JG - Wondering What to Choose 1974
1974
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DateDescetree idRtNotesFlawsdgf
xx/xx/74Garcia Hells Angels Interview
 hellsangelsinterview, this is a very short clip i recorded off the tv in about 1974. i believe it was a documentary about the hells angels. they had advertised that garcia was in it. this was all that he appeared in in the documentary. basically, it's just geraldo rivera asking him about the hells angels. i had it on the end of another tape, and thought some people might like to hear it. it's about a mnute and a half long., because i was transferring something else, it was transferred from the reel at 24-bits, 96khz, and then converted down to 16-bit, 44.1 overkill for mono spoken audio taken off the tv speaker. i ran a wire from the speaker to a mic plug and plugged that into the recorder., comments: droncit@yahoo.com B  ***
1/17/74Keystone, Berkeley, CA
 Garcia & Saunders; SBD=>MR =>DAT (44.1KHz) =>CDR20678   ***
 Garcia & Saunders; Compilation of speed corrected SBD=>MR =>DAT (44.1KHz) =>CDR (shnid = 20678) and disk 1 of Dick's Gift (MSR>DATs>CDRs>EAC>SHN) (unknown shnid); fix by kevtobin76398 sbd patched with aud and sbd ***
 Garcia & Saunders: MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110. This matches the sbd of 1/17/74 and portions of audience from shnid=10024; speed correction and patching by kevtobin76399 aud 10024 patched with sbd ***
 Garcia & Saunders: primary source MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110 from shnid 76399 with additional audience material added to complete show76471 aud 10024 patched with another aud ***
 Garcia & Saunders; Compilation of speed corrected SBD=>MR =>DAT (44.1KHz) =>CDR (shnid = 20678) and disk 1 of Dick's Gift (MSR>DATs>CDRs>EAC>SHN) (unknown shnid) with beginning of Harder They Come patched in; fix of 7639876474Asbd patched with two auds and sbd; in comparison on second that emotion sound board is much clearer, warmer and fuller and less distorted than mtx 90365 and aud 76399 ***
 JGMS; flac16; Matrix 4 Source Mix - SBD1 & 2 (shn id 76474) Compilation of speed corrected SBD=>MR =>DAT (44.1KHz) =>CDR (shnid = 20678) and disk 1 of Dick's Gift (MSR>DATs>CDRs>EAC>SHN) (unknown shnid) with beginning of Harder They Come90365   ***
 see jg73-05-05-dicks-gift-a.flacf; version "a"; trade dat     
1/18/74Keystone, Berkeley, CA
 Garcia & Saunders: MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110.8873 see 1/17/74 ***
 Garcia & Saunders: patched version: MAC > D > CD > EAC > SHN, Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110 + MSR > D > CD patches from sbd portion that usually circulates as part of "Dick's Gift." Patching by Sean Cribbs. Subsequent extr10024B+this is a close eac match to 8873 on d1t1 and reports to reduce pops; most of this is reported as 1/17/74 but need d2t7 to end for 1/18/74; harsh ***
1/19/74Pauley Ballroom, U. of California, Berkeley, CA
 Garcia & Saunders: MSR > P > D > CD > EAC > SHN.8064A-  ***
2/xx/74Venue Unknown
 Garcia & Saunders, specific date and location unknown: MAC (Louis Falanga's Sony ECM-250 > Sony TC-110) > DATx1 > CDx1 > EAC > CDx1 > EAC > SHN8654B+  ***
2/5/74Great American Music Hall, San Francisco, CA
 Garcia & Saunders: Probable MSR > ?R > DATs > CDs > EAC > SHN11254A-  ***
 Garcia & Saunders: MSR (Sony TC-377, 7" reels @ 7.5ips by Ed Perlstein)> PCM > DAT > DAT (plyback on Sony PCM-R500) > S/PIDF coaxial > Audiophile 2496/P4 2 GHz > recorded as 24 bit/48 KHz WAV with Wavelab 5 > Waves L3 Multimaximizer using hi res32088 in comparison on someday baby, 32088 and 11254 have similar sound, 11254 has more clipping, compression, and limiting which causes distortion in a few spots on it; 32088 has more between song time than on 11254 and 32088 has the other reported improvements ***
2/9/74Rheem Theater, Moraga, CA
 Garcia & Saunders: Source: MSR > D @ 48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > Downsampled to 44.1/Normalized to 98% > SHN (no extraction)6381Ain comparison on second that emotion, 30597 and 6381 sounded similar while 126304 and 17787 was more compressed and not as warm with 17787 less so; in comparison on mystery train, 30597 was warmer than 126304; 30597 has some bad flaws so select all of 6381, then what comes after on 30597, and then 126304 for Roadrunner ***
 Garcia & Saunders: Master soundboard reels (7" 1/4 track @ 7.5ips recorded with Sony TC-377) > Teac X-300R playback > HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > trackin17787A-  ***
 Garcia & Saunders: SB Reel 15 IPS (baked & transfered to DAT about '93) / 48khz low-gen clone - Sony PCM-1 / 7 pin - Nightengale PCI / Optical (reverse format) - Ce Pro 2000 Record 48k - Ce Pro 2000 Downsample to 44k / highest quality, pre-post filter -30597A digipop d1t4 8:57, d2t1 9:25; drop/cut d1t1 1:17; drop/pop d1t1 1:34***
 sbd boswell smith 126304, & merl saunders, boswell's 7.5 ips reels "do not know the exact lineage but they sound pristine and think they were recorded and never played", will boswells 7.5 ips > akai gx636 direct tape head output > bottlehead tube tape pre pair tesla tubes circa 1980 > apogee mini me 24/96 > apogee mini dac monitoring and mastering > flac, --set i--, 01. think, 02. finders keepers, 03. are you lonely for me baby?, 04. second that emotion, 05. wondering why, 06. the night they drove old dixie down, --set ii--, 01. harder they come, 02. la-la, 03. roadrunner, 04. mystery train//, this was done using a different transfer chain. this method was per the advise of dan healy i received from him a while back in trying to attain a perfectly clean signal going to digital. i had one of my reel machines modded for a direct tape head output going into a custom bottlehead tape tube pre specifically built for reel transfers (w 2. diff. eq setting for tape speed) so basically you have a perfectly clean tape signal going into the tube pre going into 24/96 digital.126304   ***
2/10/74Keystone Berkeley, Berkeley, CA
 JGMS: Partial Set 2; Betty Cantor-Jackson sbd > ? > .flac1644122026A-  ***
2/16/74Keystone, Berkeley, CA
 Garcia & Saunders: MAC (Louis Falanga's FOB Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN.8063   ***
 JGMS: MSR > DAT3x > Delta Dio 2496 soundcard > Soundforge > Flac.91471A-in comparison on second that emotion, 91471 has a fuller clearer sound than 8063; 91471 has more songs ***
3/xx/74Compliments Of Garcia Outtakes, Fantasy Studios, Berkeley, California
 Compliments of Garcia Outtakes, Source: Soundboard Reels > ? > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab Mastering: In WaveLab with Nomad Factory Plug ins > CD Wave > TLH > Flac Transfer and ma96895B+this was originally listed as Unknown 1973; in comparison to bootleg 28695 (xx/xx/73) on road runner, 96895 is harsher but has less distortion ***
3/8/74Unknown Venue, Stinson Beach, CA
 Grisman, Greene, Garcia, Thompson, Wolfe: partial rehearsal, M(?)SC > Sonic > CD > EAC > FLAC, via David Gans (2006 KPFA GD Marathon).32377A-  ***
3/9/74Keystone, Berkeley, CA
 Garcia & Saunders: MSR > DAT3x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC.33750A-  ***
4/20/74Pilgrimage Theater, Los Angeles, CA
 Great American String/Music Band: multi gen cass/soundboard > BBE362NR > DAT > Sek'd Prodif Plus > Soundforge > Cdwin > SHN, 20699   ***
 Great American Music Band: SBD MR (House Source) > Will Boswell's reel (Akai GX625 @ 7.5 ips) > apogee mini me (24/96) > apogee mini dac (monitoring) > wavelab 5.0 (dithered to 20/44) > CD > EAC > WAV (shntool confirms no sbes) > FLAC (TLH). A>D93823Ain comparison on Rolling in My Sweet Baby's Arms, 93823 has a fuller warmer sound than 20699; bootleg Jerry Garcia Box Set on Deadman label lists Ebbets Field Denver 5/11/74 which matches to this show based on same intro and has a less full sound than 93823 and is incomplete; the bootleg version also circulated on etree servers with the same wrong date and venue with legion of mary filler described as SBD>?>CD and was a close eac match to the bootleg ***
4/26/74Marin Veterans' Memorial Building and Grounds, San Rafael, CA
 Tom Moran's MAC (Sony recorder with built-in mic) ("maybe a Sony TC-150") > taperpat's 1st gen reel; Transfer (Matt Smith): AKAI GX625 playback > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD; Lossless e99532Bthis is not the same show as that on the Marin County Bluegrass Festival, April 27-28, 1974 compilations based on different introduction of My Plastic Banana Is Not Stupid ***
4/28/74Marin County Veterans' Aud and Grounds, San Rafael, CA
 incorrect dating and lineage"Old & In The Way: AUD - MA? > ? > D >CD". See admin note.21525 21525 is same show as that on the Marin County Bluegrass Festival, April 27-28, 1974 compilations based on same talk after High Lonesome Sound; 21525 is more muffled so recommend the berger version of the compilation  
 see various-bluegrass 04/27/74; dates of particular sets are noted if known. otherwise, the material is in the order that it appeared on the reels., lineage: sbd reel > dat > cdr, (playback: sony tc 765 reel > sbm1 > sony d8 > tascam cd-rw4u > soundforge), thanks to jeff korona for this fine gem!, any info contact usalai@nycap.rr.com, stellablue.etree.org; disc one 75:25, unknown act:, 01 - instrumental, 02 - i don't believe you met my baby, 03 - fire on the mountain, homestead act:, 04 - i've been everywhere, 05 - take five (brubeck), 06 - way down in georgia?, 07 - chime bells, 08 - diggy liggy lo, 09 - the foggy mountain breakdown, emmylou harris:, 10 - jambalaya, 11 - instrumental, tut taylor and norman blake:, 12 - southern railroad blues, doc & merle watson:, 13 - footprints through the snow, 14 - man walking on the water >, keep on the sunny side, 15 - wabash cannonball, unknown act:, 16 - mule's done gone away, 17 - are you missing me, doc & merle watson:, 18 - poor boy blues, 19 - wabash cannonball, 20 - salt creek, 21 - tennessee stud, great american string band:, 22 - my plastic banana, 23 - dawg's rag (with richard green), 24 - i'll be the gambler if you'll deal the cards, disc two 73:23, great american string band:, 01 - sweet georgia brown, the hired hands:, 02 - bear tracks, 03 - standin' on the mountain, 04 - pick away, 05 - cotton mill man //, 06 - the river of jordan, great american string band: 4/27/74, (jerry garcia, david grisman, richard green, taj mahal, david nichtern), 07 - mabeline, 08 - johnny b. goode, jim & jesse mcreynolds and the virginia boys:, 09 - dueling banjos, tut taylor and norman blake:, 10 - instrumental, 11 - instrumental, mac wiseman:, 12 - the wreck of the old 97, 13 - catfish john, 14 - love letters in the sand, 15 - shackles and chains, 16 - prisoner song, 17 - jimmy brown, 18 - i wonder how the old folks are at home, 19 - man walking on the water, 20 - keep on the sunny side of life, frank wakefield with jerry garcia:, 21 - jesus loves his mandolin player #1, 22 - heartbreak hotel, 23 - orange blossom special, doc & merle watson:, 24 - doc bog's country blues, 25 - movin' on, 26 - wabash cannonball, 27 - tennessee stud, disc three 79:50, ramblin' jack elliot:, 01 - talking fishing blues, 02 - don't think twice, it's alright, 03 - down the line, 04 - pretty boy floyd, doug dillard & frank wakefield:, 05 - dixie breakdown, nitty gritty dirt band with garcia & vassar clements, doc watson, dave nelson, john hartford & jerry mills:, 06 - tulane and johnny, 07 - cosmic cowboy, 08 - jambalaya, 09 - sally goodin, 10 - battle of new orleans, 11 - teardrops in my eyes, 12 - bonie maronie, 13 - randy lynn rag, 14 - flint hill special, 15 - mr. bojangles, 16 - honky tonkin', 17 - diggy liggy lo, 18 - will the circle be unbroken, 19 - way downtown fooling around, 20 - down yonder, disc four 19:31, old and in the way: 4/28/74, 01 - high lonesome sound (brief tape munch), 02 - pig in a pen, 03 - panama red, 04 - wild horses, 05 - the hobo song  Jerry on Great American String Band, Greenbriar Boys, Nitty Gritty Dirt Band, and Old and in the Wayhas some discontinuity pops expecially on d2t26 
 see various-bluegrass 04/27/74; april 27-28, 1974, source: sbd reel, exact gen unknown, jerry moore's copy, lineage: reel playback on sony tc-765>sbm1>dat>cdr>soundforge>cdr>eac>flac, transfered by rob berger '99; disc 1: 75:25, cornbread: (4/27), 01: old joe clark, 02: i don't believe you met my baby, 03: fire on the mountain, homestead act: (4/27), 04: i've been everywhere, 05: take five, 06: columbus stockade blues, 07: chime bells, 08: diggy liggy lo, 09: the foggy mountain breakdown, emmylou harris: (4/27), 10: jambalaya, tut taylor and norman blake: (4/27), 11: instrumental, 12: southern railroad blues, doc & merle watson: (4/27), 13: footprints through the snow, 14: keep on the sunny side, 15: wabash cannonball, 16: mule's done gone away, jim & jesse mcreynolds: (4/27), 17: are you missing me, doc & merle watson: (4/27), 18: poor boy blues, 19: wabash cannonball (same as above..), 20: salt creek, 21: tennessee stud, great american string band: (4/27), (jerry garcia, david grisman, richard green, taj mahal, david nichtern), 22: my plastic banana isn't stupid, 23: dawg's rag (with richard green), 24: i'll be the gambler if you'll deal the cards, disc 2: 73:23, great american string band: (4/27), 01: sweet georgia brown, the hired hands: (4/28), 02: bear tracks, buck white & the down homers: (4/28), 03: she left me standing there, jim & jesse mcreynolds and the virginia boys (4/28), 04: pick away, 05: cotton mill man/, 06: the river of jordan, great american string band: (4/27), (jerry garcia, david grisman, richard green, taj mahal, david nichtern), 07: maybelline, 08: johnny b. goode, jim & jesse mcreynolds and the virginia boys:, 09: dueling banjos, tut taylor and norman blake:, 10: instrumental #1, 11: instrumental #2, taylor, blake, & mac wiseman:, 12: the wreck of the old 97, 13: catfish john, 14: love letters in the sand, 15: shackles and chains, 16: prisoner song, 17: jimmy brown, 18: the old folks at home, 19: man walking on the water, 20: keep on the sunny side of life, frank wakefield :, 21: jesus loves his mandolin player #1, wakefield, garcia ..et al, 22: heartbreak hotel, 23: orange blossom special, doc & merle watson: (4/28), 24: doc bog's country blues, 25: movin' on, 26: wabash cannonball, 27: tennessee stud, disc 3: 79:50, ramblin' jack elliot: (4/28), 01: talking fishing blues, 02: don't think twice, it's alright, 03: down the line, 04: pretty boy floyd, doug dillard & frank wakefield: (4/28), 05: dixie breakdown, nitty gritty dirt band, with garcia, vassar clements, doc watson, david nelson, john hartford, & jerry mills: (4/28), 06: tulane and johnny, 07: cosmic cowboy, 08: jambalaya, 09: sally goodin, 10: battle of new orleans, 11: teardrops in my eyes, 12: bonie maronie, 13: randy lynn rag, 14: flint hill special, 15: mr. bojangles, 16: honky tonkin', 17: diggy liggy lo, 18: will the circle be unbroken*, 19: way downtown fooling around*, 20: down yonder*, * w/doc & merle watson, disc 4:, 19:31, old and in the way: (4/28), (garcia, grisman), 01: high lonesome sound, 02: pig in a pen, 03: panama red, 04: wild horses, 05: the hobo song84849A-Jerry on Great American String Band, Greenbriar Boys, Nitty Gritty Dirt Band, and Old and in the Way; the berger comp is a not close eac match on d4t5 to the Korona comp; the berger comp has less digital flaws than the Korona comp  
 part of jerrities vol 1 cd, nitty gritty dirt band, w/ jerry garcia, frank wakefield & vassar clements, source info:, the 1974 recording comes from a soundboard cassette of unknown geneology; 25 Heartbreak Hotel*, 26 Orange Blossom Special*, 27 Jambalaya**, 28 Sally Goodin'**, 29 Battle Of New Orleans**, *Jerry Garcia on banjo, Frank Wakefield on mandolin, Vassar Clements on fiddle, ** Jerry Garcia on telecaster!  this looks like from 32k dat; this is more muffled with more hiss than berger comp 84849 on heartbreak hotel  
5/11/74Denver, CO
 great american string band, sbd>?>cd; Dawg's Bull, My Plastic Banana, Rolling In My Sweet Baby's Arms, Midnight At The Oasis + filler legion of mary for 2 songs  this is 4/20/74 and matches intro; this is same as bootleg Jerry Garcia Box Set on Deadman label and a close eac match ot it on t3 and t3; in comparison on ***
6/4/74The Lion Share, San Anselmo, CA
 Garcia & Saunders: MSR > PCM > DAT > CDR [> SHN]6379A-in comparison on harder they come, 6379 has similar sound to 90003, but 90003 has more digital flawsdrop/cut between cdrs***
 JGMS: MSR > PCM > DAT; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a; Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC; Transfer and Mastered by Bill Koucky; Green Mountain Bros. February 13, 2008.90003  drop/cut between cdrs; static/drop d1t1 0:35***
6/5/74Lion's Share, San Anselmo, CA
 Garcia & Saunders: MSR? > ? > CD, set II only.8062A-this is lossy as if from minidisk ***
6/6/74Keystone, Berkeley, CA
 Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 >, CD > EAC > CD > EAC > SHN6375A-  ***
6/12/74Keystone, Berkeley, CA
 Great American String Band:, S:R>C>D>CDx1>EAC>SHN7331A-  ***
 GASB: Louis Falanga's MAC (Sony ECM 270 or 280 mics > Sony TC-110 [mono]) > 7" 1/4 track Scotch 203 Reel @ 7.5 ips w/Dolby nr (on a Sony TC-755 w/Teac an-180 nr: Jerry Moore's 1st gen copy), reel transfer 1/07 by Rob Berger: Sony TC-850 > Teac an-180 n83232   ***
 SBD > Rm > Dat > CD > EAC > Shn. Appears to be a re-shn of83290A-7331 and 83290 sounded similar on I'll Be A Gambler If You Deal The Cards so could choose either; 83290 has higher levels than 7331; aud 83232 has a less full sound ***
6/13/74Keystone, Berkeley, CA
 Great American String Band: MS? > ? > CD > EAC > SHN.13768A-13768 looks like from 32k dat; in comparison on I'll Be A Gambler If You Deal The Cards, 13768 has a fuller sound than 110663; need 110663 as it has more complete songs ***
 flac2496; MOTB 0159; Analog Audience Source: Master Cassettes (MAC); Medium Stock Brands: Scotch C120; Analog Lineage: ECM 270 >> Sony TC110 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo]110798    
 flac1644; motb 0159; Robert Castelli; Analog Audience Source: Master Cassettes (MAC), Medium Stock Brands: Scotch C120; Analog Lineage: ECM 270 >> Sony TC110 >> MAC, Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit110663B+  ***
6/14/74Keystone, Berkeley, CA
 flac1644; motb 0159; set I only; Robert Castelli; Analog Audience Source: Master Cassettes (MAC); Medium Stock Brands: Maxell UD C90; Analog Lineage: ECM 270 >> Sony TC110 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >>110664B+  ***
7/2/74The Bottom Line, New York, NY
 flac1644; Recorded by Jerry Moore; two AKG D1000Es [from table a few feet from stage, mics on an overturned ashtray and canted upward toward the PA] > Sony TC-152; , Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> K112133   ***
 Garcia & Saunders: MAC (Taped by Jerry Moore, two AKG D1000Es [from table a few feet from stage, mics on an overturned ashtray and canted upward toward the PA] > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 914984Bin comparison on That's The Touch I Like, 112133 is more suppressed than 14984 ***
7/3/74Bottom Line, New York, NY
 Garcia & Saunders: Probable AUDMC (Taper Jerry Moore, AKG D1000e mics > Sony TC-152) > DAT x 1 > CD. Transfer: DA-P1 > Zafiro ZA-2 > NT 4.0/SoundForge XP 4.0 > CDRWIN6611B+in comparison on Harder They Come, 6611 has a warmer sound than 112339 and 14985 ***
 Garcia & Saunders: MAC (Taped by Jerry Moore, two AKG D1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > minor re-tracking (CD Wave v1.6) > sector boundary verificat14985   ***
 flac1644; Recorded by Jerry Moore; two AKG D1000Es> Sony TC-152; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC112339   ***
7/12/74Keystone, Berkeley, CA
 Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 >, CD > EAC > CD > EAC > SHN.8072B+  ***
7/13/74Keystone, Berkeley, CA
 Garcia & Saunders: Mislabel of 2/9/74. Source given as SBD > ? > C > DAT > WAV > SHN. This .shn set should not be traded.25623B+  ***
7/21/74Keystone, Berkeley, CA
 JGMS; flac1644; MSR > PCM > DAT > ZA2 > CDR (xx) > EAC > flac1644. Uncertain date, uncertain venue.117653B+first half rates A- but second half gets more distortion in it bringing it to B+ ***
7/22/74Keystone, Berkeley, CA
 Garcia & Saunders: source unknown; Jerry Site lists circulating mSR>PCM>DAT.4488 4488 looks lossy as if from minidisk ***
 Garcia & Saunders: MSR > C > DAT > CDRs > EAC > SHN10127 10127 looks lossy as if from minidisk ***
 Garcia & Saunders: MSR > PCM > DAT Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with L3 Multimaximizer > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky.86198A-in comparison on How Sweet It Is, 86198 has a fuller clearer sound than 10127 and 4488 which are similar to each other; 86198 has more of the show ***
8/9/74Keystone, Berkeley, CA
 Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 >, CD > EAC > CD > EAC > SHN8073B+  ***
8/11/74Keystone, Berkeley, CA
 Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 >, CD > EAC > CD > EAC > SHN, plus missing songs from Lou, Tamboukas's MAR > R > DAT > CD; via Jack Warner.6382B+last 2 songs rate B quality ***
8/15/74Great American Music Hall, San Francisco, CA
 Garcia & Saunders: MAC (Louis Falanga's upfront Sony ECM-250 > Sony TC-110) >, DATx1 > CD > EAC > CD > EAC > SHN. **Note that this originally circulated as 8/14/74, but is now believed to be 8/15/74**8650B+in comparison on how sweet it is 116253 has a harsher sound than 8650 and that harshness makes the distortion in the vocals more upfront; 8650 does have the noted digital flawsdrop d2t6 1:30***
 Sony F-995 => Sony TC-124 >> MAC
, MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
116253   ***
8/23/74Berkeley Community Theater, Berkeley, CA
 Garcia & Saunders: MAC > C > R > D > CD > EAC > SHN.9416B-  ***
8/24/74Great American Music Hall, San Francisco, CA
 Garcia & Saunders: 10" MSR > C > DAT > CD > EAC > SHN.10612A-  ***
8/30/74Freeborn Hall (University of California Davis), Davis, Ca
 Garcia & Saunders: MSR > C > DAT > CDRs > EAC > SHN6380A-  ***
8/31/74Keystone, Berkeley, CA
 MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 >, CD > EAC > CD > EAC > SHN; via Jack Warner.8078B+  ***
9/1/74Pure Jerry: Keystone Berkeley
 Pure Jerry: Keystone Berkeley$A   
9/2/74Marx Meadow (Golden Gate Park), San Francisco, CA
 Garcia & Saunders, partial show: probable lineage MSR > P > D > CD, per8652 looks like from a 32k dathas some discontinuity pops like at t1 1:49, t2 0:07, t3 3:51***
 Garcia & Saunders, complete: MSR > PCM > DAT > CDR > eac (secure mode/align on sector boundaries checked/no extraction errors) > flac frontend(level 6).31903A- drop d2t2 5:25, t3 0:33, 1:04 plus more pops/glitches***
 Garcia & Saunders, partial show: MR > ? > CD > EAC > MKW > SHN.76174A-looks like from a 32k dat; in comparison on how sweet it is, 76174 and 8652 have similar wav and spectral view and levels and sound; 8652 has more digital flaws than 76174; 31903 has a warmer and less clear and less full sound but more songs ***
10/4/74Keystone, Berkeley, CA
 MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > SHN.8649B+  ***
10/5/74Keystone, Berkeley, CA
 Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN8665B+  ***
 saunders, generic genealogy: a:c>d>cd, specific genealogy:, audmc (bob menke and louis falanga's sony ecm-270 +, sony ecm-250 [onstage, one mic directly in front, of jerry's amp, the other pointed stage center to catch, the rest of the band] > sony tc-152) > datx1 >, cd > eac > cd > eac > shn; via jack warner>cd >eac >shn; via rsinko@neo.rr.com, notes, no flaws noted.; Disc One (6) 71:51, Set I, 1. Harder They Come [15:53] [1:23], 2. Finders Keepers [10:51] [1:42], 3. He Ain't Give You None [11:29] [2:59], 4. La-La [14:42] ->, 5. Space [1:57] ->, 6. Mystery Train [10:45] [0:09], Disc Two (6) 60:02, Set II, 1. Tuning [0:42], 2. Freedom Jazz Dance [12:47] [1:19], 3. Neighbor Neighbor [8:28] [1:19], 4. Sitting in Limbo [11:30] [0:50], 5. Someday Baby [8:28] [0:46], 6. Second That Emotion [13:25] [0:06]  this is a close eac matrch on d1t1 to 8665 ***
10/6/74Great American Music Hall, San Francisco, CA
 partial 1st set: MSR > ? > D > CD > EAC > SHN9026B+  ***
10/27/74Golden Bear, Huntington Beach, CA
 Garcia and Saunders. Late show. Source: MAC>C>C>DAT>WAV>SHN. Taper and mics unknown.23676B+  ***
10/31/74Memorial Gymnasium (University of San Francisco), San Francisco, CA
 Garcia & Saunders: MSR > R > C > DAT > WAV > SHN, C > SHN Conversion by Cousinit.19436A-has the typical cousinit noise reduction and spectral bands on theleft channel ***
11/2/74Keystone, Berkeley, CA
 flac1644; MOTB 0158; Robert Castelli's 1 x Sony ECM 270 >> Sony TC 110 >> MA C; MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] ... FLAC1644. Transfer By: Bob Menke; Mas110552Cdistortion in vocals ***
 MOTB Release: 0158 24/96, Release Date: 2010-11-11, Band: Jerry Garcia, Date: 1974-11-02 (Wednesday), Venue: Keystone, Location: Berkley, CA, Analog Audience Source: FOB Master Cassettes (MAC), Medium Stock Brands: MAC = 2 x Maxell UD C-90, Analog111191    
11/5/74Bottom Line, New York, NY
 Garcia & Saunders, Early Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 916806B111498 and 16806 have similar sound quality with 111498 a little warmer and 16806 a little fuller; 111498 looks like it has noise reduction ***
 flac24; early show; Jerry Moore's aud cassette master, AKG D1000Ee's > Sony TC-152 (Dolby B); nak dragon (Dolby B) > tascam hd-p2 24/96 > adobe audition 2.0 > cd wave > tlh flac 8; transfer/seed by Rob Berger.111494    
 flac1644; early show; Jerry Moore's aud cassette master, AKG D1000Ee's > Sony TC-152 (Dolby B); nak dragon (Dolby B) > tascam hd-p2 24/96 > adobe audition 2.0 > cd wave > tlh flac 8; transfer/seed by Rob Berger.111498   ***
11/6/74Bottom Line, New York, NY
 Garcia & Saunders, Early Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 916807Bin comparison on how sweet it it, 16807 has less distorion in the horns than 117248; 117248 is harsher ***
 JGMS; early show; flac2496; Recorded by Jerry Moore; two AKG D1000Es> Sony TC-152. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding.117248    
11/7/74Bottom Line, New York, NY
 Garcia & Saunders: Early Show: MAC (Taped by Jerry Moore [front of the third tier of tables, dead center], AKG 1000Es > Sony TC-152) > Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtl14306B+in comparison on harder they come, 34741 was harshest, then 117247, and then 14306 ***
 Garcia & Saunders: Jerry Moore's MAC (front of the third tier of tables, dead center, AKG D 1000E mics > Sony TC-152) > unknown transfer details and subsequent gens > DAT > WAV 48k > FLAC 48k. DAT transfer by Todd Evans, FLAC encoding by Mike Hughe34741   ***
 JGMS; early show; flac2496; Recorded by Jerry Moore; two AKG D1000Es> Sony TC-152. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding.117247    
11/8/74The Dome (C.W. Post College), Greenville, NY
 Garcia & Saunders: MAC > DAT > CD > EAC > SHN, Recorded by Jerry Moore, AKG D1000Es > Sony TC-152.9711  has some discontinuitiy pops***
 Garcia & Saunders: MAC (Taped by Jerry Moore, AKG D1000Es [front of orchestra about ten feet in front of PA, right side of stage] > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam CD-RW700 master CD > HP 9350i extraction16839Bin comparison on how sweet it is, 9711 was slightly more suppressed than 16839 and 9711 has more digital flaws than 16839; 94547 is not as suppressed as those but is harsher than those ***
 JGMS: Gerry Moskal's Sony Stereo ECM > SONY TCD126 MAC > 1 reel > 1 cassette > Nakamichi BX300 > Macintosh > Peak Bias > JAM > cdr > EAC > MKW > shn. Transfer/SHN Conversion by Brian Mandel.94547   ***
11/9/74Capitol Theater, Passaic, NJ
 Garcia & Saunders, Late Show: MAC (Ihor Slabicky, AKG d190e mics > Sony TC-152sd deck, onto Ampex 90min High Frequency Master Cassette) > played on a Nak CR-3A > Lucid AD9624 24-bit A/D converter (44.1kHz) > DAT (Sony R500) > CD8661B+  ***
11/10/74Palace Theatre, Albany, NY
 JGMS: SB > MASTER REEL > ? > CASSETTE ( POSSIBLY 2ND GEN ? ) > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC.95767   ***
 JGMS flac2448: sbd reel master > reel > Jerry Moore's 10.5" reel @ 7.5 ips, dolby b; Transfer by Rob Berger: playback on Technics RS-1506 > Sony NR-335 > Tascam HD-P2 24/48. Editing and FLAC encoding by David Minches.98713    
 Garcia & Saunders/Legion of Mary: MSR > DAT 48k > PCM > CDR > PCM > SHN.18202    
 JGMS: sbd 2nd generation reel (Jerry Moore's reel); Lineage: sbd reel master > reel > 10.5" reel @ 7.5 ips, dolby b; Transfer by Rob Berger: Technics RS-1506 playback > Sony NR-335 >Tascam HD-P2 24/48. Editing, downsampling and FLAC encoding by David98704A-in comparison on let it rock, 98704 has the fullest warmest sound, then 18202, and then 95767 ***
11/13/74Paul's Mall, Boston, MA
 Garcia & Saunders: Early Show: Uher hand-held mic > Uher 4000 5" master reel >, playback on a Teac 2300 reel to reel > MacIntosh pre-amp > Teac 2300 7" reel > CD > EAC > SHN. No DAT stage, 7" reel run directly to CDR in sound studio. EAC'ed and10128A-this is lossy as if from minidisk ***
 JGMS; Late show; Unknown AUD cassette, kindly supplied by Seaweed1010; , Transfer: XLIIS-100 > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. July 2012121034B+  ***
11/14/74Paul's Mall, Boston, MA
 Garcia & Saunders: Early Show: MAC (Taped by Jimmy Warburton, single Sony ECM-99 stereo mic [on a table, 8' from stage, left-of-center] > Sony TC-152SD [Dolby B]) > Sony TC-152SD playback > Teac A2300SD 1st gen reel [Dolby B off] > Pioneer RT-701 play16461B+  ***
 Garcia & Saunders: Late Show: Uher hand-held mic-->Uher 4000 5" master reel-->, playback on a Teac 2300 reel to reel-->MacIntosh, pre-amp-->Teac 2300 7" reel-->CDR-->EAC-->SHN, , No DAT stage, 7" reel run directly to CDR in sound studio, EAC'e6383B+looks like from 32k datbig static at beginning of d1t2, d1t5; lots of digi-pops on d2t2***
11/15/74Worcester Polytechnic Institute, Worcester, MA
 Garcia & Saunders: Late Show. Sbd> Mreel> Cass> Dat> CDR. Seeded by Mike Lai. (Note: probable cassette master. See Comments and4487   ***
 Garcia & Saunders: Late Show: MSC > 1C > 2D > CD (Sony PCM R500 > HHB 800) > EAC > SHN, via Ryan Shriver and Andy Lemieux., This version is a slight quality upgrade of the, 8071Ain comparison on second that emotion, 8071 and 4487 have a similar sound; 8071 has an extra song ***
11/16/74The Tower Theatre, Upper Darby, PA
 Garcia & Saunders, Early Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 916808B+  ***
 Garcia & Saunders, Late Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9316809B+  ***
11/27/74Keystone, Berkeley, CA
 JGMS, incomplete: MSR > PCM > Dat > CD > EAC > ? > Flac. Transfer and unknown editing by Jamie Waddell.89216  drops between tracks***
 JGMS, complete: mixed sbd sources; source 1: sdb-?- cd > wavelab 6.0 (pitch correction, edits) provides all except first 1:30 of Bossa Martin and last two songs; source 2: MSR > P > D > CD > wavelab 6.0; Edited and Mastered by Jamie Waddell on the **91343A-91343 has the extra songs missing from 89216; 89216 is more compressed than 91343 but sound quality is otherwise similar except 89216 has slightly more hiss; 91343 has worse digital flaws than 89216 and recommend that for d2t4static d1t1 1:22; has some small drops on d2t4***
11/28/74Great American Music Hall, San Francisco, CA
 Garcia & Saunders: MSR>PCM>DAT4486A- has some square wav static and digipops***
 Source: MSR > PCM > DAT, Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 , mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). , Transferred, Remastered by B. Koucky and Seeded by Green Mountain Bros. June 200785987A-in comparison on second that emotion, 85987 seemed more suppressed than 4486, 85987 is longer than 4486 with more between song time; 4486 has more digital flaws; 4486 levels are not as consistent between songs; 4486 has some bass distortion on freedom jazz dance not heard on 85987 ***
12/7/74Keystone, Berkeley, CA
 flac1644; motb 0160; Robert Castelli; Sony ECM270 mic >> Sony TC110 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] ... FLAC1644. Transfer By: Bob Menke; Mastering By110683Blooks like has noise reduction ***
12/14/74Garcia Live Volume Three:, Pacific Northwest
 Garcia Live Volume Three:, Pacific Northwest$    
12/15/74EMU Ballroom (University of Oregon), Eugene, OR
 Garcia & Saunders: MSR>P>D>CD8177B-  ***
12/28/74Golden Bear, Huntington Beach, CA
 Garcia & Saunders. Source: MA (mics/taper unknown) > ? > C > DAT > WAV > SHN.24317B  ***
 JGMS; flac1644; Shure Unidyne IV mics > Uher 4400 reel master @ 3.75 ips > 1st gen 7" reel @ 3.75 ips, no nr; Transfer: Technics RS-1506 > Tascam HD-P2 24/96 compact flash > PC > Adobe Audition 2.0 (levels) > CD Wave (tracking) > TLH FLAC level 8; Jimmy Warburton copy of Charlie DiSalvo master; Transfer and Organic Pitch Correction by Rob Berger121743Bin comparison on harder they come, 24317 has more hiss and 121743 has a warmer sound ***
 JGMS; flac2496; Shure Unidyne IV mics > Uher 4400 reel master @ 3.75 ips > 1st gen 7" reel @ 3.75 ips, no nr; Transfer: Technics RS-1506 > Tascam HD-P2 24/96 compact flash > PC > Adobe Audition 2.0 (levels) > CD Wave (tracking) > TLH FLAC level 8; Jimmy Warburton copy of Charlie DiSalvo master; Transfer and Organic Pitch Correction by Rob Berger121744    
12/29/74Golden Bear, Huntington Beach, CA
 Garcia & Saunders: Late Show: MAR (Charlie Disalvo, spaced Shure Unidyne IVs [one in front of Garcia, one in front of Fierro an unknown distance away] > Uher 4400 @ 3.75ips) > D > CD > EAC > SHN.8643B+17019 is a not close eac match on d1t1 to 8643; 17019 has same digital flaws as 8643 plus more digital flawssquare wav static d2t3 13:40***
 Garcia & Saunders: MAR > DAT > CD > EAC > SHNv3. Recorded by Charlie Disalvo, spaced Shure Unidyne IVs [one in front of Garcia, one in front of Fierro an unknown distance away]. This seed seems to derive from audio discs related to the earlier .shn s17019B+ has some digipops; square wav static d2t3 13:40***
 JGMS, early show: Charlie Disalvo's 2x Shure Unidyne IVs (spaced ca. 15') > Uher 4400 (3.75ips master reels) > taperpat's 3.75ips 1st gen reel > Akai GX 625 playback > Apogee Mini ME (@24/96) > Apogee Mini DAC (monitoring) > Wavelab 5.0 (dithered to93978B+  ***