JG - Wondering What to Choose 1976
1976
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DateDescetree idRtNotesFlawsdgf
1/7/76Club Front, San Rafael, CA
 Jerry Garcia Band: Rehearsals: SBD> Cass> ???> Dat> Cdr: This is different rehesals from what is listed at the jerry site for this date. Both tapes most likely taken from the same rehersals.4466   ***
 Jerry Garcia Band w/ James Booker, rehearsal: MSR > ? > 1C > 1D > 1CD > EAC > SHN. Slightly more complete than the previously circulating version, with slightly clearer lineage, via Ryan Shriver.8385B+in comparison on first goodnight irene, 8385 is more suppressed than 28366 but 28366 is harsh; 8385 also has extra songs ***
 JGB w/ James Booker Rehearsals: ?>CD>EAC>FLAC28366 4466 is a close eac match on t1 to 28366; 28366 has more digital flawsdidipops t12 4:12***
1/9/76Sophie's, Palo Alto, CA
 Jerry Garcia Band, with James Booker: MSR > ? > 1C > 1D > 1CD > EAC > SHN. This version, via Ryan Shriver, is more complete than the previously circulating version.8386B+  ***
1/10/76Sophie's, Palo Alto, CA
 A:C>?>CD. May have been recorded by David Cook with unknown mics into a Sony TC-110 deck.8077B  ***
1/25/76Club Front, San Rafael, CA
 Jerry Garcia Band: Studio Rehearsal: MSC > DATs > Sony PCM R500 > HHB 800 CD/0 > HHB 800 CD/1 > HP 9350i extraction using EAC > .shn encoding using mkwACT. The last two songs are MSR > 1R > 1C > DATs > Sony PCM R500 > HHB 800 master CD > HHB12504B+  ***
1/27/76Keystone, Berkeley, CA
 Jerry Garcia Band:Mreel> Cass> Dat> Cdr., Cassette played back on NAK-CR-7a>Lucid AD9624 24-bit A/D >Fostex D5 > Sony, CDR-W33. From Ryan at the Jerry Site. EAC and SHN conversion by Kevin Tobin., The very end of How Sweet It Is is clipped and4467   ***
 Jerry Garcia Band: MSR (2 track 7" reels @ 15ips) > cassette (TDK SA-X100) > NAK-CR-7a playback > Lucid AD9624 24-bit A/D > Fostex D5 master DAT > Sony CDR-W33 master CD > EAC > SHN (non-seekable) > patching using Sound Forge Studio 6.0 > sector17120A17120 and 4467 are exact eac matches on d1t1 and d1t7; 17120 has the additional patches ***
1/28/76Keystone, Berkeley, CA
 Jerry Garcia Band: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM 250+270 [onstage] > Sony TC-152) > DAT > CD > Plextor Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .sh17695A-  ***
1/31/76KPIX-TV Studios, San Francisco, CA
 JG interview: MC > CD > EAC > FLAC1644122025B-  ***
2/13/76Keystone, Berkeley, CA
 JGB: AUD of uncertain origin > DAT > CD > EAC > SHN.83947B+sound quality is close to A- but their is sort of a fuzziness in the background which may be the noted "persistent, (but usually light) static problems" ***
2/14/76Keystone, Berkley, CA
 Jerry Garcia Band: SBD> MSReel> cass> DAT> CD> (EAC)WAV4465   ***
 Jerry Garcia Band: Bertha Remaster of the Master Reel > Cassette source (SBD > MR > CASS > DAT > CDA > WAV(EAC) > SHN > FLAC > DAW(Bertha) > CDA/SHN).28330Ain comparison on catfish john to 4465, 28330 has less hiss probably through noise reduction and loses some fulleness in the high end but eliminates some scratchiness and bertha also makes the recording warmer with some more bass giving it an overall fuller better sound ***
2/15/76Sophie's, Palo Alto, CA
 Jerry Garcia Band, set I only: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM-250 + Sony ECM-270 mics > Sony TC-152) > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn18743B+as reported there is some distortion on The Harder They Come which gices it a B sound quality for that song, but then improves ***
2/21/76La Paloma Theater, Encinitas, CA
 late show; flac1644; MSR (2 track 7" reels @ 15ips) > 1 cassette (TDK SA-X100) > Nakamichi CR-7A (Dolby off) > Lucid 9624 A-D converter @ 44.1kHz > Fostex D5 master DAT > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1108055Ain comparison on moonlight mile, 108055 has less hiss than 9466; 108055 has more of the show than 9466; ***
 Jerry Garcia Band: early show; mSR> cass> DAT> CD4463   ***
 Jerry Garcia Band: Via JGB Mega Vine #5 Early & Late Shows. SBD: MR > C > DAT > CD9466 missing around 3 minutes of end of moonlight mile; timing reported in setlist are off; d3t7 is an unknown version of don't let go ***
 JGB, Early Show; Source: SBD > MR > C > DAT > WAV > FLAC Transfer: Sony PCM-R500 > Audiophile 2496 > Wavelab 5.0 (recorded as 24/48 KHz WAV) Mastering: Wavelab (X-Noise and L3 Multimaximizer rendered to 16/44.1 using hi-res CD settings) > CDWA32834Ain comparison on friend of the devil, 32834 has less hiss than 4463 and 9466; 4463 and 9466 have similar sound to eac other but 9466 cuts out some between song time ***
2/22/76La Paloma Theater, Encinitas, CA
 Jerry Garcia Band: Late Show: MAC > 2C > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > cleaning using Sound Forge Studio 6.0 > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).15182A-  ***
 Jerry Garcia Band: Early Show: MAC > 2C > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > cleaning using Sound Forge Studio 6.0 > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).15181B+  ***
2/24/76Keystone, Berkeley, CA
 Jerry Garcia Band: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM-250 + Sony ECM-270 mics > Sony TC-152) > DAT > 2 or 3 CD gens > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > normalization (SF Studio 6.0) > sector boundary veri17424B  ***
 MSR>Cassette>Cassette>Maxell UD XL-II C90 played back on a Nakamichi CR-7A cassette deck(Dolby off)>Lucid 9624 A-D converter @ 44.1kHz>FostexD5 Master DAT>>my DAT clone>Sony PCM-R500(playback)>HHb CDR-800>EAC>.WAV>TLH>.FLAC100710B+in comparison on who was john, sbd 100710 has a fuller more upfront sound and makes aud 17424 sound suppressed; need 17424 for rest of show ***
2/26/76Del Mar Theater, Santa Cruz, CA
 Jerry Garcia Band: Early Show: MAC (Taped by Michael Parrish, condensor mic > Sony mono cassette deck) > reel > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwA15183C  ***
2/28/76Crabshaw Corner, Sacramento, CA
 Jerry Garcia Band: MAC (unknown mics, unknown deck) > Reel > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)19016B+  ***
3/3/76Lane County Fairgrounds, Eugene, OR
 Jerry Garcia Band, set II only: MAC > R > D > CD > EAC > SHN. Recorded by Don Wolfe, Sony ECN-18Ns > Sony TC-152.9588B+in comparison on friend of the devil, 107296 is warmer with less hiss but is more suppressed than 9588; 9588 has a couple minutes of crowd and tuning at end of mystery train not on 107296; 107296 has the filler from set 1 not on 9588 so need 107296 for thatdrops between tracks***
 flac1644; set II only; MOTB 0140; FOB Master Cassette > Reel @ 7.5ips Unknown Mics >> Unknown Deck >> MAC >> Reel 7.5 ips Reel >> Revox 77 >> Akai GX636 > Apogee Mini Me(24/96) > Apogee Mini Dac (monitoring/mastering) > Lynx One s107296B+  ***
3/6/76Moore's Egyptian Theater, Seattle, WA
 Jerry Garcia Band: AUD > MAC > DAT > CD unknown taper and rig4462A-4462, 15247 and 107734 are same recording based on same clapping wavs at end of who was john; in comparison on catfish john, 4462 has fullest warmest sound, then 107734, and then 15247; 4462 is missing some tuning and crowd at end of They Love Each Other that is on 15247 and 107734; ***
 Jerry Garcia Band: MAC (Taped by Pat Lee, Sony ECM 18N mics > Sony TC-152 [Maxell UD C120s] from 4th or 5th row) > master CD > EAC > SHN. A > D by Pat Lee, CD > SHN and seeding to Furthur by David Hollister.15247   ***
 flac1644; MOTB 0142; Taped by Pat Lee; ECM 18N's mics >> Sony 152SD >> MAC > NAK BX300 deck > Apogee Mini Me(24/96) > Apogee mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > FLAC. Transfer by Matt Smith; Mastering107734   ***
3/12/76Cahn Auditorium (Northwestern University), Evanston, IL
 Jerry Garcia Band, partial early & late shows: AUDMC > C > DAT > WAV > SHN Recorded 2nd row, center left; with unknown deck with built in mics. 1st gen source tape from Eric Coplen. Cass > DAT by Ryan Shriver. DAT > SHN by Noah Weiner. Added to e20700B  ***
3/13/76Finney Chapel, Oberlin College, Oberlin, OH
 JGB, I/IIp: AUD (unk.mics/taper) > 1C > DAT > WAV > FLAC, via Ryan Shriver and Noah Weiner.29133B  ***
3/14/76Ohio Theatre, Columbus, OH
 Jerry Garcia Band. Source: AUD(unk.mics/taper):MAC>1C>DAT>WAV>FLAC. See info file for transfer details.29134B- has some occasional static***
3/20/76Armadillo World Headquarters, Austin, TX
 Jerry Garcia Band, set II only: Unknown source > CD > EAC > FLAC.30809B-very close to mono; as indicated sound improves over the show ***
3/26/76Music Hall, Kansas City, MO
 Jerry Garcia Band: MAC > 1C > 2D > CDx3 > EAC > SHN8387B  ***
3/27/76Ambassador Theater, St. Louis, MO
 flac1644; Master audience cassette (stereo) -> 2 Maxell UDXL C90s -> Tascam 112 -> M-Audio 24/96 -> 24 bit, 48kHz . 24-bit, 48kHz -> 16-bit, 44.1kHz using Diamond Cut DC8 (no dither). Taper unknown. Transfer, editing, flac encoding and notes by Dan M110281B-  ***
3/30/76Calderone Theatre, Hempstead, NY
 JGB, early and late shows: MAC (unk.mics/taper) > 1C > DAT > WAV > FLAC. See info file for transfer details.29135B-late show  
 JGB, early and late shows: MAC (unk.mics/taper) > 1C > DAT > WAV > FLAC. See info file for transfer details.29135Bearly show ***
4/1/76The Palace Theater, Waterbury, CT
 Jerry Garcia Band: AUD > DAT > CDR > WAV > SHN, *tape splice near end of lonesome7322 same recording as moore 18602 based on same crowd at beginning of d2t2; in comparison on catfish john, 7322 has a harsher sound and moore 18602 has a warmer sound ***
 Jerry Garcia Band: MAC (Taped by Jerry Moore, Sony ECM-33p mics > Sony TC-153 [Maxell XL cassettes]) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam CDRW 700 master CD > maybe 1 CD > EAC > SHN.18602B+in comparison on catfish john, moore 18602 has a more natural warmer sound and 110489 has a fuller harsher sound with more hiss ***
 JGB: Steve Rolfe's MAC (2 Sony ECM 99s> Sony TC-152 [Maxell UD]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches.34728   ***
 Steve Rolfe's Sony ECM-99 > Cassette Master (Sony TC-152/Maxell UD-C90, played back on Nakamichi DR-1) > Sound Devices 744T (24bit/48k) > Adobe Audition v3.0 > Samplitude Professional v11.1 > FLAC/16, by Charlie Miller., 110489 110489 same recording as 34728 based on same crowd at beginning of d2t2; in comparison on catfish john, 110489 has a harsher brighter fuller sound and 34728 has a warmer more suppressed distant sound; 110489 is recommended for this recording over 34728 ***
4/3/76Lisner Auditorium (George Washington University), Washington, DC
 Jerry Garcia Band, Late Show: MAC (Taped by Scott Jones, Shure mics > Sony TC-158) > DAT > 3CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (m17328   ***
 JGB, Early Show: MAC > C? > CD > EAC > WAV > SHNv3 Transfer to CD by Slipnut82761B+  ***
 sure mics,sony cassette,master cassette,cd,eac,wav,shn, recorded 13th row center, flaws, tape filp inbetween songs,busted during sugaree, recorded by jeff stevenson, comments,jeff.stevenson@verizon.net; setlist:, 1.sugaree,missed, 2.don't let go, 3.sitting in limbo, 4.the way you do the things you do, 5.friend of the devil, 6.strange man, 7.the night they drove old dixie down, 8.never been lonesome123020B+same recording or patch as 17328 based on same clapping wavs at end of d1t1; in comparison on friend of the devil, this has a warmer more natural sound and 17328 has too much mid and high end and more hiss ***
4/5/76Fox Theater, Atlanta, GA
 Unknown AUD > ? > CDR. Transfer: CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644.100303C  ***
5/20/76Keystone, Berkeley, CA
 Jerry Garcia Band: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM-250 + Sony ECM-270 mics > Sony TC-152) > DAT > 2 or 3 CD gens > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > minor editing (SF Studio 6.0) > sector boundary veri17382   ***
 flac1644: MOTB Release: 0094 16/44.1. Analog Audience Source: FOB Master Cassettes (MAC). Medium Stock Brands: MAC = 1 x Maxel UD c90 + 1 x TDK AUDUA c90, Analog Lineage: 2 x SONY ECM-280 (directly in front of Jerry hand held at 10ft.) >> So101352B+in comparison on catfish john; 101352 has a harsher fuller sound and 17382 had a warmer fuzzier sound; some of this is A- quality ***
 flac2496: MOTB Release: 0094 24/96. Analog Audience Source: FOB Master Cassettes (MAC). Medium Stock Brands: MAC = 1 x Maxel UD c90 + 1 x TDK AUDUA c90, Analog Lineage: 2 x SONY ECM-280 (directly in front of Jerry hand held at 10ft.) >> Sony101353    
5/21/76Orpheum Theatre, San Francisco, CA
 JGB; Unknown audience recording > HK 302 > Zoom H2, transfer by John Wenzel.122143B+  ***
 Don't Let Go$A   
7/8/76Keystone, Berkeley, CA
 Jerry Garcia Band: MS? > ? > DAT > WAV (via analog cables) > SHN17836   ***
 Jerry Garcia Band. ource: MSC>Cx>DAT>WAV>SHN., Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell., DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/edit22510   ***
 Set One: SBD of unknown lineage kindly provided by Seaweed1010., Set Two: ID-22510. Set One transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > , Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged., Set Two transfer: ID-22510 > TLH > W110474A-in comparison on who was john, 22510 is harshest with most hiss; 17836 is most suppressed; 110474 has best sound ***
7/9/76Keystone, Berkeley, CA
 Jerry Garcia Band: set II only: MSR > 1R > P > DAT > CDR > wav > shn3.13539   ***
 flac1644; set II; Unknown soundboard from the collection of Rich Gastwirt. Lineage: unknown dat > Sony DTC-2000ES > Delta 410 > Adobe Audition > wav 16/48 > Wavelab (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Fl111584A-in comparison on they love each other, 111584 has a warmer sound with more of the between song tuning than 13539 ***
7/20/76Keystone, Berkeley, CA
 Jerry Garcia Band: SBD > Master Reel > PCM > DAT (44.1khz) > Conner CTD8000H/R-S DDS > Wavelab 4.0 > mkwACT by JJ Clifton.16478A-  ***
8/16/76Keystone, Berkeley, CA
 Jerry Garcia Band: SBD R/? > CDR > SHN, via Hanno Bunjes.13041Bsometimes this sounds like a B and other times a B+ ***
8/22/76Keystone, Berkeley, CA
 Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD > EAC > SHN.15762   ***
 JGB: Unknown AUD > ? > CD > EAC > tracking (CD Wave v1.94.8) > editing (Sony Sound Forge Audio Studio 7.0) > sector boundary alignment (shntool) > level 8 FLAC encoding (FLAC Frontend v1.7.1 etree edition) > speed correction and patching. EAC>>F81065   ***
 Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD > EAC > SHN (shnid81255   ***
 JGB: flac16; Matrix 2 Source Mix; SBD (shnid 15672) MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD; Unknown AUD (shnid 80165) > ? > CD; mixed by Kevin Tobin.89446B+in comparison on second that emotion, sbd 15762 and 81255 have similar sound except levels raised for 81255 and patched; they are narrower and more suppressed than the aud 81065 and the matrix 89446; aud 81065 is harsher than the matrix 89446; at times the instruments go up to A- but the vocals do not ***
9/10/76Keystone, Berkeley, CA
 Jerry Garcia Band: AUD R/1 > DAT > CDR > SHN12629   ***
 Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD > EAC > SHN + patched with MA? > 1R > DAT > CD > EAC > SHN.16643   ***
 JGB, Flac16: MAC = 2 x TDK AUDA90; 2 x sony ECM 280 => Sony SD152 >> MAC >> Nakamichi CR-7a >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Holhwein; Transfer96791   ***
 JGB, Flac24: MAC = 2 x TDK AUDA90; 2 x sony ECM 280 => Sony SD152 >> MAC >> Nakamichi CR-7a >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Holhwein; Transfer96792B+in comparison on they love each other; 96792 has fullest harshest sound and makes 16643 and 12629 sound suppressed; some of this gets to A- quality  
 wavf 4.21gig; unknown 96k32bit wavf;, this is assumed to be the raw 32bit 96k, raw 4 cassette transfers of the following show, (no txt file was provided for this torrent on losslesslegs), motb release: 0031 24/96, release date: 2009-01-05, special: rhinotrocity #6, band:     
9/11/76Keystone, Berkeley, CA
 Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1 cassette > 2 DAT > Sony R500 playback > Sony CDR-W33 (master CD) > HP 9350i extraction ((EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn enc15764B+  ***
9/12/76Keystone, Berkeley, CA
 Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C (TDK SA-X100) > played back on Nakamichi CR-7A cassette deck (Dolby off) > Lucid 9624 A-D converter @ 44.1kHz > Fostex D5 master DAT > unknown DAT and CD gens > EAC > SHN. A>D by Ryan Shriver15765B+in comparison on who was john, 15765 and 26457 sound similar while bertha 26999 has less hiss and added bass which made it a little less natural but some may prefer it; 15765 handled the cut in tore up better as it was smooth while 26457 has a pop there ***
 Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) -> Cass (TDK SA-X100 played back on Nakamichi CR-7A cassette deck Dolby off) ->, Lucid 9624 A-D converter @ 44.1kHz -> , Dat (Fostex D5 by Ryan Shriver 2/10/00) -> Dat (Sony R500) -> Prodif Plus ->26457   ***
 Jerry Garcia Band: Bertha remaster: SBD >> MR >> CASS >> DAT >> SHN >> DAW(Bertha)>> CDA/SHN26999   ***
9/15/76S.S. Duchess "Pirates Ball", New York Harbor, NY
 JGB: unknown aud master > Ohr Weinberg's unknown gen cassette (Maxell UDXLII C90) Dolby b (d1 and d2t1-t2) and John Hance's unknown gen cassette (Fuji FX-II 90) Dolby b (d2t3-5) > Nakamichi Dragon (Dolby b) playback > HHB CDR 830 plus > EAC > Sound F86326B-in comparison on catfish john, remaster 96924 is much harsher and tinnier than 86326 ***
 JGB: apparent re-flac of96924   ***
9/16/76The Dome (C.W. Post College), Greenvale, NY
 Jerry Garcia Band: MAC (Recorded by Barry Glassberg, Sony ECM99 stereo single point mic > Sony TC-153D) > DAT > CDs > EAC > SHN.12005   ***
 flac2496; Jerry Moore's aud cassette master; lineage: aud > sony ecm33p's > sony tc-152/b; nak dragon/b > hd-p2 24/96 > adobe audition 2.0 > cd wave > tlh flac 8; transfer/seeded by Rob Berger.111543Bin comparison on sitting in limbo, 111543 and 12005 are of similar sound quality with 111543 warm but suppressed and 12005 is harsh; on some songs 111543 seems like a B+  
9/17/76Seton Hall University, South Orange, NJ
 Jerry Garcia Band: MAC > 1C > dbx 163x Compression > Tascam M30 Board EQ > Echo Mia 24 Bit Sound Card > CDWave > Wav > SHN.25612C+sound quality varies from C to B ***
9/18/76Ben Light Gymnasium, Ithaca College, Ithaca, NY
 Jerry Garcia Band: FOB > Sony stereo mics > unknown deck* > D > CDX2 > eac > shn. * deck was originally given as 'D5?', but the D5 wasn't yet available at this point, as far as the admin knows., 20100B+  ***
9/20/76Astor Theater, Reading, PA
 Jerry Garcia Band, Early and Late Shows: MAC (Shure mics, unknown model, unknown deck) > C > Unknown DAT gens > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (18745Bthis is on the harsh side with some hiss but has a very full upfront sound ***
11/12/76Freeborn Hall (U.C. Davis), Davis, CA
 Jerry Garcia Band, partial show: MSR > D > CD > EAC > SHN15850A-  ***
11/13/76Humbolt State College, Arcata, CA
 Jerry Garcia Band, incomplete late show: MSR > DAT > CD > EAC > SHN.15851B+  ***
11/15/76Keystone, Berkeley, CA
 Jerry Garcia Band, set I only: MSR > DAT > CD > SHN. Uploaded by Steve Barbella, discs provided by CozChuck.12501A-  ***
11/16/76Sophie's, Palo Alto, CA
 JGB: Michael Parrish's MAC > reel > plaback on Uher reel-to-reel machine > Marantz standalone CD recorder > Plextor CDR extraction using EAC (high, secure, offset-corrected) > .shn encoding using mkwACT. Reel > CD by Thomas Donhauser. EAC>SHN and13030B  ***
11/19/76Pismo Theater, Pismo Beach, CA
 Jerry Garcia Band. Source: MSC>C3>DAT>WAV>SHN., Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J.Powell., DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV(Soundforge 6.022411B+some of this is A- but loud songs like tore up rate B and bring rating down ***
11/20/76Pismo Theater, Pismo Beach, CA
 Jerry Garcia Band. Source: MSC>C3>DAT>WAV>SHN., Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell., DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/edi22409B+  ***
12/21/76Keystone, Berkeley, CA
 Jerry Garcia Band: MAC > R/1 > CD > EAC > SHN, via Hanno Bunjes20474B  ***
12/22/76Keystone, Berkeley, CA
 Jerry Garcia Band: MSR > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Extraction and14982   ***
 Jerry Garcia Band: MSR (MD) > Cass (MD) > Cass (me) > Nero (EQ) > flac > sbe fixed.31802B+in comparison on simple twist of fate, 31802 has a fuller sound than 14982 ***
12/23/76Keystone, Berkeley, CA
 SBD of unknown lineage kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.110266B  ***