JG - Wondering What to Choose 1975
1975
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DateDescetree idRtNotesFlawsdgf
xx/xx/75The Jerry Garcia Collection, Vol. 1: Legion of Mary, Legion Of Mary and bonus disk
 The Jerry Garcia Collection, Vol. 1: Legion of Mary, Legion Of Mary and bonus disk$B+  ***
xx/xx/75Reflections Outtakes
 reflections outtakes sbd 122575, soundboard, editing : joe d'amico ''aka'' joebeacon, nak dragon > korg mr-1000 > audio gate > cool edit > traders little helper, disc 1 :, 01-all by myself, 02-tough mama, 03-mystery train, 04-catfish john, 05-i'll take a melody, 06-tore up over you, 07-road runner, 08-mission in the rain (cut), disc 2, 01-jam, 02-who's loving you tonight, 03-let's spend the night together, 04-jam122575A-  ***
2/14/75The Generosity, San Francisco, CA
 Rob Castelli's MAC > 1/4" Sony TC-377 7" reel > Teac X-300R playback > HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator > HP 917371  has several digipops on d1t3***
 flac1644; MOTB 0149; Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x Maxell UD C120's; Analog Lineage: Sony ECM 270 >> Sony TC 110(mono) >> MAC. Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >>108896B+in comparison on boogie on reggae woman, 108896 this is warmer with a little more hiss and did not have as many flaws as 17371 ***
2/28/75Great American Music Hall, San Francisco, CA
 LOM: unknown source.77072B  ***
3/2/75Keystone, Berkeley, CA
 LOM, set II fragment: MSR (Betty Cantor, 7" reels @ 15ips) > PCM > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > normalization & slight editing (Sound Forge Studio 6.0) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.0188935B+  ***
3/7/75Keystone, Berkeley, CA
 LOM: AUD (mics and taper unknown) > ? > C > DAT > WAV > SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV rec23338B  ***
3/8/75Pitchell Players Cabaret, Los Angeles, CA
 Legion of Mary, Late Show: MAC (Taped by Dave Philips) > ? > PCM > CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 117315B17315 has better sound than 23227 but need 23227 for early show ***
 Legion of Mary. Complete show. Source: , Early show: SBD>?>C>D>WAV>SHN. , Late show: AUD(unknown mic/taper)>?>C>D>WAV>SHN., Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by Jim Powell., DAT>SHN transfer: So23227B-  ***
3/15/75Keystone, Berkeley, CA
 Legion of Mary: AUD + SBD compilation, see text file for details. Set includes alternatve versions of disc two, one pure aud, the other primarly sbd w/ aud patches.17372B+  ***
3/16/75Ballroom, U. of Co., Boulder, CO
 Legion Of Mary; Early Show; Source: AUD > ? > CDR > WAV > SHN; Taper unknown24417B-  ***
4/4/75Whitman Auditorium, Brooklyn College, Brooklyn, NY
 Legion of Mary: MSR > 1R > 2D > 1C > DATs > CDs > HP 9350i extraction and normalization to 98% using EAC > tracking using CDWave > SHN using mkwACT. Could be from the WBAI broadcast (presumably from post-cassette DATs?) referred to at the 11020A-11020 has much fuller clearer upfront sound than berger aud 98391 but need that for roadrunner ***
 LOM, set II flac24: Mike McGraph's MAC ( AKG D1000e + Sony ECM-220 > Sony TC-152SD) > Jerry Moore's 1st gen reel (7" @ 7.5 ips, dolby b) > technics rs-1506 > sony nr-335 > hd-p2 24/48 > cd wave > flac. Transferred by Rob Berger.98390    
 LOM, set II flac16: LOM, set II flac24: Mike McGraph's MAC ( AKG D1000e + Sony ECM-220 > Sony TC-152SD) > Jerry Moore's 1st gen reel (7" @ 7.5 ips, dolby b) > technics rs-1506 > sony nr-335 > hd-p2 24/48 > cd wave > adobe 2.0 16/44 > fl98391B  ***
 mat tobin 124163, legion of mary, set ii, sbd + aud matrix 2 source mix(55%-sbd/45%-aud), d1t01 - //the harder they come, d1t02 - you can leave your hat on, d1t03 - lala, d1t04 - wicked messenger, d1t05 - every word you say, audio info:, soundboard, shnid = 11020, msr > 1r > 2d > 1c > dats > cds > hp 9350iextraction and normalization to 98% using eac >tracking using cdwave > shn using mkwact.could be from the wbai broadcast (presumablyfrom post-cassette dats?) referred to at thejerry site. eac > shn by joe jupille., general notes:the recording has a slightly odd quality to it,as if there is some sort of phasing between thel and r channels. this is not an artifact ofthe normalization, which i did using eac's processwave function because of peaks at around 50% (d2)and 35% (discs 1 and 3). i joined all three discsusing wavmerge, normalized in eac, and split tracksusing cdwave., audience, shnid = 98390, source: aud 1st gen reel, jerry moore's copy, lineage: aud cassette master>7" reel @ 7.5 ips, dolby b, mastered: akg d1000e + sony ecm 220>sony tc-152sd, taped by mike mcgraph, technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac, transferred & seeded to ll by rob berger, notes: nice stereo aud alternative to the sbd, ---------------------------------------------------------, - mixed by kevtobin@yahoo.com, - flac conversion 26-feb-2013 - trader little helper, - tagged 26-feb-2013 - tag&rename, ---------------------------------------------------------, multitrack mixdown settings, set one, stereo matrix, sbd -.5, aud -0, set two, stereo matrix, sbd -.5, aud -0, ---------------------------------------------------------, audio patches:, 1) as both versions of harder they come were cut and there was not a soundboard version of roadrunner, i only did the 5 songs that i had parts of. i also used the audience as a timing reference as the soundboard was extremely fast averaging about 1.5 seconds per minute., 2) 11 minutes of harder they come from the soundboard were not used as missing from the audience., 3) between harder they come and you can leave your hat on, 1 minute and 00.075 seconds were missing from the soundboard and was filled using audio from the audience., 4) about 6 minutes into you can leave your hat on, 21.404 seconds were missing from the soundboard and was filled using audio from the audience., 5) between you can leave your hat on and lala, 55.017 seconds were missing from the soundboard and was filled using audio from the audience., 6) between lala and wicked messenger, 1 minute and 03.840 seconds were missing from the soundboard and was filled using audio from the audience., 7) between wicked messenger and every word you say, 1 minute and 42.016 seconds were missing from the soundboard and was filled using audio from the audience., brokedown house production124163    
 legion of mary, soundboard > reel > dat > cdr1 > cdwave > flac, excellent soundboard. my friend pete transferred this from his dat, to these cdrs., according to the jerry site missing last 4 tracks:, la la, wicked messenger, every word you say, roadrunner, even without the last 4 tracks its 137 minutes long!, sample track in comments section, enjoy!; Disc1, Let it Rock 8:36, Reggae Woman 15:47, Favela 13:59, Mississippi Moon 6:20, Tore Up 8:55, I'll Take a Melody 8:43, Dyanamite 10:13, Disc2, Sitting in Limbo 15:12, Mystery Train 11:53, Harder They Come 21:41, Leave Your Hat On 15:49  this is very similar to 11020 in wav and spectral view except levels are lower and that has more songs at the end ***
4/5/75Capitol Theater, Passaic, NJ
 Legion of Mary: partial early show: MSC > played back on Nak Dragon > Apogee A/D 1000 > Panasonic sv3800 (master DAT) > played back on Sony R500 > Sony CDR-W33 (master CD) > HP 9350i extraction using EAC > .shn encoding using mkwACT. EAC>SHN by Jo10977A-  ***
4/6/75Orpheum Theater, Boston, MA
 Legion of Mary: Master Soundboard Cassette> DAT> CDR6372B+in comparison on Ill take a melody, cousinit was fuller sounding than the sbd which was clearer and more upfront but lacks bass which the cousinit has; need cousinit for cuts on this 6372 ***
 LOM, early and late: Jimmy Warburton's MAC (Sony ECM-99As > Sony TC-152SD [Dolby B]) > Sony TC-152SD playback > Teac A2300SD 1st gen reel [Dolby B off] > Pioneer 707 playback > DAT (A>D only) > Soundforge > SHN (By Noah) > SHN >Cool Edit 2000 >88984   ***
 legion of mary, early show, source: mac>c>dat>wav>shn, c>shn conversion by cousinit; Disc 1, 01. How Sweet It Is, 02. Tore Up Over You, 03. Feel Like Dynamite, 04. Freedom Jazz Dance, 05. I'll Take A Melody, Disc 2, 01. Mississippi Moon, 02. Boogie On Reggae Woman, 03. Every Word You Say, 04. Road Runner122862B+the crowd noise at beginning of d1t1 on the cousinit matches to the crowd talk at the beginning of the last song of the late show on 88984 indicating cousinit begins with the last song from the late show and then has the early show; nearby crowd noise on cousinit seems to match to 88984 and both are cut between songs although differently; in comparison on ill take a melody, cousinit is harsher and with more hiss and makes 88984 sound fuzzy and suppressed ***
4/8/75Bottom Line, New York, NY
 Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn enc14207B+  ***
 1007499114091 114091 and 14207 sounded similar; 114091 says it has speed correction ***
4/9/75Bottom Line, New York, NY
 Legion of Mary: early and late shows; SBD (DAT: MSR>1R>P>D>???>CD>SHN); this copy missing reels 3,5 of the Betty Boards; via T. Livingston4485  skipping noise d1t2 5:11 
 Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn enc14606   ***
 Legion of Mary: Betty-Board [reels] > DAT > FLAC file (as reported by D. Oade) > Flac Frontend > CD Wave Editor(tracks) > Flac Frontend > FLAC16. Seeded to bt.etree.org by David Barfield on 9/13/2005.30942   ***
 Legion Of Mary early show; SBD/AUD matrix of 2 previously circulating sources: SBD - (shnid=30942) and AUD - (shnid=14606); edited, mixed and converted by Chris Chappell (Sick Bits vol. 19)35022  hsa some digipops and square wav static and drops***
 LOM, partial late show: MAC (Taped by Ihor Slabicky, Sony ECM-99As > Sony TC-152) > Nak Dragon playback > ART DI/O > WAV > Cool Edit 2000 > sector boundary verification (shntool) > .shn encoding (mkwACT). Transfer by David Minches, documentation by88932B-need this to fill in missing songs from sbd late show; listed songs rate B but as indicated this has severe speed problems on the track named "side 2 fast" which contains the songs listed as missing in the setlist ***
 LOM; flac1644; early and late material, more complete. Lineage: MSR > Cass. x 2 > DAT > CDR > EAC > WAV > TLH > FLAC.118540A-in comparison on mississippi moon, 118540 and 4485 have similar least hiss, then 30942, and then 118486 has the most; 118540 is a little more compressed and harsher than 4485; 4485 has more digital flaws than 118540; 118540 has the most songs; sbd has a more upfront clearer sound than the auds and makes them sound suppressed; matrix 35022 has a fuller harsher sound with more hiss than 118540; so hard to choose between 118540 and matrix 35022; for 118540 still need early aud and late aud 88932 to fill in missing songs; early auds 14606 and 114442 have similar sound that is closer in quality to the sbds than the late aud 88932 ***
 991710114442B+  ***
 flac1644; early show and partial late show; Taped by Betty Cantor Recorded using 2 track 7" reels @ 7.5ips recorded on Nagra SL11183 reel to reel deck / 1st generation 2 track 7" reels @ 15ips recorded on Otari MX5050 reel to reel deck > cass > tascam cd-rw700 > eac (secure, offset corrected) > wav > wavmerge > cdwave (retrack) > tlh > flac1644 (level 8), via Lossless Legs user miogi.118486   ***
4/10/75Bottom Line, New York, NY
 Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn enc14209   ***
 Legion of Mary, Late Show: MAC (Taped by Ihor Slabicky, Sony ECM-99As > Sony TC-152) > Nak Dragon playback > ART DI/O > WAV > Cool Edit 2000 > sector boundary verification (shntool) > .shn encoding (mkwACT). Transfer by David Minches, documentation19391   ***
 LOM; early show; flac2496; Recorded by Jerry Moore; two AKG D1000Es> Sony TC-152. , Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding.117250B+in comparison on every word you say, 14209 and 117250 sounded similar; 117250 has speed correction  
 LOM; late show; flac1644; AUD > Uher 4400 reel master > 1st gen 7" reel @ 3.75 ips, no nr; Transfer: Technics RS-1506 > Tascam HD-P2 24/96 compact flash > PC > Adobe Audition 2.0 (levels) > CD Wave (tracking) > TLH FLAC level 8; Jimmy Warburton copy of Charlie DiSalvo master; Transfer by Rob Berger121745Bin comparison on ill take a melody, 19391 is warmer but more suppressed; 121745 has a fuller sound ***
 LOM; late show; flac2496; AUD > Uher 4400 reel master > 1st gen 7" reel @ 3.75 ips, no nr; Transfer: Technics RS-1506 > Tascam HD-P2 24/96 compact flash > PC > Adobe Audition 2.0 (levels) > CD Wave (tracking) > TLH FLAC level 8; Jimmy Warburton copy of Charlie DiSalvo master; Transfer by Rob Berger121746    
4/11/75The Tower Theatre, Upper Darby, PA
 Legion of Mary: Late Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn enco14608   ***
 Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn enc14607   ***
 flac1644; late show; Recorded by Jerry Moore; 2x AKG D1000E > Sony TC-152. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3112587B+  ***
 early and late shows; apparent derivative of106932B+need 106932 for sbd portions; in comparison on tore up and ill take a melody, 106932 has a fuller clearer more upfront sound than the auds; for aud portion 14607 and 112588 sounded similar except 112588 has speed correction; for aud portion 14608 and 112587 sounded similar except 112588 has speed correction; in comparison on aud portion Last Train from Poor Valley , 106932 has a harsher narrower sound with more hiss than 112588; in comparison on aud portion Mississippi Moon 106932 has a harsher narrower sound than 112587; so listen to the aud portions of those shnids instead of 106932; sbd portions rate B+ while aud portion rates B  
 flac1644; Early Show; Recorded by Jerry Moore; 2x AKG D1000E > Sony TC-152; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition112588B+  ***
4/12/75Masonic Temple, Scranton, PA
 LOM; flac1644; sbd > ? > cassette, unknown gen, Maxell XLII-90, Lot# I1990411; Transfer: Trade cassette > Harmon Kardon TD 302, Dolby off, Heads aligned to tape side > Zoom H2 @16/44.1 > SDHC card > PC > tracked & edited with wavepad > flac level 8 & checksums with traderslittlehelper.118574B+  ***
 LOM; Early show; partial; Soundboard Reel > DAT > CDR > CDWave > Flac; Editing by miogi: flac > tlh > wav > wavmerge > audacity (snaps, crackles, pops) > cdwav > tlh > flac level 8. NB lineage probably incorrect, probable analog and possible PCM generation between master reels and DAT.118788B+in comparison on I'll Take A Melody, 118788 has a clearer fuller sound than 118574; need 118574 for extra song ***
 Legion of Mary: betty board > dat > one track flac (many thanks to doug oade) > flac frontend > cdwav (tracks) > flac.31277A-although 31277 is listed on 4/19/75 with unknown bonus tracks, d1t8 to d2t5 match to all of 4/12/75 4484 in music and 31277 has the less digital flaws than 4484 and 117832; in comparison on mississippi moon, 31277, 117832 and 4484 sound similar while 31479 has a warmer sound with the indicated noise reduction that lessens the hiss but also suppresses the fullness of soundsmall click d2t1 4:17 
 Legion of Mary: late show; SBD (DAT: MSR> 1R> P> D> ZA/2> SHN); d1t2, splice at, 11:52; d2 has 1 track- could burn with 4/19/75 orphan; via T. Langston, T. Livingston;4484  drop d1t3 0:37***
 Legion of Mary, Late Show: sbd > reel > dat > cdr > cdwave > flac > wav > flac.31479   ***
 LOM; late show; flac1644; unknown sbd > ? > TDK DAT > Tascam DA20 playback > Lynx2 > Wavelab7; WeissSaracon for 16bit 44.1kHz FLAC8 SBE Free. DAT via Thrak, Mastering by Jamie Waddell.117832A-t7 seems to match to the early show 118788 t2 in length and sound at the beginning and end of songdigipop t7 5:58; small click t2 4:39; drop t2 4:07***
 early psbd composite 123478, legion of mary, early show (partial), jerry garcia - guitar, vocals, merl saunders - keyboards, vocals, john kahn - bass, martin fierro - saxophone, flute, ron tutt - drums, this is a composite of three previously circulated sbd sources, each of which contains material that the others lack. as of january 2013, this is all of the sbd that circulates for this show., source 1: shnid 118788, soundboard>reel>dat>cdr>cdwave>flac, seeded by miogi, source 2: shnid 117832, fresh transfer of archived sbd dat from thrak, mastering by jamie waddell, tdk dat > tascam da20 > lynx2 > wavelab7, weisssaracon for 16bit 44.1khz flac8 sbe free, source 3: shnid 118574, sbd>?>cassette, seeded by arfarf, unknown gen, maxell xlii-90, lot# i1990411, transfer: trade cassette>harmon kardon td 302, dolby off, heads aligned to tape side>zoom h2 @16/44.1>sdhc card>pc>tracked & edited with wavepad>flac level 8 & checksums with traderslittlehelper, early show, [missing] every word you say, [missing] that's what love will make you do, [missing] wicked messenger, [missing] tore up over you, 01. tough mama (118788 patched with 117832 at 0:49-0:52), 02. wondering why (118788), 03. i'll take a melody (118788), 04. talkin' 'bout you (118574), notes:, (1) the additional lineage in this combination is flac > wav > editing in wavelab elements 7 > wav > flac 8 & sbe removal (tlh). i corrected the dc offset in 118788 and adjusted the volume of the patch in tough mama; otherwise, no changes were applied to the original sources., (2) sources 118788 and 117832 are clearly sourced from the same recording, but they are not identical: in 117832, tough mama cuts before the end, but this source includes the bit missing near the beginning of the tune in 118788--just like two halves of a pirates' treasure map., (3) the third source, 118574, is very different. it might have been taped from an fm broadcast, but there is no documentation of this., (4) there is a very brief tape glitch in talkin' 'bout you at 6:11. no other source for this tune is in circulation., (5) many thanks to everyone who transferred, archived, cleaned up, and shared these three sources. we may not have everything from this show, but without you, we would have nothing!, rob darst, january 2013, 118788 notes:, legion of mary, 4-12-1975, masonic temple, scranton, pa, soundboard>reel>dat>cdr>cdwave>flac, editing: miogi, flac>>tlh>>wav>>wavmerge>>audacity(snaps,crackles,pops)>>cdwav>>tlh>>flac level 8>>flac, early show - partial set, 01. ...tuning... [00:34.36], 02. tough mama [08:34.09], 03. wondering why [16:17.41], 04. i'll take a melody [09:48.52], total [35:14.63], another gem from pete's house. sound on this one is excellent., thanks, mike, 118574 notes:, legion of mary, april 12, 1975, masonic temple, scranton, pa, early show, partial, lineage: sbd>?>cassette, unknown gen, maxell xlii-90, lot# i1990411, transfer: trade cassette>harmon kardon td 302, dolby off, heads aligned to tape side>zoom h2 @16/44.1>sdhc card>pc>, tracked & edited with wavepad>flac level 8 & checksums with traderslittlehelper, transfer by arfarf, january 31, 2012, --45:15--, --missing--every word you say, --missing--that's what love will make you do, --missing--wicked messenger, --missing--tore up over you, 01 tough mama, 02 wonderin' why, 03 i'll take a melody, 04 talking 'bout you, legion of mary:, jerry garcia, merl saunders, john kahn, martin fierro, ron tutt, notes: i received this recording as "filler" on the third tape of gd1976-08-04., on the tape, any between songs tuning or banter has been tightly edited out., other than tough mama, which appears on shnid.117832, i can't find, any of the early show in digital circulation., so, here it is, as it is, in hopes that an upgraded and or more, complete copy surfaces in the near future., 117832 notes:, legion of mary, masonic temple, scranton, pa, 04/12/1975 (late show), fresh transfer of archived sbd dat from thrak, mastering by jamie waddell, tdk dat > tascam da20 > lynx2 > wavelab7, weisssaracon for 16bit 44.1khz flac8 sbe free, 01 let it rock, 02 lala, 03 boogie on reggae woman, 04 mississippi moon, 05 going going gone, 06 mystery train, 07 e- tough mama (rob: this is from the early show, sourced from the same recording as 118788), lineage unknown, some imperfections and dropouts remain, but this seems different than the other sources., i hope listeners sort out the extra song, which sounds to my ears to be the band coming back for an encore, but i could be wrong. happy holidays 2011., *gems*, jg1975-04-12s1t01.flac:123478B+123478 combines prior selections of 118574 and 118788 with fixes ***
4/13/75Kennedy Center, Washington, DC
 Legion of Mary: late show partial; MSR -> 1R -> P -> DATs -> Digi001 -> SHN; via Ryan, Shriver, Dan Metz4483A-  ***
4/15/75Great Southeast Music Hall, Atlanta, GA
 legion of mary, excellent soundboard, soundboard>reel>dat>cdr>cdwave>flac, a very nice soundboard., any help with setlist is appreciated., enjoy, sperry; CD1, Let It Rock, Flute Thing #2, Boogie On Reggae Woman, Mississippi Moon, Going Going Gone, CD2, Mystery Train, Tough Mama(Start of Set 2), Wondering Why, I'll Take A melody, CD3, Think, Freedom Jazz Dance, Feels Like Dynamite, That's What Love..., Mississippi Moon(Filler?) B+this has probably been sound processed; the date is mislabled on this; d1and d2t1 match to music on 04/12/75 late 4484 with this having raised levels with more compression and a different spectral view maybe with noise reduction but has similar hiss but has more digital flaws; d2t2 to d2t4 seems to match music to 4/12/75 early show 118788 but that has more clipping on wondering why than on this and this has more other digital flaws; d3 matches music to d1 of 4/9/75 late 118540 with this having lower levels and more compression ***
4/18/75Arie Crown Theater, Chicago, IL
 Legion of Mary: Mreel> Reel> Pcm> Dat> Cd> Eac> Shn.Very Brief PCM pop before the , begining of Mississippi Moon; [txt/md5s]4482A-  ***
 sbd set2 124315, set 2, legion of mary, shin 4482 + new! final 2 songs: sbd>??>cass>flac., set ii 75:00, 1 tore up over you 13:35, 2 you can leave your hat on 13:15, 3 mississippi moon 10:14, 4 i'll take a melody 10:27, 5 boogie on reggae woman 13:52, 6 talking 'bout you 13:37, comments:, new: final 2 songs from set ii on cass copied in 1981 or 2. pre betty tape, different source than, shin 4482:, t01-04:, source: msr>1r>1pcm>3dat>cd>eac>shn, [ >tlh > flac8 for this version, no other change. -tc3], from ryan at the jerry site. eac and shn conversion by kevin tobin., thanks again ryan for more great jerry. very brief pcm pop before, the beginning of missippippi moon., new:, t05-06: sbd>??>tdk sa-90 nr-out> dragon nr-out>ua-55>usb>audacity>wav24-96>flac16., taperchuck3 mar-apr 2013 thanks to kevin and everyone else enjoy!, lom1975-04-18.sbd.setii.t01.flac:124315A-st5 matches to 4482 for first 4 songs; new last 2 songs are of lower more muffled sound quality with more hiss and rate B+ quality ***
 124466 aud sbd proctor droncit, source 1:, mac> c> c> c> cdr> eac> flac, mono, 1st set & "the harder they come" & alternate "boogie on reggae woman" of 2nd set, unknown taper & equipment, source 2: shnid=4482, msr > 1r > 1pcm > 3dat > cd > eac > shn, first four songs of the 2nd set., source 3: shnid=124315, sbd>??>cass>flac, last two songs of 2nd set, _______________________________________________________________________________________, notes:, i received a cd of this show several years back. the quality was poor and i, put it on the self and forgot about it. it was only recently i ran across the, cd and realized much of the show did not circulate., somewhere in the lineage, someone substituted a degraded copy of the circulating, soundboard source (4482) for the first four songs of the second set and probably, tossed the audience copy of those songs. the audience source picked back up with, "the harder they come" and the cd finished with "boogie on reggae woman". the, jerry site lists the tracks to end the show (206 & 207) as "boogie on reggae woman", & "talkin about you" and does not list "harder they come" as being played on, the 18th. who knows, about all we can tell is that this harder they come does not, match the song from surrounding shows. i decided to leave it in for your enjoyment., recently taperchuck3 & kevin tobin released a soundboard copy of the two final, songs of the second set (124315). i have added these to my copy to make a complete, show. not wanting to toss the audience copy of "boogie on reggae woman", i have, labled it as alt206 and left in the show folder., i handed everything over to droncit to see if his wizardry could make something out, of almost nothing. what you will hear is significantly better than what's on my cd., bill proctor aka germain 4/25/2013, _______________________________________________________________________________________, --set 1--, 101 - let it rock, 102 - la-la, 103 - feel like dynamite, 104 - last train // to poor valley, 105 - tough mama, 106 - sitting in limbo, 107 - i'm a road runner//, --set2--, 201 - tore up, 202 - you can leave your hat on, 203 - mississippi moon, 204 - i'll take a melody, 205 - the harder they come, 206 - boogie on reggae women, 207 - talkin' about you, ______________________________________________________________________________________, ==droncit notes:, i used a paragraphic equalizer to lower some of the boominess in the bass., i added a little clarity to the bass with a virtual valve simulator, but, most of the change from the original was to get rid of some of the bassiness, and loss of high frequencies through equalization. that left a very noisey tape., the tape was mono, and the left channel appeared to be slightly better than, the right, so this is just the left sidespread over both channels., it sounds clearer this way., there may be multiple sources involved (besides the soundboard)., i decided to not use noise reduction because there was so much noise and so, little signal that it would have cut into the music too much. instead, i, used a spectral filter to bring down the noisiest areas by a few db. the, last thing i did was to gain-normalize each track (including the soundboard, tracks, after interpolating the pop in one track) to -1.5 db, and then to, autolevel so that they all sound somewhat similar., _______________________________________________________________________________________, tagging notes:, show information is embedded within the headerof each flac file., it will display on any player capable of directly playing flac files., if converted to wav during processing, all tags will be stripped, however audio data will remain unaffected., if you must transcode to a lossy format, do so directly flac > lossy., use ffp to validate audio integrity., md5 values will change if tagging is altered., b. proctor 4-25-2013, _______________________________________________________________________________________124466B+in comparison on I'll Take A Melody, 124315 and 124466 sounded similar with 124466 having a little higher levels; on Talkin' About You 124315 and 124466 are a close eac match to each other; need 124466 for extra songs; sound quality on source1 is B ***
4/19/75Oriental Theater, Milwaukee, WI
 Legion of Mary: MSR>1R>P>D>ZA/2>SHN; transfer by tsl; d1 t4 cut on master reel; note d2 has 1 track- could burn with 4/12/75 orphan; via langston, tsl4481Ain comparison on every word you say, 4481 has a warmer sound with less hiss than 90015; 90015 has more digital flaws ***
 Legion of Mary: betty board > dat > one track flac (many thanks to doug oade) > flac frontend > cdwav (tracks) > flac.31277 d1t8 to d2t5 match to 4/12/75 4484 in music; setlist is wrong as there is no wicked messengersmall click d2t1 4:17***
 LOM: Betty Board MSR > PCM > DAT x ?; Cloned: From Dr. Bruce Fried 06/03/1996 Casio DA-7 > Panasonic SV-3700; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a; Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC; Transfer and Ma90015  drop d2t4 8:58 plus some more harder to hear ones***
4/20/75Capitol City Theater, Madison, WI
 Legion of Mary: MSC > played back on Nak Dragon > Apogee A/D 1000 > Panasonic sv3800 (master DAT) > played back on Sony R500 > Sony CDR-W33 (master CD) > HP 9350i extraction using EAC > .shn encoding using mkwACT. EAC>SHN by Joe Jupille.10979A-in comparison on ill take a melody, 10979 and 31502 sound similar; 31502 has more digital flaws than 10979 ***
 Legion of Mary: MSR > DAT > CDR > CDWAVE > Flac, seeded to Dimeadozen.31502  drops between tracks; light static d3t1 9:52***
5/9/75The Generosity, San Francisco, CA
 flac1644; MOTB 0144; Taped by Robert Castelli; Sony ECM 270's > Sony TC 152 MAC (2 x Maxell UD C90'S); Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Transfer By: Bob Menke; Maste107829B+  ***
5/15/75Great American Music Hall, San Francisco, CA
 Legion of Mary: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [upfront but not onstage] > Sony TC-152) >, DATx1 > CDx1 > EAC > CDx1 > EAC > SHN8655   ***
 LOM; Flac16: Sony ECM-250 + Sony ECM-270 => Sony TC-152 >> MAC >>Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB:002797888B+in comparison on every word you say, 97888 has a little clearer warmer sound and does not have the spot of static noted on that one ***
 LOM; Flac24: Sony ECM-250 + Sony ECM-270 => Sony TC-152 >> MAC >>Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB:0027.97889    
 legion of mary, excellent audience, sample clip in comments section below., another jem from pete's house. he has about 100 legion shows and i, usually pick a few at random. this is an excellent sounding recording., these guys knew this room and how to set up mics., the setlist is basically full of 15 to 20 minute jams., 170 aud : mac>dat>cd, notes: missing tore up over you and how sweet it is, beginning of jam #5 is cut., taper: bob menke and louis falanga, original equipment: sony ecm-270 and ecm-250 mics blended, > sony tc-152 cassette deck. recorded fob (front of board), enjoy; CD1, Jam #5, Every Word You Say, I Feel Like Dynamite, Wicked Messenger, Day By Day, CD2, Mystery Train, Set 2, I'll Take A Melody, You Can Leave Your Hat On, Little Sunflower, CD3, Neighbor, Neighbor, Boogie On Reggae Woman  has same wav and spectral view and levels as 8655 and same digital flaws but does not have the drop that has at beginning of d2t2 ***
5/21/75Keystone, Berkeley, CA
 Legion of Mary: SBD>15 ips reel>15ips reel> DAT> Sony R500> Genesis Digital Lens>, Fostex CR200> CD> WAV(EAC)> SHN; How Sweet It Is cut on master reel; via Tom, Livingston; different mastering from4479A-in comparison on Last Train From Poor Valley, sbd 4479 has clearest sound then, mtx 87149, and then aud 87086 ***
 LOM: flac16: MOTB Release: 0043 16bit/44.1Khz; Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga, Transfer: Bob M87086   ***
 flac24: MOTB Release: 0043 24bit/96Khz. Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Ma87133    
 flac16 LOM: Patched and speed correction of SBD reel source (shnid 4479) with the MOTB transfer of the Menke-Falanga aud, via Kevin Tobin.87149    
 LOM: flac16 MOTB Release: 0050 16bit/44.1Khz; MATRIX of 15 ips sbd reel and MOTB transfer of Menke-Falanga FOB aud sources. Matrix Mastering: Kevin Tobin.87219   ***
 legion of mary, source:sbd>master reel>dat>wav>shn; Disc 1 - Set 1, 1. The Touch I Like 12:44, 2. I Feel Like Dynamite 14:23, 3. Last Train From Poor Valley 11:29, 4. Finders Keepers 13:19, 5. Tough Mama 9:49, 6. That's What Love Will Make You Do 11:55, Disc 2 -Set 2, 1. I'll Take a Melody 10:14, 2. You Can Leave Your Hat On 16:59, 3. Mississippi Moon 8:58, 4. The Harder They Come 21:13, 5. Creepin' Instrumental 13:34, 6. How Sweet It Is (cut) 2:57  has same wav and spectral view and levels as 4479 with same digital flaws ***
5/22/75Keystone, Berkeley, CA
 LOM, Ip/IIp: MSR (Betty Cantor, 7" reels @ 15ips) > PCM > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > normalization & slight editing (Sound Forge Studio 6.0) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn89046A-in comparison on He Ain't Give You None, 89046 has a clearer more upfront sound than 87091; need 87091 for most of show ***
 LOM: flac16: MOTB Release: 0044 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mas87091A-  ***
 flac24: MOTB Release: 0044 24bit/96Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke, Mastering87156    
5/30/75Golden Gate Park, San Francisco, CA
 Diga Rhythm Band: Master Soundboard Reel > Cassette > Reel > CD > Ultra Safe Mode in Wavelab 6.0 at 32bit float/44.1kHz for Montage Adjustments. Source from Steve Martin-Editing and Mastering on the GEMS Edit Station by Jamie Waddell.88980A-same md5 as 89099  
 diga rhythm band, msr>c>r>cdr>eac>flac, 32:43, with jerry garcia and david freiberg ; 1 Sweet Sixteen, 2 talking, 3 Fire On the Mountain (Happiness is Drumming)  88980 has a brighter sound than this so this seems more suppressed  
6/3/75Keystone, Berkeley, CA
 Legion of Mary: Sony ECM-270 + sony ECM-250(on Stage) > Sony TC-152> Mcas> Dat>, Cdr. It Take a lot to laugh cuts in. Major cut at 2:28 level fluctations at 2:56. 1st few notes of, Dynamite may be missing [txt/md5s]4477   ***
 LOM: MOTB Release: 0045 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek87198B+in comparison on how sweet it is, 87198 has a warmer sound than 4477 ***
 LOM flac24: MOTB Release: 0045 24bit/96Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; M87217    
6/4/75Keystone, Berkeley, CA
 Legion of Mary: Sony ECM-270 + sony ECM-250(on Stage) > Sony TC-152> MReel> Dat>, Cdr. Crackle during Think @ :32, L channel drop 10:25-10:42, mystery Train splice @8:13 , and i'll take a Melody Fades In. [txt/md5s]4476   ***
 LOM: flac16: MOTB Release: 0046 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering87204B+in comparison on every word you say, 87204 has a fuller warmer clearer sound than 4476 ***
 LOM: flac24 MOTB Release: 0046 24bit/96Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: D87234    
6/6/75Dominican College, San Rafael, CA
 Garcia, Hart, Lesh & Lagin: MS? > DAT > CDR > EAC > WAV > SHN.13994A-  ***
6/8/75El Camino Park, Palo Alto, CA
 Legion of Mary: MAC > DAT > CD > EAC > SHN. Recorded by David Gans, Sony ECM-? > Sony TC-152.9706Bin comparison on Last Train From Poor Valley, 9706 has the warmest sound, then 81310, and then 89915; 9706 has most echo and sounded slow; 89915 lacks bass as indicated; so may choose 81310 as alternate to 9706 ***
 LOM: Bob Menke & Louis Falanga FOB MAC w/ Sony ECM-250 & Sony ECM-270 > Sony TC-152 > WAV > CD-R > EAC > WAV > FLAC.81310B  ***
 LOM, flac24 MOTB Release: 0061 24/96; Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = Maxell UD C90; Analog Lineage: 1 x Sony ECM-270 + 1 x Sony ECM-250 => Sony TC-152 >> MAC; Analog Sound Preservation: MAC >> Nakamichi90032    
 LOM, flac16 MOTB Release: 0061 16/44.1; FOB Master Cassettes (MAC), Medium Stock Brands: MAC = Maxell UD C90; Analog Lineage: 1 x Sony ECM-270 + 1 x Sony ECM-250 => Sony TC-152 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-10089915   ***
6/18/75Great American Music Hall, San Francisco, CA
 LOM, partial: Gene Taback's MAC (Sony TC-124 w/ built-in mic [model number 46-99S]) > Nakamichi Dragon playback > Digital Audio Labs CardDeluxe (24/96) > Edited, dithered and downsampled to 16/44.1 in Adobe Audition 2.0) > Shntool > Flac. Transfer by88823B  ***
6/21/75Keystone, Berkeley, CA
 Legion of Mary: Sony ECM-270 + sony ECM-250 (on Stage) > Sony TC-152> MReel> Dat> Cdr.; , [txt/md5s]4475  d1t4 2:40 has drop/static***
 LOM, partial: MSR (Betty Cantor, 7" reels @ 15ips) > PCM > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > normalization & slight editing (Sound Forge Studio 6.0) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .sh89228B+in comparison on every word you say, 89228 is easiest to hear while the auds are much more muffled; 4475 and 87222 sounded similar to each other but 4475 has more digital flaws; need 87222 for most of show ***
 LOM:flac16 MOTB Release: 0047 16/44.1; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie87222B+  ***
 LOM: flac24 MOTB Release: 0047 24/96; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie W87223    
6/22/75Keystone, Berkeley, CA
 Legion of Mary: MAC (Bob Menke and Louis Falanga's onstage Sony ECM-270 + Sony ECM-250 > Sony TC-152) > DATx1 > CD/0 > EAC > CD/1 > EAC > SHN12558   ***
 LOM, partial: MSR (Betty Cantor, 7" reels @ 15ips) > PCM > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > normalization & slight editing (Sound Forge Studio 6.0) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .sh89229B+in comparison on Last Train From Poor Valley, 89229 has an easier to hear sound than the auds; 87236 has a little warmer sound than 12558; need 87236 for most of show ***
 LOM: flac16 MOTB Release: 0048 16/44.1; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek87236B+  ***
 LOM: flac24 MOTB Release: 0048 24/96; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek M87237    
7/4/75Great American Music Hall, San Francisco, CA
 Set II matrix: sbd 70%/aud 30% (-5 decibels), from105594   ***
 Legion of Mary: mSR> cass> DAT; via Darrin Sacks4474  square wav static d1t1 7:07; drop/cut d2t5 7:58***
 Legion of Mary: SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC , , *** This version includes the missing 2 songs not include with the previously circulating copy6633A-in comparison on mississippi moon, for sbds 6633 and 4474 sound similar to each other while 91477 has less hiss and less fullness through noise reduction; 6633 has more songs than 4474; need aud 91465 to fill in missing portions from sbd which are listed in the patches description on 91477; the aud is warmer but more distant sounding; in comparison on every word you say, the mtx 91476 and 105594 were in between the sound of the aud and sbd;square wav static d1t1 7:07; drop/cut d2t5 7:58***
 LOM flac16 MOTB Release: 0067 16/44.1; Reinhart Hohlwein FOB Master Cassette (MAC), 2 x Sony ECM-280 > Sony SD 152; Nakamichi DR-8 playback > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg MR-1000 > Korg AudioGate > WAV [24/96]; Transfer by: Bo91465B+  ***
 LOM; flac16; Matrix 2 Source Mix - SBD (shn id 6633) SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC + AUD (shn id 91465) MOTB Release: 0067 16/44.1; Reinhart Hohlwein FOB Master Cassette (MAC), 2 x Sony ECM-280 > Sony SD 152; Nakamichi D91476   ***
 LOM; flac16; pitched/patched SBD (shn id 6633); SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC - patches and speed correction by Kevin Tobin.91477  discontinuity pop d2t1 9:28***
7/6/75Keystone, Berkeley, CA
 flac1644; MOTB 0146; Robert Castelli's Sony ECM 270's >> Sony TC 152sd >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [> flac1644]108018B+  ***
8/20/75Great American Music Hall, San Francisco, CA
 flac1644; Keith & Donna Band, complete; 2 x Sony ECM280's >> Sony TC 152SD  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] ... flac1644.106912B+etree ids are 106912 is for keith and donna and 107746 is for garcia ***
 Keith & Donna Band, probably set I only: MSC>1 Reel > DAT > CDR > WAV > SHN; Shn converted with Mkw by Robert Goetz.21672A-   
 rmsbp, 60m, 2cdr, 86min, reel master sbd>beta>pcm?, dat trade > otari cdr-18 > cdr > eac > wav > flac;, exellent sound, has some occasional very faint crackling/pops;; CD1 1 intro 2 Tough Mama, 3 My Love For You, 4 Straight Life (cut), 5 straight life (after the cut) CD2 1 Come See About Me, 2 How Sweet It Is (To Be Loved By You), 3 Showboat;, Keith and Donna Band (Keith Godchaux, Donna Godchaux, Jerry Garcia, Matt Kelly, Bill Kreutzmann, Ray Scott, Mike Larsheid, Steve Shuster). A-in comparison on how sweet it is 21672 seemed fast and was not as warm; this also allows one to hear more of the between song tuning and talk; 21672 and this have same cut in straight life but this comes back with what looks like an 80 second overlap); 21672 is needed for more songs in sbd quality; aud 106912 is less upfront and less clear than the sbds and is needed for extra songs  
8/30/75The Orphanage, San Francisco, CA
 MSR (Sony deck) > 1 reel (Black Maxell UDXL35-90B @ 3.75ips) > AKAI GX-625 playback > Copperhead audio cables > Apogee Mini Me (24/96) > Apogee Mini DAC (Monitoring/Mastering) > Wavelab 5.0 (dithered to 20 bit/44K) > CD > EAC > CDWave > FLAC. Di91759B-91765 has matching ffp; instruments are sometimes up to B+ quality while vocals are mainly at B- quality as more muffled with distortion  
9/xx/75Studio Rehearsals w/ Nicky Hopkins
 JGB; flac1644; SB UNKNOWN LINEAGE > REEL > EDIROL USB UA-1EX AUDIO INTERFACE >, COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC, via Dave Tamarkin.121425Bvocals low, bass and drums are loud, some hiss ***
9/18/75Sophie's, Palo Alto, CA
 Jerry Garcia Band: MAC > 2 Reel > DAT > CDR > EAC (secure) > SHN17219   ***
 flac1644; MOTB 147; Robert Castelli's 2 x Sony ECM 270's >> Sony TC-152SD  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [> flac 1644]108270B+17219 is more muffled than 108270 ***
9/20/75River City, Fairfax, CA
 Source: MA>C3>DAT>WAV>SHN. Mics and taper unknown., Cassette > DAT by Jim Powell. , DAT > WAV recording/editing > SHN by Chris Ladner.23739   ***
 flac1644; MOTB 0154; Robert Castelli's 2 x Sony ECM 270's >> Sony TC-152SD  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [> FLAC1644]. Transfer By: Bob Menke. Mas109216B23739 seems a little more suppressed than 109216; 109216 has more songs ***
10/8/75Del Mar Theater, Santa Cruz, CA
 JGB, fragment: MSR (Baked reels "last run" transfer 44.k [about 1993] > DATx2 > M-1 > 7-pin > Co2 > SB Live > CDWav > FLAC. Had been included as filler on shnid 15849 (baked sbd reels source for 12/20/75), listed here separately without other chang88933A-   
10/10/75Flint Center, De Anza College, Cupertino, CA
 flac1644; MOTB 0155; Robert Castelli's 2 x Sony ECM 270s >> Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [>> FLAC1644]. Transfer By: Bob Menke; Ma109442B+  ***
10/11/75Keystone, Berkeley, CA
 Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN8658   ***
 Jerry Garcia Band: MSR @ 15 ips > 1 reel @ 7.5 ips > Sony PCM 501 > unknown PCM/Beta gens > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC.31213A-in comparison on mission in the rain, 31213 has a little clearer fuller harsher sound with a little less hiss than mtx 105413 but they are close in sound; the auds are less full sounding and both have more hiss with 8658 having most hiss and a harsher narrower sound with a humm when compared to 105508 ***
 flac1644,MOTB Release: 0113 16/44.1 (MATRIX); Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x Maxell UD C90; Analog Lineage: Sony ECM 250 & ECM 270 >> Sony TC 152SD >> MAC; Analog Sound Preservation: MAC >105413   ***
 flac1644: MOTB Release: 0113 16/44.1; FOB Master Cassettes (MAC), Medium Stock Brands: MAC = 2 x Maxell UD C90; Analog Lineage: Sony ECM 250 & ECM 270 >> Sony TC 152SD >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-105508   ***
10/12/75Keystone, Berkeley, CA
 Jerry Garcia Band: AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 +, Sony ECM-250 [onstage] > Sony TC-152) > DATx1 >CD > EAC > CD > EAC > SHN via Jack Warner7669B+  ***
10/17/75Concord Pavillion, Concord, CA
 Jerry Garcia Band: Sbd>Mreel>PCM>Dat, 4471   ***
 Jerry Garcia Band: MSR > PCM > D > CD (+ last two songs presumably from MSR > R > P > D > CD, per11107A-4471 is a sort of close eac match to 11107 with same digital flaws; in comparison on catfish john, 90056 sounds similar with the indicated higher levels and has pasted over or snipped the indicated drops on 11107; need 11107 for the extra songs;drop/static d1t1 0:12, drop d1t4 7:49. d2t4 6:42, d2t8 0:23***
 JGB, incomplete: MSR > PCM > DAT x ?; Cloned: From Dr. Bruce Fried 06/03/1996 Casio DA-7 > Panasonic SV-3700; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a @ [16/48]; Mastering with: iZotope Ozone 3 > dithered to [16/44.1] > CD90056A- cut t4 8:10***
 sbd 124528, source: unknown dat sbd, jerry garcia - guitar, vocals, john kahn - bass, nicky hopkins - keyboards, vocals, ron tutt - drums, 01. tuning - nicky filling time, 02. girl from mill valley, 03. money honey, 04. catfish john, 05. tuning, 06. that's what love will make you do, 07. tuning, 08. i'll take// a melody, 09. tuning, 10. no more changes, 11. tuning, 12. mississippi moon, 13. tuning, 14. tough mama, 15. tuning, 16. lady sleeps no time, 17. mystery train//, bonus, jerry garcia band, 1975-10-11 keystone, berkeley, ca, 2nd set opener, 18. tuning, 19. let it rock124528 in comparison on catfish john, 124528 is a little harsher with slightly more hiss than 11107; need 124528 only for the extra t1, t2, and t7 not on the others; the bonus track t18 and t19 were similar in wav and spectral view to 31213 except this 124528 has much lower levelsdrop t1 0:14, t8 7:49; digipop t6 3:19, t14 4:49***
10/22/75Wolsey Hall, Yale University, New Haven, CT
 Unknown Audience Recording, Unknown Generation. Transfer: Tascam MKII >> Korg MR1000 at 1bit/5.6mHZ. Korg AudioGate Software for DSD >> PCM WAV at 32bit float/44.1kHz. Editing and Mastering by Jamie Waddell on the **GEMS** Edit Station. Weiss Saracon100623B  ***
10/23/75Palace Theater, Providence, RI
 Jerry Garcia Band: FOB MAC (taped by Jimmy Warburton, 20th row center, Sony ECM-99 stereo mic > Sony TC 152SD master cassette [Dolby B]) > playback on Sony TC152SD > Teac A2300SD 1st gen reel [Dolby B off] > playback on Akai GX-4000D > Teac AN-80 Dol12858B+in comparison on catfish john, 97939 is more upfront but is suppressed by noise reduction; 12858 has a fuller better sound ***
 JGB: Unknown equipment (likely Sony recorder) > Maxell UD-90 normal bias cassettes. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-8 (Dolby on) > Edirol FA-66 > WaveLab > , R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. March 2009.97939   ***
10/24/75Orpheum Theater, Boston, MA
 JGB, Early and Late Shows: MAC > DAT > 2CD > EAC > SHN. Steve Rolfe's MAC (front row balcony, Sony ECM 99a's > Sony TC-152, Maxell UD-C90 master cassette) > playback on Nakamichi BX-300 > Sony PCM R-500 > HHb-800 > HHb-800 > EAC > SHN encoding10711   ***
 Jerry Garcia Band: Early & Late shows: FOB MAC (taped by Jimmy Warburton, Sony ECM-99 stereo mic > Sony TC 152SD master cassette [Dolby B]) > playback on Sony TC152SD > Teac A2300SD 1st gen reel [Dolby B off] > playback on Akai GX-4000D > Teac AN-8012857   ***
 JGB, early and late shows: Steve Rolfe's MAC (Sony ECM-99 Stereo mic > Sony TC-152 [Maxell UDs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches.34730B+  ***
 JGB, early show: probable MSC (TDK SD90) > 20-bit transfer via TC2000 > SBM2 CD dump > CD clone > extraction (EAC v0.95 beta 4) > FLAC encoding (FLAC Frontend v1.7.1 etree addition) > decode > tracking (CD Wave) > pitching and patching (see notes)76113A-in comparison on they love each other; the sbd 76113 was more upfront and fuller than the mtx 89504; the auds 10711 and 34730 are fuller but more distant than 12857; 34730 was warmer than 10711 and 10711 had more hiss and fuzzier sound ***
 JGB, early show: flac16; Matrix 3 Source Mix - SBD (shn id 76113) probable MSC (TDK SD90) > 20-bit transfer via TC2000 > SBM2 CD dump > CD clone > extraction (EAC v0.95 beta 4)> FLAC encoding (Source CDs from David Gans, editing by BCP) + AUD1 (shn89504   ***
10/27/75Bailey Hall, Cornell University, Ithaca, NY
 JGB: MAC (Unknown Taper and Equipment) > 2C; Transfer and FLAC encoding by David Minches: 2nd Generation Cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac.80296B-has a brief robert hunter acoustic at end of d2t1 ***
10/28/75Beacon Theater, New York, NY
 Jerry Garcia Band: Late Show: MAC (Recorded by Jerry Moore, AKG 1000e's (floor center section, halfway back) > Sony TC-152 master cassette > DAT > CD > EAC > SHN.11282B  ***
 flac24 2.48gig; b aud cooper berger 125512 24, 8 late show, source: aud cassette master, taped by jim cooper, sony ecm22p's > hitachi trq-232, maxell ud-c90's, nak dragon > benchmark adc1 24/96 >, hd-p2 > adobe audition cs6 > flac, transferred & seeded by rob berger 2013, 01 - tore up over you, 02 - they love each other, 03 - every word you say, 04 - that's what love will make you do, 05 - positively 4th street, 06 - pig's boogie, 07 - siting here in limbo, 08 - tough mama, 09 - mississippi moon, 10 - i'll take a melody, 11 - that's alright mama, jgb1975-10-28bt01.flac:125512B   
 b aud cooper berger 125513, late show, source: aud cassette master, taped by jim cooper, sony ecm22p's > hitachi trq-232, maxell ud-c90's, nak dragon > benchmark adc1 24/96 >, hd-p2 > adobe audition cs6 > 16/44.1 > flac, transferred & seeded by rob berger 2013, disc one: 45:50, 01 - tore up over you, 02 - they love each other, 03 - every word you say, 04 - that's what love will make you do, 05 - positively 4th street, disc two: 65:05, 01 - pig's boogie, 02 - siting here in limbo, 03 - tough mama, 04 - mississippi moon, 05 - i'll take a melody, 06 - that's alright mama, jgb1975-10-28bd1t01.flac:125513 in comparison on Every Word You Say, 125512 has a fuller warmer sound with less distortion in the vocals than on 11282 ***
10/30/75Queens College, New York, NY
 JGB: Gerry Moskal's Sony Stereo ECM mics > SONY TCD126; Location: "A Sweet Spot"; Analog Lineage: Gerry Moskal Master Cassette Transfer > RR > Cassette; Transfer/SHN Conversion: Brian Mandel Cassette Transfer Nakamichi BX300 > Macintosh > Peak Bias >92780B  ***
 124248, source: aud cassette master, taped by jim cooper, sony ecm22p > hitachi trq-232, maxell ud-c90's, no nr, nakamichi dragon > benchmark adc1 24/96 >, pc > adobe audition 2.0 > cd wave > flac, transfer & seeded by rob berger 3/13, disc one: 73:49, set i, 01 - let it rock, 02 - sugaree, 03 - that's alright mama, 04 - catfish john, 05 - pig's boogie, 06 - i'll take a melody, 07 - money honey, disc two: 73:15, 01 - roadrunner, set ii, 02 - it's no use, 03 - russian lullaby, 04 - that's what love will make you do, 05 - friend of the devil, 06 - waltzing matilda, 07 - mission in the rain, 08 - mystery train, disc three: 36:19, 01 - the night they drove old dixie down, 02 - let's spend the night together >, 03 - edward the mad shirt grinder, notes: smokin' hot show and a, brilliant capture by jim cooper., jgb1975-10-30d1t01.flac:124248B+in comparison on sugaree, 124248 has a fuller warmer sound with less hiss than 92780 ***
 flac2496 4.07gig; 124251 2496, <<24 bit/96>>, source: aud cassette master, taped by jim cooper, sony ecm22p > hitachi trq-232, maxell ud-c90's, no nr, nakamichi dragon > benchmark adc1 24/96 >, pc > adobe audition 2.0 > cd wave > flac, transfer & seeded by rob berger 3/13, set i, 01 - let it rock, 02 - sugaree, 03 - that's alright mama, 04 - catfish john, 05 - pig's boogie, 06 - i'll take a melody, 07 - money honey, 08 - roadrunner, set ii, 01 - it's no use, 02 - russian lullaby, 03 - that's what love will make you do, 04 - friend of the devil, 05 - waltzing matilda, 06 - mission in the rain, 07 - mystery train, 08 - the night they drove old dixie down, 09 - let's spend the night together >, 10 - edward the mad shirt grinder, notes: brilliant!, jgb1975-10-30s1t01.flac:124251    
10/31/75The Tower Theatre, Upper Darby, PA
 Source: AUD > cassette(x) > CDR > WAV > SHN. CDR source via H.Angus. SHN encoding via C.Ladner.19811   ***
 Jerry Garcia Band: Late Show: MAR > R?> DAT > CD > EAC > SHN. Recorded by Charlie Disalvo (about 20th row, center section, left side), Shure Unidyne 4s (above head-level on a spreader bar) > Uher 4400 (5", 1800' BASF reels @ 7.5 ips). There may be9267B+  ***
 JGB, early show: AUD > ? > Maxell XL290(no Dolby) > Nak CR3A > HP computer > Sound Forge > CD Wave > Flac, transferred and seeded by John Moses.85634Bin comparison on every word you say, 85634 has a fuller sound than 19811; as indicated this has a nice full sound for an aud of this period with the hiss ***
 JGB, late show: unknown audience tape > 1st gen cassette > Nakamichi Dragon playback > ART DI/O > Cool Edit 2000 > CD/0 > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (Sound Forge Studio 6.0) > sect88934B+in comparsion on friend of the devil, 9267 has a narrower sound than 88934; need 9267 for the missing songs from 88934 ***
11/1/75Capitol Theater, Passaic, NJ
 JGB, early & late shows: Ihor Slabicky's MAC (AKG d190e mics > Sony TC-152SD [Ampex 90m HF]) > Nakamichi CR-3A playback > Lucid AD9624 24 bit A/D converter (44.1 kHz) > DAT (Sony R500) > CD > FLAC via GEMS.89458B  ***
11/2/75Constitution Hall, Washington, DC
 JGB, set I: MAC > 7" reel @ 7.5 ips (no nr) > Sony TC-850 playback > sbm1 > cdr > audobe audition 2.0 > cd wave > flac. Transfer of Don Grossinger's reel by Rob Berger 2005.83118   ***
 JGB: MAC > CD > FLAC, via GEMS.89459Bin comparison on catfish john, 89459 has a fuller sound than 83118 ***
11/8/75Keystone, Berkeley, CA
 Jerry Garcia Band, set II only: MA? > ? > CD > EAC > SHN. Note added 4/2005: Had been listed as a sbd, but is almost certainly an excellent audience recording.14041 14041 is lossy as if from mini-disk ***
 flac1644; MOTB 151; Robert Castelli's 2x Sony ECM 270's >> Sony TC-152SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [>> FLAC1644]. Transfer By: Bob Menke. Mast109001B+in comparison on friend of the devil, there was not consensus on whether 109001 or 14041 has fuller sound; 14041 is lossy versus what looks like noise reduction on 109001; however 109001 has more songs and 14041 has a weird sound to it ***
11/17/75Keystone, Berkeley, CA
 JGB; flac1644: 2 x Sony ECM-270 > Sony TC-152 >> MAC >> Nakamichi CR7a > Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 > Korg AudioGate >> WAV [24/96] >> MOTB.0078. Taped By: Reinhart Hohlwein. Transfer By: Bob Me94376Bsome of this is B+ but other times the vocals are not as good ***
 Jerry Garcia Collection, Vol. 2, Let It Rock$Aneed 94376 for the missing songs ***
11/18/75Keystone, Berkeley, CA
 Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN8656Bsome of this is B+ but other times the vocals are not as good like on tough mama ***
 Jerry Garcia Collection, Vol. 2, Let It Rock$Aneed 8656 for the missing songs  
11/22/75St. Paul Civic Center, St. Paul, MN
 Jerry Garcia Band, partial 1st set: AUDMC > ? > WAV > SHN20552Bhas full bright sound but with hiss ***
11/23/75Macky Auditorium (University of Colorado), Boulder, CO
 JGB: MAC > ? > CDR > EAC > SHN (unknown lineage) sounds like at least 1 cass gen. some loud audience chatter.28367Bsuppressed soundingdrops between tracks***
11/29/75Keystone, Berkeley, CA
 JGB: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN8657B+in comparison on catfish john, 8657 has a fuller sound with more hiss than 101106 which looks like it has noise reduction ***
 flac1644: MOTB Release: 0092 16/44.16. Analog Audience Source: FOB Master Cassettes (MAC). Medium Stock Brands: MAC = 2 x Maxell UD c90. Analog Lineage: 2 x Sony ECM-280 (Directly In front of Jerry Hand held 10ft back) >> Sony TC-152 >> M101106   ***
 flac2496: MOTB Release: 0092 24/96. Analog Audience Source: FOB Master Cassettes (MAC). Medium Stock Brands: MAC = 2 x Maxell UD c90. Analog Lineage: 2 x Sony ECM-280 (Directly In front of Jerry Hand held 10ft back) >> Sony TC-152 >> MAC,101107    
12/17/75Keystone, Berkeley, CA
 Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN8662Bin comparison on catfish john and friend of the devil, 8662 has a fuller harsher sound with more hiss and makes 101131 sound suppressed; but could choose either; sometimes sound is B+ or better but vocals are off other times ***
 flac1644 MOTB Release: 0093 16/44.1. Analog Audience Source: Aud Master Cassettes (MAC). Medium Stock Brands: MAC = 2 x Maxell UD. Analog Lineage: 2 x SONY ECM-280 (directly in front of Jerry hand held at 10ft.) >> Sony TC-152 >> MAC. Anal101131   ***
 flac2496 MOTB Release: 0093 24/96. Analog Audience Source: Aud Master Cassettes (MAC). Medium Stock Brands: MAC = 2 x Maxell UD. Analog Lineage: 2 x SONY ECM-280 (directly in front of Jerry hand held at 10ft.) >> Sony TC-152 >> MAC. Analog101132    
12/19/75Winterland Arena, San Francisco, CA
 Jerry Garcia Band: AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 +, Sony ECM-250 [mic placement unknown] > Sony TC-152) >, DATx1 > CD > EAC > CD > EAC > SHN8114   ***
 Jerry Garcia Band: MSR > Reel > PCM > DAT > CD [> SHN].14986 matches in length and cuts to what was later streamed at wolfgangsvaultreported to have an mp3 generation in it; has lossy spectral view plus drops between tracks typical of mp3***
 Jerry Garcia Band: SBD >> MR >> REEL >> PCM >>> DAT >> CDA >> Wav(EAC) >> FLAC.31625 31625 seems to match to lossy 14986 in wav and spectral view except levels different, this is not lossy, and this is not editted to remove some of the between song time ***
 Jerry Garcia Band: Bertha Remaster of the Master Reel/Reel MP3 Free source (SHN ID31779A-in comparison on catfish john, bertha 31779 has the fullest sound as has some more bass and brightening than 31625 which is warmer sound; matrix 88527 is more echoey and distant than those sbds; aud 93039 is more echoey and distant than the matrix; 8114 ia more blairy with a little more hiss than 93039d1t1and d1t5 have some spots of static and there are some pops***
 JGB: MSR (Nagra 1/2 track @ 7 1/2ips) > 1st gen reel reel (Otari 1/2 Trac @ 7 1/2ips) > cassette (Nakamichi BX300 ‘no dolby’, MaxellXLIIS90) > Nakamichi CR3A ‘no dolby’ > Hp Computer > Sound Forge > CD Wave > Flac8, via John Moses.85642 85642 has similar sound to 31625 except 85642 has more hiss ***
 JGB: sirmick matrix of MSR>R>C>CD source and Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 MAC>D>CD source.88527   ***
 JGB, flac16: pitched & patched sbd; primary source: master soundboard reel > 1 Reel > PCM > DAT > CD > Dime A Dozen secondary source for splices between the songs: Bob Menke cassette master: Sony ECM-270 or ECM-250 mics > Sony TC-152 cassette deck >96588 sbd source seems to match to lossy 14986 in wav and spectral view except levels are different ***
 JGB, flac1644: 2 x Sony ECM-270 => Sony TC-152 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> MOTB.0075; Taped By: Reinhart Hohlwein; Transfer By: Bob93039   ***
 JGB: MSR > Cass > WMA > CDR > EAC > Cool Edit Pro 2.1 > WAV > FLAC., 93992 93992 is lossy and lossier than 14986 and is more muffled with less natural sound ***
 JGB, flac24: 2 x Sony ECM-270 => Sony TC-152 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. MOTB.0075. Taped By: Reinhart Hohlwein. Transfer By: Bob Menke94390    
 flac 407meg; from wolfgangsvault.com concert archive 12/06, internet radio stream (1411 kbit/sec average) > total recorder > 44k 16bit wav > cooledit2000 for breaking into tracks, not much above 16k, stereo, has short silence between tracks, whole show is one track; # of Tracks: 9, Total Time: 90:53, TrackTime, Sugaree10:49 Catfish John11:47 That's What Love Will Make You Do11:37 Sitting In Limbo12:55 Lady Sleeps8:46 Mystery Train9:10 I'll Take A Melody14:06 Pig's Boogie5:45 Mission In The Rain5:58    ***
12/20/75Winterland Arena, San Francisco, CA
 Keith & Donna Band: MAC > ? > CD > EAC > SHN.12493B+jerry joins in on keith and donna's set and sings on scarlet begonias  
 JGB: SBD > Rm > Reel > PCM > Dat > CD > EAC > Shn. Most likely a re-shn of 14929.83306 14929 is a close eac match on d1t1 and d2t2 to 83306 with same digital flaws and lossiness ***
 Jerry Garcia Band:sdb>Mreel>1r>P>Dat>Cdr, 4469  pop t5 1:05***
 Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [mic placement unknown] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN8663   ***
 Jerry Garcia Band: MSR > 1R > PCM > DAT > CD [ > SHN].14929 d2t1 and d2t2 are lossy; this is a close eac match on d1t1 to 4469pop d1t5 1:05***
 Jerry Garcia Band: Baked soundboard reels "last run" transfer 44.k (about 1993) > DAT x 2 > M-1 > 7-pin > Co2 > SB Live > CDWav > FLAC.15849  pop d1t5 0:59***
 JGB: MSR (Nagra 1/2 track @ 7 1/2ips) > 1st gen reel reel (Otari 1/2 Trac @ 7 1/2ips) > cassette (Nakamichi BX300 ‘no dolby’, MaxellXLIIS90) > Nakamichi CR3A ‘no dolby’ > Hp Computer > Sound Forge > CD Wave > Flac, via John Moses.85643   ***
 JGB, flac16 MOTB Release: 0060 16/44.1; Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = Maxell UDXL C90; Analog Lineage: 2 x Sony ECM-270 => Sony TC-152 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg89571   ***
 JGB, flac24 MOTB Release: 0060 24/96, Release Date: 2008-01-20, Band: Jerry Garcia Band, Date: 1975-12-20 (Saturday), Venue: Winterland Arena, Location: San Francisco, CA, Analog Audience Source: FOB Master Cassettes (MAC), Medium Stock Brands: MAC89578    
 JGB; flac16; Matrix 2 Source Mix - SBD (shn id 15849) Baked soundboard reels "last run" transfer 44.k (about 1993) > DAT x 2 > M-1 > 7-pin > Co2 > SB Live > CDWav > FLAC + AUD (shn id 89578) 2 x Sony ECM-270 => Sony TC-152 >> MAC Analog Sound Pr89580A-in comparison on they love each other, for sbds 89589 is faster than the others and seems like correct speed over them but unfortunately 89589 also has noise reduction and a less full sound, but correct speed wins out; 123565 is derived from 89589 with ame noise reduction problem; sbds 14929, 109355, and 15849 sound similar to each while 85643 is a little less full; the mtx 89580 has a fuller more echoier sound than 89589 but beats the noise reduction sound; for the auds 8663 has a fuller warmer sound than 89571 ***
 JGB; flac16: Baked soundboard reels "last run" transfer 44.k (about 1993) > DAT x 2 > M-1 > 7-pin > Co2 > SB Live > CDWav > FLAC. (original shnid = 15849) - patch & speed correction by Kevin Tobin.89589   ***
 Master Reels > DAT > CD > FLAC.109355  pop d2t3 6:07***
 flac 434meg; from wolfgangsvault.com concert archive 12/06, internet radio stream (1411 kbit/sec average) > total recorder > 44k 16bit wav > cooledit2000 for breaking into tracks, not much above 16k, stereo, has short silence between tracks, whole show is one track; # of Tracks: 11, Total Time: 101:32, TrackTime, Let It Rock14:19 They Love Each Other8:47 Russian Lullabye10:12 Tore Up Over You12:15 Jingle Bells3:27 Birmingham6:54 The Night They Drove Old Dixie Down9:10 Money Honey15:18 Let's Spend The Night Together6:25 Edward The Mad Shirt Grinder Pt 17:53 Edward The Mad Shirt Grinder Pt 26:52    ***
 sbd matera 123565, this file: jg75-12-20.jgb.sbd.matera.123565.sbeok.flac16.txt, 01-23-2013 cool edit eq by phil matera, amplitudes balanced, and overall sound improved., for the two solo nicky tunes, i centered the sound, and added some ambience., this version based on garcia1975-12-20.89589, 89589 flac > wav > cool edit > wav > flac, ++++++++++++++++++++++++++++++++++++++++++++++++++, d1t01 - let it rock, d1t02 - they love each other, d1t03 - russian lullaby, d1t04 - tore up over you, d1t05 - jingle bells, d2t06 - birmingham, d2t01 - night they drove old dixie down, d2t02 - money honey, d2t03 - let's spend the night together >, d2t04 - let's spend the night jam >, d2t05 - edward, the mad shirt grinder, +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++, all info from here to end is from garcia1975-12-20.89589.txt, except for shnlens, +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++, jerry garcia band, * jerry garcia - guitar, vocals, * john kahn - bass, * nicky hopkins - keyboards, vocals, * ron tutt - drums, * guest artist matt kelly on harmonica, original sbd (shnid = 15849), source:, - baked reels "last run" transfer 44.k (about 1993), - dat x 2, conversion:, - m-1 > 7-pin > co2 > sb live, - cdwav, - flac, patch source:, aud (shnid = 89571), analog audience source: fob master cassettes (mac), medium stock brands: mac = maxell udxl c90, analog lineage: 2 x sony ecm-270 => sony tc-152 >> mac, analog sound preservation: mac >> nakamichi dr-8 => korg mr-1000 >> dsf [1-bit 5.6448 mhz stereo] >> korg mr-1000 => korg audiogate >> wav [24/96], taped by: bob menke and louis falanga, transfer by: b. menke, mastering by: j. wadell, motb release: 60, mastering notes, -- edited, mastered and downsampled to 16/44.1 on the gems edit station., notes, -- recording location was front row of the balcony, behind the stage. the microphones were pointed at speaker stacks about 25 to 30 feet away., -- d1t05 - nicky hopkins performs "jingle bells" solo., -- d1t06 - nicky hopkins performs "birmingham" solo., -- d2t04 - small amount of music missing, due to tape flip, during first notes of the lead-in to "let's spend the night together", ---------------------------------------------------------, tech notes, shns were decoded to wave and audition 3.0 was used to reassemble the tracks back to 1 long wave. audition 3.0 was used to align & synch the sbd & aud sources. audition 3.0 used to adjust the volume for auds, matrix/ctr and lfe channels. surcode cd pro dts was used to encode to dts., - mixed by kevtobin@yahoo.com, - flac conversion 21-jan-2008, --------------------------------------------------------, audio patching, 1) between tore up and jingle bells, 56.468 seconds were missing from the soundboard source and was filled in with audio from the aud source., 2) at the end of let's spend the night together, 19.701 seconds were missing from the soundboard source and was filled in with audio from the aud source., 3) at the end of edward (the mad shirt grinder), 50.947 seconds were missing from the soundboard source and was filled in with audio from the aud source., 4) bob menke's audience was used as the timing reference - the "baked" sbd was very slow with an average of 5 seconds per minute difference., brokedown house production, ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++, shnlens are for, jg1975-12-20.123565.txt123565 in comparison on jingle bells, 123565 fixes some problems as indicated on 89589 but makes the music harsher and adds some digital flawsthese flaws are not on 89589 and added in the making of 123565: discontinuity pop d1t5 1:56, 2:07, static d1t5 0:55; there may be more as I only looked briefly at d1t5***
12/31/75Keystone, Berkeley, CA
 Jerry Garcia Band: mSR>reel>PCM>DAT>CDR>EAC>shn; via Katy Miller; entire show with Mickey Hart, set 3 with Weir4468   ***
 Jerry Garcia Band: Sbd> Mreel> Reel> Pcm> Dat> CDr6646   ***
 Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN8664   ***
 JGB: SBD > Analog > DAT > CD > ? > SHN; Remastering: SHN > WAV > CE2K > CDWAV > SHNTOOL > mkwACT. Remaster of < A HREF="http://db.etree.org/shninfo_detail.php?shnid=6646">shnid 6646.75162A-in comparison on catfish john, 75162 sounds the right speed while 6646 and 4468 sound slow; 87686 has more hiss; aud 8664 is more distant and less full sounding than the sbds; in comparison to sbd 75162, mtx 126967 was more distant echoey with less natural sounding vocals that has a weird wavering in thembig static on d1t6 8:32***
 JGB: MSR (Nagra 1/2track @ 7 1/2ips) > 1st gen reel (Otari 1/2track @ 7 1/2ips) > 1 cassette gen (Nak BX300, no Dolby, MaxellXLIIS90) > Nak CR3A playback (no Dolby) > HP Computer > Sound Forge > CD Wave> Flac8, via John Moses.87686   ***
 this is the same jgb 12.31.1975 show that's been in circulation, all that has been added was the audience of maple leaf rag with jerry, and nicky noodlin' this one out - all that's needed is to replace let it rock with this flac, master aud cass > me > nero > flac, (i do have the whole show in flac - tho it was originally shn so this will match with that...), inspired by a wolf in paradise... 2005 Bneed this for maple leaf rag and tuning as indicated; this is the aud plus first track of 75162 ***
 126967 mtx chappell sb33, sick bits vol. 33, sbd: (shnid=87686), msr (nagra 1/2track @ 7 1/2ips) > 1st gen reel (otari 1/2track @ 7 1/2ips) >, 1 cassette gen (nak bx300, no dolby, maxellxliis90) > nak cr3a playback (no dolby) >, hp computer > sound forge > cd wave> flac8, via john moses., aud: (shnid=8664), mac (bob menke and louis falanga's sony ecm-270 + sony ecm-250 [onstage] >, sony tc-152) > datx1 > cd > eac > cd > eac > shn, matrix:, both sources were downloaded flacs/shns > wav >, sony vegas > wav > cd wave > flac 16 (level 8), matrixed (edited, mixed and converted) by chris chappell, scarfireatliquidcitydotcom, 4/20/08, __________________________________________, set 1:, xxtxx - maple leaf rag *, s1t01 - let it rock, s1t02 - mother nature's son *, s1t03 - it's no use, s1t04 - god save the queen *, s1t05 - they love each other, s1t06 - pig's boogie, set 2:, s2t01 - tuning, s2t02 - countdown, s2t03 - auld lang syne *, s2t04 - how sweet it is, s2t05 - catfish john, s2t06 - mystery train, set 3:, s3t01 - tore up, s3t02 - nicky's interlude, s3t03 - cc rider, s3t04 - roadrunner, total times:, set 1 [50:54], set 2 [53:57], set 3 [33:15], * first and only time played, __________________________________________, lineup:, jerry garcia - guitar, vocals, nicky hopkins - piano, vocals, john kahn - bass, greg errico - drums, mickey hart - drums, bob weir - guitar, vocals, matt kelly - harmonica, __________________________________________, general notes:, matrixed back in 2008, i always was wanting to get it out there right around nye, so now it's here - happy new year!, thanks to everyone involved. for the aud, thanks to bob menke and louis falanga., for the sbd, thanks to whoever recorded it, and to john moses for bringing into, circulation. there is a newer source of the sbd (shnid=109470) but this didn't, circulate until 2010., there is a unknown guest guitarist during cc rider who takes a nice blues solo., this is the last show with nicky hopkins, then garcia jammed with james booker, a few times before settling in with keith & donna in early 1976., chris chappell 12/31/2013, __________________________________________, tagging notes:, show information is embedded within the header of each flac file., it will display on any player capable of directly playing flac files., if converted to wav during processing, all tags will be stripped, however audio data will remain unaffected., if you must transcode to a lossy format, do so directly flac > lossy., use ffp to validate audio integrity., md5 values will change if tagging is altered., b. proctor 1/14/2014126967   ***