| Date | Desc | etree id | Rt | Notes | Flaws | dgf |
| xx/xx/80 | Jerry Does Dylan, A Compilation |
| my mo: i listened to as many versions of each song as i could download. that meant roughly 140 versions of simple twist and anywhere from 20-75 versions of most of the others. i eliminated those that didn't pass a minimum threshhold of listenability and then gave full listens to all the other versions. my selections were based on whatever whims i had at the time. basically, though, vocals were usually a minor consideration. sound quality was a priority but not that it was what informed by final choices. the only thing i knew beforehand was that the 8/8/90 tangled up in blue would be included. it is my favorite jerry performance in any incarnation and the last five minutes are the greatest guitar solo i've ever heard from anybody, anywhere, anytime. it's also what got the idea in my head to do this., the only omission was all along the watchtower, which was played once (10/25/87) and does not circulate. i chose the better part of valor and decided against using the version released as part of the pure jerry series. fully recognizing that i couldn't be all things to all people, i hope this works as most things for most people., as i was dealing with 19 different tracks from 18 different sources (mostly aud's), matching levels and segueing were somewhat problematic. i have tried to minimize this as best i could, or at least as gently as possible., thanks to:, tol, who singularly made this possible., zuma_aiko bill and sirmick, who offered solicited help with the set lists., rory kallfelz, who came through big-time when i sent out a short-notice sos for help tweaking the art., jg and his partners in crime through the years., fyi, http://www.jerrygarcia.com, http://www.themusicarchive.com/garcia/garciajournies.htm, http://www.thejerrysite.com/index.jsp, http://www.deaddisc.com/, robbiem@optonline.net; DISC ONE - ACOUSTIC, 1. When I Paint My Masterpiece (9:42), (Garcia & Kahn, Auditorium Theatre, Rochester, NY, 11/27/84), 2. It Takes A Lot To Laugh, It Takes ATrain To Cry (5:47), (Garcia & Kahn, Boston Opera House, 6/28/82), 3. Little Sadie (3:14), (Garcia, Capitol Theatre, Passaic, NJ, 4/10/82, Early Show), 4. Going, Going, Gone (4:19), (Garcia & Kahn, Kabuki Theatre, San Francisco, 8/23/82, Late Show), 5. She Belongs To Me (5:56), (Garcia & Grisman, The Warfield, San Francisco, 5/92), 6. Simple Twist of Fate (10:42), (Garcia & Kahn, Boston Opera House, 6/28/82), DISC TWO - ELECTRIC, 1. When I Paint My Masterpiece (13:39), (JGB, 7/27/80, Palace Theatre, Albany, NY), 2. Tears of Rage (10:44), (JGB, 1/31/91, The Warfield, San Francisco), 3. Forever Young (8:38), (JGB, 8/24/91, Goldcoast Concert Bowl, Squaw Valley, CA), 4. Wicked Messenger (10:19), (Legion of Mary, 4/11/75, Tower Theatre, Upper Darby, PA, Late Show), 5. Positively 4th Street (9:51), (JGB, 10/31/75, Tower Theatre, Upper Darby, PA, Late Show), 6. Knockin' On Heaven's Door (7:37), (JGB, 8/30/87, The Greek Theatre, Berkeley, CA), 7. It Takes A Lot To Laugh, It Takes A Train To Cry (6:22), (Garcia & Saunders, 7/10/73, The Keystone, Berkeley, CA), DISC THREE - ELECTRIC, 1. Going, Going, Gone (12:00), (Garcia & Saunders, 11/16/74, Tower Theatre, Upper Darby, PA, Early Show), 2. Tough Mama (8:18), (JGB, 7/8/77, Calderone Concert Hall, Hempstead, NY, Early Show), 3. Senor (7:56), (JGB, 11/7/93, USAir Arena, Landover, MD), 4. Simple Twist of Fate (14:19), (JGB, 7/24/80, Bushnell Auditorium, Hartford), 5. I Shall Be Released (8:42), (JGB, 9/1/90, Shoreline Amphitheatre, Mountain View, CA), 6. Tangled Up In Blue (12:20), (JGB, 8/8/90, The Warfield, San Francisco) |
| xx/xx/80 | JERRY JAMS (Part II) |
| jams part2, 01. 1980-02-02 - after midnight>eleanor rigby>after midnight, 02. 1980-02-17 - let it rock, 03. 1981-02-11 - catfish john, 04. 1981-05-30 - dear prudence, 05. 1981-11-04 - mission in the rain, 06. 1981-11-10 - mystery train, 07. 1981-11-17 - tangled up in blue, 08. 1982-04-25 - dear prudence, 09. 1982-05-08 - harder they come, 10. 1982-06-16 - catfish john, 11. 1983-06-01 - harder they come, 12. 1984-08-13 - sugaree, 13. 1984-08-13 - rhapsody in red, 14. 1984-08-13 - mississippi moon, 15. 1989-05-19 - don't let go, 16. 1989-09-05 - they love each other, 17. 1989-10-31 - don't let go, 18. 1990-11-21 - let's spend the night together, 19. 1991-08-25 - arabia>, 20. arabia, 21. 1992-04-30 - let's spend the night together, 22. 1993-11-12 - lay down sally, 23. 1993-11-19 - shining star, 24. 1994-02-06 - the maker, 25. 1994-09-02 - shining star>, 26. dear prudence |
| 1/20/80 | Keystone Palo Alto, Palo Alto, CA |
| source: sbd:msc>1c>dat >cdr>wav>shn , comments: | 16868 | B+ | *** |
| 1/24/80 | Rio Theater, Rodeo, CA |
| msc > dat > digi001 > shn, notes:, "how sweet | 4433 | B | *** |
| 1/27/80 | Keystone, Berkeley, CA |
| partialsetiiaud; | 108049 | B | *** |
| 2/1/80 | The Stone, San Francisco, CA |
| *grand opening of the stone*, mac > cd > eac > | 10432 | *** | ||||
| all aud angus hart ; recorded by john | 106203 | *** | ||||
| all aud jaret ; recorded by phil jaret | 106227 | A- | in comparison on catfish john, 106203 is warmest but suppressed; 10432 is fuller than that but harshest; 106227 has the fullest sound; most of 106227 rates A- but last 2 songs are B+ | *** | ||
| all aud jaret 2496; recorded by john | 106229 |
| 2/2/80 | The Stone, San Francisco, CA |
| unknown aud source , tae >wav >shn, extracted | 4432 | *** | ||||
| unknown aud, eac > wav > shn by cbass@usa net | 16681 | *** | ||||
| source: a(big)cardboard box, sbd >? > maxell | 85532 | *** | ||||
| 6th gen aud(tdk sa90) > nak dr 3 > sb x fi xtreme | 92372 | *** | ||||
| (saturday), source: fob audience; tapers: john | 92432 | *** | ||||
| eldon porray's fob mac w/ nak 700 mics>sony | 92369 | *** | ||||
| fob menke motb 0038 ; motb release: 0038 | 105635 | A- | in comparison on sitting in limbo, 16681, 92372, and 4432 sounded slow; 92432 was less full than 105635; 92369 was warmer but more suppressed than 105635; in comparison on after midnight, 85532 is more suppressed with less full sound | *** |
| 2/7/80 | The Catalyst, Santa Cruz, CA |
| jgb aud bittner jupille ; mac (taped by lee | 15063 | *** | ||||
| source: msc>dat>cdr>wav>shn, all of first set | 24511 | A- | in comparison on sugaree sbd 24511 is more upfront than the auds; for auds 105973 is warmer but more suppressed than 15063 which os more echoey | *** | ||
| all aud angus hart ; recorded by john | 105973 | *** | ||||
| all aud angus hart 2496; recorded by john | 105974 |
| 2/12/80 | Lisner Auditorium (George Washington University), Washington, DC |
| mac>d>cdr>shn, taped by scott jones, fob shure | 11019 | B+ | 24683 is reported not this show; in comparison on Harder They Come 11019 has a clearer sound than "Source: Cassetter->TASCAM Portastudio 424 mkII->DAT->SHN" which runs fast and is a different recording | *** | ||
| early show, source: msc > c > cdr > wav > shn | 24683 | reported to be mislabled 3/1/80 | *** | |||
| late show, requires one 80 min cdr +, audio format: wav, ripper: exact audio copy, source: cassetter->tascam portastudio 424 mkii->dat->shn, this audience tape is the only recording of the great garcia show that i've ever, seen in circulation. someone requested this a few months ago, so here it is for, your enjoyment. it's not a great audience tape, but okay for the time period., posted by: vamarty, posted on: 7-22-2004; 1 The Harder They Come 14:27, 2 It Takes A Lot To Laugh 08:11, 3 They Love Each Other 09:05, 4 Russian Lullaby 12:45, 5 After Midnight--> 11:52, 6 Eleanor Rigby--> 02:06, 7 After Midnight 05:22, 8 I'll Take A Melody 12:03, Total Time - 75:54, Encore will have to be on a separate disc, but the timing is as follows:, 9 Tore Up Over You 09:40 | *** | |||||
| late aud, late show, 01 the harder they | 141663 | Not Reviewed Yet |
| 2/13/80 | Palace Theatre, Albany, NY |
| partial show audience tape of unknown lineage | 82400 | B- | *** |
| 2/15/80 | Orpheum Theater, Boston, MA |
| source: aud: mc > dat > cd(2) > shn, any info | 4431 | B+ | in comparison on catfish john, 4431 seems same recording with sort of similar sound to 30371 but that has more digital squarish wav flaws; 101726 is more echoey; 34726 is warmest sound but suppressed | *** | ||
| early show, source: mac > dat > wav > flac16 | 30371 | *** | ||||
| early and late shows, recording by steve rolfe: | 34726 | *** | ||||
| aud morris ; early and late shows, sony | 101726 | *** | ||||
| aud morris 24; early and late shows | 106584 |
| 2/16/80 | Gymnasium (University of New Haven), West Haven, CT |
| audmc > ? > dat > cd > shn (seeking enabled) | 21477 | *** | ||||
| mac (taped by scott vid, fob akai mic > | 32346 | B+ | in comparison on simple twist of fate, these are all full sounding recordings with 102353 the harshest, then 21477, then 32346, and then 102002 is warmest but suppressed | *** | ||
| aud morris ; (fob) unknown mics (2) > | 102002 | *** | ||||
| 24; 24 bit, source: aud cassette master, taped | 102352 | |||||
| source: aud cassette master, taped by bob | 102353 | *** | ||||
| aud morris 24; 24/96, (fob) unknown mics | 106583 | |||||
| cass medeiros , cass > sony td we405 > | 141452 | Not Reviewed Yet |
| 2/17/80 | Laker Hall (SUNY), Oswego, NY |
| master aud cassette >dat>cdr taper & gear | 9017 | B+ | *** |
| 2/19/80 | Landmark Theater, Syracuse, NY |
| source: binaural headphone mics > nakamichi | 22888 | B+ | in comparison on catfish john, 22888 has a fuller sound than 32522 | *** | ||
| source: unknown condenser mics (on spreader bar) | 32522 | *** |
| 2/20/80 | Fine Arts Center, University of Massachusetts, Amherst, MA |
| source: mac (sounds like a handheld mic) | 29308 | C+ | *** | |||
| source: naks model and deck unknown , set i: | 30229 | B | 30229 set1 has matching md5 to 29308; in comparison on Sitting In Limbo 30229 has a fuller less muffled sound than 29308; first set rates C+ while second set rates B+ | *** | ||
| set2aud 24, source: naks model and deck | 131018 |
| 2/22/80 | The Barn, Rutgers University, New Brunswick, NJ |
| nak 700's>sony tc 158>cassette master, playback | 4430 | *** | ||||
| mac (taped by barry glassberg, fob nak cm 700s > | 18015 | *** | ||||
| fob glassberg motb 0083 24; motb release: | 96311 | |||||
| jgb fob glassberg motb 0083 ; motb release: | 96312 | B+ | in comparison on simple twist of fate, 96312 has a warmer fuller sound than LB-18015 and LB-4430 | *** |
| 2/23/80 | The Tower Theatre, Upper Darby, PA |
| early and late shows, mac > dat > cd, taper | 8604 | *** | ||||
| late show, source:, fob>sony ecm990(stereo | 35179 | B+ | in comparison on masterpiece, 35179 has the warmest fullest sound, then 101808, then 8604 | *** | ||
| early ; early show, aud > old maxell | 98932 | B | in comparison on catfish john, 98932 has the fullest harshest sound, 101808 has the warmest narrowest,sound and 8604 is in between; so choose 98932 for most of first set filling in with 8604 | *** | ||
| aud morris ; early and late shows, unknown | 101808 | *** | ||||
| mac > dat > cd, taper and rig unknown, notes:, no flaws noted on the late show recording. tracks are, labeled as disc two ("d2t01" etc), early show (disc one), not present in this file set.; Disc Two - Late Show (7) 69:59, 1. crowd [0:47], 2. Sugaree [16:02] [0:31], 3. Harder They Come [11:41] [0:08], 4. Russian Lullaby [14:56] [0:18], 5. Tore Up Over You [7:53] ->, 6. Midnight Moonlight [7:35] [0:14], Encore:, 7. When I Paint My Masterpiece [9:34] [0:16] | this matches md5 to late show portion of 8604 | *** | ||||
| aud peters zombiwoof, jerry garcia | 138200 | Not Reviewed Yet | ||||
| late aud, late show, 01 sugaree, 02 the | 141397 | Not Reviewed Yet |
| 2/24/80 | Gym (SUNY), Stony Brook, NY |
| there is some ambiguity about the lineage of this | 8414 | *** | ||||
| aud : mc > dat > cdr, seeded to the jerry garcia | 8913 | 8913 is a close eac match on d1t2 to 8914 with same digital flaws and without the robert hunter set | *** | |||
| mac (taped by mark cohen, 3 nakamichi cm 700 | 18019 | 18019 has similar wav and spectral view and same levels to 8414 | *** | |||
| source:, fob>sony ecm990(stereo mic)>jvc | 35140 | *** | ||||
| aud morris ; (fob) unknown mics (2) > | 101725 | |||||
| aud morris 24; 24/96, (fob) unknown mics | 106582 | |||||
| boldcaptain presents:, jgb1980feb22-24.aud.flacf.torrent, jerry garcia band, february 22nd and 24th 1980, title: shipwreck #001, jerry garcia band, feb 24 1980, stonybrook gymnasium, suny stonybrook, n.y., feb 22 1980, rutgers college, new brunswick n.j., source: master audience cassette- unknown akai mics > marantz "brown cow" (300 maybe??) cassette > memorex mrx3 90 (min), playback/transfer: nakamichi 680zx > tascam cd-rw5000 > cd > peak 4.13 ( extraction, tracking, fades, > verify sbe ok, generate aiff md5, compress to flac level 6, generate fingerprint, verify via xact 1.4b23, seeded to ezt via azureus 2.2.0.2 by boldcaptain., file size: 951.0 mb flac level 7, notes: the first in a series of cds i will be compiling, consisting of bits and pieces of tape thrown together, first sets with no encores, part 2's that may or may not ever see their mates again, you get the idea. entitled "shipwrecks", they represent incomplete sets that would otherwise have to wait further discovery before becoming complete and then being released at a later date, or maybe never at all. mostly master and 1st gen stuff that i would want to burn to cd, hoping to find rest of the show in the next box., so we have this garcia show from 2-24-80, which i know has been well documented previously but nonetheless deserves to be circulated. minus its encore, it becomes my first shipwreck, paired up with the 2nd tape from two nights before, 2-22-80. solid jerry both nights, nice sounding though nothing special, but very enjoyable.; Setlist:, CD1, Feb 24 1980, 01. Sugaree...................................................... 16:12.01, 02. Catfish John............................................... 9:31.61, 03. How Sweet It Is (To Be Loved By You)....8:58.47, 04. Sitting in Limbo..........................................11:43.15, 05. Thats alright Momma.................................. 8:09.01, 06. Thats What Love Will Make You Do......10:13.52, 07. When I Paint My Masterpiece...................9:23.64, Total 74:12.16, CD2, 01. Tore Up ........................................................9:13.26, 02. Ill Take A Melody ......................................13:20.57, 03. Harder They Come...................................12:25.46, encore, Missing, Moonlight Midnight, Feb 22 ( from begining of 2nd tape), 04.Thats What Love Will Make You Do..........9:36.07, 05. Friend Of The Devil......................................9:20.00, 06. How Sweet It Is (To Be Loved By You).....8:10.01, 07. Moonlight Midnight......................................7:36.25, Encore:, 08. When I Paint My Masterpiece.....................8:55.08, Total 78:37.20 | *** | |||||
| version "a'; all, a:mc>d>cd, nak 700's>sony tc-158; excellent sound; w/ robert hunter; CD1 Friend of the Devil, 3 Rum Runners, 4 Mountains of the Moon, 5 Heart of Glass (crowd noise makes it hard to hear words) > Cruel White Water, 6 Brown-Eyed Women, 7 Mr. Charlie > 8 Easy Wind > 9 Boys in the Barroom, 10 Sunshine Daydream> 11 Scarlet Begonias > 12 Grinnin' In Your Face + JGB tuning 13 Sugaree 14 Catfish John 15 How Sweet It Is (To Be Loved By You) 16 Sitting Here In Limbo CD2 1 That's Alright Mama 3 Set2 That's What Love Will Make You Do 4 When I Paint My Masterpiece 5 Tore Up Over You 6 I'll Take A Melody 7 The Harder They Come 8 Midnight Moonlight | this is a close eac match on d1t1 to 8414 with same digital flaws | drop/cut between cdrs | *** | |||
| stankiewicz 2496, 24bit/96khz file set | 126077 | |||||
| stankiewicz , 16bit/44 1khz file set, s1t01 | 126078 | B+ | in comparison on catfish john, 126078 has the fullest sound, then 101725, then BoldCaptain Presents version, then 8414, then 35140 | *** | ||
| fob nak700 cohen miller sirmick 24 | 143929 | Not Reviewed Yet | ||||
| fob nak700 cohen miller sirmick, source: 3 | 145870 | Not Reviewed Yet | *** |
| 2/26/80 | Ocean State Theater, Providence, RI |
| source: nak 700's>sonytc d5 (xlii s cassette | 9018 | *** | ||||
| source: sbd > cmx > cdr > wav > shn , *d1t02 from | 19971 | B | 34727 is same recording as 9018; in comparison on mountains of the moon, 34727 has a warmer sound and 9018 has a little more hiss; 99498 is harsher and less full sound than those; in comparison on tiger rose, sbd 19971 has fullest sound with most upfront vocals; morris 101774 has least full sound with most hiss | *** | ||
| with robert hunter opening, recording by steve | 34727 | *** | ||||
| jgb akg shure friend 2496; & robert | 99497 | |||||
| jgb akg shure friend ; & robert hunter | 99498 | *** | ||||
| aud morris ; unknown mics (2) > cassette | 101774 | *** | ||||
| version "a"; all a:mc> ? >cd; CD1 1 Robert Hunter set (fade into) Friend Of The Devil, 2 Rum Runners, 3 Mountains of the Moon, 4 Heart of Glass > Cruel White Water, 5 Brown-Eyed Women, 6 Keys to the Rain, 7 Crooked Judge 8 Mr. Charlie > 9 Easy Wind > 10 Boys in the Barroom 11 Mississippi Half-Step> 12 Ripple > 13 Grinnin' In Your Face CD2 JGB 1 How Sweet It Is (To Be Loved By You) 2 Knockin' On Heaven's Door 3 They Love Each Other 4 That's What Love Will Make You Do 5 Mission In The Rain 6 Set2 The Harder They Come 1 Tiger Rose (1) 2 Promontory Rider (1) 3 It's No Use 4 Russian Lullaby 5 Midnight Moonlight 6 Dear Prudence | this is a close eac match on d1t1 to 9018 | drop/cut between cdrs, end of d3t2, d3t5 |
| 2/28/80 | Wilkens Theatre, Union, NJ |
| early and late shows, mac > dat > cdr, recorded | 9024 | *** | ||||
| aud; Early Show, Disc 1, 1. Sugaree, 2. Catfish John 11:12, 3. That's What Love Will Make You Do 9:43, 4. Simple Twist Of Fate 16:54, Disc 2, 1. How Sweet It Is To Be Loved By You 10:02, 2. After Midnight > Eleanor Rigby Jam > After Midnight; Late Show, Disc 1, I'll Take A Melody, Tore Up Over You, Knockin' On Heaven's Door, The Harder They Come, Disc 2, Tiger Rose (1), Promontory Rider (1), Mission In The Rain, Midnight Moonlight, (1) with Robert Hunter | this is same recording as 9024 with higher levels | *** | ||||
| after midnight;, 2/28/80, jerry garcia band, initial release : 2004, rhino r2 76536, 3 cd archive release of music from the jerry garcia band show at kean college, union, new jersey on february 28, 1980., tracks, disc 1 (early show);, sugaree (garcia / hunter), catfish john (mcdill / reynolds), that's what love will make you do (thigpen / banks / marion), simple twist of fate (dylan), disc 2 (early show);, how sweet it is (holland / dozier / holland), after midnight (cale), eleanor rigby (lennon / mccartney), after midnight (reprise) (cale), disc 3 (late show);, i'll take a melody (toussaint), tore up over you (ballard), knockin' on heaven's door (dylan), the harder they come (cliff), tiger rose (hunter), promontory rider (hunter), mission in the rain (garcia / hunter), midnight moonlight (rowan), musicians, jerry garcia - guitar, vocals, ozzie ahlers - keyboards, vocals, john kahn - bass, johnny de foncesca - drums, robert hunter - vocals (on tiger rose and promontory rider), credits, original recordings produced by - jerry garcia, produced for release by - christopher sabec, peter mcquaid, hale milgrim, a&r supervision - james austin, jimmy edwards, tape research - david lemieux, mixing - tom flye at record pland, sausolito, second engineer - robert gatley, mastering - joe gastwirt at joe's mastering joint, editorial supervision - steven chean, cd booklet notes - robert hunter, art direction, design - hugh brown, katherine delaney, live phots - jay blakesberg, album coordination - jeff adams, project assistance - reggie collins, leigh hall, matthew abels, randy perry, special thanks to - annabelle garcia mclean, clifford garcia, deborah koons garcia, heather garcia katz, keelin garcia, theresa garcia, sunshine garcia, recorded live at kean college, union on february 28, 1980, related releases, a bonus promotional disc was distributed with orders of after midnight that were pre-ordered from www.jerrygarcia.com. the bonus disc, way after midnight, comprised songs from the two jgb performances that followed the 2/28/1980 show; hempstead on 2/29/1980 and passaic on 3/1/1980;, way after midnight, jerry garcia band, 2004, way after midnight, jerry garcia band, initial release : 2004, jgbwam-01, a promotion cd distributed with copies of the 3 cd after midnight: kean college, 2/28/80 release that were re-ordered from www.jerrygarcia.com. the cd comprises songs from the jerry garcia band shows on 2/29/1980 and 3/1/1980., tracks, dear prudence (lennon / mccartney), when i paint my masterpiece (dylan), russian lullaby (berlin), that's all right, mama (crudup), deal (garcia / hunter), musicians, jerry garcia - guitar, vocals, ozzie ahlers - keyboards, vocals, john kahn - bass, johnny de foncesca - drums, notes, the tracks are from the following shows;, dear prudence - hempstead, 2/29/80, when i paint my masterpiece - hempstead, 2/29/80, russian lullaby - hempstead, 2/29/80, that's all right, mama - passaic, 3/1/80, deal - hempstead, 2/29/80, related releases, this promotional release was distributed with;, after midnight: kean college, 2/28/80, jerry garcia band, 2004 | $ | after midnight has a fulle more upfront sound than auds 9024 and 123006 | *** | |||
| a moore berger , early show, source: aud | 123006 | *** | ||||
| a moore berger 24, early show, >> 24 bit | 123007 |
| 2/29/80 | Calderone Concert Hall, Hempstead, NY |
| late prefm hederman , late show, wlir fm | 114053 | *** | ||||
| 02/29/80b, (late show) fmsbd | 4460 | B+ | 9163 is a sort of close eac match on dt12 to 4460; 9163 fades in on d1t1 and is missing end of show crowd; 114053 is a close eac match on d1t2 to 4460 with same digital flaws and is an alternate selection; bertha 21461 has added bass and made it harsher; aud 35216 has less upfront sound than sbds | *** | ||
| late show, pre fm sdb>>cassette master>>cdr | 9163 | |||||
| late show, bertha remaster of the prefm | 21461 | *** | ||||
| early show, mac (taped by john jay hance, akg | 27563 | *** | ||||
| early show, source:, fob (ctr orch,row r, seat | 35180 | B+ | in comparison on mision in the rain, 35180 has a more upfront sound than 27563 | *** | ||
| late show, source:, fob>sony ecm990(stereo | 35216 | *** |
| 3/1/80 | Capitol Theater, Passaic, NJ |
| late show, mac > dats > cds > hp 9350i extraction | 14983 | *** | ||||
| early show, source: msc>dat>cdrs | 4429 | *** | ||||
| early show, mfr (taped by barry glassberg from | 17928 | *** | ||||
| flac24 3.00gig; livevol1 24, digital download, flac, 24 bit, 88.2khz, the first release from the newly-launched garcia live series features a recording from the historic capitol theatre in passaic, new jersey on march 1, 1980. the band performed an early and a late show on this evening, as was common at the time. the shows were originally multi-tracked on a 24-track mobile rig for wnew's broadcast of the early show., the band, which included garcia on guitar and vocals, partner in crime john kahn on bass, ozzie ahlers on keys and johnny de foncesca on drums at the time, was wrapping up a three-week east coast run with the performances on this evening. highlights including a take on the jimmie rodgers penned rave-up, "that's all right," an early show encore of "deal" and a rollicking version of "that's what love will make you do" show jerry and the band loose and fluid at the end of the tour., early show:, sugaree, catfish john, how sweet it is, simple twist of fate, sitting in limbo >, that's all right, deal, late show:, mission in the rain, that's what love will make you do, russian lullaby, tiger rose (w/ robert hunter), the harder they come, promontory rider (w/ robert hunter), midnight moonlight, e: dear prudence, the lineup is:, jerry garcia - guitar/vocals, john kahn - bass, ozzie ahlers - keyboards, johnny de foncesca - drums, the first release from the newly-launched garcia live series features a recording from the historic capitol theatre in passaic, new jersey on march 1, 1980. the band performed an early and a late show on this evening, as was common at the time. the shows were originally multi-tracked on a 24-track mobile rig for wnew's broadcast of the early show., the band, which included garcia on guitar and vocals, partner in crime john kahn on bass, ozzie ahlers on keys and johnny de foncesca on drums at the time, was wrapping up a three-week east coast run with the performances on this evening. highlights including a take on the jimmie rodgers penned rave-up, "that's all right," an early show encore of "deal" and a rollicking version of "that's what love will make you do" show jerry and the band loose and fluid at the end of the tour., the first release from the newly-launched garcia live series features a recording from the historic capitol theatre in passaic, new jersey on march 1, 1980. the band performed an early and a late show on this evening, as was common at the time. the shows were originally multi-tracked on a 24-track mobile rig for wnew's broadcast of the early show., the band, which included garcia on guitar and vocals, partner in crime john kahn on bass, ozzie ahlers on keys and johnny de foncesca on drums at the time, was wrapping up a three-week east coast run with the performances on this evening. highlights including a take on the jimmie rodgers penned rave-up, "that's all right," an early show encore of "deal" and a rollicking version of "that's what love will make you do" show jerry and the band loose and fluid at the end of the tour. | $ | A |
| 3/7/80 | The Stone, San Francisco, CA |
| mac (taped by john angus and scott hart, sony ecm | 14594 | B+ | *** |
| 3/8/80 | The Stone, San Francisco, CA |
| the dat appears to possibly be a sbd aud matrix | 4428 | B+ | 4428, 81246. and 126763 are sort of close eac matches to each other on d1t1; 126763 has more digital flaws than the others; could choose either 4428 or 81246 | *** | ||
| jg80 03 08 jgb aud unknown shnf | 81246 | *** | ||||
| jerry garcia insane guitar & vocals | 126763 | drop and digipop static d1t4 9:45 | *** |
| 3/26/80 | Keystone, Berkeley, CA |
| source: aud(sony ecm99's)>sony tcd5>cassette | 13423 | B+ | *** |
| 7/18/80 | The Stone, San Francisco CA |
| s2 aud , second set, s2t01 that's what love | 137878 | B | ||||
| s1 aud , first set, s1t01 sugaree, s1t02 | 137887 | B |
| 7/19/80 | The Stone, SF, CA |
| aud moore berger, jerry garcia guitar | 122980 | B+ | *** |
| 7/24/80 | Bushnell Auditorium, Hartford, CT |
| source: sony ecm280>d5>dat>cdr>eac>shn jim wise | 21536 | B+ | in comparison on simple twist of fate, 21536 has a clearer sound while on 108004 the music is lost down in the crowd noise presence; 77929 is a sort of close eac match on d1t1 to 21536 with same digital flaws | *** | ||
| recordings: 180 aud (dat: mac>d), contributors: | 77929 | *** | ||||
| aud 2448; 24bit/48khz file set, s1t01 | 108003 | |||||
| aud ; 16bit/44 1khz file set, s1t01 crowd | 108004 | *** |
| 7/25/80 | Orpheum Theater, Boston, MA |
| late show, mac > ? > cd > eac > shnv3, comments: | 17070 | Sugaree is of much lesser sound quality than the rest of the show | has some digital flaws like digipops | *** | ||
| late show, mac (taped by bob wagner, 2 nak | 28737 | A- | in comparison on mission in the rain, 28737 has a warmer bassier sound than 28736 | *** | ||
| (early show), mac > dat? > cd > eac > shnv3 | 17069 | A- | in comparison on catfish john, 17069 has a fuller harsher sound with more hiss than 28736 which is warmer but suppressed | *** | ||
| early show, mac (taped by bob wagner, 2 nak | 28736 | *** |
| 7/26/80 | Convention Hall, Asbury Park, NJ |
| late show, mac (taped by fredo johnson, nak 300s | 18744 | *** | ||||
| early show, mac (taped by peter jaeger, nak 300s | 26217 | B | *** | |||
| aud morris ; early and late shows, unknown | 102003 | B+ | in comparison on simple twist fo fate, 102003 has a more upfront harsher less fuzzy sound than 26217 which has more hiss and more buzz; need 26217 for beginning of show and then 102003; in comparison on dear prudence 102003 has a harsher sound and 18744 is warmer but more suppressed; need 18744 for first 2:45 of I'll Take A Melody and songs before that | *** | ||
| late sbd bershaw , late show, source: bob | 139465 | Not Reviewed Yet | ||||
| late mtx, late show, *matrix*, 01 crowd | 140968 | Not Reviewed Yet |
| 7/27/80 | Palace Theatre, Albany, NY |
| nak 700's >, superscope cd 320 >, sound | 120085 | *** | ||||
| source: aud(mic unknown)>cm>dat>cdr>wav>shnv3 | 15190 | 15190 has similar wav and spectral view and sound to 109247 except levels are a little different; 15190 has more flaws | drop d2t6 1:30 | *** | ||
| s2 aud nak300 ; 2nd set only, s2t01 | 109240 | *** | ||||
| all aud cohen , taper: mark cohen; field | 109247 | A- | in comparison on mission in the rain, 109247 has a fuller warmer sound than 120085 and 109240; 120085 sounded slow | *** | ||
| fob nak700 cohen miller sirmick 24 | 144659 | Not Reviewed Yet | ||||
| fob nak700 cohen miller sirmick, source: | 145872 | Not Reviewed Yet |
| 8/9/80 | Keystone Palo Alto, Palo Alto, CA |
| partial, msc > dat > cd > plexwriter px w4824a | 29088 | B+ | *** |
| 11/16/80 | Warfield Theater, San Francisco, CA |
| bob dylan with jerry garcia, source: | 20211 | this is all aud and a compilation from two bootlegs; d1t1 is a close eac match to bootleg "Bob and Jerry"; d2t12 is a sort of close eac match to bootleg "Summer Night 1995"; (did not listen to all of this); ((see Bob Dylan LosslesBob web pages for listing of the recording versions circulating; choose sbd LB-11281 for To Ramona and aud LB-437 for rest of Jerry songs missing from sbd)) | *** |