JG - Wondering What to Choose 1978
1978
Select Year
DateDescetree idRtNotesFlawsdgf
xx/xx/78Jerry Garcia Band: Bay Area 1978
 Jerry Garcia Band: Bay Area 1978$    
2/18/78Marin County Veterans Auditorium, San Rafael, CA
 Jerry Garcia Band: MSC > ? > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave) > patching (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).17750A-  ***
2/19/78Santa Cruz Civic Auditorium, Santa Cruz, CA
 Jerry Garcia Band: Currently optimal composite from multiple audience sources. , Composite and SHN encoding by Jack Warner.21460B+  ***
3/9/78Cleveland Music Hall, Cleveland, OH
 Jerry Garcia Band: MSC > ? > DAT > CD > EAC > SHN. The ? probably represents a cassette gen.10505A-  ***
3/10/78Auditorium Theater, Rochester, NY
 JGB, incomplete: Unknown Taper and Equipment, Unknown Lineage cassette > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac, transfer by David Minches.80335   ***
 JGB: Alan Zimmerman's MAC (Sony 54P or Sony ECM 99s > Teac PC-10 [1st Set on Sony FeCr-90; 2nd Set on Maxell UD XLII-90]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding; transfer b80887Bin comparison on simple twist, 80887 has a fuller more natural sound than 80335 ***
 Garcia, Kahn & Donna Godchaux interview: Alan Zimmerman's MFC > Nakamichi Dragon playback > Digital Audio Labs Card Deluxe soundcard > Adobe Audition > flac encoding > FLAC. Transfer by David Minches.82210A-Interview ***
3/11/78WBRU-FM Studios, Pawtucket, RI
 JGB: Tim Friend's 1x AKG D200E (mono recording) > Sony TC-153SD > Maxell , UD-XLII 90's, with no Dolby. Fifth row orchestra, left center section; Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH >97682   ***
 Jerry Garcia Band: MAC (Taped by Tom Dalti, Sony ECM-99a mics > Technics 646ds cassette deck > DAT > CDR > EAC (v0.9 beta 4, offset corrected, high/secure) > editing Soundforge 5) > tracking (CD Wave) > boundary check (shntool) > SHN (shorten 3.414931B+in comparison on catfish john, 97682 has warmest sound but is suppressed; 76444 has a harsher an tinnier sound than 14931 but is similarly full; 14931 has more between song audience cut than 76444; need 76444 for interview ***
 JGB: pre-show interview: unknown FM-SBD > SHN, via Andy Gefen and Teddy Goodbear; show: unknown AUD > SHN, via Teddy Goodbear.76444 interview rates A ***
3/12/78Suffolk Forum, Commack, NY
 FOB Shure Audience > CassMaster> Dat> Cdr, Transfer Da-P1> Zafiro ZA-2> NT4.0/Soundforge xp 4.0 > Cdrwin, , **May Contain Additional Analog Generations4473B+in comparison on gomorrah, these are different recording based on different crowd and are close in sound quality making choice difficult; 4473 has a warmer sound with more hiss and is fuller with more bass that is a little rumbly and 82587 is clearer but drier sound ***
 JGB: Unknown MAC > CD, discs provided by Jim Wise. Transfer: CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC.82587   ***
3/14/78Music Hall, Boston, MA
 Jerry Garcia Band: MAC (Taped by Tom Dalti [NOT Steve Rolfe as previously listed], Sony ECM-99a mics > Technics 646ds cassette deck) DAT > CDR > EAC (version 0.9 beta 4, offset corrected, high/secure) > editing (soundforge 5) > tracking (cdwav) > b14969A-in comparison on gomorrah, 14969 has a much fuller more upfront sound than 92367 and 111596 ***
 JGB: Claudette Gardel's AKG 501E mics > Sony TC-153SD MAC; Nakamichi unknown deck playback > Powerbook G4 > Sound Edit version 2 > CD; Edited and Mastered by Jamie Waddell on the GEMS Edit Station; Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dit92367   ***
 flac1644; Taped by: Dauby Rolfe and friend, 2x Sony ECM 99 microphones > Teac PC-10 cassette deck; Transfer (12/20/2004): Nakamichi Dragaon playback > ART DIO A/D converter > Egosys Waveterminal 2496 soundcard > Cool Edit 2000 (wav) > mkwACT (shn enc111596   ***
3/16/78Spectrum Theatre, Philadelphia, PA
 Jerry Garcia Band. Source: Unknown mics/taper>Cx>DAT>CDR>WAV>FLAC.28790   ***
 124066, source: aud cassette master, taped by rich petrunis, sony hand held recorder, lafayette low bias tape, no nr, nak dragon > tascam hd-p2 24/96 > pc >, adobe audition 2.0 > cd wave > tlh flac, transfer & seed by rob berger march 2013, disc one: 70:11, 01 - the harder they come, 02 - mission in the rain, 03 - that's what love will make you do, 04 - gomorrah >, 05 - tore up over/you, 06 - love in the afternoon, 07 - i'll be with thee, 08 - cats under the stars, disc two: 17:34, 09 - how sweet it is, 10 - midnight moonlight/, notes:, thanks to ll's powrtoch for loaning me, his dad's masters. great sound for a, hand held and a classic mystery cats set., jgb1978-03-16_d1t01.flac:124066Bin comparison on gomorrah, 124066 was fuller and warmer and sounded slow and 28790 was very harsh and narrow like from a transitor radio; need 28790 to fill in last 2.5min of Midnight Moonlight and first 7sec of tore uphas severe noise reduction so that almost everything above 10k is gone***
3/17/78Capitol Theater, Passaic, NJ
 Jerry Garcia Band: Early Show: Barry Glassberg's master FM reel > TEAC X2000R playback > Nakamichi NR200 Dolby Unit > Tascam DA-40 (master DAT) > Tascam CDRW700 master CD > 1 CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification15807   ***
 JGB, early show: FM > ? > Maxell C90 > Nak CR3A > HP computer > Sound Forge > CD Wave > Flac., 85164   ***
 JGB, early show, flac24: JGB, early show: Jerry Moore's FM simulcast 10/5" reel master @ 7.5 ips (Ampex tape, baked) > technics rs-1506 playback > sony nr-335 > hd-p2 24/48 > flac. Baking & transfer by Rob Berger.98255    
 JGB, early show, flac16: Jerry Moore's FM simulcast 10/5" reel master @ 7.5 ips (Ampex tape, baked) > technics rs-1506 playback > sony nr-335 > hd-p2 24/48 > flac. Baking & transfer by Rob Berger.98256  bonus track:, 04: The Night Bird is non-jerry radio play wnew-fm stereo that appears to follow the concert***
 lateshow sbd bershaw nolan 123184, late show, source: mono soundboard cassette (copied from linear vhs videotape on june 14, 1978), lineage: closed circuit in house videotape-> linear (mono)vhs tape ->, alan bershaw's maxell udxl2 cassette with dolby b, (playback on nakamichi dragon with dolby b in)-> lexicon lambda->, logic (track indexing and amplifying levels only)->wav 16/44.1-> flac, transfer by rob nolan on september 7, 2012: alans cdr-> wav 16/44.1-> flac, jerry garcia guitar, vocals, john kahn bass, keith godchaux keyboards, donna jean godchaux backing vocals, maria muldaur backing vocals, buzz buchanan drums, 1 mission in the rain 11:00, 2 russian // lullaby (glitch @ 8:32) 12:03, 3 tore up over you 11:37, 4 love in the afternoon 12:03, 5 i'll be with thee 05:03, 6 night they drove old dixie down 10:15, - encore -, 7 rhapsody in red 07:21, notes:, this jerry show has never circulated in any form - not even an audience recording., according to the jerrysite, they opened with harder they come. i cannot verify that, but it is not present on this recording. the only notable flaw on this recording, is a glitch at 8:32 into russian lullaby, during john kahns bass solo with an, unknown amount missing. this is a mono soundboard recording that is very clean, considering the lineage., after hearing this rhapsody in red over the labor day weekend, i had to have this., it is truly off the hook with jerry shredding up a storm! check it out!, thank you to alan!123184A-  ***
 c aud interview tc3, tape is labeled backstage after jgb capitol theater, passaic ny, lineage: interviewer's recorder>cass>>? >trade >flac., transfer: dragon nr-out>zoomh4 16/44.1>hcsd 8gb >audacity>tlh>flac16., taperchuck3 april, 2014 enjoy!, 01 jer: on a ny? dj, security guard, 02 jerry on playing, music, business, 03 'oh boy! good ol drugs', new record, 04 roaches, 05 media coverage, passive/active state of mind, reading, 06 jerry's reality, life, values, jerry swears, 07 on clive [davis],music business, 08 making records cheaper, 09 on tour, 10 music critics, 11 current band, 12 what's new, nose, this band, 13 on judging people, 15 other projects: greenpeace, indian medicine gardens, 16 small talk, movie in works, 17 talking, alarm goes off, <>, 18 jerry's drink, guitar folks leave, guitar, 19 music, 20, 21 on music, 20 caddy comments, snoooort, 21 mentions pranksters, 22 about bob weir's music, comment: 60 minutes. c- quality. voices, not hi-fi., seems like a hotel room between early and late shows., slight nr used to remove tape hiss. rough sound, maybe hand held. lots of background activity., unique view of 'day in the life'..., a tape trade from europe. back in the day. - chuck., jg1978-03-17.aud.interview.creem.xxxxxx.tc3.flac16.t01.flac: Binterview ***
 a 123123, early show, source: aud 1st gen cassette, master taped by jim anderson, akg d200e's > sony tc-152, lineage: aud > cassette master > cassette > cdr > eac > flac, thanks to dave carey for loaning me his 1st gen cassette, transferred & seeded by rob berger dec. 2012, one disc: 78:15, 01 - how sweet it is, 02 - catfish john, 03 - simple twist of fate, 04 - second that emotion, 05 - they love each other, 06 - gomorrah, 07 - mystery train, 08 - cats down under the stars, notes: new source to complement, moore's fm reel, jgb1978-03-17ad1t01.flac:123123B+in comparison on catfish john; sbds have a narrow sound with 85164 harsher and narrower than 98256; for auds 123123 has a fuller sound than 15807 and also the sbds and and mtx 123179; mtx 123179 has a fuller sound than the sbds and is more upfront than the auds but not as full as 123123 ***
 early mtx tobin 123179, early show, sbd + aud matrix 2 source mix (45%-aud/55%-sbd), d1t01 - how sweet it is, d1t02 - catfish john, d1t03 - simple twist of fate, d1t04 - second that emotion, d1t05 - they love each other, d1t06 - gomorrah, d1t07 - mystery train, encore:, d1t08 - cats down under the stars, soundboard:, shnid = 98256, source: fm simulcast 10/5" reel master @ 7.5 ips, taped by jerry moore, lineage: reel master>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac, technics rs-1506>sony nr-335>hd-p2 24/48>flac, tape (ampex) was baked to cure sticky shed, transferred & seeded to ll by rob berger, audience:, shind = 123123, source: aud 1st gen cassette, master taped by jim anderson, akg d200e's > sony tc-152, lineage: aud > cassette master > cassette > cdr > eac > flac, thanks to dave carey for loaning me his 1st gen cassette, transferred & seeded by rob berger dec. 2012, notes: new source to complement, moore's fm reel, ---------------------------------------------------------, - mixed by kevtobin@yahoo.com, - flac conversion 21-dec-2012 - trader little helper, -tagged 21-dec-2012 - tag&rename, ---------------------------------------------------------, multitrack mixdown settings, set one, stereo matrix, sbd +1, aud 0, ---------------------------------------------------------, thanks again to both jerry moore and robert berger for making this sweet show available., brokedown house production, 8:37.25 91257644 b --- -- ----- wav 1.0000 jgb1978-03-17d1t01.wav, 12:20.60 130677164 b --- -- ----- wav 1.0000 jgb1978-03-17d1t02.wav, 12:06.46 128174636 b --- -- ----- wav 1.0000 jgb1978-03-17d1t03.wav, 11:18.16 119636876 b --- -- ----- wav 1.0000 jgb1978-03-17d1t04.wav, 10:16.46 108770636 b --- -- ----- wav 1.0000 jgb1978-03-17d1t05.wav, 7:35.28 80327900 b --- -- ----- wav 1.0000 jgb1978-03-17d1t06.wav, 9:31.19 100769132 b --- -- ----- wav 1.0000 jgb1978-03-17d1t07.wav, 7:41.01 81322796 b --- -- ----- wav 1.0000 jgb1978-03-17d1t08.wav, 79:27.16 840936784 b 1.0000 (8 files)123179   ***
3/18/78Warner Theater, Washington, DC
 Jerry Garcia Band: late show; SBD> FM> A> D> CdR> shn; via "JTFC"4441   ***
 Jerry Garcia Band:, Lineage: SBD > PRE-FM RTR > CASS (Dolby B encoded) > SSSB (Dolby B decoded), , serifin station seed7326   ***
 Jerry Garcia Band, Late Show: ?? > DATC > HD > DSP* > DataCDR > CDWave1.6 > mkwACTb0.97.18733   ***
 Jerry Gracia Band: Early Show. Master Audience Cassette (Nak CM700s>cassette deck)>DAT>CDRs>EAC>SHN (seekable). Thanks to Andy for the source disks. EAC>Shn by darrin (dnsacks@usa.net) 3/20029465   ***
 Jerry Garcia Band, Late Show:30119   ***
 Pure Jerry: Warner Theatre$A  ***
3/19/78Stanley Theater, Pittsburgh, PA
 Jerry Garcia Band: Sndbd->Cassette->Cassette->DAT->CDR->Audio Grabber->TC Native Spectralizer->TC Native Multiband Compressor->SoundForge->TC Native Loudness Maximizer->CDR .4440Ahas strong bass; has several spots digital flaws of drops and static ***
3/22/78Veteran's Hall, Sebastopol, CA
 Source: SBD > CM(x) > CDR > WAV > SHN.19832B-sound starts at B but gets worse in second half of second set ***
6/11/78Keystone, Berkeley, CA
 Jerry Garcia Band, missing last two songs: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) >14111B  ***
 JGB,Partial Soundboard; Recording Info: SBD -> Cassette Master -> CD; Transfer Info:CD -> Samplitude Professional v10.2 -> CD; All Transfers and Mastering By Charlie Miller97713A-in comparison on gomorrah, 14111 is more suppressed sound than 97713 but need 14111 for rest of show ***
6/18/78Keystone Palo Alto, Palo Alto, CA
 Jerry Garcia Band: MAC > CD > EAC > SHN. Taped by John Angus and Scott Hart, Sony ECM99 (first tier, center) > Sony TC-158 (Maxell UD-XLIIs) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction using E12559B+in comparison on gomorrah, 101073 was slightly warmer than 12559 and otherwise similar sound; in comparison on rhapsody in red, 12559 was a little fuller and warming sound; there was more background talking on 101073 ***
 flac2496 MOTB Release: 0095 24/96. Analog Audience Source: Aud Master Cassettes (MAC). Medium Stock Brands: MAC = 2 x Maxell UDXLII. Analog Lineage: Unknown Mics >> Sony TC-158sd. Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR101072    
 flac1644 MOTB Release: 0095 16/44.1. Analog Audience Source: Aud Master Cassettes (MAC). Medium Stock Brands: MAC = 2 x Maxell UDXLII. Analog Lineage: Unknown Mics >> Sony TC-158sd. Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg101073B+ background talking d1t2, d1t3, d2t3***
8/12/78Keystone, Berkeley, CA
 Jerry Garcia Band. Source: MAC(mics unknown, possibly Sony) > HD > CD>WAV>SHN., Taper: Mike Riley22380Bmost of this is B sound quality but sound deteriorates during mission in the rain ***
10/3/78Shady Grove, San Francisco, CA
 Merl Saunders Band, with special guest Jerry Garcia. Master audience tape (unknown mics, unknown deck, taped by A. Tsukada) > unknown analog generations > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verif20027B+in comparison 20027 has a warmer fuller much more lsitenable sound than 97200; 97200 is more complete ***
 Merl Saunders Band, with special guest Jerry Garcia, MAC>C>C>WAV>FLAC; C>FLAC Encoding by Cousinit97200   ***
10/7/78Keystone Palo Alto, Palo Alto, CA
 Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verifi14112   ***
 flac1644: Recorded by John Angus and Scott Hart; Sony ECM-99> Sony TC-158; , Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0104978B+in comparison on gomorrah, 14112 and 104978 sounded the same; 14112 has more clipping but it was not heard; 104978 has a small drop at d2t5 9:52 that was not heard; 104978 has more between song crowd ***
 flac2496 Recorded by John Angus and Scott Hart; Sony ECM-99> Sony TC-158 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> FLAC encoding.105024    
10/8/78Keystone Palo Alto, Palo Alto, CA
 Source: MAC(Sony mics?)>D>CD>WAV>SHN, Taper: Mike Riley20924B+ drop d1t3 1:39***
10/10/78Keystone, Berkeley, CA
 Jerry Garcia Band: MSC > DAT > CDR > EAC > WAV > SHN. Almost certainly has another cassette generation.14005   ***
 Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verifi14113   ***
 JGB: aud-sbd combination of82886A-in comparison on simple twist, sbd 82886 has a fuller more upfront than auds; for auds 104920 has a deeper bassier sound than 14113 ***
 flac2496: Recorded by John Angus and Scott Hart; Sony ECM-99> Sony TC-158; , Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0>104919    
 flac1644: Recorded by John Angus and Scott Hart; Sony ECM-99> Sony TC-158; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0 (di104920   ***
10/24/78Keystone, Berkeley, CA
 Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > very slight editing (Sound Forge Studio 6.0) > t13472B+  ***
10/26/78Paramount Theatre, Portland, OR
 Jerry Garcia Band: Partial set II only: MSC > Cassette > DAT > CD > EAC > SHN.13199Ain comparison on gomorrah, sbd 13199 has a fuller more upfront sound than the auds; aud 16805 has a fuller harsher sound with a little more hiss than 89962; need 16805 for rest of show ***
 Jerry Garcia Band: MAC > CD > EAC > WAV > CE2k (retracking, glitch removal) > SHN.16805B+  ***
 JGB: Pat Lee's Sony ECM 18n's (Front row balcony w/ mics on railing) > Sony 152SD MAC; Master played back on Nak Dragon> ART DI/O> Egosys Waverterminal 2496; Edited and tracked in Cool Edit 2000; boundary verification with Shntool; shn encoding; shn >89962   ***
10/27/78Pavillion East (Washington State College), Cheney, WA
 Jerry Garcia Band, I/IIp: MA? > ? > CD > EAC > SHN18291B+18291 and 89723 are same recording based on same clapping wavs at end of d1t4; in comparison on catfish john 18291 has a warmer sound with less hiss than 89723; need 89723 for end of show ***
 JGB: MAC > ? > CD > EAC > FLAC.89723B  ***
10/28/78Paramount Northwest Theater, Seattle, WA
 JGB, early & late: Mark Severson's 2 Sony ECM-270s> Sony TC-158D (2 Maxell UD XL-IIs) MAC (Recorded from front row, center balcony; Mics on railing); Nak Dragon playback > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe > Adobe Audition 2.089135   ***
 Jerry Garcia Band: MAC (Taped by Mike McCaw, Nak 700s > Sony TC-158) > 1 reel > DATs > CDs > EAC > SHN12679B+in comparison on gomorrah, 12679 was a little brighter sound than 89135 ***
11/3/78Keystone Palo Alto, Palo Alto, CA
 Jerry Garcia Band: complete show, aud + sbd composite. MAC (Mike Riley, unknown gear) > R > CDx2 > EAC > SHN (I & IIp) + MC > 2C > CD > EAC > SHN (end of set II).10032A-  ***
11/17/78Rambler Room, Chicago, IL
 Bob Weir & Friends: MSC > DAT > Sonic Solutions > CD > CD > extraction using adobe audition 1.5 > flac level 8, via David Gans.80703  this is a close eac match on t1 to grateful dead shnid=32879***