Date | Desc | etree id | Rt | Notes | Flaws | dgf |
xx/xx/80 | Arista Years |
arista years;, initial release : october 1996, arista 18934-2, double cd compilation of tracks taken from the eight grateful dead albums released on the arista label between 1977 and 1990., buy from amazon.com, tracks, the tracks are presented on the cd grouped by source album., disc 1, terrapin station, estimated prophet (weir/barlow), passenger (lesh/monk), samson and delilah (weir), terrapin station:, - lady with a fan (garcia/hunter), - terrapin station (garcia/hunter), - terrapin (garcia/hunter), - terrapin transit (hart/kreutzmann), - at a siding (hart/hunter), - terrapin flyer (hart/kreutzmann), - refrain (garcia), shakedown street, good lovin' (resnick/clark), shakedown street (garcia/hunter), fire on the mountain (hart/hunter), i need a miracle (weir/barlow), go to heaven, alabama getaway (garcia/hunter), far from me (mydland), saint of circumstance (weir/barlow), reckoning, dire wolf (garcia/hunter), cassidy (weir/barlow), dead set, feel like a stranger (weir/barlow), franklin's tower (garcia/kreutzmann/hunter), disc 2, in the dark, touch of grey (garcia / hunter), hell in a bucket (weir / barlow / mydland), west l.a. fadeaway (garcia / hunter), throwing stones (weir / barlow), black muddy river (garcia / hunter), built to last, foolish heart (garcia/hunter), built to last (garcia/hunter), just a little light (mydland/barlow), picasso moon (weir/barlow/bralove), standing on the moon (garcia/hunter), without a net, eyes of the world (hunter/garcia) | $ |
xx/xx/80 | Postcards Of The Hanging |
postcards of the hanging;, initial release : march 2002, arista 14069 / grateful dead records 4069, a collection of live tracks of the grateful dead performing dylan songs. the majority of songs are from the 1980s. also includes one track from 1973 and one with bob dylan from 1987. the initial release of this cd included a second cd with two additional tracks., buy from amazon.com, tracks, when i paint my masterpiece (dylan), she belongs to me (dylan), just like tom thumb's blues (dylan), maggie's farm (dylan), stuck inside of mobile with the memphis blues again (dylan), it takes a lot to laugh, it takes a train to cry (dylan), ballad of a thin man (dylan), desolation row (dylan), all along the watchtower (dylan), it's all over now, baby blue (dylan), man of peace (dylan), studio talk (hidden track), the first release of this cd included a second cd with bonus tracks;, queen jane approximately (dylan), the mighty quinn (quinn the eskimo) (dylan) | $ | *** |
1/13/80 | Oakland-Alameda County Coliseum, Oakland, CA |
sbd popi | 6145 | aquarw wav statiic and drops d2t1 5:17 | *** | |||
sbd miller | 106517 | A | in comparison on tennessee jed, 106517 and 6145 sound similar but 6145 has the digital flaws; 110680 has a warmer sound than those so preferred it, but need 106517 for beginning of show plus the end of playing in the band so it is difficult to piece together into full show; they all have static at 2:2x on tennessee jed | *** | ||
bear gems | 110680 | A | *** |
3/30/80 | Capitol Theater, Passaic, NJ |
glassberg barbella | 4740 | *** | ||||
sbd miller | 27752 | *** | ||||
sbd miller | 92666 | *** | ||||
fob glassberg motb 0082 | 96014 | *** | ||||
fob glassberg motb 0082 | 96015 | |||||
mtx motb | 96455 | A- | in comparison on peggio, sbd 92666 has the upfront sound but lacks some fullness and warmth, aud 4740 is tinner than 96014; 96014 has the warmest sound and most bass but is distance; mtx 96455 seems to balance the two with a warmer fuller sound than sbd 92666 and not as distant as aud 96014; some may prefer the sbd for clearer more upfront vocals | *** |
3/31/80 | Capitol Theater, Passaic, NJ |
senn barbella | 4741 | A- | this has some cuts as indicated plus a briefly upset audience member, and an analog drop/pop d1t5 1:05 and some levels that go way too high and then go too low | *** |
4/1/80 | Capitol Theater, Passaic, NJ |
glassberg barbella | 4742 | *** | ||||
sbd willy | 9670 | *** | ||||
sbd miller | 12386 | *** | ||||
sbd bertha ashley | 26178 | A | in comparison on candyman, for sbds 26178 has the fulest sound with more bass, next is 12386, and then 9670; sbd is more upfront than auds and mtx which have more echo; for auds 96452 has a warmer fuller sound than 4742 | *** | ||
fob glassberg motb 0076 | 96452 | *** | ||||
fob glassberg motb 0076 | 96453 | |||||
mtx motb | 96454 | *** |
4/5/80 | NBC Studios, New York, NY |
aud wise minches | 119040 | B | *** |
4/28/80 | Boutwell Auditorium, Birmingham, AL |
fob nak700 non dank | 3402 | *** | ||||
fob nak700 dank | 4993 | 4993 matches st5 to 3402 except on d1t10, d2t1, and d2t10 | ||||
fob glassberg motb 0040 | 88858 | *** | ||||
fob glassberg motb 0040 | 88906 | |||||
fob sonyecm990 morris | 99886 | *** | ||||
naks mason , mason b taylor was a taper | 128382 | B+ | n comparison on tennessee jed, 128382 has the warmer fuller sound than 3402, 99886, and 88858 | *** |
4/29/80 | Fox Theater, Atlanta, GA |
nak700 glassburg lutch | 3403 | *** | ||||
glassberg lutch | 5455 | 5455 matches st5 to 3403 except for d1t1 | ||||
fob glassberg motb 0041 | 88772 | *** | ||||
fob glassberg motb 0041 | 88864 | |||||
sonyecm250 walker scotton miller | 88872 | *** | ||||
sonyecm990 morris | 99887 | *** | ||||
naks mason , "mason b taylor was a taper | 128627 | B+ | in comparison on friend of the devil, 128627 and 88872 have the fullest sound with 128627 having warmer sound than 88872 which may be an alternative for some; 88772, 99887, and 3403 have less full sound than those | *** |
5/xx/80 | "King Biscuit Flour Hour", Nassau Coliseum, May 14-16, 1980 |
thru 05 16 fm kbfh | 34685 | reported to be 5/15 and 5/16; this is lesser quality than the sbds from those dates and the glassberg aud | *** |
5/1/80 | Greensboro Coliseum, Greensboro, NC |
aud unknown | 3418 | *** | ||||
glassberg lutch | 5917 | 5917 matches st5 to 3418 except for d1t12 | ||||
fob glassberg motb 0084 | 96313 | B+ | in comparison on candyman, 96313 has the fullest sound; 128684 is next fullest and warmer but bassier and more suppressed; 99951 and 3418 have less full sound than those | *** | ||
fob glassberg motb 0084 | 96316 | |||||
aud morris | 99951 | *** | ||||
aud morris | 106612 | |||||
naks mason , "mason b taylor was a taper | 128684 | *** |
5/2/80 | Hampton Coliseum, Hampton, VA |
hance wise | 3202 | |||||
sonyecm250 walker scotton miller | 88873 | *** | ||||
fob glassberg motb 0085 | 96450 | *** | ||||
fob glassberg motb 0085 | 96451 | |||||
fob beyer morris | 99952 | *** | ||||
aud morris | 106613 | |||||
beyer morris cleanup | 111142 | |||||
hampton stankiewicz , 24bit/96khz file set | 128515 | B+ | in comparison on candyman, 3202 is tinnier than the others; 128686 is more suppressed than the others; the rest have full sound with 128515 warmest, 111142 has most hiss, 88873 has most echo and then 96450; 96450 would be second choice | |||
naks masom , "mason b taylor was a taper | 128686 | *** |
5/4/80 | Baltimore Civic Center, Baltimore, MD |
naks munder | 11768 | *** | ||||
aud glassberg motb 0037 | 96584 | this is flawed version - this has Franklins and Fire switched | *** | |||
nak700 glassberg | 96585 | |||||
nak700 glassberg motb fix 96584 | 96910 | in comparison on Mississippi Half-Step, 11768 and 118912 are harsh and 118912 is also narrow; 106081 is distant with most hiss; 128688 is warmest but has some echo and is more distant than 96910 | *** | |||
nak700 glassberg motb fix 96585 | 96925 | |||||
nak morris | 99953 | *** | ||||
aud morris | 106081 | *** | ||||
aud morris | 106622 | |||||
aud morris | 106622 | Not Reviewed Yet | ||||
akg1000 wise minches | 118912 | |||||
naks mason , "mason b taylor was a taper | 128688 | *** |
5/6/80 | Rec Hall, Penn State U, State College, PA |
unknown popi | 5075 | *** | ||||
senn kaplan | 6691 | *** | ||||
sonyecm990 morris | 99954 | *** | ||||
aud morris patch | 111027 | *** | ||||
rtv3n4 miller;, recording info:, sbd -> cassette master -> cd -> flac, transfer info:, flac -> adobe audition v3.0 -> samplitude professional v11.1 -> flac, (2 discs audio / 2 discs flac), all transfers and mastering by charlie miller, charliemiller87@earthlink.net, september 21, 2010, patch info:, (fob) sennheiser 421 -> cassette master -> dat -> cd (shnid=6691) supplies:, alabama getaway, greatest story ever told, far from me and brokedown palace, notes:, -- disc change is seamless, -- this is a fix of my remaster of road trips v3.4 (last version had skips), -- thanks to joe b. jones for his help with the pitch correction, set 1:, d1t01 - alabama getaway ->, d1t02 - greatest story ever told, d1t03 - peggy-o, d1t04 - me and my uncle ->, d1t05 - big river, d1t06 - loser, d1t07 - far from me, d1t08 - lazy lightnin' ->, d1t09 - supplication, d1t10 - althea, d1t11 - lost sailor ->, d1t12 - saint of circumstance, set 2:, d1t13 - take a step back ->, d1t14 - china cat sunflower ->, d1t15 - i know you rider, d2t01 - feel like a stranger ->, d2t02 - he's gone ->, d2t03 - the other one ->, d2t04 - drums ->, d2t05 - space ->, d2t06 - wharf rat ->, d2t07 - around and around ->, d2t08 - johnny b. goode, encore:, d2t09 - brokedown palace | $ | A- | in comparison on peggio, rtv3n4 miller sounds same as rtv3n4 and is a clearer sound than the auds; for the auds 6691 has the best sound with 128608 more distant and echoey than 6691, 111027 is more narrow than 6691; 5075 is warmer and bassier but more suppressed and muffled with more hiss but some may like it better as the other auds may be too harsh | *** | ||
rtv3n4;, road trips vol. 3 no. 4, road trips vol. 3 no. 4, $23.98, road trips, vol. 3, no. 4 combines two back-to-back college shows in a 3-cd set. the dead performed dynamic versions of a number of favorites on may 6, 1980, at penn state and may 7, 1980, at cornell university. every instrument has its place in the wide stereo spread of these two performances., this release does not contain a bonus disc., disc 1: penn state (5/6/80) and cornell (5/7/80), 1. jack straw, 2. peggy-o, 3. me and my uncle, 4. big river, 5. loser, 6. cassidy, 7. row jimmy, 8. lazy lightning, 9. supplication, 10. althea, 11. lost sailor, 12. saint of circumstance, disc 2: penn state 5/6/80, 1. china cat sunflower, 2. i know you rider, 3. feel like a stranger>, 4. he's gone, 5. the other one, 6. rhythm devils, 7. space, 8. wharf rat, 9. around and around, 10. johnny b. goode, disc 3: cornell 5/7/80, 1. shakedoown street, 2. bertha, 3. playing in the band, 4. terrapin station, 5. rhythm devils, 6. space, 7. saint of circumstance, 8. black peter, 9. playing in the band, 10. good lovin' | $ | A- | *** | |||
naks mason , "mason b taylor was a taper | 128608 | *** |
5/7/80 | Barton Hall, Ithaca, NY |
naks clugston | 3294 | |||||
sbd miller | 26349 | *** | ||||
fob sonyecm999 morris | 100242 | *** | ||||
nak700 wise minches | 118940 | |||||
rtv3n4 miller;, recording info:, sbd -> cassette master -> cd -> flac, transfer info:, flac -> adobe audition v3.0 -> samplitude professional v11.1 -> flac, (2 discs audio / 2 discs flac), all transfers and mastering by charlie miller, charliemiller87@earthlink.net, september 21, 2010, patch info:, sbd -> cassette master -> reel -> dat -> cd (shnid=26349) supplies:, tennessee jed, el paso, take a step back, easy to love you, althea, feel like a stranger, don't ease me in and alabama getaway, notes:, -- encore moved to end of set 1 to fit show onto 2 discs, -- encore can be rejoined with set 2 seamlessly, -- this is a fix of my remaster of road trips v3.4 (last version had skips), -- thanks to joe b. jones for his help with the pitch correction, set 1:, d1t01 - jack straw, d1t02 - take a step back, d1t03 - tennessee jed, d1t04 - cassidy, d1t05 - row jimmy ->, d1t06 - el paso, d1t07 - take a step back, d1t08 - easy to love you, d1t09 - althea, d1t10 - feel like a stranger, d1t11 - don't ease me in, set 2:, d2t01 - shakedown street ->, d2t02 - bertha ->, d2t03 - playing in the band ->, d2t04 - terrapin station ->, d2t05 - drums ->, d2t06 - space ->, d2t07 - saint of circumstance ->, d2t08 - black peter ->, d2t09 - playing in the band ->, d2t10 - good lovin', encore:, d1t12 - alabama getaway | $ | A- | in comparison on jack straw, for sbd rtv3n4 miller has a fuller less harsh with less hiss than 26349; sbds are moreupfront than the auds; for auds 3294 has the best sound; 100242, 118940, and 128832 more distant and less clear although warmer in sound; 100242 has more hiss than the others; 118940 is rumbliest | *** | ||
naks mason , "mason b taylor was a taper | 128832 | *** |
5/8/80 | Glens Falls Civic Center, Glens Falls, NY |
wise vernon | 13189 | *** | ||||
sbd carman | 15034 | A- | 9 tracks of 15034 match md5 to 7538; 82434 does not have the patch in supplication and has levels raised so clips some but otherrwise sounds similar except 82434 has slightly less hiss if turn way up in a quiet part; the sbds are more upfront than the auds; for the wise recording 119061 has the warmest sound, then 100401, and then 13189; for the other aud recordings 119061 is the warmest; 120093 sounds the most upfront; 100243 has more hiss than the others | *** | ||
sbd remaster | 82434 | *** | ||||
fob sonyecm999 morris | 100243 | *** | ||||
nak700 wise miller | 100401 | *** | ||||
nak700 wise | 119061 | |||||
nak700 dyche | 120093 | *** |
5/10/80 | Hartford Civic Center, Hartford, CT |
aud willy | 7559 | |||||
rolfe vernon | 18158 | *** | ||||
aud wise | 83063 | *** | ||||
set2 sbd miller | 91938 | A | the sbd for set2 91938 has a more upfront sound than the auds; for the auds in comparison on peggio, for the wise recordings, 132518 has the warmest sound, then 100402 which also has pitch correction and patches in second set but has more bass giving it a fuller sound, and then 7559 and 83063 are harsher than those; for the rolfe recordings 98724 has a fuller warmer sound than 18158; friend 107543 is most distant with most crowd noise and echo; morris 100248 has a lot of crowd noise on this song and also seemed distant; rolfe 98724 had a lot of stray clapping on the listening segment; first chose miller wise 100402 for fullness but it was close choice to 132518 and glassberg 110830 and rolfe 98724; but there are some spots of distortion on minglewood that are emphasized more by the tone on the wise recordings so ended up choosing glassberg 110830 for first set | |||
nak700 rolfe minches | 98724 | *** | ||||
fob sonyecm999 morris | 100248 | *** | ||||
nak700 wise miller | 100402 | *** | ||||
nak300 friend andrewf | 107543 | |||||
nak300 friend andrewf | 107544 | *** | ||||
fob nak700 glassberg motb0161 | 110830 | B+ | *** | |||
fob nak700 glassberg motb0161 | 110832 | |||||
aud nak700 24, cassette audience master | 132517 | |||||
aud nak700 , cassette audience master | 132518 | *** |
5/11/80 | Cumberland County Civic Center, Portland, ME |
aud willy | 7539 | |||||
sbd terrapinstation | 12259 | |||||
sbd nawrocki | 13087 | matches md5 to 12259 except on 9 tracks | *** | |||
rolfe pujol vernon | 19266 | *** | ||||
sbd terrapinstation tetzeli fix 12259 reflac | 33501 | has same levels as 12259 | *** | |||
sbd miller | 89577 | B+ | in comparison on loser; sbds 89577 and 12259 sound similar and chose 89577 since it says pitch correction; sbd has a warmer sound than mtx 126880; for the rolfe auds 98929 has a warmer sound than 19266 and the warmest sound of the auds; morris 100250 has the most hiss; friend 107227 has the fullest sound and then glassberg 97522; chose friend 107227 with glassberg 97522 and rolfe 98929 close to it over 19266, 100250, and 7539 | *** | ||
fob glassberg motb 0052 | 97522 | *** | ||||
fob glassberg motb 0052 | 97523 | |||||
nak700 rolfe minches | 98929 | *** | ||||
fob sonyecm990 morris | 100250 | *** | ||||
aud morris | 106615 | |||||
nak300 friend andrewf | 107226 | |||||
nak300 friend andrewf | 107227 | *** | ||||
mtx dusborne , 2 source matrix, soundboard | 126880 | *** |
5/12/80 | Boston Garden, Boston, MA |
rolfe weiner | 5922 | |||||
sbd miller | 91931 | *** | ||||
sbd miller | 92239 | A- | in comparison on jack straw, sbd 92239 is clearer than mtx 127287 and more upfront than the auds; for the auds rolfe 5922 has fullest most upfrot sound, then friend 107022, and morris 100251 is very distant | *** | ||
sonyecm990 morris | 100251 | *** | ||||
nak300 friend andrewf | 107021 | |||||
nak300 friend andrewf | 107022 | *** | ||||
mtx sirmick , matrix 70% sbd/30% aud | 127287 | *** |
5/14/80 | Nassau Coliseum, Uniondale, NY |
sbd clugston | 3295 | A- | in comparison on candyman, sbd 3295 is clearer than mtx 126608 and more upfront than the auds; for the auds morris is most distant; glassberg 111136 and wise 125962 are closer to each other with wise 125962 a little warmer | this is from a lossy source such as a mini-disk | *** | |
aud morris | 111028 | *** | ||||
aud glassberg motb 0163 | 111136 | *** | ||||
naks wise minches 2496, recording by jim | 125962 | |||||
mtx dusborne, 2 source matrix, soundboard | 126608 | *** | ||||
sbd nixon clugston , source info:, master | 141890 | Not Reviewed Yet |
5/15/80 | Nassau Coliseum, Uniondale, NY |
aud schlissel | 12790 | *** | ||||
aud long | 34721 | *** | ||||
sbd cantor miller | 93426 | A | in comparison on peggio, go to nausau has the fullest sound with more bass than 93426 but 93426 is a little warmer and better balanced in tone; mtx 126692 is noiser and harsher than the sbds; sbds are more upfront than the auds; for the auds 34721 has the fullest sound and most hiss; glassberg 103182 is slose and next fullest, and then wise 126082 which is warmest; for aud would choose glassberg 103182 | *** | ||
fob glassberg motb 0097 | 103182 | *** | ||||
fob glassberg motb 0097 | 103183 | |||||
go to nassau;, initial release : october 2002, arista, two cd set of music from the two may 1980 shows at nassau veterans memorial coliseum., buy from amazon.com, tracks, disc 1, jack straw (weir / hunter), franklin's tower (garcia / hunter / kreutzmann), new minglewood blues (traditional arr. weir), high time (garcia / hunter), lazy lightnin' (weir / barlow), supplication (weir / barlow), peggy-o (traditional), far from me (mydland), looks like rain (weir / barlow), china cat sunflower (garcia / hunter), i know you rider (traditional), disc 2, feel like a stranger (weir / barlow), althea (garcia / hunter), lost sailor (weir / barlow), saint of circumstance (weir / barlow), alabama getaway (garcia / hunter), playing in the band (weir / hunter), uncle john's band (garcia / hunter), drums (hart / kreutzmann), space (grateful dead), not fade away (petty / holly), goin' down the road feeling bad (traditional arr. grateful dead), good lovin' (resnick / clark), musicians, jerry garcia - lead guitar, vocals, mickey hart - drums, bill kreutzmann - drums, phil lesh - electric bass, brent mydland - keyboards, vocals, bob weir - rhythm guitar, vocals, credits, mixing - jeffrey norman, compliation producer - david lemieux, album coordination - cassidy law, archival research - eileen law/grateful dead archives, assistant engineer - rudson shurtliff, package design - amy finkle, photography: front and back cover - robert minkin, photography: booklet and inside tray - jim anderson, recorded live at the nassau coliseum, uniondale, ny on may 15 and 16 1980 | $ | *** | ||||
ecm280 wise minches 2496, recording by jim | 126082 | |||||
mtx dusborne, 2 source matrix, soundboard | 126692 | *** | ||||
16 fm kbfh beckwith smith miller clugston | 144274 | Not Reviewed Yet | ||||
16 fm kbfh beckwith smith miller clugston | 144275 | Not Reviewed Yet |
5/16/80 | Nassau Coliseum, Uniondale, NY |
sbd clugston | 7472 | B+ | in comparison on row jimmy, sbd 7472 has a warmer fuller clearer sound than mtx 126718; sbd has more upfront sound than auds; in comparison on brokedown palace, glassberg 111170 has the fullest sound, then cousinit 100160, and then wise 126104 and moskal 107187 are much more narrow; glassberg 111170 has a fuller warmer sound than kbfh 34685; so chose sbd 7472 for main part of show and glassberg 111170 for missing end of show | *** | ||
sbd clugston hempel | 89473 | *** | ||||
nak300 cousinit | 100160 | *** | ||||
sonyecm moskal mandel | 107187 | *** | ||||
fob glassberg motb 0164 | 111170 | B+ | *** | |||
ecm280 wise minches 2496, recording by jim | 126104 | |||||
mtx dusborne, 2 source matrix, soundboard | 126718 | *** |
5/29/80 | Des Moines Civic Center, Des Moines, IA |
aud vernon | 14836 | B | *** | |||
pset1 set2 nak300 braveman | 25993 | B+ | in comparison on ship of fools, 25993 has a fuller warmer sound with less hiss than 14836; so need 14836 for beginning of show and end of us blues and 25993 for rest of show | *** |
5/30/80 | Milwaukee Auditorium, Milwaukee, WI |
aud vernon | 14837 | *** | ||||
set2 sbd miller | 91932 | *** | ||||
sbd miller | 92217 | B+ | in comparison on friend of the devil, sbd 92217 has a more upfront sound than the auds; auds 14837 and 128381 are similar quality both suppressed with 14837 most suppressed; first set rates B+ and second set A | static d2t7 1:39 | *** | |
naks mason , "mason b taylor was a taper | 128381 | B+ | *** |
5/31/80 | Metropolitan Sports Center, Bloomington, MN |
aud munder | 11927 | B+ | *** | |||
set2 sbd miller | 91763 | in comparison on ship of fools sbd 91763 has a more upfront sound than 11927 | *** |
6/5/80 | Compton Terrace Amphitheatre, Tempe, AZ |
senn421 jeffm | 4663 | *** | ||||
fob sonyecm990 morris | 100252 | B+ | in comparison on they love each other, 100252 has a fuller more natural sound with more hiss than 4663 which is warmer | *** | ||
aud morris | 106616 | |||||
s2sbd24 24, recording info:, sbd > | 141714 | Not Reviewed Yet | ||||
s2 sbd cm miller, recording info:, sbd > | 141902 | Not Reviewed Yet |
6/7/80 | Folsom Field, U. of Colorado, Boulder, CO |
aud munder | 11533 | *** | ||||
aud sirmick | 31348 | *** | ||||
sonyecm250 walker scotton miller | 88451 | B+ | in comparison on loser, 31348 has the narrowest tinniest sound; 11533 sounds most distant and nuddy; for the rest 96567 is warmest and most suppresed; then 128414 is next warmest and next suppressed when compared to 88451; 88451 has a fuller more upfront sound than 100253 which has more hiss | *** | ||
nak700 severson minches | 96567 | *** | ||||
sonyecm990 morris | 100253 | *** | ||||
naks mason , "mason b taylor was a taper | 128414 | *** | ||||
1st set aud sterry beckwith miller clugston | 142841 | Not Reviewed Yet | ||||
1st set aud sterry beckwith miller clugston | 142842 | Not Reviewed Yet | ||||
nak700 severson miller clugston 48, this | 144747 | Not Reviewed Yet | ||||
nak700 severson miller clugston 2496 | 144748 | Not Reviewed Yet |
6/8/80 | Folsom Field, U. of Colorado, Boulder, CO |
eaton tome | 7193 | B+ | in comparison on uncle johns band, 128415 had less natural and less full sound as the others; the following 4 had similar sound quality; 100260 was less upfront than 7193; 7193 has warmer and more upfront sound; 88452 and 7563 were harsher than the others; some of 7193 is only B sound quality while other parts get to B+ | *** | ||
senn421 clugston | 7563 | |||||
sonyecm250 walker scotton miller | 88452 | *** | ||||
sonyecm990 morris | 100260 | *** | ||||
naks mason , "mason b taylor was a taper | 128415 | *** | ||||
2nd set aud sterry beckwith miller clugston | 142843 | Not Reviewed Yet | ||||
2nd set aud sterry beckwith miller clugston | 142844 | Not Reviewed Yet | ||||
nak700 severson miller clugston 48, this | 144749 | Not Reviewed Yet | ||||
nak700 severson miller clugston 2496 | 144750 | Not Reviewed Yet |
6/12/80 | Portland Memorial Coliseum, Portland, OR |
set2 akgse5 clugston | 7007 | A- | in comparison on black peter all 4 sounded at least a B+, 7007 has the most upfront sound, then 104967, and then 11361, and then 100261; 100261 was full and warm but suppressed; 104967 was second fullest and chosen for first part of show | *** | ||
aud willy | 11361 | *** | ||||
sonyecm990 morris | 100261 | *** | ||||
fob menke motb 0108 | 104967 | B+ | *** | |||
sbd24 24, recording info:, sbd > cassette | 141798 | Not Reviewed Yet | ||||
portland or sbd cassette master new , this | 141805 | Not Reviewed Yet |
6/13/80 | Seattle Center Arena, Seattle, WA |
akg clugston | 7196 | *** | ||||
aud severson minches | 91220 | A- | in comparison on sugaree, 7196 has narrowest sound; 100259 is more distant than 91220; 91220 has a few spots of wind noise | *** | ||
fob sonyecm990 morris | 100259 | *** | ||||
fob nak700 severson miller clugston 48 | 144767 | Not Reviewed Yet | ||||
fob nak700 severson miller clugston 2496 | 144768 | Not Reviewed Yet |
6/14/80 | Spokane Coliseum, Spokane, WA |
akg clugston | 7198 | *** | ||||
aud severson minches | 91362 | *** | ||||
fob sonyecm990 morris | 100258 | *** | ||||
fob menke motb 0030 | 105537 | B+ | in comparison on sugaree, 105537 has the most upfront and fullest sound; next best is 100258; 7198 was harshest and tinniest; 91362 was warm but suppressed; | *** | ||
aud morris | 106617 | |||||
fob nak700 severson miller clugston 48 | 144771 | Not Reviewed Yet | ||||
fob nak700 severson miller clugston 2496 | 144772 | Not Reviewed Yet |
6/19/80 | West High Auditorium, Anchorage, AK |
sbd munder | 10056 | *** | ||||
sbd miller | 80127 | *** | ||||
sbd miller | 80631 | *** | ||||
nak700 severson minches | 89125 | *** | ||||
sbd miller 113301 | 113300 | A | in comparison on they love each other, sbds 113300, 80631, and 80127 sound similar and have a fuller warmer sound than 10056; aud 89125 is more distant; 113300 has the pitch correction | *** | ||
nak700 severson miller clugston 48, this | 144904 | Not Reviewed Yet | ||||
nak700 severson miller clugston 2496 | 144905 | Not Reviewed Yet |
6/20/80 | West High Auditorium, Anchorage, AK |
sbd hicks | 1474 | *** | ||||
sbd donahue | 13532 | shnid=17268 is sbe fixed version | *** | |||
akg claridge healy vernon | 20205 | *** | ||||
sbd miller bertha | 25468 | *** | ||||
sbd miller | 25469 | *** | ||||
sbd bertha tetzeli fix 25468 reflac | 73846 | *** | ||||
nak700 severson minches | 89188 | *** | ||||
mtx seamons | 92783 | *** | ||||
sbd miller | 113301 | A | in comparison on friend of the devil, for sbds 113301 sound similar to 25469 but 113301 has the pitch correction; 25469 and 73846 have less warm sound than 113301; 13532 is tinnier; 1474 is more muffled; mtx is tinnier than sbd 113301; auds 89188 and 20205 are much more distant sounding than the sbds with 89188 having awarmer sound than 20205 | *** | ||
fob nak700 severson miller clugston 48 | 144906 | Not Reviewed Yet | ||||
fob nak700 severson miller clugston 2496 | 144907 | Not Reviewed Yet |
6/21/80 | West High Auditorium, Anchorage, AK |
sbd wise | 321 | |||||
akg vernon | 23531 | *** | ||||
sbd samaritano | 27448 | *** | ||||
sbd bertha ashley | 27590 | *** | ||||
mtx dan | 28470 | *** | ||||
mtx dan | 28475 | |||||
sbd clugston tetzeli fix 8639 reflac | 74407 | *** | ||||
nak700 severson minches | 89214 | *** | ||||
mtx seamons | 112150 | *** | ||||
sbd miller | 113302 | A | in comparison on sugaree, sbd 113302 and 27448 sound similar with 113302 having pitch correction and sounded alittle better; bertha 27590 has strong bass than 113302 which some may prefer; 321 and 74407 sound similar and have less full sound than 113302; sbd 113302 is clearer and more upfront than mtxs; mtx 28470 has more bass than mtx 112150; sbds and mtxs are more upfront than auds with 89214 having warmer sound than 23531 | *** | ||
nak700 severson miller clugston 48, this | 144908 | Not Reviewed Yet | ||||
nak700 severson miller clugston 2496 | 144909 | Not Reviewed Yet |
6/29/80 | Pauley Pavilion, UCLA, Los Angeles, CA |
set2 sbd munder | 10057 | *** | ||||
set1 sbd | 16438 | B | for set1, in comparison in loser, 16438 is narrower and more muffled than 128523 but that has a background crowd roar that the music gets lost in; in comparison on deal, the background crowd roar is not as strong on 128523; 128523 is missing more at the beginning of show; for set2 in comparison on don’t ease me in, sbd 10057 is narrow and muffled, aud 29917 is harsh while 88976 and 128523 are similar in fullness and warmth but suppressed but still better than 29917; there is no clear choice but either could choose both sbds 16438 and 10057 and using either aud 88976 and 128523 to fill in missing parts of set2, or choose 128523 filling in missed beginning with 16438; I chose the latter | *** | ||
aud set2 unknown | 29917 | *** | ||||
set2 md421 mase french | 88976 | *** | ||||
set2 md421 mase french | 88977 | |||||
naks mason , recorded by mason taylor set | 128523 | B | *** |
7/1/80 | San Diego Sports Arena, San Diego, CA |
sbd cole | 9361 | B+ | in comparison on jack straw, 9361 has a warmer sound with less hiss than 125844; sound quality varies | *** | ||
sbd mason , source: sbd > ? > dat, however | 125844 | *** | ||||
aud , s1t01 jack straw >, s1t02 franklin's | 136754 | Not Reviewed Yet | ||||
sbd moore berger , source: sbd, jerry | 139308 | Not Reviewed Yet | ||||
sbd moore berger 24, source: sbd, jerry | 139309 | Not Reviewed Yet |
8/16/80 | Southern Illinois University, Edwardsville, IL |
aud vernon | 14044 | *** | ||||
fob walker lemieux | 20137 | *** | ||||
sonyecm250 walker scotton miller | 88959 | B+ | in comparison on they love each other, 14044 was harshest, 128616 was warmest but suppressed; 20137 is warmer than 88959 but does not seem as full and you can hear a much wider crowd on 88959 than on 20137 so could choose either of those | pa like static around 1:15 in deal (also on 20137) | *** | |
naks mason partial , "mason b taylor was a | 128616 | *** |
8/17/80 | Kansas City Municipal Auditorium Arena, Kansas City, MO |
aud munder | 12107 | *** | ||||
sbd miller | 93037 | A | in comparison on sugaree 93037 has a more upfront fuller sound than 12107 | *** |
8/19/80 | Uptown Theater, Chicago, IL |
naks munder | 8739 | |||||
sbd unknown | 28043 | *** | ||||
sbd miller | 88172 | A | in comparison on comes a time 8739 had a little more hiss and in spectral view a dirtier looking transfer than 88172; in comparison on dire wolf, sbd 88172 has more upfront sound than auds; for auds 131445 has fullest most upfront sound, then 8739 and then 127497 | *** | ||
s1 stankiewicz 24, 24bit/96khz file set | 127497 | |||||
naks mason partial , mason b taylor was a | 131445 | *** | ||||
record store milk crate tapes , set two | 140366 | Not Reviewed Yet |
8/20/80 | Uptown Theater, Chicago, IL |
naks munder | 8740 | B | *** | |||
naks mason , "mason b taylor was a taper | 128619 | B+ | in comparison on loser, 128619 has a fuller more natural sound with a little more hiss than 8740; need 8740 for missing parts such as beginning of show and encore | *** | ||
set two milk crate , set two, "the record | 140367 | Not Reviewed Yet |
8/21/80 | Uptown Theater, Chicago, IL |
sbd munder | 7913 | *** | ||||
sbd miller | 99034 | A- | in comparison on high time, sbd 99034 and 7913 sound similar with 99034 less flawed; sbd is more upfront than auds; auds are similar with 126369 slightly fuller than 128623 | *** | ||
akg beyer stankiewicz 2496, 24bit/96khz | 126368 | |||||
akg beyer stankiewicz , 16bit/44 1khz | 126369 | *** | ||||
naks mason , "mason b taylor was a taper | 128623 | *** |
8/23/80 | Alpine Valley Music Theatre, East Troy, WI |
aud gillis | 11928 | *** | ||||
aud miller | 89130 | B | in comparison on candyman, 89130 is fuller but noiser and boomeir than 11928 which is more muffled so could choose either since similar in quality and some prefer 11928 nit chose 89130 for fullness | *** |
8/24/80 | Grand Center, Grand Rapids, MI |
naks eaton jim | 10531 | *** | ||||
naks mason , "mason b taylor was a taper | 128391 | A- | in cmparison on peggio, 128391 has a fuller sound than 10531 | *** |
8/26/80 | Cleveland Public Hall, Cleveland, OH |
sbd hinko | 13815 | B+ | in comparison on loser; sbd 13815 has fuller more upfont sound than auds; for auds 82166 has more hiss than the others and is a little less full than 106342; 106342 is harshest and tinniest; most of this is A- quality but sometmies the vocal start to get over recorded | *** | ||
aud barnhama minches | 82166 | *** | ||||
nak300 millner | 106342 | *** | ||||
naks mason , "mason b taylor was a taper | 128614 | *** |
8/27/80 | Pine Knob Music Theater, Clarkston, MI |
aud munder | 12160 | *** | ||||
sbd miller | 92385 | *** | ||||
sbd miller , recording info:, sbd > master | 123988 | B+ | in comparison on they love each other, sbd 123988 has much fuller upfront sound than aud 12160; most of this is A- quality but sometmies the vocal start to get over recorded | *** |
8/29/80 | The Spectrum, Philadelphia, PA |
sbd aud munder | 10033 | *** | ||||
sbd miller | 91694 | A- | in comparison on candyman, sbd 91694 has a fuller more upfront sound than auds; aud 10033 has a little fuller sound than 100390 which is a little fuller than 102013; in comparison on wharf rat 102013 has warmest sound, then 100390, and then 123588 | *** | ||
senn421 wise miller | 100390 | *** | ||||
nak300 morris | 102013 | *** | ||||
unknown aud set2 , second set, 01 greatest | 123588 | *** |
8/30/80 | The Spectrum, Philadelphia, PA |
set2 sbd munder | 8775 | *** | ||||
set1 sbd munder | 15408 | *** | ||||
wise vernon | 16039 | *** | ||||
sbd munder tetzeli fix 8875 15408 reflac | 34939 | *** | ||||
senn421 wise miller | 100392 | *** | ||||
nak300 morris | 102015 | *** | ||||
sbd fishman fix 34939 | 107394 | *** | ||||
sbd miller | 110152 | B+ | in comparison on peggio, sbds 110152, 107394, 15408, and 34939 sound similar; 127431 is harsher and fuller than those and makes them sound suppressed so choose it for 1st set;; in comparison on Black Peter, 110152, 107394, 34939, and 8775 sound similar; all of set2 sbds have some discontinuity pops; the sbds are more upfront and fuller sound than the auds; for the auds 102015 has the warmest sound, then 100392, and then 16039; the sound on 110152 rates B+ for first set and A- for second set | *** | ||
s1 sbd pasternak , 1st set, s1t01 feel like | 127431 | A- | *** |
8/31/80 | Capital Centre, Landover, MD |
senn421 wise popi | 7456 | light static d1t7 4:01 | *** | |||
aud braverman | 8824 | 7456 and 8824 are same recording with same levels; 7456 has more digitalflaws than 8824 although they were not heard; 8824 is missing brokedown palace; 8824 has more between song crowd than 7456; 26353 matches to 8824 for the first set | light static d1t7 4:01 | *** | ||
set1 senn set2 sbd miller | 26353 | B+ | in comparison on stella blue, sbd 26353 has a clearer more upfront sound than the auds; in comparison on they love each other, 34418 has the clearest sound; 26353 has the fullest warmest sound; 128509 is also full but has more echo and is less clear; 101718 is hardest to hear; audience rates B+ and sbd rates A- | light static d1t7 4:01 | *** | |
aud cohen | 34418 | *** | ||||
nak300 morris | 101718 | *** | ||||
naks mason , "mason b taylor was a taper | 128509 | *** | ||||
aud sbd , recording info:, set 1: | 139642 | Not Reviewed Yet | ||||
aud sterry beckwith miller clugston 2496 | 142992 | Not Reviewed Yet | ||||
aud sterry beckwith miller clugston 48 | 142993 | Not Reviewed Yet | ||||
fob nak700 cohen miller clugston 48, this | 144288 | Not Reviewed Yet | ||||
fob nak700 cohen miller clugston 2496 | 144289 | Not Reviewed Yet |
9/2/80 | Community War Memorial Auditorium, Rochester, NY |
aud unknown | 26094 | *** | ||||
aud skankweed | 26458 | *** | ||||
sbd miller | 28299 | *** | ||||
sbd miller tetzeli patch 28299 reflac | 34940 | B | 34940 is same as 28299 except 34940 has a few seconds of patch in drums; 34940 also has fade tracks to watch out for; in comparison on sugaree the sbd is most muffled and then the mtx 110785 and 34940 are more muffled than the auds; for the auds 128438 has the warmest fullest sound, then 102775, then 26458, and then 26094; in comparison on morning dew 34940 is most upfront and then mtx 110785, and then the auds; so chose aud 128438 for first 2cds and then 34940 (or 28299); if 128438 is too harsh then can choose mtx 110785 although not as full, it is warmer; CD3 on 34940 rates an A | *** | ||
nak300 friend andrewf | 102775 | |||||
nak300 friend andrewf | 102776 | *** | ||||
mtx sirmick | 110785 | *** | ||||
s2 beyer stankiewicz 2496, 2nd set | 127273 | |||||
s2 beyer stankiewicz , 2nd set | 127274 | *** | ||||
naks mason , "mason b taylor was a taper | 128438 | A- | *** |
9/3/80 | Springfield Civic Center, Springfield, MA |
aud cribbs | 12576 | *** | ||||
aud bass | 16925 | 16925 has same wav and spectral view and levels as 12576; 16925 has an extra 10 seconds of drums | *** | |||
fob nak300 morris | 102016 | *** | ||||
fob nak300 friend andrewf | 103168 | |||||
fob nak300 friend andrewf | 103169 | *** | ||||
aud morris | 106618 | |||||
download series vol 7;, download series vol. 7 came about while working on the new "dead ahead" dvd. we found, ourselves immersed in 1980, one of the grateful dead's most under-appreciated years., although some of the many great shows of the year are missing from the vault (including, the bookends of download vol. 7, 9/2/80 in rochester and 9/6/80 in lewiston), we were, thrilled to find the master soundboard tapes for the entirety of the 9/3 show from, springfield and the second set of the providence show from 9/4. unfortunately, there's no, sign of the missing first set from 9/4., the music on download vol. 7 is typical of 1980: precise, inspired, energetic and downright, outrageous at times. from the opening "mississippi half-step>franklin's tower" combo (finally, seeing its first live release) to the closing "u.s. blues," these three cds worth of music, contain everything you could ask for from 1980: tender garcia ballads masterfully played, ("althea," "candyman," high time," "he's gone," "black peter," "brokedown palace" and, "wharf rat,"), the new songs from go to heaven ("easy to love you," "feel like a stranger", and "lost sailor>saint of circumstance") and a whole pile of classic-era grateful dead, songs, including "let it grow," truckin'," "eyes of the world," "the other one" and "goin', down the road feeling bad.", grateful dead, 9/3/1980, springfield, ma, 9/4/1980, providence, ri, disc one, 9/3/80 springfield, ma, 1 mississippi half-step uptown toodeloo> (garcia, hunter), 2 franklin's tower> (garcia, kreutzmann, hunter), 3 mama tried> (haggard), 4 mexicali blues (weir, barlow), 5 althea> (garcia, hunter), 6 little red rooster (dixon), 7 candyman (garcia, hunter), 8 easy to love you (mydland, barlow), 9 let it grow> (weir, barlow), 10 deal (garcia, hunter), start set 2:, 11 feel like a stranger (weir, barlow), disc two, 1 high time (garcia, hunter), 2 lost sailor> (weir, barlow), 3 saint of circumstance > (weir, barlow), 4 jam > (grateful dead), 5 drums with brent > (hart, kreutzmann, mydland), 6 rhythm devils > (hart, kreutzmann), 7 space > (garcia, lesh, weir), 8 he's gone > (garcia, hunter), 9 truckin' > (garcia, lesh, weir, hunter), 10 black peter > (garcia, hunter), 11 around and around > (berry), 12 johnny b. goode (berry), 13 brokedown palace (garcia, hunter), disc three, 9/4/80 providence, ri (set 2), 1 supplication jam > (weir, barlow), 2 estimated prophet > (weir, barlow), 3 eyes of the world > (garcia, hunter), 4 rhythm devils > (hart, kreutzmann), 5 space > (garcia, lesh, weir), 6 the other one > (weir, kreutzmann), 7 wharf rat > (garcia, hunter), 8 goin' down the road feeling bad > (trad. arr. by grateful dead), 9 good lovin' (resnick, clark), 10 us blues (garcia, hunter), grateful dead:, jerry garcia: lead guitar, vocals, mickey hart: drums, bill kreutzmann: drums, phil lesh: electric bass, brent mydland: keyboards, vocals, bob weir: rhythm guitar, vocals, recording by dan healy, mastering by jeffrey norman | $ | A | in comparison on mississippi halfstep,download series vol 7 has much fuller upfront sound than the auds; for the auds 103169 has a fuller warmer sound than 126722, 102016, and 16925 | *** | ||
fob sonyecm280 wise claridge minches 2496 | 126722 | |||||
aud sterry beckwith miller clugston 2496 | 143030 | Not Reviewed Yet | ||||
aud sterry beckwith miller clugston 48 | 143031 | Not Reviewed Yet |
9/4/80 | Providence Civic Center, Providence, RI |
aud munder | 12270 | *** | ||||
set1 sbd | 17432 | *** | ||||
sbd set2 vernon | 20014 | *** | ||||
wise cribbs | 24829 | *** | ||||
fob nak700 rolfe miller | 93752 | *** | ||||
sbd miller | 95497 | A- | in comparison on wharf rat, 95497 sounds similar to download series vol 7 except download series vol 7 sounds slow; 95497 has a fuller sound than 20014 and mtx 95601; in comparison on peggio 95497 and 17432 sound similar and mtx 17432 has less full sound; sbds have fuller more upfront sound than auds; for auds 101719 and 126719 are more distant sounding; 104936 has least full sound; 12270 which is harshest; 93752 and 24829 are closer to each other; | *** | ||
mtx seamons | 95601 | *** | ||||
nak300 morris | 101719 | *** | ||||
nak300 friend andrewf | 104936 | |||||
nak300 friend andrewf | 104937 | *** | ||||
aud morris | 106619 | |||||
fob sonyecm280 wise claridge minches 2496 | 126719 |
9/6/80 | State Fairgrounds, Lewiston, ME |
wise unknown | 322 | the aud portion of 25560 is same recording as 322 with similar sound; the recording does have some spots of clipping which makes Bobs voice harsher; there is a rumbling of wind noise in the background sometimes | ||||
aud bass | 16926 | in comparison on sugaree 16926 is same recording as 93782 with similar sound but more small digital flaws | *** | |||
set1 sbd samaritano | 23371 | *** | ||||
aud rolfe wise cribbs | 25471 | *** | ||||
sbd_aud miller | 25560 | B+ | in comparison on sugaree, 23371 and 25560 sound similar except 23371 has lower levels; 23371 has louder volume on aud patches; soundboard portion rates A | *** | ||
fob nak700 rolfe miller | 93782 | *** | ||||
fob nak700 rolfe miller | 93783 | |||||
nak300 friend andrewf | 101684 | |||||
nak300 friend andrewf | 101685 | *** | ||||
fob nak300 morris | 102017 | *** | ||||
aud morris | 106620 | |||||
fob hance | 119726 | *** | ||||
commander berger , source: aud cassette | 126441 | *** | ||||
commander berger 24, source: aud cassette | 126539 | |||||
fob nak700 rolfe wise minches 2496 | 127165 | B+ | in comparison on sugaree, the sbd protion of 25560 has a more upfront sound than the auds; for the auds sourced from the rolfe/wise recordings 127165 has the most bass and may be too strong for some; 127165 and 25560 are the warmest and suppressed with 127165 sounding fuller than 25560; the rest seem not to have decoded dolby properly and are harsher with more high end; 322 is harshest and then 93782; rolfe/wise recordings have a fuller sound than the other auds so sugget choosing one of the rolfe/wise recordings; of the others 101685 is the fullest, then 126441, then 119726, and then 106620 | |||
fob nak700 rolfe wise minches t , set 1 | 136807 | Not Reviewed Yet | ||||
fob nak700 wise miller clugston 2496 | 142971 | Not Reviewed Yet | ||||
fob nak700 wise miller clugston 48, this | 142972 | Not Reviewed Yet |
9/25/80 | Warfield Theater, San Francisco, CA |
menke vernon | 7303 | *** | ||||
acoustic sbd hinko | 18740 | A- | in comparison on rosalie mcfall, 18740 has a fuller more upfront sound than 7303; need 7303 for rest if show | *** | ||
nak700 severson miller clugston 48, this | 144696 | Not Reviewed Yet | ||||
nak700 severson miller clugston 2496 | 144697 | Not Reviewed Yet |
9/26/80 | Warfield Theater, San Francisco, CA |
menke vernon | 7304 | *** | ||||
acoustic sbd hinko | 18741 | *** | ||||
fob nak700 ellner marino gmb | 89536 | *** | ||||
sbd miller | 118444 | A- | in comparison on To Lay Me Down, sbd 118444 has less hiss than 18741; sbds have fuller more upfront sound than auds 7304 and 89536 | *** | ||
nak700 severson miller clugston 48, this | 144650 | Not Reviewed Yet | ||||
nak700 severson miller clugston 2496 | 144651 | Not Reviewed Yet |
9/27/80 | Warfield Theater, San Francisco, CA |
menke vernon | 7305 | *** | ||||
nakcm700 jeffm | 7998 | *** | ||||
sbd clugston | 11590 | A- | in comparison on it must have been the roses, for the sbds 11590 is slightly fuller than 96271 and 11590 has the patches; sbds are fuller and more upfront than auds; for the auds 7998 and 7305 sound similar while 89006 is harsher fuller sound; could choose any of the auds for rest of show | *** | ||
nak300 walker scotton miller | 89006 | B+ | *** | |||
sbd cantor gmb | 96271 | *** | ||||
s1 aud 2448, first set, s1t01 dire wolf | 144228 | Not Reviewed Yet | ||||
nak700 severson miller clugston 48, this | 144698 | Not Reviewed Yet | ||||
nak700 severson miller clugston 2496 | 144699 | Not Reviewed Yet | ||||
s1 aud, first set, this file set is 16 bit | 145209 | Not Reviewed Yet |
9/29/80 | Warfield Theater, San Francisco, CA |
menke vernon | 12886 | *** | ||||
sbd hinko | 21926 | B+ | in comparison on too lay me down, aud 106783 has a warmer fuller less echoey sound than sbd 21926 and is the choise for the acoustic portion and also more complete; aud 106783 has a fuller sound than the other auds; in comparison on candyman, sbd 21926 has a more upfront sound (but sometimes with some distortion) than the auds 12886, 89075, and 106783; if the distortion on 21926, then choose aud 106783 for whole show | N | *** | |
nak700 ellner koucky | 89075 | B+ | *** | |||
nak300 walker scotton miller | 106783 | acoustic set rates A- | *** | |||
nak700 severson miller clugston 48, this | 144654 | Not Reviewed Yet | ||||
nak700 severson miller clugston 2496 | 144655 | Not Reviewed Yet |
9/30/80 | Warfield Theater, San Francisco, CA |
menke vernon | 12882 | *** | ||||
fob nak700 ellner marino gmb | 89554 | *** | ||||
set1 sbd miller | 96066 | *** | ||||
miller sbd , recording info:, sbd > | 132375 | A | in comparison on bird song, sbd 132375 has a warmer sound than 96066; sbd 132375 has a more upfront clearer sound than auds 89554 and 12882; mtx 132779 has a warmer sound than 132375; in comparison on black peter mtx 132779 has is less clear and slower when compared to sbd 132375 | analog pop d2t1 0:03 | *** | |
mtx dusborne, 2 source matrix | 132779 | *** | ||||
nak700 severson miller clugston 48, this | 144727 | Not Reviewed Yet | ||||
nak700 severson miller clugston 2496 | 144728 | Not Reviewed Yet |
10/xx/80 | San Francisco, California, Warfield Theatre |
xx sbd gems , selections from october | 135936 | Not Reviewed Yet | *** |
10/xx/80 | Dan Healy rough mixes for Dead Set |
xx dead set healy mix 2448, 01 feel like a | 144287 | Not Reviewed Yet |
10/2/80 | Warfield Theater, San Francisco, CA |
set3 sbd jerugim | 2204 | *** | ||||
acoustic sbd wiley | 8039 | *** | ||||
nak300 vernon | 16154 | in spectral view this looks lossy and has noise reduction | *** | |||
nak700 ellner mandell gmb | 89111 | in comparison on peggio, 16154 is more muffled than 89111 | *** | |||
acoustic mtx sirmick | 92204 | *** | ||||
set1 sbd miller | 96067 | *** | ||||
sbd aud miller | 114364 | A- | in comparison on to lay me down, 96067 has a harsher hissier sound than 114364, mtx 114364 is more echoey than 114364 and has crowd talking; auds 16154 and 89111 are more distant the sbds; so 114364 combines the best | *** | ||
set2 sbd , set two sbd, 1 bertha >, 2 | 138019 | Not Reviewed Yet | ||||
akg24 24, recording info:, akg mics (m/s) | 140819 | Not Reviewed Yet | ||||
pt akg cm miller, recording info:, akg | 141014 | Not Reviewed Yet |
10/3/80 | Warfield Theater, San Francisco, CA |
set1 sbd aj | 2200 | A | in comparison on dire wolf, sbd 2200 is clearer than mtx 94131; they are more upfront than the auds; 16208 has a warmer sound than 94131 but otherwise similar in sound quality with 16208 having more music cut out as indicated | *** | ||
nak300 vernon | 16208 | A- | digipop d1t12 9:05 plus some more | *** | ||
nak700 ellner koucky | 89128 | *** | ||||
acoustic mtx seamons | 94131 | *** | ||||
acoustic mtx seamons ht17 , *matrix* | 146232 | Not Reviewed Yet |
10/4/80 | Warfield Theater, San Francisco, CA |
set1 sbd willy | 8778 | A | drops in alabama | *** | ||
sbd blanchard | 14989 | B+ | in comparison on it must have been the roses, 14989 has the least full sound and is more muffled; 8778 has a warmer sound than 19147; choose 8778 for first part and 14989 for the rest; some of 14989 rates A- but some parts have some distortion in the vocals | *** | ||
sbd bertha ashley | 19147 | *** | ||||
sbd 2p betty pcm dalton miller clugsto | 141334 | Not Reviewed Yet |
10/6/80 | Warfield Theater, San Francisco, CA |
acoustic sbd | 8779 | A | in comparison on dire wolf, sbd has more upfront sound than auds; aud 89169 has a warmer fuller sound than 13062 | *** | ||
menke vernon | 13062 | *** | ||||
nak700 ellner koucky | 89169 | A- | *** | |||
sbd 2p betty pcm dalton miller clugsto | 141335 | Not Reviewed Yet | ||||
nak700 severson miller clugston 48, this | 144725 | Not Reviewed Yet | ||||
nak700 severson miller clugston 2496 | 144726 | Not Reviewed Yet |
10/xx/80 | Betty's Favorites From The Warfield - |
sbd stanley blackwood waddell | 108882 | A | 10/7 is 108882, 10/14 is 108883 |
10/7/80 | Warfield Theater, San Francisco, CA |
menke vernon | 14046 | B+ | *** | |||
partial sbd cousinit | 24664 | B+ | in comparison on too lay me down and cold rain and snow, sbd 24664 has a warm suppressed sound with a little hiss and sound gets warbly at times especially on deep ellum; for auds 89189 has a warmer sound than 14046 which sounds fuller and tinny in comparison but is missing some songs; chose sbd 24664 for warmth and then fill in with 89189 for completeness but could choose any as similar sound quality with different strengths and weaknesses; sbd bettys favorites 108882 has best sound but is only a few songs; | *** | ||
nak700 ellner koucky | 89189 | *** | ||||
nak700 severson miller clugston 48, this | 144738 | Not Reviewed Yet | ||||
nak700 severson miller clugston 2496 | 144739 | Not Reviewed Yet |
10/9/80 | Warfield Theater, San Francisco, CA |
sbd unknown | 11042 | A | static d2t11 5:45 | *** | ||
sbd partial stephens | 32402 | in comparison on friend of the devil, 32402 has a clearer sound as 11042 has some hiss but need it for most of show | pop t4 4:02; has some repeating segments of the show at end of show | *** | ||
1p sbd betty pcm dalton miller clugston | 140924 | Not Reviewed Yet | ||||
sbd acoustic set betty pcm dalton miller clugston | 141349 | Not Reviewed Yet | ||||
nak700 severson miller clugston 48, this | 144734 | Not Reviewed Yet | ||||
nak700 severson miller clugston 2496 | 144735 | Not Reviewed Yet |
10/10/80 | Warfield Theater, San Francisco, CA |
menke vernon | 13989 | *** | ||||
acoustic sbd hinko | 14386 | A | in comparison on it must have been the roses, 14386 and 73820 sound similar; 14386 has levels raised so clips while 73820 has more other digital flaws that are easier to hear; mtx 28740 is more echoey than the first set sbds; auds are more distant the sbds with 13989 being more distant than 89560; in comparison on candyman sbd 24710 and mtx 28740 sound similar with very narrow sound and almost no bass while aud 89560 has fuller bassier sound; choose 14386 for acoustic set and 89560 for rest | *** | ||
sbd cousinit | 24710 | *** | ||||
mtx chappell sb03 | 28740 | *** | ||||
sbd set1 unknown | 73820 | has several digi-pops and drops | *** | |||
fob nak700 ellner marino gmb | 89560 | B+ | has a lot of background talking on d1t11, d2t4 | *** | ||
nak700 severson miller clugston 48, this | 144765 | Not Reviewed Yet | ||||
nak700 severson miller clugston 2496 | 144766 | Not Reviewed Yet |
10/11/80 | Warfield Theater, San Francisco, CA |
sbd acoustic windsor clevenger fix 323 | 6198 | A | drops between tracks | *** | ||
sbd blanchard | 16336 | B+ | in comparison on direwolf 73821 and 6198 have a similar fuller sound than 16336, 73821 is harsher than 6198; in comparison on loser sbd 16336 has a more upfront sound than aud 89615 which has a fuller bassier sound; so need 6198 for acoustic set, then 16336, and then 89615 for rest of show; could choose 89615 for all of electric show | *** | ||
sbd set1 unknown | 73821 | drop t3 1:36 but did not hear it | *** | |||
fob nak700 ellner marino gmb | 89615 | B+ | *** | |||
sbd smith miller clugston 48, this is a | 142010 | Not Reviewed Yet | ||||
sbd smith miller clugston 2496, source | 142012 | Not Reviewed Yet |
10/13/80 | Warfield Theater, San Francisco, CA |
acoustic sbd munder | 13064 | A | 13064 has matching st5 to 25559 | *** | ||
set1 set3 sbd miller | 25559 | acoustic set sound rates A, | *** | |||
sbd, recording info:, sbd > many cassette | 137256 | Not Reviewed Yet | ||||
bershawsbdcomposite , upgraded soundboard | 137297 | Not Reviewed Yet |
10/14/80 | Warfield Theater, San Francisco, CA |
sbd aud gardner | 3828 | A- | in comparison on dire wolf, 3828 has a warmer fuller sound than 89632 one person felt phils bass sounded worse on 3828 than 89632; in comparison on candyman sbd 3828 has a more upfront sound than aud 89632 and mtx 119320 | *** | ||
fob nak700 ellner marino gmb | 89632 | *** | ||||
sbd stanley blackwood waddell | 108883 | |||||
mtx electric dusborne | 119320 | *** | ||||
sbd eaton miller 48, recording info:, sbd | 137560 | Not Reviewed Yet |
10/18/80 | Saenger Performing Arts Center, New Orleans, LA |
neumann vernon | 13596 | *** | ||||
sbd , recording info:, sbd > cassette | 133594 | A- | in comparison on to lay me down,133594 has a clearer more upfront sound than 13596 | *** | ||
sbd , recording info:, sbd > cassette | 135529 | *** |
10/19/80 | Saenger Performing Arts Center, New Orleans, LA |
set2 3 aud vernon | 13469 | *** | ||||
set1 aud vernon | 16908 | *** | ||||
s3 aud seaweed , third set, s3t01 scarlet | 125234 | Not Reviewed Yet | *** | |||
beyer stankiewicz 2496, 24bit/96khz | 125632 | Not Reviewed Yet | ||||
beyer stankiewicz , 16bit/44 1khz file set | 125633 | Not Reviewed Yet | *** | |||
aud cas r2 48, two trade dats from the | 134368 | Not Reviewed Yet | *** |
10/22/80 | Radio City Music Hall, New York, NY |
sony wiley | 8479 | *** | ||||
sonyecm280 wise miller | 100416 | *** | ||||
nak300 morris | 101778 | B+ | in comparison on peggio, 101778 has a little more upfront sound than 100416 anf those have fuller sound than 120053, 8479, and cousinit version; 8479 is the harshest | *** | ||
fob nak700 gatto jaeger dusborne | 120053 | *** |
10/23/80 | Radio City Music Hall, New York, NY |
sonyecm280 wiley | 8700 | s | *** | |||
cohen vernon | 13140 | B+ | in comparison on ship of fools 13140 has a fuller sound than 8700, cousinit version, 101256, 102026. and 120072 | *** | ||
fob sonyecm280 wise miller | 101256 | *** | ||||
fob nak300 morris | 102026 | *** | ||||
aud morris | 108016 | |||||
aud morris fixed | 111029 | |||||
fob nak700 gatto jaeger dusborne | 120072 | *** | ||||
fob nak700 cohen miller clugston 48, this | 143351 | Not Reviewed Yet | ||||
fob nak700 cohen miller clugston 2496 | 143352 | Not Reviewed Yet |
10/25/80 | Radio City Music Hall, New York, NY |
aud wiley | 8726 | *** | ||||
nak700 rolfe miller | 93804 | B+ | in comparison on high time, 93804 had a little fuller sound than 102405; 8726, 116769, 120163,and cousinit version have a less full sound | *** | ||
fob sonyecm280 wise miller | 102405 | *** | ||||
nak300 morrone friend | 116768 | |||||
nak300 morrone friend | 116769 | *** | ||||
fob nak700 gatto jaeger dan | 120163 | *** |
10/26/80 | Radio City Music Hall, New York, NY |
sonyecm280 wiley | 8765 | *** | ||||
sony ecm fishman | 11837 | B+ | *** | |||
sbd hinko | 18862 | A- | in comparison on china doll, sbd 18862 has a warmer fuller sound than sbd 18896; in comparison on sugaree sbd 18862 has a clearer sound than mtx 101967; sbd is more upfront than auds; for auds 11837 has similar sound to 8765 but 8765 has more clipping and digital flaws; 11837 has a little fuller warmer sound than 94269; 116426 and 120169 have less full sound | *** | ||
remaster | 18896 | *** | ||||
nak700 rolfe miller | 94269 | *** | ||||
mtx seamons | 101967 | *** | ||||
nak300 morrone friend | 116426 | *** | ||||
fob nak700 gatto jaeger dusborne | 120169 | *** |
10/27/80 | Radio City Music Hall, New York, NY |
senn441 lai | 324 | *** | ||||
sonyecm270 larson | 7290 | 7290 is same recording with same wav and spectral view and levels as 324; 7290 has more crowd at beginnng of show and they have similar digital flaws of discontinuities between tracks | *** | |||
senn441 wise miller | 101293 | B+ | in comparison on peggio. 101293 has a fuller sound than 116196, 7290, and cousinit version | *** | ||
nak300 morrone friend | 116195 | |||||
nak300 morrone friend | 116196 | *** |
10/29/80 | Radio City Music Hall, New York, NY |
wise larson | 1953 | *** | ||||
sbd partial miller | 32538 | A | in comparison on candyman, sbd 32538 has a fuller sound than the auds; in comparison on candyman and birdsong, aud 126919 has a fuller sound than 1953, 101306, and 120307; in comparison on birdsong, sbd 122003 has a fuller more upfront sound than aud 126919 | *** | ||
aud sbd tetzeli join 1953 32538 reflac | 35029 | *** | ||||
fob sonyecm280 wise miller | 101306 | *** | ||||
fob nak700 gatto jaeger dusborne | 120307 | *** | ||||
sbd p1 | 122003 | B+ | *** | |||
beyer stankiewicz , s1t01 dire wolf, s1t02 | 126919 | B+ | *** | |||
sbd partial miller sirmick , partial sbd | 140301 | Not Reviewed Yet | ||||
sbd partial moore berger 24, partial | 140302 | Not Reviewed Yet | ||||
partial sbd moore berger, partial, source: | 140496 | Not Reviewed Yet | ||||
sbd aud, sbd, with audience patches, dat | 140899 | Not Reviewed Yet |
10/30/80 | Radio City Music Hall, New York, NY |
wise larson | 1954 | *** | ||||
fob sonyecm280 wise miller | 101427 | B | in comparison on to lay me down and peggio, 101427 has a warmer sound than 1954 and 120537; | *** | ||
nak70 gatto jaeger dusborne | 120537 | *** | ||||
ultraplex>eac>wav>shn; 1 Heaven Help the Fool 2 Shakedown Street 3 Samson 4 He's Gone > 5 Truckin | $ | A | ||||
sbd bershaw, source: 10 1/4 track sbd feed | 139599 | Not Reviewed Yet |
10/31/80 | Radio City Music Hall, New York, NY |
wise larson | 1955 | 1955 is same recording as 120839 based on same clapping wavs at end of d1t2, d1t13, and d3t10 and they have similar spectral view and sound to each other; (it is possible the mics were right next to each other and picked up the clapping in a the same way but they have same intermittent tv bands which are usualy caused by a nearby tv during transfer); 1955 is same recording as 132277 and 101428 based on same clapping wavs at end of d1t2 and 1955 has harsher sound; 1955 is a different recording than 94270 based on different crowd at the end of d1t2 and 1955 has harsher sound | *** | |||
sbd prefm cousinit | 20377 | B+ | *** | |||
prefm cousinit edited patched | 83158 | B+ | in comparison on cold rain and snow, sbd 83158 patches 20377; 122543 has a fuller but more echoey less natural sound than 83158; sbd and mtx are more upront than the auds; for auds stankiewicz 131907 has the warmest bassiest sound but is more suppressed than the others; for the jim wise recordings 132277 has the warmest fullest sound followed closely by 101428; 1955 and 120839 are similarly harsher; the rolfe 94270 recording is of similar sound quality to 132277 but is a little less warm and full | *** | ||
nak700 rolfe miller | 94270 | *** | ||||
fob sonyecm280 wise miller | 101428 | *** | ||||
fob nak700 gatto jaeger dusborne | 120839 | *** | ||||
mtx dusborne, 3 source matrix, soundboard | 122543 | *** | ||||
stankiewicz , partial 2nd and 3rd sets | 131907 | |||||
aud sony ecm , cassette audience master | 132277 | *** | ||||
aud sony ecm 24, cassette audience master | 132278 | |||||
audmsc happyjack 24, a gratefully little | 137448 | Not Reviewed Yet | ||||
partial show sbd2ndgenmsc happyjack 24, a | 137448 | Not Reviewed Yet | ||||
audmsc happyjack , a gratefully little | 137449 | Not Reviewed Yet | ||||
sbd2ndgenmsc happyjack , a gratefully | 137449 | Not Reviewed Yet | ||||
partial sbd happyjack sirmick , source: | 137839 | Not Reviewed Yet | ||||
partial sbd happyjack sirmick 24, source: | 137840 | Not Reviewed Yet | ||||
sbd bershaw , source: 10 1/4 track sbd feed | 140416 | Not Reviewed Yet | ||||
sbd pcm dalton miller clugston , source | 141354 | Not Reviewed Yet |
11/26/80 | The Sportatorium, Pembroke Pines, FL |
wise munder | 13065 | *** | ||||
sbd clugston edited patched | 82278 | *** | ||||
beyerm160 wise miller | 101699 | *** | ||||
aud beyer m160 , cassette audience master | 132221 | *** | ||||
aud beyer m160 24, , cassette audience | 132222 | |||||
mtx dusborne, 2 source matrix, soundboard | 132344 | *** | ||||
miller sbd , recording info:, sbd > | 134094 | A- | in comparison on friend of the devil, sbd 134094 and 82278 sound sort of similar; on wharf rat 134094 has an analog drop at 5:28 while 82278 cuts out about 5 seconds including a phrase of the song; mtx 132344 is nor echoey and less clear than the sbds; auds 13065, 101699, and 132221 have similar sound to each other and are more distant than the sbd and mtx | *** | ||
sbd , recording info:, sbd > cassette | 135530 | Not Reviewed Yet | *** |
11/28/80 | Lakeland Civic Center, Lakeland, FL |
naks clugston | 2222 | *** | ||||
sbd vernon | 20049 | *** | ||||
nak700 kocky | 76519 | *** | ||||
nak700 gmb | 89932 | *** | ||||
nak700 wagner miller | 90013 | *** | ||||
mtx tobin | 90057 | *** | ||||
sbd vernon tobin fix 20049 | 90062 | *** | ||||
thirty trips, 30 trips around the sun, cd1, jack straw 6:05, peggy-o 6:47, little red rooster 9:36, tennessee jed 9:00, passenger 5:01, deep elem blues 5:08, looks like rain > 8:04, deal 6:41, cd2, feel like a stranger 8:40, to lay me down > 9:04, let it grow > 11:17, terrapin station > 11:56, drums > 10:21, cd3, space > 5:45, not fade away > 5:51, black peter > 9:27, sugar magnolia 9:29, u. s. blues 5:22 | $ | A | *** | |||
all aud wise , recording by bob wagner/jim | 127546 | *** | ||||
all aud wise 2496, recording by bob | 127547 |
11/29/80 | Alligator Alley Gymnasium, U of Florida, Gainesville, FL |
aud barrick | 325 | *** | ||||
wise sacks | 2409 | *** | ||||
beyer160 wise gmb | 89938 | *** | ||||
nak700 wagner miller | 90104 | *** | ||||
beyerm160 wise miller | 101722 | *** | ||||
gainsville stankiewicz 24, 24bit/96khz | 127229 | A- | in comparison on candyman, 127229 has the fullest sound but has some hiss; next fullest is 132456; 2409, 89938, 101722, 325, 134703, and 134704 are not as full as those | |||
aud , cassette audience master recorded by | 132456 | *** | ||||
aud 24, cassette audience master recorded | 132457 | |||||
aud schley 2448, 24bit/48khz file set | 134703 | |||||
aud schley , 16bit/44 1khz file set, s1t01 | 134704 | *** | ||||
s2sbd24 24, recording info:, sbd > | 139321 | Not Reviewed Yet | ||||
beyerm 88 stankiewicz, 16bit/44 1khz | 145665 | Not Reviewed Yet |
11/30/80 | Fox Theater, Atlanta, GA |
sbd aud sacks | 2416 | *** | ||||
nak700 set2 wagner miller | 90497 | *** | ||||
nak700 set2 wagner miller | 90530 | |||||
nak700 set1 wagner chappell | 110921 | *** | ||||
mtx chappell sb31 | 110936 | *** | ||||
davpic8, 3 disc set, limited to 13,000 individually numbered copies, mastered to hdcd specs by jeffrey norman, digipak made of 100% recycled and pcw materials, release date: november 1, 2013, it's our last release of the 2013 dave's picks series and this next one's a fox, literally. we're making our first foray into the 80s (don't expect it to be the last!) with the complete show from 11/30/80, fox theatre, atlanta, ga. fans of "the fox" often debate the merits of this highly-esteemed performance, as in they find it hard to narrow down their favorite bits since this night is replete with many. from a spirited opener with an era-defining rendition of "deal" to a soaring and powerful second set featuring one of the best ever versions of "scarlet>fire," there's no doubt the band was on their game and sound man dan healy was too. as the liners put it, "fast or slow, jerry or bob, routine or rare: they nail them all." multiple listens have been said to yield un-ending revelations (even auras!), you'll just have to tune in to see where you land on the spectrum. wherever this exceptional show takes you, it all adds up to over 3 hours of extremely fun listening. hotlanta, indeed!, disc 1, 1 feel like a stranger [9:19], 2 loser [8:17], 3 cassidy [5:14], 4 ramble on rose [7:55], 5 little red rooster [9:33], 6 bird song [9:22], 7 me and my uncle> [2:59], 8 big river [5:55], 9 it must have been the roses [7:13], disc 2, 1 lost sailor> [6:34], 2 saint of circumstance [6:31], 3 deal [8:03], 4 scarlet begonias> [11:44], 5 fire on the mountain [10:50], 6 samson and delilah [7:40], 7 ship of fools [8:49], disc 3, 1 playing in the band> [15:53], 2 drums> [11:25], 3 space> [4:23], 4 the wheel> [6:49], 5 china doll> [6:50], 6 around and around> [4:01], 7 johnny b. goode [4:49], 8 uncle john's band [7:46] | A | *** | ||||
24, partial, >>24 bit<<, source: aud | 123306 | |||||
aud set1 pset2 oade stankiewicz wise | 127319 | |||||
naks mason , "mason b taylor was a taper | 128440 | *** |
12/6/80 | Mill Valley Recreation Center, Mill Valley, CA |
cantor clugston | 5478 | B+ | *** |
12/12/80 | Swing Auditorium, San Bernardino, CA |
set2 aud munder | 13192 | *** | ||||
set1 aud vernon | 16906 | *** | ||||
sbd miller | 31509 | B+ | *** | |||
fob glassberg motb | 89134 | *** | ||||
fob ellner motb | 89347 | |||||
aud goldshine sennheiser mkh406 flying m | 124542 | B+ | in comparison on friend of the devil, sbd 31509 is more upfront than the auds; for the auds 124542 has fuller warmer sound than 13192 and 89134; 124542 has a fuller warmer sound than 13192 on hes gone; 124542 has a more natural sound than sbd 31509 but could choose either | *** | ||
mtx dusborne, 3 source matrix, soundboard | 136722 | Not Reviewed Yet |
12/13/80 | Long Beach Arena, Long Beach, CA |
set2 sonyecm280 clugston revell | 1633 | |||||
nak700 miller | 13412 | *** | ||||
nak300 walker scotton miller | 88964 | *** | ||||
sbd miller | 91939 | B+ | *** | |||
sbd miller bertha | 92889 | |||||
aud goldshine sennheiser mkh406 flying m | 124551 | B+ | in comparison on to lay me down, sbd 91939 has the fullest most upfront sound with some hiss; I did not compare 92889; for the auds 124551 has a fuller sound than 128617, 13412, and 88964; in comparison on wharf rat 124551 has a fuller sound than 1633; aud 124551 has a more natural sound than sbd 91939but could choose either | as noted in description this is missing beginning of scarlet begonias | *** | |
naks mason , "mason b taylor was a taper | 128617 | *** | ||||
mtx dusborne, 3 source matrix, soundboard | 136725 | Not Reviewed Yet |
12/14/80 | Long Beach Arena, Long Beach, CA |
nak700 munder | 13193 | *** | ||||
nak700 miller | 89003 | *** | ||||
nak300 walker scotton miller | 89058 | *** | ||||
all sbd minches | 108813 | B+ | in comparison on loser, sbd 108813 has a fuller more upfront sond than the auds; for the auds 124583 has the fullest sound followed by 13193 and 89003; 13193 has a wamer sound than 89003 and 124583; 89058 and 128626 are less full than the others | *** | ||
aud goldshine sennheiser mkh406 flyingm | 124583 | *** | ||||
naks mason , "mason b taylor was a taper | 128626 | *** | ||||
mtx dusborne, 3 source matrix, soundboard | 136726 | Not Reviewed Yet |
12/26/80 | Oakland Auditorium Arena, Oakland, CA |
walker vernon | 15880 | *** | ||||
sbd cousinit | 17279 | *** | ||||
nak300 aolong | 34400 | *** | ||||
nak300 walker scotton miller | 89260 | *** | ||||
upg sbd tobin | 121531 | *** | ||||
matrix tobin | 121533 | *** | ||||
aud stankiewicz 24, 24bit/96khz file set | 127564 | B+ | in comparison on peggy-o, sbd 17279 and 121531 are muffled with some hiss; mtx 121531 is fuller than sbd but has a lot of hiss; aud 89260 is fuller sounding than the sbd and upfront but also harsh with hiss; 127564 is warmer than 89260 and still full with less hiss; 34400 and 15880 are less ufll than the other auds; could choose mtx 121531 or aud 89260 for being more upfront and fuller but chose 127564 for warmth and less hiss than those |
12/27/80 | Oakland Auditorium Arena, Oakland, CA |
sbd mccloskey | 327 | *** | ||||
sbd cousinit | 18736 | A- | in comparison on sugaree, sbd 18736 has a fuller sound than 327 which seems muffled some by noise reduction and has less hiss and is warmer; sbd 18736 is more upfront than the auds; aud 127152 is warmer than 89269 and that is fuller; 107791 has narrowest sound | *** | ||
nak300 walker scotton miller | 89269 | *** | ||||
nak700 wagner miller | 107791 | *** | ||||
oakland aud stankiewicz , 24bit/96khz | 127152 | |||||
sbd , soundboard, unknown lineage, sony | 135987 | Not Reviewed Yet | ||||
sbd gems fix , soundboard, unknown lineage | 136139 | Not Reviewed Yet | ||||
sbd pcm dalton miller clugston , source | 141648 | Not Reviewed Yet |
12/28/80 | Oakland Auditorium Arena, Oakland, CA |
sbd willy | 8862 | A- | in comparison on stella blue, sbd 8862 is a little more suppressed than 17421 but that is much harsher with more hiss and a buzz and less pleasant to kisten to; so could choose either but if choose 8862 still need 17421 for missing song; sbds 34638 and 35036 are built on 17421 with ame sound; mtx 122408 is more echoey than the sbds; auds are less full and less upfront than sbd with 1329 9less full and more distant than 107792 | *** | ||
rolfe munder | 13299 | *** | ||||
sbd cousinit | 17421 | *** | ||||
sbd long | 34638 | *** | ||||
sbd cousinit tetzeli fix 17421 reflac | 35036 | *** | ||||
nak700 wagner miller | 107792 | *** | ||||
mtx sirmick , matrix: sbd 70%/aud 30% | 122408 | *** | ||||
sbd gems , soundboard, unknown lineage | 135991 | Not Reviewed Yet | ||||
sbd pcm dalton miller clugston , source | 141649 | Not Reviewed Yet |
12/30/80 | Oakland Auditorium Arena, Oakland, CA |
rolfe munder | 13300 | B+ | in comparison on friend of the devil, mat 121396 has a fuller warmer more upfront sound than aud 13300, but aud 13300 was more natural and pleasant to listen to as mat 121396 made my ears sore after listening for several songs for unknown reason | *** | ||
senn421 walker scotton miller | 90468 | B | has a lot of background crowd talking through the music | *** | ||
mtx tobin | 121396 | A- | *** | |||
aud 2448, s1t01 minglewood blues, s1t02 | 146511 | Not Reviewed Yet |
12/31/80 | Oakland Auditorium Arena, Oakland, CA |
sbd gorinsky | 6391 | *** | ||||
rolfe vernon | 16911 | B+ | in comparison on wharf rat, for sbds 17693 has the harshest sound, then 105027 which is derived from 17693, then 17693 and then 6391 and 35083 which is derived from 6391 and more complete than that with the patches; mtx 105029 is harsher than the sbds; for the auds 123336 has the warmest sound, then 16911, and then 104968 and 107822 are much harsher; so chose 35083 for completeness but 123336 would also be a good choice for end of show | *** | ||
sbd cousinit | 17693 | *** | ||||
sbd gorinsky tetzeli fix 6391 reflac | 35083 | I | *** | |||
aud anon motb 0106 | 104968 | *** | ||||
sbd tobin patched | 105027 | *** | ||||
mtx tobin | 105029 | *** | ||||
nak700 wagner miller | 107822 | *** | ||||
gems sbd | 108290 | *** | ||||
s3 , set iii only, source: aud cassette | 123336 | B+ | *** |