: the complete recordings - box set, mastered in hdcd by jeffrey norman, artwork by esteemed cartoonist paul pope, intro and show-by-show liner notes by nicholas meriwether, producer's note by david lemieux, individually numbered, limited edition of 15,000, release date: may 13, 2016, re you ready for "betty"? if you just said it's about time, we couldn't agree more! we're pleased to announce july 1978: the complete recordings, five incredible unreleased shows and the first official release from the long-lost betty boards, recently returned to the grateful dead's vault. follow the dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over willie and waylon fans in kansas city, conjuring charisma in omaha, and elevating the red rocks beyond their already spiritual planes. with five distinct performances painting the masterpiece of 1978, betty cantor-jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the dead's first-ever shows at the legendary red rocks amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity., limited to 15,000 individually numbered copies, july 1978: the complete recordings includes arrowhead stadium, kansas city, mo (7/1/78), st. paul civic center, st. paul, mn (7/3/78), omaha civic auditorium, omaha, ne (7/5/78), and red rocks amphitheater, morrison co (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band's master soundboard recordings, each newly mastered by jeffrey norman. the set also features original artwork by esteemed cartoonist paul pope (d.c. and marvel comics) and in-depth liner notes written by nick meriwether (grateful dead archives at the university of california, santa cruz), as well as a producer's note from producer david lemieux., show #2, st. paul civic center arena, st. paul, mn (7/3/78), disc 1, 1. new minglewood blues [5:40], 2. loser [7:35], 3. looks like rain [7:51], 4. ramble on rose [7:25], 5. mexicali blues> [3:26], 6. mama tried> [3:24], 7. peggy-o [8:09], 8. cassidy [5:08], 9. deal> [6:13], 10. the music never stopped [8:20], disc 2, 1. scarlet begonias> [10:16], 2. fire on the mountain[9:39], 3. dancing in the street> [13:32], 4. rhythm devils> [11:10], 5. not fade away> [6:46], 6. stella blue> [10:51], 7. sugar magnolia [9:19], 8. werewolves of london [7:12] | $ | *** |
7/5/78 | Omaha Civic Auditorium, Omaha, NE |
sony wiley | 11481 | *** | ||||
fob knight motb 0070 | 91785 | B+ | in comparison on dire wolf, 11481 sounds fast, 97299 sounds suppressed; 91785 sounds fuller than those; need 97299 for encore promised land which rates B | *** | ||
fob knight motb 0070 | 91786 | |||||
sonyecm54p wagner | 97299 | *** | ||||
boxset, july 1978: the complete recordings - box set, mastered in hdcd by jeffrey norman, artwork by esteemed cartoonist paul pope, intro and show-by-show liner notes by nicholas meriwether, producer's note by david lemieux, individually numbered, limited edition of 15,000, release date: may 13, 2016, re you ready for "betty"? if you just said it's about time, we couldn't agree more! we're pleased to announce july 1978: the complete recordings, five incredible unreleased shows and the first official release from the long-lost betty boards, recently returned to the grateful dead's vault. follow the dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over willie and waylon fans in kansas city, conjuring charisma in omaha, and elevating the red rocks beyond their already spiritual planes. with five distinct performances painting the masterpiece of 1978, betty cantor-jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the dead's first-ever shows at the legendary red rocks amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity., limited to 15,000 individually numbered copies, july 1978: the complete recordings includes arrowhead stadium, kansas city, mo (7/1/78), st. paul civic center, st. paul, mn (7/3/78), omaha civic auditorium, omaha, ne (7/5/78), and red rocks amphitheater, morrison co (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band's master soundboard recordings, each newly mastered by jeffrey norman. the set also features original artwork by esteemed cartoonist paul pope (d.c. and marvel comics) and in-depth liner notes written by nick meriwether (grateful dead archives at the university of california, santa cruz), as well as a producer's note from producer david lemieux., show #3, omaha civic auditorium, omaha, ne (7/5/78), disc 1, 1. sugaree [9:51], 2. beat it on down the line [3:28], 3. they love each other [7:12], 4. looks like rain[7:59], 5. dire wolf [3:49], 6. it's all over now[8:22], 7. candyman [6:41], 8. lazy lightning> [3:27], 9. supplication[5:27], 10. deal[5:59], 11. samson and delilah [7:18], 12. ship of fools[7:29], disc 2, 1. estimated prophet> [12:42], 2. eyes of the world>[12:23], 3. rhythm devils>[7:56], 4. space> [7:28], 5. wharf rat>[9:43], 6. truckin'> [7:29], 7. iko iko> [7:23], 8. around and around [8:27], 9. promised land [4:13] | $ | *** |
7/7/78 | Red Rocks Ampitheatre, Morrison, CO |
sbd jerugim | 293 | *** | ||||
aud cousinit | 18700 | *** | ||||
sbd jerugim tetzeli fix 293 | 33817 | A- | in comparison on candyman sbd 33817 has fuller more upfront natural sound than auds or mtx 98917; 33817 has the seemless fix over 293; for auds 82931 has the fullest warmest sound, then 91793, and then 18700 is much lower quality | *** | ||
aud wagner moore berger | 82931 | *** | ||||
fob knight motb 0071 | 91793 | *** | ||||
mtx octopusrider | 98917 | *** | ||||
boxset, july 1978: the complete recordings - box set, mastered in hdcd by jeffrey norman, artwork by esteemed cartoonist paul pope, intro and show-by-show liner notes by nicholas meriwether, producer's note by david lemieux, individually numbered, limited edition of 15,000, release date: may 13, 2016, re you ready for "betty"? if you just said it's about time, we couldn't agree more! we're pleased to announce july 1978: the complete recordings, five incredible unreleased shows and the first official release from the long-lost betty boards, recently returned to the grateful dead's vault. follow the dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over willie and waylon fans in kansas city, conjuring charisma in omaha, and elevating the red rocks beyond their already spiritual planes. with five distinct performances painting the masterpiece of 1978, betty cantor-jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the dead's first-ever shows at the legendary red rocks amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity., limited to 15,000 individually numbered copies, july 1978: the complete recordings includes arrowhead stadium, kansas city, mo (7/1/78), st. paul civic center, st. paul, mn (7/3/78), omaha civic auditorium, omaha, ne (7/5/78), and red rocks amphitheater, morrison co (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band's master soundboard recordings, each newly mastered by jeffrey norman. the set also features original artwork by esteemed cartoonist paul pope (d.c. and marvel comics) and in-depth liner notes written by nick meriwether (grateful dead archives at the university of california, santa cruz), as well as a producer's note from producer david lemieux., show #4, red rocks amphitheatre, morrison, co (7/7/78), disc 1, 1. jack straw [5:49], 2. candyman [6:40], 3. me and my uncle>[3:00], 4. big river [5:53], 5. friend of the devil [8:36], 6. cassidy [5:06], 7. tennessee jed [9:11], 8. passenger [5:31], 9. peggy-o [9:10], 10. the music never stopped [8:13], disc 2, 1. cold rain and snow [7:26], 2. beat it on down the line [3:38], 3. scarlet begonias> [10:18], 4. fire on the mountain [8:10], disc 3, 1. dancing in the street[8:57], 2. rhythm devils>[10:12], 3. space> [6:09], 4. not fade away> [11:04], 5. black peter>[10:29], 6. around and around [8:44], 7. u.s. blues [5:55], 8. johnny b. goode [4:16] | $ | *** | ||||
sbd tetzeli droncit, this is a flac | 134374 |
7/8/78 | Red Rocks Ampitheatre, Morrison, CO |
sbd unknown | 294 | *** | ||||
sbd hoelter tetzeli fix 294 | 33818 | *** | ||||
sbd carney fix 88551 | 88656 | has same md5 in etree as 88551 | *** | |||
fob knight motb 0068 | 91766 | *** | ||||
mtx tobin | 91777 | *** | ||||
sbd tobin | 91871 | *** | ||||
sbd miller | 106070 | A | in comparison on dire wolf, sbds 294, 33818, and 91871 are same source and sound similar to 106070; 88656 has more bass than those and has a warmer fuzzier sound; 91871 and 106070 have patches; 91871 has a tv band in spectral view not on 106070 which may indicate not as good of transfer; aud 91766 and mtx 91777 are narrower and harsher sound than the sbds; need aud 91766 for the extra before show tuning and story | *** | ||
boxset, july 1978: the complete recordings - box set, mastered in hdcd by jeffrey norman, artwork by esteemed cartoonist paul pope, intro and show-by-show liner notes by nicholas meriwether, producer's note by david lemieux, individually numbered, limited edition of 15,000, release date: may 13, 2016, re you ready for "betty"? if you just said it's about time, we couldn't agree more! we're pleased to announce july 1978: the complete recordings, five incredible unreleased shows and the first official release from the long-lost betty boards, recently returned to the grateful dead's vault. follow the dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over willie and waylon fans in kansas city, conjuring charisma in omaha, and elevating the red rocks beyond their already spiritual planes. with five distinct performances painting the masterpiece of 1978, betty cantor-jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the dead's first-ever shows at the legendary red rocks amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity., limited to 15,000 individually numbered copies, july 1978: the complete recordings includes arrowhead stadium, kansas city, mo (7/1/78), st. paul civic center, st. paul, mn (7/3/78), omaha civic auditorium, omaha, ne (7/5/78), and red rocks amphitheater, morrison co (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band's master soundboard recordings, each newly mastered by jeffrey norman. the set also features original artwork by esteemed cartoonist paul pope (d.c. and marvel comics) and in-depth liner notes written by nick meriwether (grateful dead archives at the university of california, santa cruz), as well as a producer's note from producer david lemieux., show #5 red rocks amphitheatre, morrison, co (7/8/78), disc 1, 1. bertha> [6:43], 2. good lovin' [6:40], 3. dire wolf [4:07], 4. el paso [4:25], 5. it must have been the roses [7:16], 6. new minglewood blues [6:09], 7. ramble on rose [8:34], 8. promised land [4:37], 9. deal [6:26], 10. samson and delilah [7:44], 11. ship of fools [7:29], disc 2, 1. estimated prophet> [13:08], 2. the other one> [8:51], 3. eyes of the world> [10:34], 4. rhythm devils> [10:29], 5. space> [5:03], 6. wharf rat> [8:43], 7. franklin's tower [10:39], 8. sugar magnolia [9:31], disc 3, 1. terrapin station> [10:54], 2. one more saturday night [5:13], 3. werewolves of london [6:44] | $ | *** | ||||
mtx eichorn t , fresh legs, vol 5 | 125797 | |||||
mtx redo eichorn t , i released a version | 126239 |
8/xx/78 | Unknown Studio Outtakes (Shakedown Street Outtakes) |
sbd wiley | 11692 | B+ | *** |
8/18/78 | Club Front, San Rafael, CA |
sbd tzuriel | 11504 | 8/1/78 11692 and 11504 have same wav and spectral view and levels; 11692 has extra song st of circumstance and 11504 has more digital flaws | also has digital drops between tracks | *** |
8/30/78 | Red Rocks Ampitheatre, Morrison, CO |
set2 sbd barbella | 8038 | *** | ||||
aud wiley | 11479 | B | *** | |||
s2 sbd miller | 110151 | A | in comparison on If I Had The World To Give, sbds 110151 and 8038 with 110151 having the patches, duplicated drums, and pitch correction; aud 11479 is less full sounding and needed for first set | *** | ||
sony ecm270 nak301 severson miller clugston | 145135 | Not Reviewed Yet | ||||
sony ecm270 nak301 severson miller clugston | 145136 | Not Reviewed Yet |
8/31/78 | Red Rocks Ampitheatre, Morrison, CO |
sbd set2 wiley | 11477 | *** | ||||
aud wiley | 11480 | *** | ||||
aud sbd miller | 20726 | A- | in comparison on ship of fools; sbd 20726 and 11477 sounded similar; aud 11480 had less full and less warm sound; in comparison on peggio 11480 and 20726 sounded similar; aud rates B+ and sbd portion rates A | *** | ||
miller sbd , recording info:, sbd > | 125882 | A- | has some hiss on set1; in comparison on peggio, sbd 125882 has a fuller sound with more hiss than aud portion of 20726; in comparison on ship of fools they sounded sort of similar except 125882 has a little less hiss; first set rates A- because of the hiss and second set A and aud portion rates B | has several analog pops on d1t6 | *** | |
nak301 severson miller clugston 48, this | 145137 | Not Reviewed Yet | ||||
nak301 severson miller clugston 2496 | 145138 | Not Reviewed Yet |
9/2/78 | Giants Stadium, East Rutherford, NJ |
sbd jools | 7925 | *** | ||||
rolfe weiner | 15822 | *** | ||||
sbd miller | 106818 | B+ | in comparison on dire wolf, sbd 106818 has a fuller warmer sound with less hiss than 7925; the auds are not as full or upfront sound as the sbds; in comparison on fire on the mountain 124588 has harsher sound than 15822; sound quality starts at B+ and improves to A/A- | *** | ||
sony54p , recording info:, (fob) sony 54p | 124588 | *** | ||||
mtx dusborne, 2 source matrix, soundboard | 131868 | Not Reviewed Yet | ||||
s2 sony 54p wagner miller sirmick 24 | 139367 | Not Reviewed Yet | ||||
s2 sony54p wagner miller sirmick, source: | 140476 | Not Reviewed Yet | ||||
2nd set sbd dalton miller clugston 48 | 142988 | Not Reviewed Yet |
9/13/78 | Gizah Sound and Light Theater, Cairo, Egypt |
sndchk aud jim | 10155 | *** | ||||
sndchk sbd wiley | 11482 | *** | ||||
aud schk unknown miller | 87779 | A- | in comparison, 87779, 11482, and 10155 sounded similar; 87779 generally has higher | *** | ||
fob sndck , source: aud fob, front row lfc | 136808 | Not Reviewed Yet |
9/14/78 | Gizah Sound and Light Theater, Cairo, Egypt |
aud dauria | 2054 | *** | ||||
aud dauria | 6032 | *** | ||||
sbd miller | 22169 | *** | ||||
sbd miller | 88171 | A- | in comparison on peggio, sbds 88171 and 22169 sound similar with 88171 having the pitch correction, seemless, and patches; auds are more distant and less full sounding the sbds; motb 103625 had a warmer fuller sound than 94536, 2054, 6032 | *** | ||
nak700 unknown lmpp | 94536 | *** | ||||
fob sonyecm280 porray motb 0107 | 103625 | *** | ||||
fob sonyecm280 porray motb 0107 | 103626 |
9/15/78 | Gizah Sound and Light Theater, Cairo, Egypt |
sbd lai | 295 | *** | ||||
aud dauria | 4160 | *** | ||||
set2 sbd murphy | 5933 | *** | ||||
sbd miller | 21781 | *** | ||||
sbd miller | 87782 | A- | in comparison on ship of fools for sbds, 87782 had a little less hiss than 5933, 21781, and 295; mtx 88923 sounded harsher, fuzzier, and more echoey; auds are more echoier and distant with 4160 and 107304 having a fuller sound than 94537; 107304 was a little warmer than 4160 | *** | ||
mtx tobin | 88923 | *** | ||||
nak700 unknown lmpp | 94537 | *** | ||||
fob sonyecm280 porray motb 0138 | 107304 | *** |
9/xx/78 | Rocking the Cradle - Grateful Dead, Egypt 1978 |
the three egypt concerts, september 14, 15, 16, 1978, were captured on a 24-track tape recorder with an eye towards putting out a live album to help defray the (considerable) cost of the expedition. when the dead got home, however, they discovered that the tapes of all of the first night and part of the second were not useable because of technical problems., track list, disc 1, 1., jack straw, 2., row jimmy, 3., new, new minglewood blues, 4., candyman, 5., looks like rain, 6., stagger lee, 7., i need a miracle, 8., it's all over now, 9., deal, disc 2, 1., ollin arageed, 2., fire on the mountain, 3., iko iko, 4., shakedown street, 5., drums, 6., space, 7., truckin', 8., stella blue, 9., around and around, fwiw here is the result of my research on what tunes come from which, night. there is some deductive reasoning involved., disc tune date, 1 jack straw 15, 1 row jimmy 16, 1 minglewood 16, 1 candyman 16, 1 looks like rain 16, 1 stagger lee 15, 1 miracle 16, 1 all over now 16, 2 ollin arageed 16, 2 fire 16, 2 iko iko 16, 2 shakedown 16, 2 drums 16, 2 space 16, 2 truckin 16, 2 stella blue 16, 2 around & around 16, dvd bertha 16, dvd good lovin 16, dvd row jimmy 16, dvd minglewood 16, dvd candyman 16, dvd looks like rain 16, dvd deal 16, dvd ollin arageed 16, dvd fire 16, dvd iko iko 16, dvd miracle 16, dvd all over now 16, dvd truckin 16, bonus bertha 16, bonus good lovin 16, bonus el paso 16, bonus estimated prophet 15, bonus eyes 15, bonus terrapin 15, bonus sugar magnolia 15 | $ | A | *** |
9/16/78 | Gizah Sound and Light Theater, Cairo, Egypt |
sbd orf | 2319 | *** | ||||
sbd miller | 88314 | *** | ||||
nak700 unknown lmpp | 94548 | *** | ||||
aud tobin patched | 95292 | *** | ||||
mtx tobin | 95316 | *** | ||||
fob sonyecm280 porray motb 0139 | 107305 | *** | ||||
gems bear | 108845 | |||||
fob , source: aud fob, front row lfc, sony | 136809 | Not Reviewed Yet | ||||
bear gems 24, "we now return our souls to | 140932 | Not Reviewed Yet | ||||
fixed bear gems , "we now return our souls | 140935 | Not Reviewed Yet | ||||
mtx tobin , egypt, sbd + aud matrix 3 | 143122 | Not Reviewed Yet |
10/xx/78 | Road Trips - Vol. 1 Number 4 |
$19.98, road trips vol 1, no. 4, $54.96 $49.98, egypt '78 + road trips 1.4, $56.98 $49.98, egypt '78 + egypt t-shirt, $76.96 $64.98, egypt '78 + road trips 1.4 + t-shirt, ::more information on egypt '78, more road trips 1.4, archive photos, micky hart & hamza el din, on stage at winterland, bill graham staffers, bobby, donna & jerry, winterland marquee, on stage at winterland, shows, winterland - october 17, 1978, winterland - october 21, 1978, winterland - october 22, 1978, listening party, listen to a sampling of the set, here, road trips series, road trips 1.1, road trips 1.2, road trips 1.3, "from egypt with love" (october '78), 2 disc set + bonus cd, since we've all been in deep egypt mode the last couple of months preparing the new rhino release rocking the cradle: grateful dead, egypt '78 (which you can learn more about and order here), we thought it would be cool for the new road trips (that's vol. 1, no. 4 for those of you keeping score at home) to be a companion to that release, compiled from the band's famous october 1978, from egypt with love, shows at winterland in san francisco, just a month after their return from the desert., here's the deal: the group was feeling totally jazzed when they got back from egypt, and bill graham, who had been on the trip abroad as a spectator, rather than as promoter, wanted to give the band's hometown fans a taste of the egypt experience by hosting a series of five shows at winterland that would include a slide show depicting the group's amazing adventures in cairo and beyond. as it turned out, the dead heads got more than that, too: at two of the concerts, their good friend hamza el din (a nubian musician living in the bay area) reprised the egyptian song he'd sung at the sound & light theater in gizah, called, ollin arageed, which had been a jumping, off point for some fascinating cross-cultural explorations between the dead and a host of native singers and percussionists. it proved to be magical at winterland, too, as the crowd joined in clapping the song's unusual and hypnotic beat. war's exceptional harmonica player, lee oskar, dropped by the last two nights of the run, and the final concert brought a surprise appearance by ex-quicksilver guitarist john cipollina., this new road trips was culled from the the last two concerts of the series, october 21 and 22, 1978. there's plenty to dig here, including a really dynamic extended take on the aforementioned, ollin arageed, which eventually lands at, deal, (of all songs!); a stunning sequence featuring "got my mojo working">"the other one">"stella blue"; a generous and free-flowing, scarlet begonias, >, fire on the mountain, ; and a, not fade away, >, goin' down the road, combo that's sparked by the presence of mr. cipollina and his vampire bat gibson sg, and which goes into some very interesting jamming spaces between songs., the limited edition bonus cd contains a number of other hot numbers from those shows, from a charged "bertha">"good lovin'" to a typically hot take on the "estimated prophet">"he's gone" sequence, as well as one of only three live versions of "if i had the world to give" ever performed by the grateful dead. clearly, this band was inspired! as always, too, the discs have been mastered in hdcd., to order road trips vol. 1, no. 4 click here., track list, disk one - 10/21/78, sugaree, passenger, stagger lee, i need a miracle, got my mojo working (with lee oskar)>, the other one>, stella blue>, sugar magnolia, us blues, disk two - 10/22/78, olin aragreed>, deal, peggy-o, jack straw, scarlet begonias>, fire on the mountain, nfa (with john cipollina)>, gdtrfb, bonus disc, bertha (10/21/78)>, good lovin (10/21/78)>, estimated (10/21/78)>, he's gone (10/21/78), if i had the world to give (10/17/78)>, around and around (10/17/78) | $ | A | *** |
10/17/78 | Winterland Arena, San Francisco, CA |
sbd unknown | 1078 | *** | ||||
sbd nugs | 21243 | *** | ||||
sbd unknown | 32906 | has matching ffp to 21243 | *** | |||
sbd miller | 89257 | A- | in comparison on friend of the devil. sbds 89257 and 1078 were very similar while 21243 was sort of similar; 89257 has the patches; mtx 100699 and aud 100687 were more echoey and distant than the sbds | *** | ||
fob akgd224e holwein motb 0092 | 100687 | *** | ||||
fob akgd224e holwein motb 0092 | 100692 | |||||
mtx motb 0092 | 100699 | *** | ||||
mtx motb 0092 | 100703 | |||||
mtx dusborne, 2 source matrix, soundboard | 135503 | Not Reviewed Yet | ||||
sbd gastwirt miller sirmick , source: | 138919 | Not Reviewed Yet |
10/18/78 | Winterland Arena, San Francisco, CA |
sbd shakedown | 298 | *** | ||||
sbd nugs | 21244 | *** | ||||
sbd miller | 89335 | in comparison on peggio, for sbds 89335 has a warmer fuller sound than 298 and 21244; aud 100701is more distant and muffled than the sbds | *** | |||
fob akgd224e holwein motb 0093 | 100701 | |||||
fob akgd224e holwein motb 0093 | 100702 | *** | ||||
mtx dusborne, 2 source matrix, soundboard | 135504 | Not Reviewed Yet |
10/20/78 | Winterland Arena, San Francisco, CA |
sbd lai | 4159 | multiple analog drops and pops and buzz d1t9 0:11 for 13 seconds | *** | |||
sbd nugs | 21245 | multiple analog drops and pops and buzz d1t9 0:16 for 13 seconds | *** | |||
sbd miller | 92542 | in comparison on dire wolf. sbds 4159 and 21245 sounded similar to each other and 92542 was brighter and slightly fuller sounding; aud 100698 and 102072 are more distant | multiple analog drops and pops and buzz d1t10 0:13 for 13 seconds | *** | ||
fob akgd224e holwein motb | 100698 | *** | ||||
fob akgd224e holwein motb | 100700 | |||||
sonyecm280 martin bunton | 102072 | *** | ||||
sonyecm280 martin bunton | 102073 | |||||
mtx dusborne, 2 source matrix, soundboard | 135505 | Not Reviewed Yet |
10/21/78 | Winterland Arena, San Francisco, CA |
sbd popi | 6100 | *** | ||||
sbd nugs | 21248 | *** | ||||
sbd miller | 89721 | A | in comparison on sugaree, sbds 6100 and 21248 sound similar to each pther ahd harsher and narrower than 89721; mtx 94852 is more echoey; auds are more distant with 94599 more upfront than 102074 | *** | ||
aud rhinotrocity5 motb 0015 | 94599 | *** | ||||
aud rhinotrocity5 motb 0015 | 94600 | |||||
mtx seamons | 94852 | *** | ||||
sonyecm280 martin bunton | 102074 | *** | ||||
sonyecm280 martin bunton | 102075 |
10/22/78 | Winterland Arena, San Francisco, CA |
sbd kempa | 299 | *** | ||||
sbd nugs | 21247 | *** | ||||
sbd miller | 92567 | in comparison on peggio, sbds 92567, 299, were similar sound quality with 92567 being brighter and having the patching; mtx 99496 seemed close to the 92567; for auds 94605 was warmer than 102076 and; 96700 | *** | |||
aud rhinotrocity6 motb 0018 | 94604 | |||||
aud rhinotrocity6 motb 0018 | 94605 | *** | ||||
aud pantagruel | 96700 | *** | ||||
mtx seamons | 99496 | *** | ||||
sonyecm280 martin bunton | 102076 | *** | ||||
sonyecm280 martin bunton | 102077 |
11/13/78 | Music Hall, Boston, MA |
aud wiley | 11483 | B+ | in comparison on peggio, 11483 was more listenable as 119996 was harsher and very tinny | *** | ||
aud unknown | 119996 | *** |
11/14/78 | Music Hall, Boston, MA |
sony | 11485 | *** | ||||
nak300 rolfe miller | 100205 | A- | in comparison on candyman, 100205 has a fuller sound than 11485 | *** |
11/16/78 | Uptown Theater, Chicago, IL |
psbd wiley | 11486 | A- | in comparison on Me And My Uncle, 11486 has a more upfront sound than 100205; need 100205 for rest of show | *** | ||
nak300 wiley | 11487 | B | *** | |||
naks mason partial , "mason b taylor was a | 128612 | Not Reviewed Yet | ||||
sbd partial , partial sbd, t01 mickey's | 136718 | Not Reviewed Yet |
11/17/78 | Uptown Theater, Chicago, IL |
paud wiley | 11488 | B- | *** | |||
acoustic sbd dodd | 7687 | spectral view looks like fomr 32k dat | *** | |||
acoustic sbd samaritano | 32879 | in comparison on Tom Dooley, 90110 seems derived from 7687 and has less hiss but is also more muffled by the noise reduction; those are both harsh ;32879 has warmer sound ; 32879 has the bonus sbd songs for later show | this is a close eac match on t1 to garcia shnid=80703 | *** | ||
sbd dodd audiohead22 remaster 7687 | 90110 | track files are not numbered so they do not sort in show order | *** | |||
sbd partial , partial sbd, t01 cassidy, t02 | 135718 | Not Reviewed Yet |
11/18/78 | Uptown Theater, Chicago, IL |
sbd wiley | 11489 | *** | ||||
aud wiley | 11490 | *** | ||||
sbd cotsman | 12080 | *** | ||||
sbd miller | 81131 | in comparison on candyman, sbds 81131, 12080, and 11489 sounded similar; 81131 has less digital flaws; aud 11490 was more distant | *** |
11/20/78 | Cleveland Music Hall, Cleveland, OH |
sbd mcleod | 301 | *** | ||||
set2 aud sacks | 302 | *** | ||||
set2 sbd unknown | 12947 | *** | ||||
sbdpatched knott | 21727 | *** | ||||
mtx set2 chappell sb16a | 32489 | *** | ||||
sbd miller | 95244 | *** | ||||
sbd fix miller | 95660 | A- | in comparison on looks like rain 95660 is brighter, fuller, and harsher with more hiss than 21727 and 95244 which are similar to each other; the brightness also brings out more distortion in the vocals; aud 117661 is more muffled than the sbds; in comparison on jack a roe, 95660 and 95244 are similar and fuller harsher sound than and 301 and 21727 which are similar to each other; mtx 32489 is warmer than the sbsds; aud 302 is more muffled than the others; the fuller sound of 95660 won out as my choice | *** | ||
s1 s2p aud seaweed | 117661 | *** |
11/21/78 | Community War Memorial Auditorium, Rochester, NY |
aud wiley | 11667 | *** | ||||
sbd part unknown | 30116 | *** | ||||
sbd carpenter andrewf | 87023 | B+ | in comparison on dire wolf, 87023 sounds similar to 30116; aud 11667 is less full sound; in comparison on eyes of the world 87023 has a clearer warmer sound than aud 119997 which is close in fullness but harsh; 119997 has much fuller sound than 11667; sound quality varies from B to A- | *** | ||
aud set2 unknown | 119997 | *** |
11/23/78 | Capital Centre, Landover, MD |
sbd jools | 9846 | *** | ||||
aud wiley | 11668 | *** | ||||
sbd cotsman | 19155 | B+ | in comparison on mississippi half step, the sbds 19155 and 9846 were sort of similar; auds ere less full and upfront with more muffled than 96031; sound quality varies by source from B to A- | *** | ||
fob sonyecm250 walker scotton miller | 96031 | *** |
11/24/78 | Various, Various, Various |
1978 grateful dead interviews, from the tape | 106820 | A | *** | |||
fm horning | 303 | A | drop d1t7 8:19, between cdrs, end of d2t2; has a lot of discontinuities some as pops like d2t5 3:11 | *** | ||
fm braverman | 8364 | A- | has tv band; drop between cdrs, end of d3t4, d2t7 | *** | ||
sbd prefm | 13948 | A | drop/cut between cdrs, d3t2 8:18; discontinuities between tracks | *** | ||
sbd ashley field | 32876 | A | drop d1t9 3:52, d1t7 7 :53, d2t2 4:26 | *** | ||
sbd green_mtn_bros | 77177 | A | drop/cut end of d1; drop/static d3t3 14:59, d1t4 on right channel on and off from 0:45 to 5:08, d2t2 3:36, d3t3 14:59 plus some more | *** | ||
pre fm miller | 87642 | A | in 8-way comparison on d1t7, 303, 77177, and 87642 sound similar and have some clipping; 13998 has even more compression and clipping making it harsher; 8364 is harshest; 101694 is not as harsh as the above mentioned ones but has more hiss and distortion in the vocals and the wgv stream although degraded at mono and missing 10-12k spectral band also has the distortion in the vocals; the bertha 32876 has fullest warmest sound and more bass but is distractingly overly bassy; soundcheck rates B+; for interviews portion 106820 has a warmer more natural sound than 87642 and recommend that | drop end of d2t4, reparable drop/static d1t8 1:46 to 1:47, 1:59 on right channel, static d2t3 3:48 | *** | |
partial pre fm sirmick | 101694 | A- | ||||
kbfhfm maloney krw 2448, wnew/kbfh fm | 137387 | Not Reviewed Yet | ||||
kbfhfm maloney krw, wnew/kbfh fm broadcast | 137388 | Not Reviewed Yet | ||||
wnewfm maloney krw 2448, wnew fm broadcast | 137389 | Not Reviewed Yet | ||||
wnewfm maloney krw, wnew fm broadcast | 137390 | Not Reviewed Yet | ||||
fm browning, live fm broadcast > sony | 137575 | Not Reviewed Yet | ||||
prefm partial sirmick, source: pre fm | 140483 | Not Reviewed Yet |
11/25/78 | Veterens' Coliseum, New Haven, CT |
aud anderson | 85058 | A- | *** |
12/12/78 | Jai-Alai Fronton, Miami, FL |
wagner minches | 18511 | *** | ||||
sbd patched cotsman | 19895 | A- | *** | |||
sbd , recording info:, sbd > master reel | 123741 | A- | in comparison on peggio, sbds 123741 and 19895 sounded similar except 19895 was slightly warner; 123741 has the pitch correction but also the extra noted flaws so need 1st 3 tracks of 19895 and then 123741 for the rest; aud 18511 is more distant | drop/skips d1t01 4:32, 6:50, 7:52, 8:00, d1t02 0:45, 1:43 | *** |
12/13/78 | Curtis Hixon Convention Hall, Tampa, FL |
aud wiley | 9478 | *** | ||||
sbd hinko | 22145 | *** | ||||
sbd miller | 25717 | B+ | in comparison on candyman; 25717 has more hiss and is a little fuller than 22145 though not by a lot; aud 9478 is more distant | *** |
12/15/78 | Boutwell Auditorium, Birmingham, AL |
sony wiley | 9479 | B+ | *** | |||
unknown westcott sirmick, source: unknown | 143923 | Not Reviewed Yet |
12/16/78 | Nashville Municipal Auditorium, Nashville, TN |
aud stephens | 8841 | *** | ||||
wagner wiley | 9482 | *** | ||||
sonyecm250 dolbyb walker scotton miller | 82211 | B+ | in comparison on candyman, 82212 is harshest , then 8841, then 82211, and then 9482; 82211 had a fuller sound than 9482 and seemed to be better tone than those harsher than it | |||
sonyecm250 no dolby walker scotton miller | 82212 |
12/17/78 | Fox Theater, Atlanta, GA |
sony wiley s | 9483 | *** | ||||
sbd wiley | 13408 | B+ | in comparison on peggio, sbd 13408 has a fuller more upfront bassy sound; aud 9483 has more hiss and less full sound than 92528 | *** | ||
sony ecm250 walker scotton miller | 92528 | *** |
12/19/78 | Memorial Coliseum, Mississippi State Fairgrounds, Jackson, MS |
sony barrick | 305 | *** | ||||
aud sony wagner | 19507 | 305 is a not close eac match on d1t1 to 19507; they both share some digital flaws of discontinuity pops and digipops but also each has different ones | *** | |||
set1 sbd miller | 102429 | B+ | in comparison on loser, sbd 102429 is sort of suppressed with a little hiss but has a fuller warmer more upfront sound than the auds; 121941 has the narrowest sound; aud 121963 has a fuller upfront sound with a lot of bass while aud 305 has warmer more natural sound with more digital flaws; so chose sbd 102429 for first part and rest with 121963 and hope ears adjust as it is not an easy choice | *** | ||
sony54p wagner miller | 121940 | |||||
sony54p wagner miller | 121941 | *** | ||||
aud wagner bertrando | 121963 | B+ | *** |
12/21/78 | The Summit, Houston, TX |
aud cotsman | 15209 | B | sound is warm but suppressed | *** |
12/22/78 | Dallas County Convention Center Arena, Dallas, TX |
aud cotsman | 14562 | B- | sound is warm but suppressed and dull | *** |
12/27/78 | Golden Hall, Community Concourse, San Diego, CA |
sbd wiley | 9480 | *** | ||||
aud schug warner | 21480 | B+ | in comparison on peggio, 21480 has a fuller more natural sound and 9480 has a more upfront sound and sounded faster; in comparison on ship of fools, 21480 has a fuller more natural sound and 9480 sounded slow and murky | *** | ||
sbd aud , (complete show), source 1: | 136705 | Not Reviewed Yet | ||||
sony ecm270 severson miller clugston 48 | 145346 | Not Reviewed Yet | ||||
sony ecm270 severson miller clugston 2496 | 145347 | Not Reviewed Yet |
12/28/78 | Golden Hall, Community Concourse, San Diego, CA |
sbd clugston | 7487 | *** | ||||
aud schug warner | 19506 | *** | ||||
sbd clugston tetzeli fix 7487 reflac | 35159 | A | shares some ot the same ffp as 7487 with same digital flaws; in comparison on dire wolf, sbd 35159 has a fuller more upfront sound than aud 19506 | *** | ||
sbd eaton miller clugston , source info: | 142807 | Not Reviewed Yet | ||||
sony ecm270 severson miller clugston 48 | 145348 | Not Reviewed Yet | ||||
sony ecm270 severson miller clugston 2496 | 145349 | Not Reviewed Yet |
12/30/78 | Pauley Pavilion, UCLA, Los Angeles, CA |
sbd tonyg | 8826 | *** | ||||
sbd miller | 18092 | *** | ||||
aud schug warner | 19417 | *** | ||||
sbd miller tetzeli fix 18092 reflac | 34261 | has same st5 as 18092 for d1 and most of d2 | *** | |||
mtx dusborne, 2 source matrix, soundboard | 123100 | *** | ||||
sbd , recording info:, sbd > master reel | 123103 | A- | in comparison on st stephen, 123103 has a fuller warmer sound than 34261 and 8826; sbd 123103 has fuller warmer more upfront sound than aud 19417 and mtx 123100 | *** | ||
neumankm88 troy smith sirmick , source: | 137674 | Not Reviewed Yet | ||||
neumankm88 troy smith sirmick 24, source: | 137675 | Not Reviewed Yet | ||||
sbd 1st set eaton miller clugston , source | 142711 | Not Reviewed Yet | ||||
sony ecm270 severson miller clugston 48 | 145350 | Not Reviewed Yet | ||||
sony ecm270 severson miller clugston 2496 | 145351 | Not Reviewed Yet |
12/31/78 | Winterland Arena, San Francisco, CA |
sbd ashley | 1667 | *** | ||||
fob akgd224e holwein motb 0130 | 106102 | *** | ||||
mtx tobin motb 0134 | 106374 | *** | ||||
closing of;, initial release: december 2003, rhino / grateful dead records, four cd set of the entire show from december 31, 1978 at winterland. the entire show with bonus material is also available on dvd., buy from amazon.com, tracks, disc 1, sugar magnolia, scarlet begonias, fire on the mountain, me and my uncle, big river, friend of the devil, it's all over now, stagger lee, from the heart of me, sunshine daydream, disc 2, samson and delilah, ramble on rose, i need a miracle, terrapin station, playing in the band, disc 3, rhythm devils, not fade away, around and around, disc 4, dark star, the other one, dark star, wharf rat, st. stephen, good lovin', casey jones, johnny b. goode, we bid you goodnight, musicians, jerry garcia - lead guitar, vocals, donna jean godchaux - vocals, keith godchaux - keyboards, vocals, mickey hart - drums, bill kreutzmann - drums, phil lesh - bass, vocals, bob weir - rhythm guitar, vocals, special guests:, bill graham - master of ceremonies, dan aykroyd - midnight countdown, john cipollina - guitar, ken kesey - thunder machine, matthew kelly - harmonica, lee oskar - harmonica, greg errico - drums, credits, producer - david lemieux, jeffrey norman, rhythm devils engineer, mixing - tom flye, mickey hart, archival research - eileen law / grateful dead archives, cover art - stanley mouse, alton kelley, photography - ed perlstein, additional photography - michael zagaris, steve schneider, liner notes - gary lambert, glenn lambert, package design, production - robert minkin | $ | A | *** | |||
promotional cd-r > eac > wav > flac > you, this was sent to radio stations by gdp to promote, the closing of winterland release on dvd + cd last year., these were sent out on promotional cd-r (like the instant live series)., i do not beleive that any silvers exist of this disc. record companies have been sending out promo stuff like this on cd-r the last few years., the interview segments were tracked by gdp to flow toghether.........everything tested and verified!, enjoy!, no artwork, sorry.; 01. Intvw seg 01 Steve Parish, 02. Intvw seg 02 Mickey Hart, 03. Intvw seg 03 Bob Weir, 04. Intvw seg 04 Steve Parish, 05. Intvw seg 05 Bob Weir, 06. Intvw seg 06 Bob Weir, 07. Intvw seg 07 Steve Parish/Bob Weir, 08. Intvw seg 08 Steve Parish, 09. Intvw seg 09 Bob Weir, 10. Intvw seg 10 Mickey Hart, 11. Intvw seg 11 Mickey Hart, 12. Intvw seg 12 Bob Weir, 13. Intvw seg 13 Mickey Hart, 14. Intvw seg 14 Bob Weir, 15. Intvw seg 15 Mickey Hart, 16. Intvw seg 16 Mickey Hart/Bob Weir, 17. Intvw seg 17 Bob Weir, 18. Samson And Delilah, 19. Ramble On Rose, 20. Stagger Lee, 21. St. Stephen, 22. Good Lovin' | ||||||
fm lee troy smith 24, recording info: | 133281 | Not Reviewed Yet | ||||
fm lee troy smith , recording info:, first | 133282 | Not Reviewed Yet | *** | |||
sbd gaswirt miller sirmick , source: sbd > | 139554 | Not Reviewed Yet | ||||
sony ecm270 severson miller clugston 48 | 145355 | Not Reviewed Yet | ||||
sony ecm270 severson miller clugston 2496 | 145356 | Not Reviewed Yet |